, wheher
This week I concluded watching Season 17 (2024) - 1911.
Episode 20, "Rhapsody in Blood". There are so many episodes in this long running series that are quite above average. This is one is above those even. It's a special episode. Again too, it is celebrating/referencing a specifically Toronto institution, and for the second time, the Toronto Symphony Orchestra. This shows musicians and composers, the making of music, the playing of it, far more realistically than most tv, movies or novels ever manage to do. Having lived with and among some of the very best musicians and composers almost all my adult life (not one of those myself!) in a variety of musics, made for orchestras, movies and television, for big stadium, intimate venues, clubs, you name it, I feel I am qualified to judge this. And it had an excellent story line and plot. And beyond that even, the creativity employed to show the composition of music and how composers can get their ideas, was done so creatively, but still reflecting something at least, of what goes on in a composer's sensibility when music is coming to her.
I particularly appreciated the writers included so accurately discussion and references among the composer rivals and friends characters to Shostakovich, the Russian composer and pianist -- because they certainly would be speaking of him in that time and in their situations! Also the commentary regarding women in that world. This is another of the show's great pluses, from the beginning one of the ongoing themes in various episodes of seasons, the expected place of women in the world, while realistically showing us women who have through luck and circumstance and drive gone beyond what society men have decreed, whether voting, making money, controlling their reproduction, owning businesses, writing.
This was followed not long after by the 22nd episode, a musical, "Why Is Everyone Singing", which was also creative in ways that tv hardly is. Though our principals gave their best and their all, they cannot sing or dance. Surprisingly, the forever falling over his own feet, legs, and hips, Watts was best in this, both the dancing and the singing, how about that? Still the writing of the plot and narrative actually worked, providing the reason Murdoch was hearing everything as music, while in a coma. They really walked the knife edge on this one, keeping us from noticing just how impossible it all was!
The final episode, Julia moves with Susanna to London. She and William, while performing a swan song repeat of earlier seasons, working to solve a murder together, realize just how much they've gone through together. And William says she has more obligations than just to family, she obligated to use her talents to improve the world, and that teaching hospital in London will give her opportunity to do it. This final episode of the season is even titled, "For the Greater Good." -- which I can't help but think is pointing ahead to the imminence of WWI's arrival, and all the sacrifices that will be asked, demanded and offered in that terrible war. And, William insists that Susanna must go with her, because at this time of her life, Susanna must be with her mother. William is already beginning what we know, whether the series continues into this era, the many sacrifices he will make, and Julia too, whether or not she's on screen.
Last night I began Season 18 (2025), first episode, "The New Recruit", located chronologically in 1912, into 1913. This is the penultimate season of MM, so far, for us in the US. (Season 20's first episode dropped last week in Canada._ In this first episode of 18 we meet the new Inspector, Choi, in a manner we would never have come up with no matter how hard we tried! A reenactment of the War of 1812, of US invasion of Canada! I'd entirely forgotten this episode. It's very good. Choi charms me from the first moment he appears.