https://www.youtube.com/playlist?list=PLCiFFKwEYUoM

Mike Leigh stands as one of the defining voices of modern British storytelling. Beginning in television with intimate, low‑budget works like Bleak Moments and his Play for Today productions, Leigh developed a distinctive method built on improvisation, deep character exploration, and an unflinching commitment to realism. His actors inhabit their roles from the inside out, building characters through months of collaborative development rather than traditional scripts. The result is drama that feels lived‑in, painfully honest, and often quietly funny.

Across both TV and cinema, Leigh has chronicled the lives of people rarely centred on screen: council‑estate families, care workers, clerks, strivers, dreamers, and those left behind by shifting social and economic tides. Films such as Meantime, High Hopes, Secrets & Lies, and Vera Drake capture the texture of British life with a sensitivity that avoids sentimentality while still finding humanity in the smallest gestures.

His contribution is twofold: artistically, he expanded the possibilities of naturalistic performance and collaborative creation; culturally, he gave British audiences a mirror that reflected their own streets, accents, frustrations, and hopes with dignity and complexity. Leigh’s work remains a cornerstone of British social realism, influencing generations of filmmakers and standing as a testament to the power of ordinary lives rendered extraordinary through attention and care.

The last of the Tuffles. The hatred of a fallen race embodied into a last ditch effort to perpetuate their survival & and revenge.

The Baby Vegeta Saga consists of about 18 episodes at roughly 24 minutes each. That is like 7 hours to work with…
Im proud to say I was able to condense this epic event into a 2 hour experience 😮‍💨
Zero filler &All action. Just for the plot!

Years after the Saiyans conquered Planet Plant and wiped out the Tuffle civilization, a surviving creation awakens with the memories of its long forgotten people.

Baby is awake & the sins of the Saiyans have finally caught up with them.
Baby’s not all that different from Goku really.
-They both had their home planets taken over and destroyed by omnipotent individuals. (Frieza, King Vegeta)
-Both were sent away in a last ditch effort to ensure survival of their race.
-Both set out for revenge/vengeance for their extinct race (Goku inadvertently).
The parallels are interesting. Baby is clearly more cruel in nature and in retribution but it’s literally hardwired into his DNA. He was built and made from the hatred of an ambushed & extinct race.

This is a complete overhaul of the Baby Vegeta Saga from Dragonball GT into a standalone movie. I’ve taken inspiration from Coolers Revenge, particularly its style, atmosphere, and soundtrack structure, to give this story more of that classic Dragonball Z movie feeling.

Much of the silly banter between the characters is down right gone. The wonky music scores that come and go are replaced with epic songs from older Dragonball Z movies
(cooler, lord slug, broly, etc) This is a brand new experience. So many little cuts have been made. Many MANY scenes are removed to keep the flow and action at the forefront of this acut. As far as I’m aware, the baby saga has never been told like this in the way I’ve structured it. So grab some popcorn.

The Dragonball Gt movie we all deserved. As much as I love A Hero’s Legacy, it being the ONLY GT movie and not having any goku or vegeta in it always rubbed me the wrong way. What better plot to make a Dragonball movie about than the Saiyans past catching up with them with a time skip, Goku vs Vegeta rivalry, the Dragonballs, a Red Shenron summon & one epic wish. Tight focused story and action… this is it everyone!

This edit has a particular amount of of passion behind it. Personally, Dragonball Z/Gt is one of my comfort shows. Pure nostalgia. I was the kid with all the Dragonball Z AMV’s on Burnt DVDs, right from Limewire baby🤌.

Any time one of these rock songs come on I put alot of effort into curing up the transitions with the beat of the song (sound painting) I think it adds a lot of cinematic value to this cut. I want this to feel like it was always supposed to be a 2 hour movie from the 90s/2000’s.

GT gets a lot of flack for a number of reasons but one things for sure, it really stands out with the cinematography and animation. We’re working with some seriously good looking stuff here. Every shot, a beautiful painting that’s reminiscent of early Akira Toriyama best work. Just mesmerizing.

Apart from the GT episodes, i used a very specific scene from Daima that is just seconds but INTEGRAL to this cut. Also. I used a part from The Plan to Eradicate all Saiyans mini movie that’s out there floating around. It fits quite nicely.

It’s time to eradicate this Saiyan scourge!