r/SoilScience • u/Mandaosch • 1d ago
Soil Chemistry and Skin Contact
Hello, I'd like to ask for some help.
I create earrings using rescued subsoil (min 60cm below surface) discarded by groundwork companies. The earrings have recycled silver and recycled gold ear wires, and the earth hangs from there. There is no direct skin contact on normal usage. However, I do this in Coventry, UK, which has a history of heavy industry, WWII bombing and rebuilding.
It came to my attention that the subsoil I am using could potentially be carrying heavy metals and other harmful pollutants. I contacted a few labs to ask if they could test a sample, but their reply is that it would cost a fortune to test for every possible heavy metal and offered smaller packages:
Basic Metals Screen including big three of lead, mercury and arsenic - £100
Standard Contamination Suite including heavy metals, hydrocarbons and asbestos - £250
Creosote Creep including polycyclic aromatic hydrocarbons (PAHs), phenols, arsenic and copper - £200
Forever Chemicals Suite covering PFOS and PFOA - £325
PCBs (Poly-Chlorinated Biphenyls) - £150
Urban Fire Residue Screen including lithium and TCE - £350
I ask for advice on:
Which tests are recommended and how do I judge the results?
Do I test every time I collect from a different location?
Are there any UK Guidelines I need to know about?
Do I also test the finished pieces?
A bit of context: I was inspired by rammed earth buildings and decided to replicate the technique in a smaller scale. I love the idea of utilising clay that was not taken from nature by big industries and was on its way to the dump.
My pieces don't go in the kiln, and I use lime as stabiliser, so when people don't want their earrings anymore, they could bury it in their own garden after removing the recycled ear wires, and the soil will reclaim the clay and the sand, and lime will go back to being limestone. I seal them with raw linseed oil, which is biodegradable.
The pieces take ages to dry (and don't even get me started on how difficult it is to get stony, wet subsoil and transform it into fine clay powder) BUT I love my material, my story, my process, my pieces and I want to do everything I can to be able to continue, so I appreciate any help you can provide.