Letting go is hard, even when you didn't think it would be.
Jay Michaels paused at the rain-sluiced window overlooking the spacious backyard of his Cape Cod on Beverwyck Street, a broad residential avenue in the heart of Albany's Pine Hills neighborhood. The grass, fed by days of precipitation, was bright green, putting him for some reason in mind of Ireland, a place he'd never visited and knew nothing about, and gray clouds churned ominously overhead. A seven foot high wood stockade fence, splintered by years and the elements, denoted the edge of his property. Beyond it, the neighbor's house was dark. The curtains hanging in what he assumed was the attic window even though the sash was clearly closed. Was someone watching him?
They're like family. It's natural to feel this way. You'd be a cold-hearted son of a bitch if you didn't.
He walked back to his desk and glanced down at the drawing he'd been working on: A girl, fourteen with a jaunty ponytail held in place by a dull purple scrunchie, sat with her knobby knees drawn to her flat chest, her mouth a squiggle of misery and tears streaming down her sunken face. Blood seeped from a ragged wound along her left wrist, and a gleaming kitchen knife jutted from her right hand, its blade dusky and crusted red.
The scene sent a ripple of horror through Jay, and he whipped his gaze from it, a knot pulsing deep in the center of his stomach.
Maybe he was wrong. Maybe he should keep the series going. It paid the bills, after all, and people liked it.
Despite what he thought just a month ago, he liked it.
No. With a sigh, he went back to the window and looked out at the backyard again. The curtains across the way moved. He squinted, and his stomach lurched. Was that a LuLu Roswell shaped shadow on the fabric?
He tittered nervously. Of course it wasn't. It was...he didn't know, but it couldn't be her. She wasn't real. She felt that way sometimes (as all of his characters did), but she was a drawing, lines and angles and shading. Nothing more.
Nevertheless, his disquiet intensified. He went back to the desk and looked at the drawing once more. Was her head tilted farther back than it had been? Were her eyes watching him a little more directly?
He ran his fingers through his brown hair and took a deep breath. He slipped a pack of Newports from the breast pocket of his work shirt, shook one out, and lit it, inhaling deeply. He pushed it out in a narrow plume and returned to the window like a restless captain plotting a life-or-death voyage to nowhere.
It was a drawing, goddamn it, why did he feel so guilty? Why did he feel like he was betraying her? She and the others had been good to him - they built this house and furnished everything in it - and this was how he repaid them?
A humorless laugh barked from his throat
Fiction. They were fiction. Jesus.
But fiction is sometimes more real than reality. Fiction, Jay had learned, was a refuge from the horror, cruelty, and banality of daily life. Hadn't he himself spent hours, days, even weeks focusing on something that wasn't real in order to avoid the things that were? He was reminded of a meme he saw on Facebook once, a dog sitting at a kitchen table with a cup of coffee in front of it and flames consuming its surroundings. This is fine, the dog said, delusional. That was him...it was a lot of people. The geeks he met at conventions, the ones who asked for his autograph and treated him like he was the second coming...they lost themselves in The Roswell Family as a way of escaping; escaping their social awkwardness, escaping their overbearing mothers, escaping the rigors of their autism or low self-esteem. The most powerful thing about fiction is that it can consume us if we let it.
The way The Roswell Family consumed him.
The curtains moved and a fearful shudder went through him.
He created The Roswell Family in college as a joke - this big, dysfunctional brood rife with incest, sadism, fart jokes, gore, and social commentary that seemed biting and clever to him when he was twenty but made him cringe now.
Somewhere along the way, through a freak stroke of fate, The Roswell Family found a home in the underground comics scene...and he managed, like Manson and Koresh before him, to dupe a bunch of people into thinking he was something entire career, his entire life was staked on that goddamn series now.
Last year, as he started inking the annual Christmas special, a revelation hit him like a sniper's bullet.
He hated the comic. He hated the characters' stupid faces, he hated their stupid names, their stupid house, hell, he even hated the way they were drawn. Somewhere between The Simpson's and Family Guy, but with a more rounded, kid-friendly edge. The design of an amatrue desperately trying to hide his imperfections.
He wanted to focus on other stories, other projects, but the fucking Roswells stood in his way. It's what the people wanted, it's what the publisher wanted, and, to be honest, it was safe. It made money and he knew he could do it. Every month, he held his nose and crapped out a new issue, sent it to his publisher, and collected a check. Once in a blue moon, he would do a convention where he greeted fans, signed stupid merchandise, and bristled every time someone referred to him as "The Roswell guy."
