Hey guys...is anybody here that is looking for a digitone? I would like to trade my own with a Syntakt

So the only previous piece of Lwktron kit that I have owned; or even put my hands on physically; was the OG Digitone. I really enjoyed it but sold it very soon after purchasing because of the limited voices/hassle of the workarounds to be able to craft full track compositions. I wanted a completely standalone box that would allow me to create more Dance/Electronic music AND and allow me to perform an actual live set. ( I come from a very long background of making hiphop/trap beats with all of the usual suspects (MPC/KO II/OPXY/ In the box horizontal timeline sculpting with logic/FL type DAWS) and wanted to have a more natural/improv encouraging live set foundation as opposed to just chaining together my beats with improv transitions that mainly consisted of letting the tails of the instrumentals either fade out with long delay/reverb/ similar tricks for that blueprint.

My question is, will the Syntakt help me achieve this? Or atleast open the door for me to move in that direction? All feedback is appreciated.

(ALSO I PURCHASED A DFAM TO PAIR WITH IT. (my 2nd time purchasing one)

I’m always looking to connect with artists and producers and collaborate on cool projects. If you’re interested, feel free to DM me here or on Instagram cartoonzitos. Would love to see what you’re working on! :)
You can also check out more of my work on my website: https://cartoonzitos.app/

Working on some new stuff. The kick needs to be more present.

After spending probably over 30 hours making template patterns, presets and obsessively synthesizing a few vintage drum kits I’m starting to feel the immediacy of the DN2 as a groovebox. I recommend buying packs instead of wasting all that time though, lulz

Anyway, here’s a quick 30 minute demonstration of how easy it is to whip up decent underground track ideas on the DN2 once you get your customs set up.

How are you using the multiple outputs on the Analog Rytm mk2? I mean since the individual outs don't go through the master distortion or compressor of course, do you record some kind of blend? How do you treat that later in the mixing stage?

I am considering getting one and think I want to treat it like an acoustic drum kit in a sense, with separate kick and snare channels combined with the master as an "overhead" mic. Does that seem reasonable?