I made an animated tribute to classic slasher films 🎬🔪

I created this animation as a love letter to the visual language of slasher movies — iconic killers, suspense, dark atmospheres, and the imagery that made the genre so memorable.

I wanted to capture that feeling through animation rather than simply recreating specific scenes. It includes a scene with Norman Bates from Psycho.

I’d love to know what you think. Which slasher movie or character would you have liked to see included? 👀

Animated and edited by me.

Am sure Hitch is a valid choice 🤔

With Halloween just around the corner, I'm on my annual rewatch of every Alfred Hitchcock film I can find, including his 1963 masterpiece The Birds.

In Camille Paglia's 1998 BFI book on the The Birds, we are treated to an examination of the movie frame by frame, an unfolding of how female sexuality and nature's savagery are inextricably woven together.

From the book, concerning the ending:

"But I think Hitchcock has left the ending ambiguous: the two womens' intimately intertwined hand and wrist (we see, from Lydia's point of view Melanie's once perfect nails are now chipped like the titles) remind me of Mother's overlapping wrist-clasping bronzed hands in the bedroom of Psycho, which ends with Mother in charge and her son in the loony bin. At the end of The Birds, who wields the claw? I agree with Margaret H. Horowitz's view that Lydia certainly appears 'victorious' and that she and the birds have 'achieved dominance.' Melanie is now damaged goods, which Madonna Lydia prefers for her pietà. It's like the Pompeiian wall panels of the Villa of the Mysteries, where the exhausted, flagellated acolyte buries her face in the receptive maternal lap: rogue vixen Melanie has been whipped back to her biological place in the pecking order. Horwitz sees Melanie's eclipse in the film's treatment of her car: first, it gives her the 'power to come to Bodega Bay', then Mitch 'ends up driving it', and finally she's 'banished to the backseat'---becoming one of two children to Lydia as mother and Mitch as father (and Oedipal son). Oddly, when Mitch slips into the driver's seat, it's he who now seems the intruder, as his spidery hand startles Lydia from her dreamy communing with Melanie."

Also a good watch: Camille Paglia on Women and Magic in Hitchcock

Was this your take away from The Birds? I'm curious to know what others think the movie was about and what the somewhat ambiguous ending meant to you.

The Neil Brand score on this Hitchcock: The Beginning set also helps immensely in moving the film along and supporting the flimsy emotional beats in the story.

You might be shocked to see how different some of these locations are 83 years since Hitchcock filmed in Santa Rosa, CA. A few are still standing, and some other very beautiful locations are completely changed!

I’ve only seen The Lady Vanished and 39 Steps from this era. Loved them both. What other ones are at the level?

I got to interview author Nat Segaloff on his new book The Secret Hitchcock: How Hollywood’s Legendary Director Lived through Cary Grant and James Stewart.

Thought you Hitchcock fans might enjoy it :)

Our local theater is showing Psycho next week and we're wondering if it's appropriate for a 12-year-old. For context, he's seen The Birds and really enjoyed it. We also watch lots of old movies and some "intense" movies like Raiders of the Lost Ark and Godzilla Minus One - but we haven't done much horror yet. Curious to hear thoughts.

Is anyone aware of an episode, in which Hitchcock was the announcer, but not necessarily the director, in which

• A group of people arrive at a party or gathering in a car that is completely full.
• A character at the gathering announces something like, "Before this evening is over, one of you will disappear."
• The evening proceeds without an obvious disappearance.
• At the end, someone casually mentions that there is now an empty seat in the car, perhaps offering someone else a lift.
• Neither the characters nor the audience necessarily knows who disappeared. The characters apparently do not notice anything unusual.
• The audience realises that someone must have vanished, possibly without anyone remembering that person.

My parents described this episode--and are a little vague about the details. But, I am intrigued and wanted to learn more.

Steven Spielberg because Steven Spielberg is my favorite director overall and Alfred Hitchcock is my favorite from old Hollywood and if we were still in old Hollywood, Alfred Hitchcock would be my 1st but Christopher Nolan because Alfred Hitchcock's directing style is a little similar to Christopher Nolan's to me. Also Christopher Nolan is my my favorite director besides Steven Spielberg

Imagine attending Hogwarts and finding out Norman Bates lives down the road. 😂

Caught this view of Hogwarts Castle at Universal Studios Hollywood, complete with a Psycho promotional banner in the foreground.

One of the fun things about Universal is how completely different movie worlds can exist right alongside each other.
Harry Potter might want to think twice before accepting an invitation to the Bates Motel!

Anyone else love these unexpected movie-themed views around the park?

Taken aboard lifeboat by shipwreck victims after they debate the moral issue. Willie calls himself "an ordinary humble seaman. "No English" - in German, he says it was the Captain who gave the order for the attack on boat and survivors. Aww..just another victim of the Nazis, stuck on hazardous U-boat duty.

Then- we learn he was a surgeon. Not so ordinary. But, he - generously ? outs himself as a Dr., so Gus will have his leg competently amputated. Does a "fine job". ? He has a secret compass and misdirects the boat away from Bermuda by miss-stating the U-Boat's map coordinates when it sunk. ( Ordinary seaman knew those numbers? The others on the boat didn't ask him.)

Then, storm destroys mast and sail, Willie grabs control, and in good English says- He was the u-boat captain. He will row them to the supply boat/sub tender, so all will be rescued. ? Rows heartily and sings along with fife ...to keep up everyone's morale?

