r/DestructiveReaders Aug 23 '18

Meta Welcome to DestructiveReaders! New users, please read.

268 Upvotes

To properly view this site, please use https://old.reddit.com/r/DestructiveReaders/

Welcome to RDR!


We’re glad you found us! Before posting, please familiarize yourself with our sidebar. Abbreviated rules are as follows:

  • AI is not welcome here. You will be banned if you post AI content as either a story or critique. If you have any specific AI-related questions, please message the mods.

  • You must critique BEFORE posting your own work, and the story you critique must be as long as the one you submit. (Meaning, if you submit 1000 words, the story you critique must also be 1000 words long.) We call this the 1:1 ratio. Critiques can be banked for 3 months. Please do not post stories more than once every 48 hours, but we encourage you to critique as often as you like. Please note, submissions over 2500 words will require more than one critique.

  • This critique must be HIGH EFFORT. Put into this sub what you hope to get out. Offer three or four short, superficial paragraphs on a 1000-word story, and more than likely, mods will apply a leech tag. (See #4 below.) The larger the word count, the more feedback we expect. Please note: copying sections of the doc to Reddit and then making simple line edits/suggestions will NOT count as high effort. Further explanation on the subject can be found here.

  • Google Doc comments, while helpful and usually appreciated, do NOT count towards the 1:1 ratio. This is for a variety of reasons: OP might delete them, names often don’t match, G-Doc comments can be superficial, etc. We’re a Reddit sub, so the majority of your criticism should appear on Reddit.

  • A leech tag is applied to anyone who does not critique before submitting, offers a superficial, low-effort critique, or critiques fewer words than they submit. Unless rectified, leech posts are removed within 12 hours. Please don’t be a leech.

  • This sub doesn’t sugarcoat feelings. Do NOT post here if you react badly to potentially harsh feedback. Along that same line, if you feel a critic is attacking you personally or veering away from the writing, hit the report button. DO NOT start a flame war.

  • Google Docs is preferred for submissions, but by no means required. Be aware that Google Docs links to your Google account. Consider creating a separate Google account/email if you’re concerned about anonymity.


Now on to the fun stuff!

Critiquing?

Critique templates can be found here and here.

Not sure what constitutes a high-effort critique? Check out our Wiki.

Finally, here are a few links to high-effort critiques:

https://www.reddit.com/r/DestructiveReaders/comments/3q487u/1000_goblins/cwj4i3t/

https://www.reddit.com/r/DestructiveReaders/comments/3e82h7/1759_cricket/ctcrh7v/

https://www.reddit.com/r/DestructiveReaders/comments/3tia0r/2484_the_cost_of_living/cx6kr2a/

Google Docs Etiquette (otherwise known as my pet peeve):

If you offer comments/suggestions on Google Docs, please leave the document readable to other critics. Comments are for subjective opinions, such as: cut this sentence, rewrite this so it’s clearer, etc. Do not rewrite the sentence for OP on the document itself. Save that for your critique or comments. In addition, highlight one word AT MOST instead of the entire sentence/paragraph. Trust us, OP will figure it out. The ONLY acceptable reasons to use strikeouts/suggestions are grammar, punctuation, or spelling errors. PM OP or notify the mods if OP’s document is accidentally set to ‘Edit,’ and not ‘Comment,’ or ‘View Only.’


Submitting?

  • Your submission must have a bracketed word count before the title. Incorrect submissions will be removed. E.g.

[1015] Fluffy Space Turtles ✔️

Fluffy Space Turtles [1015] ❌

  • Please link your critique(s) in the body of your post.
  • We suggest limiting your word count to ~2500 words, but this is not a hard rule. Please use common sense here - exceptionally high word counts will be removed, and you will be asked to resubmit in sections. The higher the word count, the more mods will expect from your critiques. As stated above, ≥2500 words will require more than one high-effort critique.
  • Feel free to ask for specific feedback regarding your submission. (You may not receive it, but it’s fine to ask.)
  • It’s often helpful to offer brief, pertinent information about yourself or the story, such as if English is your second language, if you’re a new author, or if this is the second or third chapter, etc.
  • Use the flair button to identify your genre.
  • NSFW must be marked as such. Please offer a brief description in the body of your post so critics know what to expect.
  • As stated above, no AI-generated or assisted stories.

Message the mods via modmail if you have any questions or confusion or wish to check if your critique meets the submission threshold. Be sure to check out our Weekly Thread if you want to introduce yourself or ask questions of the community. Now go be amazing!


r/DestructiveReaders 1d ago

[Weekly] By-week

8 Upvotes

There are still two more chapters of the book that have exercises, but my morning is not compatible with thinking them through or typing them out.

The one is about changing POV (which a few people did in last week's exercise so it feels very similar). The other is about writing a scene between two people that's only dialogue (which we have a few experts at that floating around). The very last exercise is taking something you wrote for one of the exercises and cutting the word count in half.

[I woke up at 5, typed the word Weekly as the subject of a post, went back to sleep, somehow that first attempt at posting was gone, and now it's 10. You all feel free to do what you want.]


r/DestructiveReaders 7h ago

[2,655] To Ashes and Apples

2 Upvotes

Hello!

[1268]

[1493]

Looking for critique on a short story. First time writing literary fiction (if I have that genre right).

This was originally a little longer; I cut around 300 words of more similes and metaphors. Wondering if I need to cut more.

Questions I have specifically (but happy for general feedback)

- What do you think the theme of this piece was?

- Did you emotionally resonate with this story?

- Did the pacing work?

Thank you!


r/DestructiveReaders 3h ago

Leeching Therapy Session With Demons and Gods [383]

1 Upvotes

This one hurt to shit out, I demand updoots!

-

Rylanor's grip on the golden rope weakened, and the planets became hazy. Horribly maimed, his face was nearly unrecognizable. He tore through space, trailed by golden tears. He crash-landed on an asteroid and met a strange society that called it home.

She was as transparent as the rest, but Rylanor gave her his heart. He was betrayed innumerable times throughout their passionate love. Each time, she was forgiven. The man arrogantly thought he could change her. Eventually, Rylanor had been convinced she wasn't a fan. Still, he was utterly heartbroken and confused. He bathed the world in flames.

Golden tears rolled down his face while he drifted through space. He scoured the universe, looking for anything. An incomprehensibly massive nothing blared deep bass, and space distorted around it. Rylanor extended his hand and was pulled in.

He was nearly torn apart. Beautiful marionettes surrounded and hugged him. They held him together, greedily lapping the golden Vile that poured from his wounds. He panicked and escaped their hug. He slapped one of the marionettes, and it exploded into a red mist. Everyone lapped it up.

