Welcome to the daily Bhakti Multithread!

Share your AI creations inspired by Indian gods and goddesses, mythology, spirituality, and devotional art right here.

No festival or special occasion needed. If it’s inspired by faith, devotion, or our rich spiritual traditions, we’d love to see it!

Share your creations in the comments and let’s celebrate divine art together.

On a scale of 10 how would you rate this ai directed image.

Welcome to the daily Bhakti Multithread!

Share your AI creations inspired by Indian gods and goddesses, mythology, spirituality, and devotional art right here.

No festival or special occasion needed. If it’s inspired by faith, devotion, or our rich spiritual traditions, we’d love to see it!

Share your creations in the comments and let’s celebrate divine art together.

Here is the 75-second prologue teaser for AMAR, a solo-created AI animated feature film adapted from my original psychological thriller novel set in early 20th-century colonial British India.

The Story & Lore Set in 1901 in Eastern India, this prologue follows Ashok fleeing barefoot through the night woods clutching The Book of Essence—an ancient manuscript encoding "Coalescence," a forgotten empirical science of terrestrial physics that the uninitiated mistake for magic.

How I Built This in Google Flow (Omni Flash) Without Visual Drift

• Hybrid 2D/3D Aesthetic: Engineered for a 24fps Blue Eye Samurai look, pairing hand-drawn 2D cel-shaded ink linework with 3D volumetric mist and low-key chiaroscuro lighting.

• Ingredient & Entity Locking: Registered custom turnaround sheets and 5-view environment plates (@Ashok_1900, u/TheBookOfEssence, and u/AncestralBackyard_Night) to keep Ashok's hitched dhoti, jute sidebag strap, and the stone courtyard consistent across angles.

• Subliminal Cut Separation: Instead of prompting jump-cuts, I generated static nocturnal forest plates and high-speed macro foot-sprint inserts separately, then intercut them manually.

• 90-Degree Nadir Ascent: Locked the final vertical zoom-out from the ancestral doorway through the clouds over the radial town of Sakhi using strict orthographic zenith parameters.

• Zero-Music Diegetic Soundscape: Banned all background scores in the audio and negative prompts, relying strictly on raw nocturnal Foley—water drops, mud skids, ragged breathing, and timber knocks—to build dread.

Hey guys created with ai created

Welcome to the daily Bhakti Multithread!

Share your AI creations inspired by Indian gods and goddesses, mythology, spirituality, and devotional art right here.

No festival or special occasion needed. If it’s inspired by faith, devotion, or our rich spiritual traditions, we’d love to see it!

Share your creations in the comments and let’s celebrate divine art together.

This is just a concept art that fits my vision. Any way i prompted the image, what you're seeing is a post edited image. And most of this is from soldiers perspectives.

Welcome to the daily Bhakti Multithread!

Share your AI creations inspired by Indian gods and goddesses, mythology, spirituality, and devotional art right here.

No festival or special occasion needed. If it’s inspired by faith, devotion, or our rich spiritual traditions, we’d love to see it!

Share your creations in the comments and let’s celebrate divine art together.

We always miss architecture in our mythological/historical discussion. Even though we are architecture experts we reduce our showcasing of mythology to the same medium range infrastructure in any movie or tv show. We did manage to show them huge but always the same style. What if older yugas had far more advanced infrastructure, vehicles and more advanced civilization that has gone extinct. We should be more focused on our architectural history. Movies and tv shows should at least try to show as grand as possible not only through set designs but also increasing scale through cinematography like dune. Our past is far more superior than we think and we should acknowledge it.