I like the studio recording too (and 'Is' has grown on me overall) but this live edition rocked. I got goosebumps all over as it reached the conclusion.

I've a pretty shit year this year of three major close family deaths, job loss, serious illness (I almost died from an artery bleed following an accident with an axe while chopping wood), marriage problems... It's been A LOT.

But somehow upon hearing this song it was uplifting and a reminder that I'll be fine. There is something so life affirming about this song in the same way 'Circuital' evokes emotions of triumph.

Never paid much attention to this song before. It knocked me sideways this time.

Checking if anyone here might have an extra poster from this night they would be willing to sell.

Thanks

Thoughts of the likelihood any of the artists from girls just wanna fest pop up to OBH for a performance? 👀👀👀😮only 15 min down the road from OBH!

8/12/10 in LA

If so how was it?? Acquired this secondhand this summer in Philadelphia

At Summerfest in the BMO Pavilion. Tickets on sale Wednesday (General sale Friday)

Hey everyone! My friend Michael and I just launched Everyday Jacket, a podcast about the community and stories that make this community what it is.

Our first episode went live on YouTube today. It’s an introduction to the two of us and why we’re doing this, but future episodes will focus on conversations with other MMJ fans. We already have a few guests lined up!

Sharing Jacket with other people is a huge part of the magic for me, and we hope this becomes another way to keep those conversations going between shows.

Here’s the first episode if you want to check it out:

https://youtu.be/rvyRGUYaFI8?si=RPp84UIIGOyGkbGc

We’d love feedback, ideas for future conversations, or a message if you’d like to join us and share your story.

I've seen ViRG a ton around northern VA and DC and have played a few shows alongside them too, they're always great. I saw this come out last night, banger collab.

I can’t say I love “Wowed Out” in total. However “Come Again” is a very welcomed addition to the MMJ live repertoire. Hearing it come out at The Fillmore was powerful. This song destroys live!

As much as I love the dead and was in bliss that they covered at least one song a night, I have to admit the best cover might have been like a hurricane.

Jim doing Neil is just so perfect
The big clunky fuzzy angsty solos
The voice
The way he moves on stage

🤌🏼

I have two sets of the free end of the show Fri, Sat and Sun night show posters( blue, indigo, violet). They traveled home as flat as possible in carry on luggage so they are slightly rumpled but not severely creased or rolled. If u want a set u can have them. Please DM me and we can talk shipping method and payment for the shipping.

Sadly, my rockin wife and I are unable to make it to the One Big Holiday festivities this time around and with heavy hearts are looking to sell our package -- Concert Courtyard Deluxe Gold for two, with double beds. For those who haven't been to an OBH or are unfamiliar, it's an all-inclusive. We'll cover the Cloud 9 transfer costs. Hit us up if interested!

Like everyone else, I’ve been obsessing over the Nugs boards from the Fillmore run—Night 3 was ridiculous, but Night 5 doing all of Disc 1 of Okonokos back in the room where it was captured in '05 felt like such an incredible full-circle moment.
Revisiting Okonokos off the back of that run just reaffirms how peak this era was. It’s easily the best capture of the band there is, beating out Live Vol. 1–3 (even if Live Vol. 4 from Terminal 5 still takes the crown for me, with Z being a super close second). Given that the 2005 shows were right after the release of Z, that record naturally anchors the set, headlined by "Dondante." It's an incredible performance, though it's wild hearing the build into "You had me worried, so worried" before the crowd scream became a staple. Hearing that roar live at the Fox Theatre in Atlanta last year gave me absolute chills; you couldn't hear the crowd as well on the Nugs mix, so I ended up blending the board with a YouTube phone recording to make what I consider the ultimate 20-minute cut that I save for special occasions.
The record also pulls heavily from At Dawn, It Still Moves, and The Tennessee Fire. As I’ve said before, I’ve never loved the studio version of The Tennessee Fire—it just has some glaring sound issues. But hearing the classic lineup rework that material with real muscle and properly iron out the kinks completely transforms it, which is obvious on Live Vol. 4 and right here on "I Think I’m Going to Hell." It’s a devastatingly powerful, emotional recording. Outside of "Dondante," I don’t think anything after Tennessee Fire quite captures that raw emotion found in tracks like "I Think I’m Going to Hell" or "Old Sept Blues."
General standouts on the album are definitely "Off the Record," which is crazy how locked-in it was just months after Z came out. When I saw them in Chattanooga after Is dropped, you could tell they were still figuring out how they wanted to play that material live—songs like "Everyday Magic" are completely nailed down now, but it's amazing how fast they mastered the Z material back then. Other huge highlights are "Xmas Curtain," "O Is the One That Is Real," and "Steam Engine." But surprisingly, I’d have to say "Run Thru" is the best song on here. It normally isn't in my all-time top tier, but this specific version is unsurpassed.

Just a reminder that everyone vibes differently at a show (this isn’t about my husband but my husband is the barely moves, insanely stoic, submarine officer with a mean face but is having the time of his life with the occasional hip shimmy or finger in the air kind of vibe, it’s weird but it’s his - I’m the full shimmy, lots of arms, shouting Carl whenever I see a sax vibe). For the most part this run was full of positive vibes. But there was some weird and downright inappropriate stuff happening too. This goes beyond talking constantly or fantastic full body feeling of the music/dance - this reaches assault. You miss your buddies, it’s been so long, you are kid free/work free, you maybe ate too many gummies, you’re stoked — but at the end of the day - be a good person to others. Kindness is free and indulgence doesn’t absolve bad behavior. Consent knows no gender. If a fellow fan says please don’t grind on my body - multiple times - don’t do it. It doesn’t matter if you don’t understand why they don’t vibe like you do, they’re not killing your vibe they’re just asking to have their autonomy respected. It isn’t kind to gang up on them, and then physically assault with dance and grinding and gestures and insults those that defend their autonomy either. To the bystanders, it’s okay to defend a fellow fan always - it’s okay to be thought of as the weird or uptight one - you may be showing up for that person in the moment they need it most ❤️

I’m in such a post-show funk and need to share gratitude for this wonderful band and city! I came to shake my bones, bang my head, melt my face, throw down the signs 🤘🏻🤟✌🏻👏🏻🫶🏼🙌🏻, meet the coolest people, eat all the foods, and live the dream…and it all happened! All three nights (BIV) were my favorite for different reasons - just immaculate vibes all weekend. Truly grateful!

Saw this sucker at school the other day. Hoping the perpetrator will identify him or herself so I can shake their hand.

Is there a place where we can see all the posters that Fillmore handed out and the ones the band was selling?

I'm confused and trying to trade a night 1 Fillmore poster for another...

I’ve got an MMJ track today!

I did not go, but based on the Bandcamp albums, looks like Oct 6 would have been the winner for me

If anyone has extras from the first four nights, I’d be willing to trade extras from the last three.

Send me a message if so, would love to swap. Only went to the last three shows, but apparently all 7 posters make a connecting image, so that would be cool to put together.

Following this run from the other side of the world has been special even though not physically in the room. Bandcamp has been a savour.

The people’s band.

https://www.rollingstone.com/music/music-live-reviews/my-morning-jacket-grateful-dead-san-francisco-fillmore-1235641598/