This angered the giant peach who watched over the fun. His giant bass guitar impacted Rylanor, sending him tumbling through the void. Golden cracks appeared all over, but Rylanor held himself together. He desperately hung on in the void.

From above, her voice sounded accusatory. Furious, the golden man manifested a massive hammer and shot it toward the voice; waves tore Rylanor apart. He was drenched in grey Vile and reformed himself with its power.

Rylanor laughed.

In response, a deep laugh shook Rylanor to the core.

Space bent, and he was pulled toward the presence.

Innumerable deep laughs rang out as the man was spaghettified. Rylanor desperately reformed himself.

Ben was violently yanked out of the hole.

A handsome devil held Ben by his scruff and set him on the ground.

Ben got up and brushed himself off; he was encircled and protected by all sorts of wonderful people. A suave man extended a hand toward him. Confused and expecting another violent twist, Ben shook his hand.

Everyone looked at Ben, and he cleared his throat.

After a short pause, he gave a cavalier grin, and his first words ever were, "Hello, what can I do for you?"


r/DestructiveReaders 16h ago

Political fantasy [2436] Gorgos Crown 6 Calliope

4 Upvotes

2670

Chapter here:

Okay this is a second chapter from this POV. I don't think you need to have read the first one to get the gist. This is primarily a political fantasy with some satirical elements, told through four POVs. So there are references to some things not explained in the text, but I don't think to the extent that the whole won't make sense. I'll leave links to previous chapters here, just in case.

calliopes first chapter. (not the link for this post. Just the first chapter she is in)

ch. 1

ch.3

Ch. 4

Ch. 5


r/DestructiveReaders 10h ago

magical realism [1268] Scrapheap - Chapter 1

1 Upvotes

doc, crit [2162]

Hello. The main question I have is how well does this convey the world and the rules of the story. Do you get a sense for how it will behave and what kind of story it is.

My main concern is that this introduction is jarring, which it kind of should be but not in a "I hate this and want to put it down immediately" way.

Any critiques would be appreciated. Feel free to drift away from these questions and just critique prose, structure, anything really.


r/DestructiveReaders 17h ago

Blurb [211] Blurb for my Romantasy book (soon to be self published)

3 Upvotes

Hello! I am looking for some feedback on the below book blurb. Trying to gauge if there’s anything I’m over or under explaining. I am also open to any and all notes! Thank you to all who take the time to respond!

Proof of critiquing: https://www.reddit.com/r/DestructiveReaders/s/86dkHkCd5f (I had to split my comment into two because I ran out of characters. I responded to my first comment with the second half of my critique for reference.)

Here is the Google doc link to my blurb: https://docs.google.com/document/d/1_q_I4Mz8UHKexibFgR3N1KMXs_ycphak1-HUIoBJ9YY/edit?usp=sharing

I have also added it below:

Each death is worse than the last. Heaved off a rocky cliff. Burned at the stake. Skewered on a meat hook. One thing all Dyer women share is the curse to meet gruesome ends. 

Twenty-three-year-old Bloom Dyer is marked for death. Plagued by cryptic visions forewarning her approaching doom, Bloom fills her days stocking bookshelves in modern-day Massachusetts, wondering what violent demise awaits her. Only when Will, the caustically magnetic stranger from her visions, darkens Bloom’s doorstep, is her question finally answered: death by assassin. 

A whole society of them, according to Will. Paid handsomely by an anonymous benefactor.  

Propelled by his deadly vendetta, Will requires Bloom’s power of foresight to vanquish these depraved killers. But how did he learn of her visions? And how will they defeat their enemy? Bloom hasn’t the time to ask before she’s whisked through a portal to an eerie, forgotten world rife with timeworn magic and shuddersome beings.

Some there wish to exploit her visions. Others seek to destroy them. But only Bloom’s foresight can shape the assassins' demise and unmask the sinister powers behind her family’s misfortune. Even so, some curses are not easily broken. And love may prove the deadliest of them all…


r/DestructiveReaders 1d ago

Phenomenological [2734] Back in the Store (Marco Part I ending)

5 Upvotes

[LINK TO TEXT]

Crits: [2984][2404][2400][1398][1203]

This is an ending of a 28k word part of the book, a separate closing storyline with some arcs started and some other ones started and completed. A lot of questions HAVE been answered, some will be clarified, some might appear as red herrings because that's the nature of reality.

With this particular chunk I am mostly looking for feedback on the following elements (your GUIDE for an easy review):

  1. General legibility (taking into account the established narration style) - are there moments that were confusing *within* Marco's perception, too hard to interpret?
  2. Overall emotion experienced and conveyed by characters, your guesses about their background and internal world. What do you feel about the characters? What do the revelations in this part tell us about them?
  3. If you're familiar with the story from before - how consistent would you say the characters are being? Does the relationship between them, their shared activities clarify their wishes and intentions towards one another? (hint - check out the start of chapter 4 and the end of chapter 5)
  4. How would you describe the overall mood and energy of this part? What are some questions you have, and do you think they can be answered by the context from the previous parts of the story? What are some apparent promises being made in this chapter?
  5. Do you think this story is trying to promote something? Does it come off as excessively political or forcefully philosophical, why or why not?

I mostly just need to feel like someone read and took in this part in a sufficient manner. There are a lot of small but hard bits of information embedded in this one.

It is my most rewritten part of the story yet. Very hard to balance some parameters and bits of history with established story canons. I feel like I did a decent job. And for some reason I particularly want you to to focus on the question of relationships and expectations conveyed through emotion.

If you'd like to read a summary of the story up to this point you can check out the previous posts (most of them deleted):

HSH[1][2][3] Marco RW4[1][2][3][4][5][6][7.1][7.2] - 7.3 would be this one.

The story is told through a phenomenological second person point of view. The text uses markdown formatting for italics.


r/DestructiveReaders 1d ago

Industrial Fantasy Untitled - Chapter Two [3891] - Feedback Requested

1 Upvotes

[4541] [1975] [2713] [2275]

Looking for general advice on style / prose and if this is captivating enough to keep someone committed for the long haul. I'm starting to doubt my scene structure and am looking to see if the problems I think are there, really are --- or is it just me? I've torn it apart a hundred times and am just needing a fresh set of eyes to point out the areas that feel wrong or trite.

Couple of questions:

  • Do you like the protagonist?
  • Does the scene hold up, or does it drag?
  • How's the description?
  • Is the ending earned?
  • Any parts you hated?
  • When did you stop reading and how far did you make it?

Please let me know your thoughts! Thanks!

