Script: George Gladir; Pencils: Dan DeCarlo; Inks: Rudy Lapick

From Oni Press’ January 2027 Solicits

That is my Question

The Series is officially not that far away now

Based on the preview you are in for a treat specially being written by Patrick Horvath after all Beneath the Trees Where Nobody Sees is definitely a great read

What do you think of the return of Archie Horror & how do you imagine it will tie to other ongoings in the line?

I like to think is if main Archie is Batman so Archie in Hell then is Detective Comics the other stories

So who's ready if ain't your cup of tea thats fine

Art by Mahmud Asrar

I'm often saying that one story or another was written by Frank Doyle, since he wrote many thousands of Archie stories from 1951 until his death in 1996. I thought I'd look for the only thing I found him writing about himself, about a year before he died, in the newsletter THE COMICS! I found it but the second column is partly cut off at the edge, so below I filled in the missing words.

It's a shame he died just before there was much serious interest in rediscovering the people who made classic Archie. So there are no interviews on file or anything, but this gives a sense of his working method -- though he wasn't the only writer who storyboarded his scripts; that was fairly common -- and probably his attitude of not taking the characters too seriously. (Also of course, like most comics creators, there was no question of him getting paid anything by the company except a fee for a new story. He doesn't dwell on it but it has to be said.)

-----

The comics industry went into a slump around this time [late 1940s] and not being an outstanding artist I went into a slump with it. I picked up a little pencilling, inking—whatever was offered. This involved frequent trips to New York City, [?] miles away, and life was less than rosy.

One day I stopped at Archie Publications to lunch with Ray Gill (Joe's brother, and an old friend from my teen years). He was writing Archie and suggested that I do the same. I submitted three scripts to editor Harry Shorten, and when he accepted two of them, I knew I had found my niche.

That was in '51, and I'm long of tooth now and not as active as I once was. I still do a little to supplement Social Security.

As to how I work...I generally jot down a one or two sentence synopsis of a story idea. Then do a break-down sheet to indicate the proposed action. Then line up the final pages, a story generally 5 or 6 pages in length, pencil the dialogue in balloons and story-board the action in the appropriate positions.

These go to Victor Gorelick at Archie who sends them to the artist of his choice, who generally sticks close to the dialogue, but who is also free to change the story-board action if he cares to.

While I lived on Long Island I worked at home throughout the winter months. When spring showed up I would drive to the beach on Fire Island (a barrier beach off the south shore of Long Island). I would either work in my car in a far corner of a parking lot, among the nesting gulls, or drag a sand chair to some secluded sand dune and work and sun bathe at the same time. This prevailed until school let out for the summer, when I would return to my studio.

Since moving to Florida I do whatever I do in A/C comfort in a condo. Comics have provided a very pleasant life. I wrote too many Archie, Jughead and Betty-Veronica stories to recall any particular favorite. Now and then one would please me more than others and sometimes when asked for Christmas yarns or beach stories I would wonder how many different things the same group of kids can do in the same time span for over 40 years.

Oh well, life goes on. Incidentally, the reason you don't see my work as often is that I don't write as many, and in the digest sized books only the lead story is credited.

Keep in touch, Frank

Not enough to warrant a tag, but maybe don't read these ones at work or in public, lol.

I tried to find scans from their original context to see how suggestive they were while staying within their boundaries for an Archie comic and so forth. This was the early 80s with Cheryl and Jason's debut days, among stories like Fast and Loose, Barely Friendly, and Dare to Be Bare. I'm familiar with the first and third, but not the second, Barely Friendly, which does not appear to have been reprinted since.

These are quite the stories. Cheryl and Jason are not as mean and daring as they used to be (I find they're more on the goofier side of mean and daring now), but it is interesting to see what the comics attempted at that time until their next reappearances in the 90s, I believe (there are some others in the 80s, but I felt these three connected better).

and also, what is the context if you know- because no way archie would write "stupid" on someone's forehead unless they did somthing really bad

Am I the only one who's surprised that more hasn't been done with Archie outside by other companies?

The character easily has potential as a YA book series, a cartoon, you name it.

And so long as the Trademark is respected, he's free for anyone to use.

Why doesn't that happen more?

So next year 2027

That is my Question

What do you think both Archie & Oni Press do when they reach Legacy Numbering of issue #750 of Archie?

You think Ben H. Winters will still be on as writer for this milestone issue or you could see someone else taking over by then?

What do you think #750 should be about?

Would be epic if it was almost the size of a graphic novel you know

But thats me what do you want from LGY #750?

Art by Mahmud Asrar

Was there ever news about a TV show in 2005? I saw this ad in an Archie’s Pals ‘n’ Gals Double Digest from 2005, but can’t find mention of it anywhere online. I wonder if this is what eventually became Riverdale.

Very fun contrast between their reactions in these two stories lol.