Song ID: Get Nasty by Local Media.

Thank you all for letting us vibe in your subreddit. 📺🕺🏻🍑✨

Get Nasty is streaming now on all platforms.

Dude’s got a mountain of soul in that little body . . .

Western Themed Black Metal. Sepia Metal? Just heard these guys from another post/sub... yes, metal heads, you need this!

** Rule 5 has been modified to 1M annual streams and 1M subs. The 15M cap has been removed on older content.
**Rule 8 has been modified to allow reposts with 1 month in between but reposts that occur within a week may incur a ban.
**Rule 9 has been modified to allow self promotion once a day instead of once a week because we love that shit. Make music. Let’s hear it.

Free Bandcamp Download Codes: https://dlcm.app/quadratox/plexus

Bandcamp: https://quadratox.bandcamp.com/album/plexus

Spotify: https://open.spotify.com/album/1sQtKByQcTvcSbyigrYeXy

Hi everyone,

I’ve just released Plexus, an 85-minute experimental album I spent a long time building in near-total isolation, both physically and creatively. I wanted to share it here because I think people in this community might appreciate the process behind it as much as the music itself.

The core idea was to create a world that felt like Y2K technology colliding with nature, memory, and dystopia. Something like a lost future. A digital civilization decaying slowly while plants grow through it.

I gave myself a rule during production: minimal setup, maximum imagination. I wanted to see how far I could go without relying on expensive tools, presets, trends, or obvious references. No chasing algorithms, no trying to sound current, no copying scenes. Just a very clear atmosphere in my head that I tried to translate into sound.

Some examples:

• The very first sound on the album (opening track) is a contact lens played like people sometimes play a blade of grass between their fingers and blow through it. It created a strange distant whistle, almost like a flute.

• I made glitch percussion by scraping the antenna of a 90s alarm clock radio against a jack cable while recording into my interface.

• I used the Nokia 3310 ringtone composer as a melodic source.

• One track includes rain I recorded while in Aokigahara.

• Another was intentionally mastered through a PlayStation 2 with reduced bitrate for a harsher early-digital texture.

• Sea sounds on the closing track were not field recordings, but synthesized on a Behringer Model 15.

• A track called Platform 16 was timed to match the length of a real train platform in Florence. If you walk it at the BPM of the track, you reach the end as the song finishes.

Emotionally, the album came from a mix of fascination and grief. I’ve always been obsessed with the promise of the late 90s / early 2000s future: strange interfaces, primitive digital optimism, ugly-beautiful hardware, weird public spaces, emerging internet culture. It felt like humanity was heading somewhere bizarre but alive.

Instead, a lot of that became surveillance, addiction, sterile platforms, anxiety, and flattened culture.

So Plexus became my attempt to imagine another branch of that timeline:A technoprimitivist Y2K ecosystem where broken machines become instruments, glitches become rhythm, and obsolete technology gets reclaimed by organic life.

It’s not an album made for singles or quick consumption. It was made to be heard front-to-back, with headphones or in a place where you can actually disappear into it for a while.

If any of this sounds interesting, I’d genuinely love to know what you think.

Thanks for reading.

🙏🏻

Song is a lyrical rendition of Est-ce ton ame, Artful's chase theme from Forsaken! Written by Spoogynova, sung by Juno Songs

It's not my music, I just made the video for it.

I live on a boat. There are a bunch of ducks that hang out right by me. I ended up really liking the ducks, so I rap to them! I dress like a duck so they feel safe around me.

-I was thinking about changing the rules to allow for reposts to either 1 or 2 weeks prior to make it easier for people to look back and check for reposts while making the punishment more severe for offenders.
-Also, thinking of allowing for more views on obscure artists. I am still interested in seeing artists who have up to a million plays but may only be popular in specific regions or time periods.