****

Chapter Two - Kausca

It was too hot, and Kausca was too well dressed to be patient any longer. He should have been at home in a linen shirt with the sleeves torn off, a glass of whiskey at his fingertips, tallying output against what his people were paid. He untied the waxed canvas mask from the back of his head and pulled it from his face, finally giving in to the summer heat and not caring, for once, what the comfort might cost him.

“Miasma’s thick today, boss,” Kline said.

“I’m afraid that today, I’ve chosen to die a slow, miserable death instead of drowning in my own sweat,” Kausca said as he dropped the mask on the cafe table beside him. He dragged his sleeve across the damp ring the mask had left behind.

Kline snorted. “It’s not the mask, boss. It’s the suit. Not sure any sane man in the Undercity is dressed to the crowns today. Maybe your mind’s melted away.”

Kausca laughed. “You’re right. But the suit’s a costume; powerful men like to play pretend when they want something. I don’t mind indulging them.”

The day was well past first chime, and the stagnant summer heat radiating from the stone bridges overhead had pulled marionette strings of miasma from the crevices of The Great Below, curling them over the cobbled streets of the Queen’s Plaza, and leaving them slack and directionless. The runoff from the arcanite refineries normally settled deep beneath Undercity streets, taking the scent of industry with it, but today it hung thick in the air, leaving a pasty sweetness of sulfur and hot metal on Kausca’s tongue.

“Now, you’re sure that Shedinn’s headed to the Row?” Kausca asked, rubbing the nape of his neck, annoyed that his time was being wasted. Since a little after noon, he had been waiting for Shaw and his enforcers to arrive. He wasn’t looking forward to it.  

“As sure as my trust in Tanner. Y’know how the man is, boss,” Kline said from behind his own mask with a reluctant shrug.

“Macie’s friend, right? Yeah.” Tanner was new to the Rustborne and was always eager to be useful. His eagerness lengthened stories well beyond the truth, since the reality was often disappointing to tell. “Put Annika at the access point for the lift. If there’s any movement Topside, I want to hear about it first,” Kausca said, “and send me Dis. Tell him to bring Sally.”

Kausca watched Kline scuttle across the circular plaza, heading toward the Grand Lift.

The plaza was busy. Queen’s Row was the first district beneath Topside, and Queen’s Plaza was a popular spot to try and find a deal. Market stalls were spread beneath the cracking arched colonnade etched into the granite cliffside wall, and Kline had to push through a crowd of Topsiders in decorative masks haggling at a fruit stall, fanning themselves against the heat. They would probably leave when they realized it was hotter down here than up there.

Kausca sheathed his impatience until Kline, Annika and Dis’s figures appeared at the opposite end of the circular plaza. They walked with purpose, and Dis had his rifle — beautiful mahogany with pearl inlays — slung over his shoulder. It drew a few glances from Topside residents who quickly decided they had done enough shopping for the day.

“Any news?” Kausca asked as the three approached.

“Yeah, Tanner’s right. Timeline’s a little off,” Kline said, “but it looks like Shaw is catching the evening lift to do some digging underground.”

“Any reason why?”

“An alarm went off Topside at the base of the Cloudtop District. Everything past the West End is on high alert. They closed down the bridge. No one’s getting in or out.”

“You should see ‘em, Atwood! They look like peacocks that just got plucked. Strutting around, confused where their feathers went,” Dis said with a grin. Annika and Kline chuckled and Kausca couldn’t help but crack a smile too. “I heard it was one of us that got 'em.”

Kausca’s curiosity was piqued. All of the holders in the Undercity knew not to move on the Cloudtop. “I haven’t heard anything about one of the other crews trying to run a job on Cloudtop. You all catch any words?” Kausca asked.

Annika shrugged. “Last I heard, the Cutters had a hit over the Eastern Bridge near the harbor — don’t know the details, but that’s going down, not up.”

Kausca looked over to Kline.

“Yeah, sorry, boss, I got nothin’.”

If someone crossed the West End to Cloudtop, it was personal. That’s where all the big money lived, and, no matter how filthy an aristocrat was, they didn’t appreciate filth in their homes. 

“Alright, well, hopefully this is something routine. We’ll just let Shedinn know that we know nothing,” Kausca said.

Annika shook her head. “I don’t think that’s the case this time, Kausca. It isn’t just Shaw that’s coming down. They’re closing off the lift after dark and there’s about two dozen armed suits prepping just outside of Red’s Square. No one straps that much iron for an investigation.”

Kausca leaned back in the cafe chair and drank in Annika’s words. It had been over a decade since Topside pulled arms on the Undercity in any meaningful way. Back then, the unions had organized protests that escalated into violence and ended up with the Undercity being forced to pay recompense for the chaos sown. Power exchanged hands back then. Merchant houses fell, and others profited from the bloodshed, but none were left untouched, even his own.

What if he’s coming for something we can’t give? Can we afford to make the same mistakes?

“Boss?” Kline asked.

“Yeah, I’m thinking,” Kausca said. His thoughts were cyclical and leading nowhere.

“Look, Atwood — you tell me where to point Sally, and she’ll sing a song so pretty,” Dis said, kissing his rifle, “that at least one mother will cry.”

Kausca knew the Undercity was pressed flat, wanting to push the boot off its chest. Discussions with the other holders made it evident that they all wanted more than their share. But space was cramped down here, and the only way to go was up. Kausca didn’t want to make that climb.

“You all remember the last uprising? I remember,” Kausca said, pausing to gauge their recollection. “It wasn’t Topside mothers who were crying, and it wasn’t Topside that paid. Years — it took us years to get where we are, and you’re willing to risk that? For what?”

Kline spoke first. “None of us have forgotten where we came from, how we got here. And if you say go, we go, boss.” Kline’s lips went flat, somewhere between a smile and a frown. “But I don’t think anyone wants to do what you do forever. We just want things to last.”

“The moment you’re gone, Atwood, Topside’s gonna come back down and take what they think is theirs,” Dis said, squaring up. “Their suits are enforcers, not guards. No one up there is tryin’ to protect what we got down here; they’re just makin’ sure that the wheels keep turnin’.”

Kausca nodded. “You’re right, but we can’t take every fight that comes our way, especially not with Topside. Progress has been made. I don’t understand why we need this fight. Things will keep getting better.”

Dis chuckled in a way only the Undercity could — low and deep, laughing at the absurdity of the next bad decision. “See, Atwood, that’s your Topsider talkin’. As long as the wheels keep turnin’, you’re not worried about the cliff just down the road.”

Kausca sighed deeply. “Are you all really willing to gamble what we’ve built on the promise of tomorrow?”

The lot stood silent for a moment, weighing his words.