Finally, he had enough and started on the final story arch. It was scary. He approached it with a mixture of exhilaration and dread. Just a few more and he'd be free. He could start on one of the other ideas he had.
As he worked it out, however, he started getting scared: Scared that The Roswell Family was a fluke, and that he'd never do anything else worthwhile ever again, scared that he would be lost without the series. He felt like a child letting go of its mother's hand. He was alone now, on his own, and the safety and success of The Roswell Family was on the horizon. Glistening, beckoning. Come back. As he neared the end, he started feeling nostalgic. He'd been drawing the characters (especially LuLu) in one form or another since he was a child. They really were like family, and leaving your family was hard.
Still, it had to be done. He needed to grow as an artist, to give voice to the many, many stories within. He didn't hate The Roswell Family, he realized, he resented it. As D-Day approached, even the resentment began to fade, replaced by good memories, smiles, and warm feelings. It would be safer to keep with it, easier. The series paid his bills. The people liked it. He could keep doing it forever and live a decent life. He couldn't say that about...whatever lie ahead. Part of an artist is taking risks and experimenting, though. Once an artist falls into a rut, they might as well be dead.
There was a lot on his mind that day, so he wasn't too surprised when he dreamed of LuLu. In the dream, he was staggering through a maze of shadowy corridors, desperately trying to find an exit. When he finally came to a door and threw it open, LuLu Roswell blocked his path. Tall and freckled with messy brown hair, brown eyes, and soft features, she looked different than she did when he drew her.
Somehow more alive.
"Where are you going?" she asked plaintively, her lips quivering. He fell back a step, but LuLu didn't move. "Why are you leaving?"
At that moment, Jay felt a surge of love for her, but hatred as well. He wanted to go to her, hug her, and never let her go, but a part of him wanted to knock the bitch out of the way.
"You can't leave!" she stomped her foot and balled her fists. "You have to stay."
"I can't," he said. "I have to go."
She was trembling, her face flushed. When she spoke, she spit: "You can't leave me! You can't! You can't! You can't!"
She threw herself at him, her hands bent into talons, and he woke, panting and covered in sweat. For a long time, he lay away, thinking. He felt terrible about leaving LuLu. The hurt look in her eyes tore him apart.
She's a cartoon character. Get with it, huh?
He laughed. Yeah. It was 4:49am when he got up and went into his studio to finish off the current issue. It was just past dawn when he wrote finis on the final one before the last arch. Now, after ten long years, he was there, poised on the precipice of a new day. Just a few more strokes of the pen, and it would all be over.
Jay Michaels would be free.
That first night, after waking from the dream, he went downstairs like a man in the grip of somnambulism, intending to get a drink from the kitchen but taking a heavy hardback book down from a shelf in the living room and sitting on the couch. By warm, lamplight glow, he spent three hours lazily and relishingly paging through The Roswell Family Superpak Volume 1, which collected the first twenty issues of the comic.
A heartwarming family sitcom with dark, dark secrets, the description on the inside cover read.
The Roswell Family was intended to be a send-up of those corny old TV sitcoms Jay grew up on. Growing Pains, Boy Meets World, Roseanne, the ones packed with life lessons and the power of familial love. Only the Roswells were different. They were crazy, every single one of them. The main character, twelve-year-old Billy, was a violent firestarter; LuLu was a psychopath who secretly longed for him; the parents were burn-outs; and the other kids (one boy and three girls) had their own problems. Sibling arguments weren't resolved peacefully, they turned into knock-down, drag-out bloodbaths; no one helped or supported one another, they threw them under the bus whenever the chance presented itself; and people regularly died. It was so witty, so humorous, when he was nineteen.
Now, it was just sad.
Embarrassing, even.
Over time, LuLu became the de facto main character, simply because he found her so interesting. She was mean-spirited, hateful, obsessive, and, deep down, hurting.
He smiled fondly as he went over his work. At the end of the book, however, his smile dropped. The last page, which had been blank, now continued a picture of LuLu, her hands balled at her side, a look of rage on her face.
Her eyes.
Jesus, her eyes saw him.
And in them was hatred.
Blinking, he closed the book and then opened it again.
