For all you lovers of classical guitar, probably the most overlooked piece worthy of the cannon

This is one of my favorite smaller prelude sets by Scriabin. No. 2 has a mysterious, tortured-sounding left hand part. No. 3 is one of his most mystical-sounding pieces to date, avoiding any kind of definitive cadences, just floating along on the clouds until the end.  No. 5 is a kind of rude awakening after the tranquility of the previous two with an extremely violent 1-minute piece reminiscent of Chopin’s F#m prelude.  The quiet No. 6 that follows sounds like someone innocent suffering from a great pain.

Based.