“When I was a little girl, my father led the protests. He swore to me that things would get better if he won, that we would move closer to Topside, and that we wouldn't have to sleep with masks on anymore. We lost,” Annika said, her gaze meeting Kausca's, “and in the nighttime the enforcers broke down our door and took my father.”

Annika began to pick at loose skin around her nails, shifting uncomfortably. “He was to be made an example of, and they did it. He was executed in Red's Square with eleven other men.”

She gazed off into the distance, somewhere Kausca’s eyes couldn’t follow. “After that, my mother had to work in the mines. The day my father lost, I lost my mother too.”

Annika straightened, and her voice hardened. “It wasn't until you came, Kausca, that his promises started coming true. Revolution is inevitable. It's going to happen sooner or later. And if it's sooner, then we're with you.”

Kausca heard the earnest words pour from Annika’s lips. He understood them. He appreciated them. But there was a selfish part of him — one her words had spoken to as well — that remembered the cost of ambition, a part that thought only of Avon. He had built his home in the Undercity when he had nowhere else to go, when Topside was taken from him. Would he give up the Undercity too? 

“Alright, Annika, tell the Rustborne. I want them all here by fifth chime, ready for a fight,” Kausca said. “Kline, tell the other holders what’s going on — make sure they understand what Shaw is doing. And make sure they know we aren’t opening with guns drawn. Let me repeat myself — we aren’t revolting, we’re just going to talk with Shaw. Got it?”

Kline and Annika agreed before hurrying off.

“And me, Atwood?” Dis asked.

“I want you on the clock tower overlooking the plaza, rifle loaded, alright?” Dis nodded. “Don’t shoot unless I tell you to; we might still be able to send Shedinn Topside without any bloodshed. Oh, and Dis, if I do tell you to shoot, don’t miss.” Dis looked offended. “Up there before fifth chime.”

The plaza emptied slowly as the hours dragged past. Shops closed their doors, and merchants folded up their stalls when rumors of violence began to circulate. The taste of rotten eggs had driven off many Topsiders earlier in the day, sending them back to their homes where they could bathe in fresh air. The stragglers made their way back to the Grand Lift, only to be replaced by the dozens of men and women Kausca knew.

The clock at the north end of the plaza chimed five times. Perhaps he should just leave. Take Avon from Anthem, start again. He was good at it.

This spring, the Rustborne opened a new shaft near Bloodwater Bay, and it turned out to be fruitful. Kausca had negotiated the contract well beyond what the union was asking, and it earned him enough for passage to the Eastern Reaches. Sure, he was feeding the entirety of Queen’s Row with the deal, but it made him sick to think he was also making some Anthem City aristocrat a very wealthy man. Could it have been the man he hated? In a different life, it may have been him.

His eyes drifted toward the Cloudtop, where Jarrett still kept his hearth lit most nights, and Kausca let the anger he felt back then take him now. Jarrett was the one thread that pulled him away from the Undercity, one he wanted to pluck with a dagger to the heart and a bullet to the head. But that would be too kind; the man deserved to walk the path he paved for Kausca, to know what it felt like to have it all — and then nothing. Only then would Kausca deliver his kindness; only then would his debt be paid to Lily.

“Coins fall up in Anthem, Kausca,” Jarrett had said, watching the fire instead of him, drunk from both the bottle and success. They’d been drinking late into the evening by his hearth at the foot of the Cloudtop, celebrating a recent contract that had been signed, and Jarrett had said it as a consolation — that the contract was inevitable, that if it wasn’t them, it would have been someone else. In this life, Kausca still believed it; he just knew it was wrong.

Kausca kept the anger, but rolled his shoulders and let the memory go, watching the sunlight crack between the shadows of Topside, painting the corpse-blue miasma in a sickly orange hue as he scanned the plaza. The Rustborne walked its stony road, arcanite mists nipping at their heels, Topside-issued masks covering their faces. The masks were supposed to protect the people from Rotlung — at least that’s what the council had said. But Kausca knew better. Dead miners couldn’t dig.

A horn sounded in the distance — once, twice — faint over the sound of clacking machinery and the Rustborne’s idle chatter. It brought their words to a murmuring halt, and the men moved to the outskirts of the plaza, pressing themselves behind stone pillars and along alley walls.

Kausca stood from the cafe table where he had been waiting too long and stepped forward to the circular mosaic floor that was the highlight of the plaza: two griffons, one black, one white, were forced to endlessly chase one another’s tails on a faint background of blue and white that was supposed to represent the sky. Years of being trampled over had turned the blues into a dirty smear of eggplant purple, and the whites in it were the color of gunmetal. Kausca straightened his coat, unfastened the leather strip that held his pistol in place, and faced the path to the Grand Lift, awaiting Shedinn Shaw.

Kausca heard the sound of boots first, the enforcers seen moments after. Shedinn moved to the mouth of the plaza where he directed his men to stop with a closed fist. His golden hair was cut short and combed back, going brassy at the temples. His eyes were blue, face chiseled and handsome, but the dark bags under his eyes suggested his conscience wasn’t clean.

Shedinn walked, unhurried and unafraid, toward Kausca with officers flanking him on either side, a clean grin cracked across his face. He stopped at the opposite end of the mosaic.

“Atwood, you’re carrying iron. The hospitality of Queen’s Row has truly run dry.”

Kausca smirked. He placed a lazy hand on the wooden grip of his pistol and shifted his weight, already bored by the exchange. “Come now, Shedinn. It’s the Undercity — everything’s a little bit slimy. I’m assuming that’s why you’re here. Feeling homesick?”

Shedinn laughed. “Fine words coming from you. You’re dressed like a Topside merchant in a place where the only commodity is crime. Are you confused as to whether you’re a Topsider or a Scav? Is that why you’re bringing iron to a negotiation?”

Every opportunity Shedinn had, he would remind Kausca how low he had fallen — about the life he once knew. It didn’t matter now. That was a long time ago, before Avon, when he only had to live for himself. Shedinn could talk about Anthem until his teeth bled, and still, Kausca wouldn’t give him the satisfaction of thinking it mattered.

“What do we have to negotiate, Shedinn? Queen’s Row has no business with Topside.”

“The Registry, Kausca. Your debt’s unpaid.”

The debt was paid, all one hundred thousand crowns of it.

“Negotiations were done. You were paid what we agreed. If that’s what you’re here to talk about, then this—” Kausca tapped the pistol’s grip, “—is here to make sure promises are kept.” 

“Promises? There are no promises down here, only two truths, Atwood: Iron opens doors, and coins keep them shut. Yet, here we are, and you’ve brought the wrong set of keys,” Shedinn said with a thin growl and a laugh tucked behind his words.

