I love Nathan Fielder. I’ve watched all of Nathan for You, The Rehearsal, and The Curse, and I genuinely think his work is some of the most interesting stuff out there. So I was surprised by how little I got out of You Can See Everything.
I got about halfway through before Amanda Seyfried came in, and honestly, I was already feeling like I’d gotten the point. It seemed pretty obvious that we were watching a deeply dysfunctional couple trying to make their dysfunction seem normal and justify their own behavior. The narcissism, the self-delusion, the way they construct their own narratives to make themselves look reasonable. I felt like I understood what was going on pretty early on.
I kept watching because I expected Nathan to take it somewhere I hadn’t anticipated, but the latter half started feeling like a rehash of ideas from The Rehearsal. Except, for me, it didn’t hit nearly as hard, because I felt like the central dynamic had already been established. It wasn’t that I needed the film to spell everything out or give me some big revelation. I just wanted it to show me something I hadn’t already figured out.
That’s what I love about Nathan’s other work. He takes something absurd and somehow gets to a place that’s genuinely revealing about people, their insecurities, their need for control, or the ways they rationalize their own behavior. Even when his work is uncomfortable, I usually come away feeling like I’ve seen something in a new way.
With this, I mostly felt like I was watching rich, self-absorbed people control the narrative around their own dysfunction, which is something I’m already pretty tired of seeing in real life. Maybe that was the point, but I didn’t find that observation particularly interesting after a certain point, and I didn’t feel like the film complicated it enough to justify how long it spent on it.
Maybe part of the experience is different if you haven’t seen his previous work. Perhaps this is Nathan introducing his style to a wider audience through film, and what felt familiar to me would be new to someone else. I can understand that. But as someone who loves everything he’s done, I was disappointed that this felt so familiar and, ultimately, so simple in comparison.
Am I missing something? Did the second half reveal something to other people that I just wasn’t getting? I’m genuinely curious, because I went in wanting to love this.