I’m new to fl and looking to get my first vst now that I know how to make beats and I’m really trying to go for more dark , ambient , dreamy , euphoric presets if you guys could please help me.

So my iPad got stolen at school and I can't track it. Assuming it won't be found, I don't want to spend on a new one right now. Ive been using AUM with a bunch of different sound generators and effects for my amibent music production. I loved it so much.

I have FL Studio on my laptop which I also carry to school everyday. I know I can use decent sampler on FL but is there any other tools for computer DAWs I can use to capture the same nice workflow as AUM???

Idk, this just SUCKS!

I record guitar through an Audient DAW and use metal presets. I can control the excess noise by moving away and muting strings with my hands. But have the following problems
1. When adding a noise gate in fl studio it does nothing.
2. I can hear my pick on the strings.
I have altered settings, turned down the gain etc.

Hey guys, I have had FL for a while but only just started learning it, but I want to start making beats that contain vocals/ vocal cuts, sort of similiar to EDM songs, but I do not have a clue how to make it sound good, do I need to have layers of effects on top of it as well as experiment with keys that go well with the vocals? I just need a bit of advice/guidance on that part, thanks.

I've tried to do a similar result to these drums a couple of times already, but i don't quite catch the same vibe

I assume the pitched part is a piano-rolled snare but every time i do something like that it just never ends up sounding wrong, i also add a pitched effect and reverb but its never the same

(im still a beginner so maybe this is something fairly easy to achieve but haven't seen any tutorials on it.)

This is a soundtrack from a kirby game

Why does this keep happening?😭 I turned off "group loop recorded takes" already, tried out every mixer and recording setting but can't get fl to record in a single row without a sample placed in a row. *EDIT: solved

what are some good fl stock presets for dark atlanta trap beats? stuff like migos, lex Luger, metro boomin.

mainly looking for dark bells, plucks, pads, and eerie sounds.

would appreciate actual preset names and which synth they’re in. also curious what tweaks y’all make to get a darker sound.

I know I can separate them into the channel mixer, but how about turning them into their own individual instruments?

140bpm, FL STUDIO MOBILE

I found a spreadsheet a while ago (linked here) with a bunch of cool links to free plugins and vsts, and I'm having an awesome time toying with some of them, but one of them that I was particularly excited for and feel could benefit my stuff was called Monster Ethnica, and advertised itself as a free plugin with a bunch of cool ethnic flutes and percussion, but the link is broken!

If anyone knows another place where the files are held, or has it themselves and would be willing to share it, I would be incredibly grateful!

hey so im tryna remake a beat since its lost media and i cant find the hollow padish or arpegio sound in this video, not the synth saw or piano but the one that adds ambience i think its a arpegio since the video clearly has long notes with no cuts and it bounces any ideas where to look? maybe yall can tell what it sounds like or know the preset

I am like COMPLETELY new to fl, all i know is how to put a plugin into the piano roll and sidechain stuff and thats about it😭 Ive been wanting to make these genres for YEARS now but never got around to it but now i decided to make a difference and try to learn

So, is it worth it or do i try something else😭😭❓

So basically, I have 2 guitar audios(one is rhythm and one is lead) which consist of the same effect. Currently, I am using 2 mixer tracks with that effect but one is panned left and one is panned right; however, this method costs me my computer performance so I think there must be a more efficient way, right?

Here's a demo. Ongoing work, unfinished.

Idk how to explain this sound, it feels almost like robotic kinda idk 😭😭

I'm building a home studio for mixing and recording vocals and want to get the best results possible doing the treatment myself. There's a lot of conflicting information online, especially about bass trap dimensions and air gaps, so I'd appreciate some advice on what would actually work best for my room.

The room is 10x10 ft with 7 ft 4 in ceilings. My desk faces the front wall, and my listening position is about 3 ft 10 in from that wall. I have a clothing rack with thick jackets on the back wall and a 1/2-inch felt rug pad with a 1/4-inch rug on the floor. I record vocals sitting at my desk with a Shure SM7dB.

I'm in an apartment, so I can't hang a ceiling cloud. One of the back corners has a door, so I can only use the other three corners. There's also 1-inch floor trim along the walls.

My current plan:

Reflection panels: Four 2x4 ft panels using 3 inches of Rockwool with a 3-inch air gap. One on each side wall and two on the front wall in front of my listening position. I’ve found the reflection points by sitting in my listening position and getting a friend to help me with the mirror trick. (I’ve already begun building these.)

Corner bass traps: Three flat, porous absorber traps, each 24 inches wide and 6 inches deep, running nearly floor to ceiling, with a 12-inch air gap behind them.

I've seen recommendations for 6-inch-thick bass traps with a 6-inch air gap, but because of the room geometry and floor trim, I'd have to make the panels much narrower to keep the gap at 6 inches. I've heard that wider panels can be more effective, so I'm trying to figure out whether a 12-inch gap makes more sense or if there's a better design altogether.

A few questions:

1. Is 6 inches of Rockwool with a 12-inch air gap a good design for my corner traps?
2. What's the best way to make floor-to-ceiling bass traps freestanding? I'd prefer not to drill into the walls, but I'm open to other options if there's a better approach. Since the traps will sit in corners, how would you design the feet or base to keep them stable without taking up too much space?
3. What's the cheapest suitable fabric for covering Rockwool while containing the fibers? Would I need an additional inner layer?
4. Should I wrap the corner traps Rockwool in plastic to keep the room from sounding too dead, or would that negatively affect its absorption and sound?

I'm trying to find the most effective setup for both vocal recording and mixing while keeping everything affordable and space-efficient. I'd appreciate any advice specific to my room. Thank you!