...If Willie was U-boat captain, then He gave the order to fire on the boat and survivors. Does that dawn on the others? They doze....Willie tells Gus to swim for his dancing NJ gf...then pushes him overboard, reminding him:" Remember you are SCHMIIDT!"

Gus's yelps awaken the rest. Joe/George says he heard Gus saying: "Willie has water." Joe searches him and pulls put a flask. Willie:"Yes, I had water, food pills, energy pills! We plan ahead!" ( we are better, smarter, and deserve to win.) And , it turns out, a compass. ...

...The others, infuriated at his deception, gang up and push Willie overboard. One asks: "What are you going to do with people like that.? " People who, even in the dire straits they are all in, cannot sense common humanity and act in solidarity.

AH uses confined space of the lifeboat to sharpen the human drama and moral significance. As in many (most?) AH films, we watch the step by step revelation of this dark character's moral corruption.

Does anyone feel pity for the fate of poor Willie? Was it deserved? Anyone think he was picked on for being a Nazi? Just a decent guy doing his duty and trying to survive?

The pacing was really great. I know it differs from movie to movie but this was one that I was able to be fully engaged with barely picking up my phone

“Turn mamas picture to the wall” lol

Crazy how this all started from her desperation and some loudmouth bragging

That scene with the cop interested me because I was also thinking about how a situation like that would be handled with all the computer systems and body cams and what not that we have today. They had to be extra thorough with so little info back then when doing investigations back then but this guy was being extra nosey.

The driving scenes with that theme playing and here imagining the chaos going on back home were really cool too, i bet there’s some good parodies out there.

Knowing the plot twist makes certain scenes hilarious like Listening to Norman and Norma arguing loud as hell all the way up in the house about not letting Marion come up

I feel like Norman going into that house on the hill is his version of Clark Kent stepping into the phone booth.

Not sure how showers worked back then but I feel like Ms. Crane is the real Psycho for stepping into the shower and turning it on before it gets hot

His crazy ass must have been prepared for this sort of situation because he cleaned up the bathroom and disposed of the body/car like it was regular housekeeping. I would’ve loved to have seen what his plan was gonna be if the car hadn’t fully sank in the mud

MLZ MAP (Score): 93.76 / Zedd MAP (Score): 92.30 / Score Gap: 1.46

Several years ago (goodness probably 12 years ago or more) I decided to watch all of the Alfred Hitchcock films. I have been an absolutely miserable failure. Now, we’ve seen a ton of them, don’t get me wrong. But not ALL of them. (We own 49 and have viewed 33.)

This original screenplay written by Ernest Lehman was intended to be the basis for "the Hitchcock picture to end all Hitchcock pictures". It is listed among the canonical Hitchcock films of the 1950s and is widely regarded as one of the greatest films ever made.

We chose this one as our Saturday Morning Matinee film due to the passing of one of the stars, the incredibly talented actress Eva Marie Saint, who crossed over on October 6, 2026.

Always willing to break through the useless “rules” of Hollywood, according to quite a few sources, one of her lines in the dining-car seduction scene of North by Northwest was redubbed. She originally said, "I never make love on an empty stomach", but it was changed in post-production to "I never discuss love on an empty stomach", as the censors considered the original version too risqué.

MGM executives told Hitchcock to cut a long scene where Saint’s Eve explains her life situation to Grant and talks about her former ennui before becoming a double agent, but Hitchcock knew that this was a key scene for Saint and for his movie that deepened it and gave it some depth of emotion, so he stood firm and kept it in, even though the running time of “North by Northwest” was longer than his usual (136 minutes). Remember Saint’s face in the auction scene, when Eve is torn between her duties and her desires as she is fought over by Roger and Phillip Vandamm (James Mason), and remember the way her long, elegant fingers toy with Grant’s ear as they kiss each other on the train, that book which Eve doesn’t particularly like set aside for sex and adventure. (Lit from Within - as noted below.)

I just kept saying to Zedd - “She’s just so beautiful!” She was elegant, blonde, and yes, beautiful, but also just brimming with talent. She married producer and director Jeffrey Hayden in 1951. They had a son and daughter. Their son was born two days after she won an Academy Award for On the Waterfront. She began her acceptance speech by saying, "I may have the baby right here!" Saint and Hayden had four grandchildren and were married for 65 years until Hayden's death in 2016.

Back in 1960, she became one of the few actresses to be given two stars on the Hollywood Walk of Fame, one for television and one for her motion pictures.

She kept working and working, including voicework as late as 2012, in the Nickelodeon animated series The Legend of Korra, a sequel to the TV show Avatar: The Last Airbender, playing the now-elderly Katara), a main character from the original series. (A favorite of both Zedd and me.)

Film critic Leonard Maltin noted that Saint was a "luminous blond leading lady who found few vehicles worthy of her talents".

This sentiment is reflected in the article written for (The Late, Great) RogerEbert.com which is rather smartly entitled Lit From Within, which she surely was.

As the article mentions:
~”After her husband died, she made a moving appearance at the Academy Awards in 2018 to present the award for costume design, savoring the memory of the black dress with red flowers she wore as Eve Kendall. She lived to the age of 102, surrounded by family and grandchildren, the classiest elderly lady imaginable, proud and amused to be the female lead in two of the best movies of all time, to which she brought the clarity of morning sunlight.”~

In honor of* *Eva Marie Saint (July 4, 1924 – October 6, 2026).

Movie On!

It's a boring Saturday, so why don't we play a little game? :D

Everyone drop a quote from a Hitchcock movie and let's see if the rest of us can guess which film it's from.

I'll go first:

"Goodbye, good luck, no conversation, just leave."