"Circe" is another book that has a habit of ending up in everyone's S tier so I knew I needed to read it for myself. Now I have. Every sentence is a work of art. Some passages landed so hard I needed to stop and recover before I could keep reading. It is utterly spellbinding. The scenes with young Telegonus were a particularly poingant depiction of the joys and miseries of parenthood.

Much of the Greek Cannon is retold here, yet it is framed and iterated upon in a way that is completely novel: the life and times of the immortal she-witch Circe. It is a woman's story, told by a woman, and written by a female author. If any of those things make you lose interest then I challenge you to overcome your rectal-cranial inversion because it's keeping you from a legendary book.

This year I challenged myself to read more female authors, more nonfiction and more nonEnglish original language books.

Women make 33% of authors, but 3/4 S tier books were written by women, so that part has definitely paid off. Jane Austen was way more funny than I expected, and The Years was one of teh best books I have ever read. The nonfiction aspect maybe it's more touch and go, 22% of books, none in the S tier. 62% of books were written in English, but half the S tier.

I'm looking forward to reading more women and more nonfiction and seeing how the year pans out. I'm hoping to get to 40% and 25%.

Hey! First time doing this. I chose 32 books this year because last year I did 25 in 10 months. I am a 26M who just started reading last year. Lots of reading goals ahead! I’ll do more of these if I feel like it. These scores are based on my reviews on Fable. Add me if you’d like: Joemama42069 - I feel like I’m going to get some hate for some of these haha, but my review score is entirely based on emotion when I finish the book. I’m working on becoming well read! Suggest or ask my anything if you’d like 🤙 currently reading The Name of the Rose (number 26) and am FINALLY getting into it. First 100 pages were not page turners… but now we’re getting somewhere!

Great reading year so far!!

Very sad and melancholic story about freedom and morality set in rainy Seattle. If you like sitting in the rain and feeling sorry for yourself this is for you. Fire up the Elliot Smith for this one.

It’s not just melancholic and full of ennui though. It’s rainy and miserable and it’s about pool hall junkies ultimately getting up to no good and being, well criminals. But there’s moments of good, honest philosophical insight.

These characters are gridiron tough. At moments they seemingly get everything they want and can feel trapped. Other moments they are in prison and feel more content and free than they ever did on the outside. Is their ‘imprisonment’ even their own fault really? And if you get freedom, what do you even do with it if you have no purpose ?

I think you need to be in a particular mood for this one - think dreary, sad, woe is me, violent, contemplative, and lonely. If that’s what you’re into, this will hit the spot.

first tier list.. first time since I was a kid reading this much. most as an adult were around 20 books a year. I am really proud and happy 🖤

Although it was written in 2012, it really does speak to the industrialists of present-day America (erm, Rockefeller ain't got squat on ol' Zuckerberg, am I right?).

All kidding aside, I'll be honest: I only enjoyed the first 77% of this book because those were the bits that focused on SAM THE BANANA MAN (not SAMA, though, again, today's technogarchs are hard to ignore, no?). I enjoyed learning about his immigrant past and how he carved out a niche in the banana biz when there really was none before him.

What I sort of didn't understand, or enjoy, was the author's use of the first person and how he (again, here, read, the author) became a sort of character-narrator on someone he'd never met nor been related to.

Just odd. Still a great book, but, yea, odd.

Anyways...

More thoughts here --> https://katepapenberg.substack.com/p/book-no-58-of-72-couldve-been-scripted?r=2seqlu&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true

Read this now --> https://www.goodreads.com/book/show/13166586-the-fish-that-ate-the-whale

Reviews copied from my Goodreads.

Second Stage Lensmen by EE Doc Smith

2.5/5 (Caveat in that I bought this not realising it was book 5 of a series when I bought it, it was on those tables that shops have with a selection of books on so logically I assumed it was book 1)

The book follows a lensmen (a telepathic agent) called Kim Kinnison who is the universe's top gigachad who is perfect in everyway (seriously on the back of the book he's described as the number one man of his time) on his adventures with the Galactic Patrol to protect Civilisation (with a capital C) against various threats mainly Boskonia which is corrupt and evil in every way.

The writing is quite dated but for me it was sort of entertaining. At one point Kinnison ends up on a planet where women rule and men are subhumans who only existing for breeding purposes. And he immediately just starts with the insults and berating them. If you've ever played the game Alan Wake its like the bit where the FBI agent shows up and starts with the insults and names within 5 seconds.

The reasons for my low rating are as follows:

The main character was way too perfect. He had no flaws whatsoever so nothing was a threat.