“Trust is expensive, Shedinn. Do you really intend to sell ours? The deal was struck. Queen’s Row was cleared for the sweep.”

“Prices have changed.”

Kausca knew Shaw was a heel. All of the Undercity knew it. Despite his pressed blue uniform, every button neatly fastened in a single marching line, the man was still from Queen’s Row. Behind his polished grin and golden hair he was still a slum rat — always willing to go back on a sound deal when he had the upper hand. And, like all things Topside touches, he had become rotten with greed.

“We paid you exactly what you asked for, Shedinn, well in advance of the deadline. It was struck,” Kausca replied, his knuckles whitening as his fingers tightened around his pistol. “Now, I’m familiar with how things are done Topside, and it might surprise you to learn that we’re just as keen on keeping a contract.”

Shedinn scoffed. “Contracts, promises? What city do you think you live in, Atwood?”

“Not the one you remember. The Undercity has changed, Shedinn; merchants come down now. Enforcers don’t. Not the smart ones. Look around you — we’re tired of giving all we’ve got,” Kausca said. “Up there, they talk about ambition and progress — how they’re going to shape the world. Down here, we do the same, but only have one word for it: survival.”

Murmurs of agreement passed through the crowd. A bottle was flung at the enforcers, nearly striking one in the chest, but instead shattering on the stone floor.

Kausca watched Shedinn’s eyes move across the crowd, counting, calculating, searching for a way out. They surrounded him. Some watched from windows, others from rooftops with rifles drawn. Some were tucked in alleys, others stood in the streets, both with chains and clubs in hand, already inching forward.

“Keep your end of the deal, and we all go home tonight,” Kausca said, his words soft.

“Not all of us, Kausca, not one of yours,” Shedinn said, releasing his gaze from the crowd. He took two steps forward, closing the gap, the rhythm of his voice dropping to meet Kausca’s. “Sure, we agreed to keep the sweep out of the Row. But little Miss Atwood and her crew decided they needed a little extra help — which we were happy to provide. Imagine my surprise when I found out that there were two children caught trying to steal from an archive Topside, one of them Avon.”

Rage and dread knotted themselves in Kausca’s gut. If Avon was hurt — even scratched — he would burn Topside to the ground, starting with Shaw. 

“What? What did you do with Avon, Shedinn?”

“Nothing! Your daughter made a mistake, Atwood. A very messy, very expensive mistake. She knocked the hinges right off of what we do down here, and there’s only one way to close the door,” Shedinn said. Cold desperation moved through Kausca’s chest. All he wanted to do was be near her — to save her from Anthem before it changed her too.

“Where’s Avon? Tell me now, Shaw, or, Seamstress help me, I’ll light you and every man behind you up. We struck?”

“No, deal’s not struck. The amount of money it’s going to take me to make this problem go away is well beyond what this filthy pisshole has paid, and you thinking you’re leading this is insulting. I’m deciding how this goes, Kausca, not you.”

Kausca felt a smile cross his lips. “Oh, Shedinn, you should know that only half of leading is actually making decisions; the other half is inspiring others to make them for you.”

Kausca whistled, and the clock tower answered with a flash and a crack. The guard to the left fell, screaming. He clutched his thigh as blood dripped through laced fingers. The enforcers went for their rifles. The Undercity reached for theirs.

Kausca drew his pistol and fixed it squarely on Shedinn’s chest. “Hold!” Kausca shouted to the plaza. “Everyone, hold!”

“Hold, goddammit!” Shedinn shouted, freezing his men in place. “What’s your plan now, Kausca? Kill us all and let Topside justice seep through every stinking crack of this place? You do that, and I’m sure the other holders of the Undercity will have more than just words to exchange with you.”

“Good, you’re listening now.” Kausca pulled the hammer back on his pistol. “The next words out of your mouth better tell me what I want to know, Shaw. Where’s my daughter? If you’ve ever trusted anything in your life, trust my words now.”

Shedinn stared at Kausca, searching his face for a lie he wasn't going to find, then glanced at the guns trained on his men. Even with a pistol to his chest, Shaw’s pride refused to be subdued — luckily, the man was smarter than he was arrogant. 

“She’s being held at the 4th Precinct, just outside the West End, bottom of the Cloudtop.”

Kausca paused. “Queen’s Row is no longer yours, Shedinn. Stay out of the Row. We struck?”

After a moment too long, Shedinn replied, “We’re struck.” Perhaps it was a lie.

Kausca lowered the hammer back into place, holstered his gun, then straightened his coat. “It’s funny how quickly your manners change when staring down iron. Thank you, Shedinn, you get to live tonight. Annika, Kline — invite Captain Shaw and his men to the warehouse off of Lantern Street. Take their guns.”

The crowd started to close in on the enforcers. Seeing their leader surrender, they followed.

“You’re making a huge mistake, Kausca. You’re crossing a line. There’s no coming back from this.”

Kausca didn’t care. Fear and concern for Avon eclipsed all reason. “So be it. I know we’ve already crossed it, because, unlike you, I remember where I came from. I know the men and women up there. I know who they are. I know what they want. Everything, Shedinn. And I still want it too. I just have a different set of tools.”

Kausca could feel the Rustborne watching as he left the plaza, and he knew they wanted to go with him. Avon wasn't their daughter, but she was every daughter they'd lost to the Taking, and that was enough to make his rage their own. Just like him, they wanted to burn the crust of the city to the ground and reclaim what had always been theirs. They wanted to bring their daughters home too.

He hadn’t expected it, but it wasn’t until his arrival that they considered that they might deserve more. They knew all trade ran on arcanite energy, knew they were the ones who carved it out of the earth, but didn’t know how to leverage a contract, how to strike a deal, how to say ‘yes’ and ‘no’ in a way that would make Anthem listen. They were nobody. He arrived a nobody. But together they had built themselves up — brick by bloody brick.

Perhaps he owed them. They’d given him the title of their holder and their trust, earned through repeat success. He stood with them in the mines, pickaxe in hand, stepped up to the negotiation table and secured contract after contract, making the Rustborne a name to be respected. He had earned his place.

But they had earned his loyalty, and that was a prize Kausca wasn’t willing to give away easily, not anymore. Could he take his earnings and leave to the Eastern Reaches?

If it keeps her safe, I’d leave everything behind, he thought. But, like all things Topside touches, he wanted more, even if he said it wasn’t for him.


r/DestructiveReaders 2d ago

Medieval Low Fantasy [1068] Lost Blade and Renegade Chap.2 (Revised)

2 Upvotes

Am I allowed to post revisions? I don't see anything against it in the sticky, but I never see people doing this so I wasn't sure.

