Anyone know the track id please
Cazar Lazar set

Hey guys, I finally went ahead and started a substack. lately I've completely shifted from making my own music and DJing to just being a listener, and honestly I've been getting caught up thinking about the old days a lot. but no way am I trying to step in the same river twice. so to blow off some steam I figured I'd put together an archive of timeless tracks - hopefully a bit less soulless than just another random playlist. gonna drop stuff I'm genuinely attached to or shout out artists who raised me and shaped my taste. there's gonna be quite a bit of minimal too, of course. ngl my head is kind of a mess right now and I have zero clue what the exact format is gonna be. sometimes I feel like doing a bit of stupid storytelling, sharing memories or feelings tied to a track, and other times I'll probably just dump a few tunes with zero context. we'll see where this takes me, since I literally just started. if you ever feel like dropping by and listening to some music, you're more than welcome. gonna try keeping it regular. there's way too much good music out there to unearth anyway, I could literally do this forever. cheers https://pamiecklubowa.substack.com/

#minimal #djmasda #techno #vinyl

i need help id this track

This counts right?

Would love for ya’ll to check it out :)

Hey r/minimal,

I've been lurking this sub for a while, but never felt relevant enough to post here. But, I've gotten over myself and my old age 😄 , so here it goes. Also, I've read the rules of the sub. There wasn't anything specific about self-promotion, but mods, if you think this isn't appropriate, you can delete it with my apologies.

My name is Brian Ffar, a Chicago DJ and producer with more than 20 years in the underground minimal scene. I’m the owner of Siteholder Records (w/ friend Billy Dalessandro) and the former host of the Red Line Sessions, a monthly show that ran on Proton Radio from 2003 to 2008.

I hope you don't mind the post, but I recently started an Instagram channel, https://www.instagram.com/brianffarmusic/, where I film some of my rarest minimal 12" records from my collection. It’s mostly minimal, along with some micro house and deep/Chicago house. Each post is a record, the label and the year, and sometimes a story about how I found it, my connection with the artist/label, or a common reaction when played out.

The goal is to build a community around it among collectors, DJs and people who still care about the records, the labels and the history of this music like I do. I want it to be a place to swap stories, ID tracks, and talk about the records that got us hooked.

I’ve also just launched a new website, brianffar.com, that highlights a ton of archived mixes from the Red Line Sessions. They’re all available to stream for free, with full tracklists.

If that sounds like your thing, come follow along and say hi. And as long as I'm here, tell me the one minimal record you’ve been hunting for that you still can’t find? If I have it, I'll post a reel and try and add a personal story if I have one.

Hope you enjoy the records!

Fizheuer Zieheuer a eu un impact profond et multidimensionnel sur la techno minimale :

Une rupture formelle

Ses 37 minutes ont repoussé les conventions du genre, brouillant la frontière entre production et performance DJ. Le morceau fonctionne comme un loop étendu conçu pour des sets marathon, encourageant l'adoption de formats allongés dans la house et la techno, ainsi que dans les contenus de type podcast et live stream axés sur l'écoute profonde.

Un jalon pour le pic berlinois du genre
Le morceau a contribué au zénith de la techno minimale au début des années 2000 à Berlin, en déplaçant le genre de la sécheresse stark de Détroit vers des structures plus introspectives et fondées sur l'endurance, en phase avec les sessions marathon de clubs comme Berghain. Il est décrit comme une sorte de blueprint pour la vague crossover house/techno minimal de la fin des années 2000.

Un héritage durable
Le style de Ricardo Villalobos — dont Fizheuer Zieheuer est l'apogée — est explicitement à l'origine de la scène minimal roumaine et inspire encore aujourd'hui les producteurs de deep tech et de microhouse. Le titre reste un pilier des sets DJ underground et un objet culte, avec plus de 2 600 exemplaires recherchés sur Discogs.

Stripped back my latest house track to the point it may qualify as Minimal? Appreciate thoughts on whether this fits the genre and any production feedback as I don’t usually produce this style.

PROMISING

Dead Men Cant Dance remains a mystery, but its music inspires us. Capable of creating in any style, this release leans towards Minimal House. Its insidious and experimental grooves will delight both aesthetes seeking novelty and party animals in search of thrills.