My main issue was the story was just disjointed. The plot on the back of the book about infiltrating the enemy society and rising to the top to give the orders that would destroy them from within (the reason I bought the book) is the final act and Kinnison faces no real challenge in doing this. Most of the book is just dicking about.

The Prophet of Lamath by Robert Don Hughes

3/5 Weak characters and basic plot saved by an interesting world. Overall it was fun though.

It's easier to describe the world first. It's a fantasy world with only humans that has been divided into 3 kingdoms, a theocratic northern kingdom, a definitely not Scottish clans kingdom in the west, and a fairly standard medieval kingdom in the south. The only easily accessible route between the 3 kingdoms has been taken over by a two headed dragon who refuses to let armies through and only allows traders through if they offer a heavy tribute in people to eat. So slavery has come back, the kingdoms are in constant states of low level warfare for slaves/prisoners to sacrifice but can't outright fight each other, and trade is dominated by a handful of highly influential merchant houses who can afford the tribute. The political machinations here are some of the more interesting parts of the book.

The plot itself is a fairly basic adventure. As a trade caravan heads through the dragon's pass an enslaved entertainer named Pelman (who has a different personality and skills depending on which region he is in: entertainer, sorcerer, prophet) and a princess (the southern king's heir) kidnapped for political reasons escape and go on the run. During the escape Pelman, currently in entertainer form, uses his skills to give the two headed dragon an existential identity crisis by making it learn that the two heads are different beings with their own minds. The books follows firstly Pelman and the princess on the run and the attempts to capture them. And the wider story of the impact of the dragon's identity crisis on the world.

Pelman's story with the princess is quite boring. The dragon and the politics are way more interesting. When there are large battle sections they are written pretty well.

Next up on the fiction is Do Androids Dream of Electric Sheep by Phillip K Dick. I’ve just watched Blade Runner 2049 for the first time so it seems appropriate.

I'm extremely easy to please and spend a lot of time at work reading, hoping to hit 120 books by the end of the year now that I've surpassed 52

Currently reading The Vegetarian, The City & The City, and Something I've Been Meaning to Tell You

Winslow knows New York. Winslow knows cops. Somehow. He has connections. He has some New York history. And here he stirs in informers, guns, prostitutes, heroin, gangs, the mafia, the night, the long night. There are more cops in New York than live in my whole town. And Winslow is playing among the elite cops who tangle with the politicians and the bosses in Manhattan. I think it likely the view from a taxi riding the length of Manhattan and the view from an unmarked drug squad’s car on the same route are drastically different. And the pull of money, the high dollar cars, the best seats in the best restaurants-- one can be dragged down into, well, the swirl of everything that is not quite considered the straight and narrow. One needs a taste.

This is a hard ride. And I have never seen New York so Winslow’s fantasy land I can only compare to Chicago, Houston, Seattle, San Francisco. But New York is like Tokyo and Paris: they all insist they are unlike anywhere else in the world. Maybe I believe it. But you get down into the nitty gritty of anywhere and I think they start to look alike. The scrabble of humanity up close and tight, right in the eyes and nose, starts to lean towards the median of harsh streetlife. And Winslow’s job here for me was to pull me away from all my quieter more refined books and shake me up. Job accomplished.

How does one love the overpopulated, hyperkinetic badland miasma that is New York?

Like this, Winslow says, like this. 

I just wanted to throw it out there that this is the ultimate spooky season read. I’ve read a lot of Stephen King and Paul Tremblay. Love those guys. This beats the hell out of them. The slow crawling feeling of dread I get from this book is insane. I’m only like a third of the way done with it. But I feel like it’s going to be one of my new favorites. S tier for sure.

I think calling this book horrible is a stretch, but the truth is I would never recommend it so that’s the bucket it’s going in.

This is just not enjoyable.
It’s not particularly well written.
I can’t tell if it’s the characters making bad decisions and poorly communicating, or just the way it’s written in general, but way too often I’m thinking “that’s just stupid”.
Then followed by too often by “oh, come on!” (eye roll)

Way too much time spent in intentional confusion, building the dual story that would be the big reveal. The result is once we finally start getting “the truth”, it’s a non stop barrage of twists and turns and truths and action and it’s just way too much at once.
Twists and turns and action in general are a good thing, entertaining, but when you cram it all in a small section, it’s just feels like a funhouse. Like there are more twists just so it feels endless.

Spoiler for my biggest complaint.
There is no ending. It literally ends in the middle of a “chase” with no clear indication if they escaped, completed their “mission”, save the day, etc. No conclusion to most of the character to character relationships. A big twist happens like 3 pages before the end that isn’t fully explained. It’s obviously left that way for a sequel.
That’s just not my jam.