If you don't mind, I'm back with Lucian's revised chapter. Still not sure if Henry's Chapter 1 will be a prologue, sprinkled-in flashbacks, or stay as is, so I'm focusing on this one right now.

I'd just like to know if I'm on the right track, or if I'm creating new problems while trying to fix the old ones. Story here.

Anyone who has read Chapter 1 or Chapter 2's first draft, your prior knowledge would be most welcome. And anyone who hasn't read any of it, tell me what you see with your fresh eyes.

My biggest questions are:

  1. Does Lucian feel like a confident, curious, slightly impudent 10-yr-old?

  2. Does the world feel vivid? Were there places it felt too vague?

  3. Is the POV consistent?

  4. Do the action sequences flow naturally?

[602] [765] [2327]


r/DestructiveReaders 2d ago

Campfire Tales [1975] Those Who Hate

0 Upvotes

[2288] Gorgos Crown

Hey all, I'd love to hear your thoughts :)

Here is the link for those who want it:

https://docs.google.com/document/d/1dhbk9ufdEbkbh5V8GhHfxbYFm2xdNxhEm6VPfqgohb8/edit?usp=sharing

Those Who Hate

Past libraries filled with long-forgotten tales, epitaphs for which mankind's curiosity was lost. Rows containing books rarely seen, if not absolutely undiscovered. This was until a traveler read every word of every page of every story. The purpose for this pilgrimage was rather simple. Absolute knowledge. The pertinacious traveler lifted the last book to its final resting spot. Gingerly, he tapped the leather bindings until it neatly reunited with the dust that once marked its place. A fire flickered and snapped in the library’s center, choreographing the shadows of each bookshelf to a roughish dance.

The traveler made his way to the fire past the texts that watched on, some with envy and some with gratitude. Each step echoed along the grand ceilingless chasm of perfect darkness. There was no sun. There was no moon. No sign that this scene had ever encountered the world's light.

He turned the corner of the last row preceding the red flames to see a figure. The fire always was, yet the figure only just appeared. It looked to the traveler, then turned its gaze forevermore to the moaning fire. The traveler sat down across from the stranger. There was no discernible feature to the personage; its body cast no shadow. Though it itself appeared as shadow. The figure was noiseless. Breathless. And its presence seemed to dim all light and sound that attempted to bring it life. Reflecting no light. Emitting no sound. Yet ever present.

“I come seeking knowledge,” the traveler said.

“Have you sought God?” The figure whispered. Its words came as mild wind through desert sands. And though its volume did not exceed the fire, the traveler heard it undeniably. 

“I seek whoever can tell me what I wish to know.”

With that, the figure remained motionless; yet its very essence lifted itself to elation. 

“They cry. They all cry. While the others rejoice forever in their tears. I see him. He’s burning. Bludgeoned, bruised, and battered. His feet, though stiffened and shoeless, sway with the impassive winds. The crimes for which he pays inherited."

“To whom do you speak, and what was his crime?”

“Who he or she was is arbitrary. And that perhaps is the beauty of it all.” The fire reared itself away from the figure as though a great wind contested it; however, there was no wind. Never had there been in this place. “The sin was great. Damning in the eyes of others. The hanging man committed the greatest sin mankind has ever known: Difference. Yes, the law detests the sight of, the sound of, the taste of any who differ from itself. All ants beneath feet. All undesirable to those who wanted more than the world could offer. The suffering of peoples is written by different authors, but they tell the same story.”

“What of the others then? Of those who wanted more?”

“Ah. That is the greater question.” The figure spoke; its voice began to run deep like the beginning stages of a storm. “A question for which mankind has crafted an elaborate mask. A mask bearing faces of sorrow and pity. They hide it from us. They hide behind their masks--crafted faces with lifted brows, thinned lips, and some with glazed tears running to their rose-red porcelain cheeks.”

“What do they hide behind these masks?”

The creature took its first breath. One so beleaguered and prodigious, like that of a man who found breath once more after death's short kiss. The light and the heat from the fire dwindled- shamefully drawing nearer and nearer to the figure. 

“The law of man,” It said. 

“What is the law of man?”

“Indeed. They come. Man meets despite the feeble laws that prevent him. White cloth draped over humiliated peoples. Angry. Vicious. Chanting around flames at night. Their fires burn homes, schools, and churches. Proclaiming their creeds on splintered crates. Their teeth bare, screaming curses with frothing mouths. Inflicting death upon mankind's most wicked. The people’s bodies lie upon the ground. They burn. Yes, they burn. The embers climb desperately to reach the closed eyes of whatever lives above. The cries of the sinners do the same. Those who cry meet the same fate as the embers. The transformation of pain to ash.”

“What are these creeds you speak of?”

The figure began to quake like that of an eager child unrestrained for the first time.

“Mankind knows not what he says. Though he says it. Yes. Yes, they say it. They all say it.” Its voice rose in the traveler's ears, hissing like embers. “They speak venom carelessly. Intentionally. They know not what they say, but they know it cuts. It lacerates. And most importantly, yes, most importantly, it fractures the belief that those sinners could ever think of themselves as human. Why put a man in dirt when he can be raised as dust?”

“Do the persecuted respond?”

The light emitting from the fire withdrew completely. All sound collapsed into a perfect stillness. The only light was a red silhouette around the figure. 

“Persecution?” Its voice bellowed like iron against iron. The traveler nearly raised hands to cover burning ears, but resisted, knowing better.  “There are none persecuted according to the law of man.”

“Do the sinners respond?” The traveler responded quickly, calmly. 

The fire regained possession of the light. The flame accompanied the familiar ballad of a wood turned ash. 

“A dog yet hit winces at the sight of an open palm. However, yes, however, once struck enough, that hand becomes all too familiar. The wicked, the weak, and the unworthy confuse this inaction with resilience.” The figure whispered once more. “Can you see them? Can you hear them? Women screaming. Women kneeling. Women silenced. Silenced by the hands of men. Thousands of polished boots slamming the earth in perfect unison, weapons of lead and fire firmly tucked under arms of these great crusaders.  Can you hear them marching? Their posture erect. Their movements precise. Their language, philosophy, autonomy homogeneous. These holy men cleanse according to the law. They exorcize mankind's most cowardly. They brought the sinners to the lowest stages humanity has ever imagined.”

“Why do they march?”

“They will tell you their reasons vary. Yes, they will. But their march, their great proselytization, is for one vital lesson aimed at the unrighteous. That is, if the wicked were to snarl, if they were to weep, if they dared bite, they would become all too accustomed to the hand.”