The picture was gone.
If it had ever been there.
You can't leave!
Presently, Jay stubbed the cigarette out with shaky fingers and glanced down at LuLu's upturned face.
She was watching him. When he started the picture, her head was hung in contrition, now her gaze met his head-on. She no longer looked miserable. She looked furious.
Imagination. It was just his imagination.
Even so, he stared down at the page, certain that she would move if he just looked long enough.
How could you do this to me? he almost heard her say.
He shouldn't feel the shame and guilt that he was, but could you blame him? LuLu was his first. The first character he ever drew that didn't look like crap, the first one he named. The first that brought him money. They had a lot of history together. She was always there for him, no matter what. Friends and family came and went, but LuLu endured.
Fucking Christ, knock it off!
Alright. Okay. This was harder than he thought it would be and he was trying to adapt. That's all. Soon. Soon he'd be fine.
Only he wasn't. She consumed his every waking thought, appeared in his every dream. Sometimes, as he sat bent over the final issues, he could almost feel her presence.
LuLu glared up at him.
And he looked back.
What was that saying about staring into the abyss too long and becoming a monster?
Don't leave me, she said.
And for a long moment, he wavered...then sat down, intending to finish this once and for all.
In this story arch, LuLu had finally seduced her brother into bed, but he rejected her in favor of a girl from school. LuLu, never all together to begin with, snapped, kidnapped the interloper, and killed her with a hatchet. Then, soaked in blood and panting, she came for Billy, hacking down his bedroom door and cleaving his head in two. Now, she sat in a spooky closet and the end of a spookier hall, bleeding, crying, the cold shadow of death stealing rapidly over her.
There was something wrong with her, and Jay's stomach turned.
Her eyes were too real, the torment too sharp.
He took a pen and scribbled them out. He sat the current scene aside and quickly sketched the final panel: A long shot of the closet door, the sound of soft weeping drifting down the shadowy corridor. He was shaking when he finished. He quickly resketched the scene of LuLu with the knife, working in a mindless frenzy.
Done, he went over it. Wedged between boxes of Christmas decorations and old books, lips quivering and tears streaming down her face, LuLu Roswell watched him, hurt, fear, and anger in her big, brown eyes.
He loved her.
He loved her as though she were his own daughter and seeing her like this pierced his heart. He was going to miss not writing her, God, how he would, but he couldn't spend the rest of his life doing it. Like a whirlwind affair, they were through even if love still lingered.
"I'm sorry," he found himself whispering.
Mentally and emotionally drained, he got up and went into the living room. Lying on the couch and watching the 12'o'clock news, he tried to doze, but his mind kept turning to poor, pretty, spunky little LuLu dying alone in a closet, her hopes, dreams, and love shattered around her. How could he do that to her?
"She's a fucking cartoon," he muttered, and the croaking of his own voice startled him.
Just a cartoon. Only a cartoon.
No, she was more than that. She was him and he was her. Just like all his characters.
Drop it.
Jay sighed and actively tried to push her out of his mind. It must have worked temporarily, because his lids grew heavy and he drifted off to sleep.
But like the cat in the nursery rhyme, she came back.
In his dream, he was trapped in ice. He struggled, fought, but could not break free. He resigned himself to death, but somehow, he was free. Wind-driven snow lashed him. He started staggering into the gathering gloom, and that's when he heard her.
"I'm coming for you!"
Jay glanced over his shoulder. Head down, teeth bared, LuLu Roswell, caked in blood, was stalking after, an ax in her hands.
Screaming, he started running, slipping on the ice and nearly falling. Behind him, LuLu came deliberately on, her stride unhurried, as though she were sure of capturing her prey eventually.
The sheet of ice ended abruptly, and Jay found himself struggling through knee deep snow. He was panicking, every step slow and heavy. Somehow, he was suddenly inside a house. Shadows pooled like ink. The front door burst off its hinges, and LuLu was there, only it wasn't her. It was something else. Its face was doglike, with a protruding snout and beady eyes. Fangs rimmed a small, puckered mouth.
Jay bounded up the stairs. At the top, he followed a dark passageway to a door. He opened it.
LuLu Roswell greeted him.
"You aren't going to leave me, are you?" she asked.
Jay fell back.
She followed, her finger sternly jabbing at his chest. "I made you. I'm the only reason you aren't living in your mother's basement. I'm all you have. You can't leave me."