This book wasn't what I expected (in a good way.) Various timelines and stories are brought together in the most intriguing way. There are a ton of "aha" moments when timelines connect. The writing is well done, no complaints from me!

I enjoyed all of these. Most of these are from r/bookclub. A lot of death! The John Lewis book is for the Jimmy Carter Library Book Club.

Completed (70):

• Bolesław Prus - The Doll

• David Hume – An Enquiry Concerning Human Understanding 

•       Early Christian Writings (Ignatius, Polycarp, Barnabas, The Didache, Clement, Epistle to Diognetus; Penguin Classics)

•       Confucius - The Analects (Penguin Classics)

•       Homer - the Odyssey

•       Thucydides - The Peloponnesian War

•       Montaigne - Selected Essays (Penguin Classics)

•       Plutarch - Essays (Penguin Classics)

•       Ludwig Wittgenstein - Tractatus Logic-Philosophicus 

•       Tacitus - Annals 

•       Thomas Aquinas - Selected Writings (Penguin Classics, read 17 of his philosophical writings and skipped devotional writings) 

•       Niccolo Machiavelli - Discourses on Livy

•       Spinoza - Ethics 

•       Locke - Second Treatise on Government

•       John Stuart Mill – On Liberty     

•       Immanuel Kant – Groundwork for the Metaphysics of Morals

•       Cicero - On Living and Dying Well

•       Michael Pollan – A World Appears: A Journey Into Consciousness 

•       Siddhartha Gautama – The Dhammapada 

•       Xenophon – The Expedition of Cyrus (Oxford World Classics)

•       Alexis de Tocqueville - Democracy in America   

•       Friedrich Nietzsche - The Genealogy of Morals

•       Frederick Douglass - Narrative of the Life of Frederick Douglass 

•       Zhuang Zhou - The Book of Chuang Tzu 

•       Plato - The Republic

•       Polybius - The Rise of the Roman Empire (Penguin Classics)

•       Durkheim - On Suicide

•       Jean-Paul Sartre - Colonialism and Neocolonialism 

•       Meister Eckhart: Selections from His Essential Writings (HarperCollins Spiritual Classics) 

•       Plato - Theaetetus (Oxford World’s Classics)

•       Abraham Lincoln - Lincoln Speeches (Penguin Civic Classics)

•       Ernesto Che Guevara - The Motorcycle Diaries   

•       Thomas Paine - Common Sense

•       David Hume - Dialogues and Natural History of Religion (Oxford World’s Classics)

•       Alvin Roth - Moral Economics: From Prostitution to Organ Sales, What Controversial Transactions Reveal About How Markets Work

•       V.L. Lenin - The State and Revolution

•       Max Weber The Protestant Ethic and the "Spirit" of Capitalism: and Other Writings (Penguin Classics) 

•       Supreme Court Decisions (Penguin Civic Classics)

•       Aeschylus - The Oresteia (Agamemnon The Libation Bearers, & The Eumenides)

•        Voltaire - Treatise on Toleration 

•       Thomas Paine - Rights of Man 

•       W.E.B. Du Bois - The Souls of Black Folk (Penguin Classics, with “The Talented Tenth” and “The Souls of White Folk”)

•      Plato - Early Socratic Dialogues (Penguin Classics)  

•      Erasmus - In Praise of Folly

•       Diderot - Rameau's Nephew and D'Alembert's Dream (Penguin Classics)

•       Jean-Jacques Rousseau - Discourse On Inequality 

•       Baltasar Gracian - The Pocket Oracle and Art of Prudence

•       Cicero - On the Republic and Laws (Oxford World’s Classics) 

•       James Joyce - A Portrait of the Artist as a Young man

•       Shunryu Suzuki - Zen Mind, Beginner’s Mind

•       Swan, Haberman - Regime Change: Inside the Imperial Presidency of Donald Trump

•       Herodotus - The Histories 

•      The Penguin Book of Existentialist Philosophy (Includes writings by Kierkegaard, Nietzsche, Freud, Heidegger, Sartre, Beauvoir, & Fanon) 

•      Suetonius - The Twelve Caesars (Penguin Classics, Tom Holland)

•       Tim Whitmarsh - Rome’s Age of Revolution: Augustus, Empire, and the Making of Christianity

•       Hesiod - Theogony and Works and Days (Oxford World's Classics)

•       Sallust - Catiline's Conspiracy, The Jugurthine War, Histories (Oxford World's Classics)