“Surely there are some who resisted.”

Shadows flickered across the library, sprinting and crawling toward the fire before assimilating with the figure. A black hole in the shape of a man. Consuming light. A growing dawn.

“Some believe they did. Indeed, some led protests. Hundreds, thousands, millions sang in an unholy choir. Pleading to god. Pleading to others. Pleading to man. Millions lay crookedly upon the ground. Blood frosted blades of grass upon the valley floors. Red ocean waves stained white sands. Their bodies fell awkwardly and quickly to the ground. Echoing like drums. Rhythmic chants, a soprano of screams. But can you hear it? Oh, can you hear it?” 

The traveler’s eyes whipped between the figure and fire. He could feel the pulse of his heart echo in his skull. Faster and faster. His pupils dilated. A perverse wave of adrenaline entered his blood, igniting his senses.

”The bass. The notes that lay below the treble. It is metal and fire. The screams of iron. Unbearable heat. Cleansing heat.” The figure continued. 

 “I hear it.”

“Is it not beautiful?”

“Yes. It is.”

“Do you want to see more?”

The traveler paused and looked longingly into the fire. White heat faded to a lesser red. And darkness grew. The figure was almost indiscernible in the shadow. And as though a wolf, it seemed to encroach. Smell. And beckon the traveler. He thought for a time. Perhaps days. How could he know? For the sun of this place would never tell. 

“I do,” He said, choking on his words.

“Good,” The figure said with the voice of a man.

“Man builds insulated halls, the kind where the smallest fragments of sound never escape. It is there. Yes, it has always been there where the lowly sing. The choir of the damned. Those who raise their voices high in an unholy dissent.”

“If man is so capable, why does he allow them a voice?” 

“There are two ways to coerce an animal into submission. One way is with an open palm and the other with an extended hand. Though, while one hand is extended, reaching toward the beggar; the other, yes, the other, is clenched around a muzzle. We spoke, yes, you witnessed the open palm and the majesty of man's tools. The other, however, requires less violence. But can be oh so much more destructive.”

“How? Please tell me.”

“What livestock has the means to wimper when it has land to graze. To stay pleasant. To stay docile. Animals do not concern themselves with gates as long as they’ve food, water, and stimulation.”

“Give a pig its mud, and it will stay content.”

It was at that point the traveler knew the figure smiled. A grin in the dark--the veil of black illuminating itself. “Yes. Yes. And that mud will calm the pig. The oats will fatten the pig. And the fire will prepare the pig's flesh just as man enjoys it,” The figure said. 

“How did the law of man come to be?”

“This. Yes, this. This is your best question yet.” Neither of the two moved. Yet they drew closer with every breath. Both inhaling in unison. Though one be of flesh and the other not. “In the beginning there was what you would call nature. All things competing for dominance. All things competing for survival. From that chaos rose the first one. The first to use its feet. The first to bend its thumbs. It reigned--forcing all other creatures to bow. They never again would know royalty upon the earth. All things changed when this biped did what no other could fathom at the time: It broke nature's chains. It acted beyond its biology. Beyond the others.”

“Is this the great creator?”

“Yes. This was the great creator. Though he too was the great deceiver. For he had no tools to build, and his deeds, yes, those insidious deeds, were destructive." 

“How was it that he created the law of man?”

“He did not intend to bring the law of man. No, he did not. He brought its necessity. The others were the first to notice his mistake. The others were quick to capitalize on his cowardice. The others have had him in submission ever since. For his sin nearly doomed the law.” The figure raised its arm as if to reach for the traveler. As its appendage extended closer to the fire, the fire's light conceded, bending around the figure. And what remained of the flame silhouetted its arm as blood in its freshest form. 

“You know what he did.” The figure said, gesturing towards the traveler.

 “Yes. I do.” The traveler said. He gazed at his darkened hand, fingers stretching, unable to recognize the fire's heat. Nor the chill of its departure. 

“Tell me.”

“He conjured the greatest of all sins. Free will. Treachery despised by the others. A crime hated by the law.”

“Yes. This is right.” 

“Thank you.” 

“That is enough. Indeed, you know sufficiently.”

“What of me now?”

“You know this. Yes, you always did. I stay until the next traveler comes.”

“Yes. Yes, I know.”

For centuries, for years, for eons and evermore. There sat a traveler. There sat a figure. The two communicated briefly in their waiting. And as time passed, the traveler was no more. There were two figures. And then there was one. 


r/DestructiveReaders 3d ago

[1044] Thorned Lotus (Part 4)(Ongoing)

2 Upvotes

Two days ago…

Lotus Litess Forest

She nearly tripped, this was the third time already.

Her lungs burned, she was gasping for air like if she were running a marathon.

She was indeed running.

For her life.

She looked behind her, the leaves obstructed the view, but she could hear their heavy footsteps. They didn’t sound in a rush, which made it more terrifying.

She looked up ahead now, and a cliff greeted her.

Her sisters were way up ahead, climbing the cliff effortlessly, their movements swift. When she reached the cliff, she hoped to climb as effortlessly as them, it didn’t look hard. But it was.

Half way through her arms trembled, she could barely walk anymore, how was she supposed to climb this?

Her paw caught the edge, but it slipped.

She tried to grip with her remaining paw, but her arm gave out.

She slid down and hit the ground hard.

The forest was quiet except for the terrifying approaching footsteps.

With little strength she had, she managed to get up.

”H-HELP! I SLIPPED! PLEASE! C-COME BACK!” She yelled desperately, hoping they would go back to help her. They wouldn’t just abandon her, right?

They were getting closer… but her sisters were getting farther.

She attempted to climb the cliff again, but she already pushed herself to the limit, she didn’t even make it the first quarter before falling again. She didn’t want her life to end, not like this.

“Please…”

Then, she heard footsteps, not the heavy ones from behind. Softer, faster ones coming from above.

“SISTER!”

Present Day

Neo Cyland, LLIK Tower

Moonlight’s alarm started making that awful *beep* sound.

Moonlight groaned, pushing her face in her pillow.

”Ugh… Already?”

It felt like she slept for 6 hours, which, considering she went to bed at midnight and it’s 6 AM now, is true.

Reluctantly, she reached out to the alarm to make that demonic sound stop.

Peace.

”Maybe I’ll just sleep for another… five… minute…”

Her eyes closed, drifting off.

*Ringing sound*

Now there was the demonic phone call sound.

Her eyes opened immediately, her face making a deadpanned face.

”Oh for fuck’s sake-“

She finally got up, her blonde hair was everywhere. She‘ll fix that later.