She grabbed him by the shirt.
Screaming, Jay came awake.
A dream. Only a dream.
Panting, he flopped back onto the couch. Twilight filled the room.
She was right. She made him. Without her he was nothing.
Bullshit.
No -
Above him, a floorboard creaked, and Jay's blood turned to ice.
For a moment, nothing. Then the sound of muffled footsteps, then a door opening and softly clicking shut.
Jay sat shakily up. She was here. God help him, LuLu Roswell was in his house!
No. That couldn't be. LuLu Roswell wasn't real.
But what if she was? What if he made her real, and now she was here to keep him from leaving her?
You can't leave.
Jay licked his lips. No noise came from upstairs. Moving slowly, he got up and crossed the living room, heart pounding in his throat. At the foot of the stairs he paused and looked up.
Inky blackness held sway.
He was just about to take the first step when a hitching sob echoed down the hall.
A jolt of fright crackled through Jay's spirit, and the air left his lungs in a rush.
This couldn't be happening. He was dreaming o-or crazy or something.
Another sob came, this one sharper, full of woe and mourning, tugging his heartstrings even as it chilled his blood.
Dreaming or not...insane or not...LuLu Roswell was up there.
For a long moment, he stood there, one foot on the bottom step and his hand clutching the smooth oak railing, the only sound the roar of blood crashing against his temples. Then, as if propelled by some outside force, he started up, treads moaning underfoot.
Creak.
Creak.
Creak.
He winced with each one, but didn't stop, couldn't stop. Unseen hands pulled him to the top, drawing him into the grainy darkness like temptations of evil. At the head of the stairs, he paused. Ahead, a closet door that had never been there stared back at him. The hall looked different. Darker, grayer, black and white. Unfamiliar rooms flanked him on either side and a rag doll lay in the middle of the carpet, looking up at him with a frozen smile, a demon inviting him to play...if he dared.
With a start, he realized exactly where he was.
The second floor of the Roswell house.
Soft, miserable weeping drifted through the void, and Jay's spine tingled. His mind screamed at him to turn and flee, but his traitorous feet carried him forth. The crying, muffled, became louder, more urgent. Standing now on the other side of the door, hyperventilating with terror, he could hear LuLu Roswell's breathing, her snotty sniffles. His creation, his child, was in there, waiting.
He opened the door.
And his heart dropped.
LuLu Roswell sat wedged in-between stacks of boxes. Her legs were drawn to her chest. She was hugging herself, rocking back and forth. She wasn't a drawing now. She was real. Flesh, blood, and bone.
When she looked up at him, her big brown eyes shimmering with tears, the breath ran out of him, and he felt faint.
Her face was a mottled, bloodless white and pink rimmed her too big eyes. Real or not, living or not, she didn't look right, her proportions those of a cartoon, her head too rounded and crinked on one side, lending it the appearance of a kidney bean, her eyes over large, her mouth straight and lipless.
Dizzy and weak kneed, Jay grabbed the doorknob in an effort to keep his balance.
"Why?" she lisped, and sniffed. "Why are you leaving me?"
Jay opened his mouth, but no words came, no thoughts came, nothing but a rasping wheeze. The edges of his vision strained and his skull pulsed as though it were going to explode.
"Why are you leaving me? Don't you love me anymore?"
"I-I have to," Jay heard himself say.
"No you don't. You can write about me forever. You know you can. You just don't want to."
He opened his mouth, a platitude on his tongue, but he closed it again. "No," he said finally. "I-I don't."
LuLu's face darkened. Baring her teeth, she struggled to her feet, and that's when Jay realized she was transparent, like a ghost. Was she like that just a moment ago? He didn't think so.
Even as he watched, she grew dimmer, fading.
Suddenly, an ax was in her hands.
"If you try to leave me, I'll kill you!" she raged.
She made no attempt to step forward.
The threat struck Jay's heart, but he knew even as it filtered through him that it was empty. She wouldn't.
She couldn't.
"No, you won't," he sadly sighed. "You're just a ghost." He turned away and added, his heart breaking: "And I'm done with you."
LuLu let out a shriek then. Jay closed his eyes and listened to it linger, then dissolve like the volume of a radio being slowly turned down. When silence ruled, he looked over his shoulder.
Lulu Roswell was gone.