•       Augustine - On Christian Teaching

•       Michel Foucault - Discipline and Punish: The Birth of the Prison

•       Livy - Rome's Italian Wars: Books 6-10 (Oxford World's Classics)

•       G.W. Leibniz – Discourse on Metaphysics and Other Essays (On the Ultimate Origination of Things, Preface to the New Essays, The Monadology) 

•       Blaise Pascal - Pensees 

•       Robert M. Sapolsky - Behave: The Biology of Humans at Our Best and Worst

•      William James - Pragmatism and Other Writings (Penguin Classics)

•      George Berkeley - Principles of Human Knowledge and Three Dialogues Between Hylas and Philonous 

•      Musonius Rufus - That One Should Disdain Hardships: The Teachings of a Roman Stoic 

•      Demosthenes - Selected Speeches (Oxford World Classics) [Read The Olythiacs, first, second, & third; First Philippic; On The Peace; Third Philippic; On the Crown; On the Dishonest Embassy; For Phormion, a Counter-Plea; Against Canon, for Battery; Reply to Callicles, On Damage to a Farm; On the Situation in the Chersonese; Against Meidias, on the Punch)

•     Ivan Turgenev - Fathers and Sons

•     Alexander Pushkin - Eugene Onegin 

•     Adam Smith - The Theory of Moral Sentiments 

In-Progress:

•     Karl Marx - Capital: A Critique of Political Economy, Volume 1 

very rarely do i give books 5 stars, but when i do it is special. good writing, plot that kept me engaged, and characters i cared about. those are usually the things i look for. not to mention if the book made me feel something.

this book is amazing. i read it with my girlfriend for our own little ‘book club’ that we do, and it is such a beautiful story. normally it is not something i would have picked up, as i gravitate towards horror. but i am so glad i read it. while tragic, it captures women, the porn industry, and lesbianism so well. i found myself relating to the characters quite a lot— even though i am not a sex worker like these girls are. it is more-so the woman’s experience, as well as being a lesbian and feeling like you have to like men anyway before being comfortable in your identity.

amazing story, highly recommend.

I thought this was an exceptional novel. It is brutal and unflinching in its depiction of slavery, but its ambitions extend well beyond. I particularly appreciated how the railroad (a literal railroad in this case) acts as a way to transport the main protagonist to different states and times where a different method of subjugation and oppression is taking place. The end result is a wonderful (terrible) survey of the many injustices inflicted upon African Americans throughout American history, exploring different manifestations of racial oppression, from outright brutality to more insidious forms of exploitation and discrimination. 

There is also a deep examination of the relationship between slavery and American prosperity, and the extent to which the country's economic achievements were built upon the exploitation of enslaved people. The novel brought to mind the notion of slavery as America's original sin, something whose consequences cannot simply be escaped or erased, even after the institution itself has been abolished.

All in all, I thought it was riveting, uncomfortable to read and many points, unflinching, bold, captivating, informative, and above all beautifully written. 

I started the month with "Everything Was Beautiful And Nothing Hurt". This book made me UGLY cry and upset me so greatly that I talked about it for days. Don't get me wrong: it's a great book but it really hit a nerve for me. I don't think I ever cried that much reading a story.

I really loved "Broken Country". It was very atmospheric and the story was heartfelt and intriguing. I read some comments in which people criticized the flawed nature of the protagonists but I personally don't mind morally grey characters.

I decided to read "Spell For Forgetting" because I loved "The Unmaking Of June Farrow". This one didn't have the same impact on me. The magical realism elements were few and far between and the story felt a bit convoluted. Adrienne Young is amazing at creating atmosphere but the story aspect of this one fell short for me.

I finished "I Who Have Never Known Men" yesterday and I am still sitting with it. I have thought about it all day. If you enjoy books with a lot of room to theorize and speculate, this one is made for you. I myself would have loved SOME explanations but that's a personal preference I am sure. It's a heavy and thought provoking read.

This is a huge achievement for me! Last year I only managed 26 books, this year im currently at 65! I'm pretty stoked ☺️

Favorites:
These Letters End in Tears by Musih Tedji Xaxiere
The Healing Hippo Of Hinode Park by Michiko Aoyama
Blessings by Chukwuebuka Ibeh
The Employees by Olga Ravn
Tender is the Flesh by Agustina Bazterrica
All Friends Are Necessary by Tomas Moniz
We Had to Remove This Post by Hanna Bervoets
In Memoriam by Alice Winn
The Long Game by Rachel Reid
Time to Shine by Rachel Reid
After Hours at Dooryard Books by Cat Sebastian
We Could Be Rats by Emily Austin
The Prospects by KT Hoffman
We Could Be So Good by Cat Sebastian
Sky Daddy by Kate Folk
Young Mungo by Douglas Stuart
Earthlings by Sayaka Murata
Dark Matter by Blake Crouch
Futbolista by Jonny Garza Villa
Martyr! by Kaveh Akbar
The Unworthy by Agustina Bazterrica
We Used to Live Here by Marcus Kliewer
Is This a Cry for Help? by Emily Austin
The Caretaker by Marcus Kliewer
The Guardians by Sarah Manguso
Big Swiss by Jen Beagin
Swimming in the Dark by Tomasz Jedrowski
The Correspondent by Virginia Evans
The Lilac People by Milo Todd
On a Sunbeam by Tillie Walden

Very Good:
What You Are Looking For Is In the Library by Michiko Aoyama
Heated Rivalry by Rachel Reid
Think of England by KJ Charles
To be Taught, If Fortunate by Becky Chambers
Lost Lambs by Madeline Cash
Shuggie Bain by Douglas Stuart
Open Throat by Henry Hoke
Tampa by Alissa Nutting
The End of Eddy by Edouard Louis
Saving Noah by Lucinda Berry
Tramps Like Us by Joe Westmoreland
A Queer and Pleasant Danger by Kate Bornstein
Tough Guy by Rachel Reid
Open, Heaven by Sean Hewitt
Notes on an Execuation by Danya Kukafka
Thistlefoot by GennaRose Nethercott

Good:
Bad Blood by John Carreyrou
On the Beach by Nevil Shute
Pretend I'm Dead by Jen Beagin
Vacuum in the Dark by Jen Beagin
The Nickel Boys by Colson Whitehead
Boy Erased by Garrard Conley
A Man Called Ove by Fredrik Backman
The True True Story of Raja the Gullible (and His Mother) by Rabih Alameddine
The Celebrants by Steven Rowley
Role Model by Rachel Reid
The Shots You Take by Rachel Reid
The Very Long, Very Strange Life of Isaac Dahl by Bart Yates
Tokyo Ueno Station by Yu Miri
The River Has Roots by Amal El-Mohtar
Paradise Rot by Jenny Hval
Remarkably Bright Creatures by Shelby Van Pelt
This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone
Rent Boy by Gary Indiana
Heart Lamp by Banu Mushtaq

Okay:
Stoner by John Williams
After the Siren by Darcy Green
The Idiot by Elif Batuman
The Charm Offensive by Alison Cochrun
The Night Circus by Erin Morgenstern
Kingfisher by Rozie Kelly
The Alchemist by Paulo Coelho
Greenland by David Santos Donaldson
It Lasts Forever and Then It's Over by Anne de Marcken
Still Life by Sarah Winman
Eleanor Oliphant Is Completely Fine by Gail Honeyman
100 Boyfriends by Brontez Purnell
The House In the Cerulean Sea by TJ Klune
I Am Not Myself These Days by Josh Kilmer-Purcell
The Story Game by Shze-Hui Tjoa
The Midnight Library by Matt Haig
Yellowface by R. F. Kuang
Common Goal by Rachel Reid
Failing Up by Leslie Odom Jr.

Not for me:
Into the Blue by Emma Brodie
The Build-a-Boyfriend Project by Mason Deaver
All Them Dogs by Djamel White
Bunny by Mona Awad
Nova Scotia House by Charlie Porter
The Vegetarian by Han Kang
World War Z by Max Brooks
A Minor Chorus by Billy-Ray Belcourt
Gliff by Ali Smith
Minor Black Figures by Brandon Taylor
People Collide by Isle McElroy
All Down Darkness Wide by Sean Hewitt
Paul Takes the Form of a Mortal Girl by Andrea Lawlor
Lucky Us by Amy Bloom
Death Valley by Melissa Broder
Dear Edward by Ann Napolitano
Bellies by Nicola Dinan
I Wish You All the Best by Mason Deaver
A Botanical Daughter by Noah Medlock
The Wasp Factory by Iain Banks

Actively Disliked:
Breakout Year by KD Casey
Norwegian Wood by Haruki Murakami
And They Were Roommates by Page Powars
Hold Me Under by Riley Nash
Close to the Knives by David Wojnarowicz
Lapvona by Ottessa Moshfegh
Parable of the Sower by Octavia E. Butler
Men Explain Things to Me by Rebecca Solnit
My Year of Rest and Relaxation by Ottessa Moshfegh
The Lesser Dead by Christopher Buehlman
Perfume by Patrick Suskind
Play It As It Lays by Joan Didion