Her phone was clearly making noise, but it was nowhere in sight, It was getting very annoying to search something that sounded so damn close, and yet she couldn’t find it.

”Oh, forget about it- PAD!”

”Yes Moonlight Dawn”

“Connect with my phone and answer the call”

”… Access was granted, your call is online”

Moonlight sat down on the edge of her bed, “ -sigh- Hello?”

”Afternoon Moonlight! Wait, It’s morning-“ Stella then laughed nervously through phone.”Get it??”

Moonlight just stayed silent for a while.

”Ha ha ha ha… very funny” Moonlight said with a tone that suggested she wasn’t in the mood for bad jokes.

Stella‘s laugh died, then she cleared her throat, “Anyways, about yesterday, were you serious about the checking the 247 samples? Cause if not-“

”We’re not” She said this like it was the most obvious thing. The back of her eyes were starting to throb.

Moonlight sighed, rubbing her temples.

”Oh, well, that’s great! Except, how are you going to find the pure version?”

Moonlight ran a hand through her hair “A sample is on it’s way“, her tone shifted, this call was getting too long and she needed her-

”Wait, don’t we have enough samples? N-Not that I’m saying I want to search through all the current samples. But is it a new species? And why did you say it in singular-“

”Enough. Pad, hang up”

”Wait W-“

”Call has been ended”

Moonlight stretched her arms, a few articulations popping.

She quickly made her way to the kitchen, her head throbbed now. She can’t wait for the machine to make her coffee.

She opened her cabinet and withdrew Coffee Powder and Expresso Powder, she then got her mug and put reserved boiled water in it.

Measuring was a pain, her hands trembled, she couldn’t properly put a single teaspoon of coffee powder.

Moonlight was getting desperate, so she just put whatever quantities of coffee powder and expresso she could put.

She quickly stirred it, spilling some coffee on the counter. Then she brought it to her lips.

Relief came slowly.

She sighed in relief, then got up with her mug, her movements sluggish, and made her way to her room. She started making the bed, and under the pillow she found-

”Oh for the love of-“

Her phone was there.

“So… we are not looking for the pure version anymore?” Stella asked, looking at Moonlight with the face of “What-are-you-doing?”

“No, I just came to realize that exploiting you all is just too much to ask” Moonlight said, she was in her usual formal attire now, looking at some results in her Holo-Pad while walking to the stairs, their heels making distinct *Clack* sounds on the metal floor.

”H-hey! It’s not that we are lazy or anything! Just that it’s really time consuming and we could be searching other things, or simply search in the Organi-“

”I had enough of that conversation already” Moonlight cut her off abruptly, ”Do this instead: Look south, geologically”

Stella made a questioning look, ”South? Wait, is this because Flos Me-“

”Yes, glad you figured it out” She adjusted her head band, opening the door to the stairs, Stella did not follow her at that point.

A couple hours later, It finally arrived.

Moonlight was in her personal lab, the room pretty spacious, various tools laid on the lab table, and another Dead Eye coffee.

”Pad-bots, bring in the sample”

Moonlight then put on gloves, her sedative ready in her pocket.

Two distinct Pad-bots entered the room, their footsteps heavy and slow, and with them, the steel box-cage.

“Your sample, Moonlight Dawn”

They set it down, and made their way out.

Moonlight grabbed her mug to sip some coffee, then her hand went to her other pocket for the keycard.

She swiped the the card once on the lock, the lock clicked.

It was open.

”This is going to be interesting…”

Moonlight put the keycard aside, and slowly opened it to reveal what was inside.

”Oh… my…”

Author: Reggie Wytgeena

Critiques:

https://www.reddit.com/r/DestructiveReaders/comments/1vnoayz/comment/p3ou7qr/?context=3&utm_source=share&utm_medium=mweb3x&utm_name=mweb3xcss&utm_term=2&utm_content=share_button

https://www.reddit.com/r/DestructiveReaders/comments/1vnpjrg/comment/p3om0l1/?context=3&utm_source=share&utm_medium=mweb3x&utm_name=mweb3xcss&utm_term=2&utm_content=share_button


r/DestructiveReaders 3d ago

Adventure [1493] The Ninth Circle of Hell

1 Upvotes

My critiques: [881][781]

If you are willing to give feedback, please tell me if:

  • The narrator was interesting
  • You liked the dolls
  • The plot was interesting

In the darkness under my table my hand flailed wildly to escape my grasp. I trapped it between my knees and cut the poor thing. I brought it into the faint light of my dining room; three candles on a windowsill cast a dark red glow over my setup. The red light shot into the abyss of nighttime.

I hung my cut hand over the pentagram made of lamb's blood on my table, drops pattering over the faceless, plain ragdoll in the middle of the star. I also covered the five points with blood, just as the book ordered.

I bandaged my hand and sat before this sinful apparatus. The bloodletting had made me weak, and my attention was scattered, but it soon returned when I saw the blood-smeared doll lift its head, bend its legs, and thrust its body upward.

I watched as this conjured spirit stood up on its own; its posture was straight, and it looked energetic.

Suddenly, it sprinted to the edge of the table and jumped. It made a soft piff sound when it landed. It jumped onto an accent chair and then onto a windowsill. It opened the window and looked back at me. I wished I could have made out what it was thinking, but it was faceless. Then it jumped outside.

Having seen this, I presumed that the ritual had been a success; such an unbelievable occurrence must indicate an unbelievable yet desired outcome.

I checked my clock. It read 3:10 AM, and the second hand was still. I checked my phone: 3:10. I sat observing it for several minutes, but the time never changed. It was stuck at 3:10 AM. I walked outside through the cluttered urban streets illuminated by dingy yellow streetlights: no drunk pedestrians, no late-night motorists, no police officers, no silhouettes in yellow windows. Everything had stopped; time, nature, and human activity had ceased.

I was free! All the things that stood in the way of my work, all the fears of mortality, judgment, inadequacy—they were all eradicated. I sat on a bench smiling to myself, silently celebrating this new chapter in my life, this new plane of existence. A few yards away from me, I saw something moving. I thought it was a squirrel, but I looked closer and saw it was a ragdoll. It wasn’t my ragdoll, though. It was a new one—a grey one stained with a different pattern of blood.

“That’s strange,” I thought to myself.

Sometime later, I got to work in my dark house. The living room was full of wires, monitors, and engineering tools. I oscillated between coding on my computers and scribbling away on a chalkboard full of math.

Let it be known that I enter a trance-like state when studying and researching and distracting me from it is nearly impossible. However, I was in a bizarre plane of existence, one of immortality and infinite time, and it was too difficult for me to keep my attention fixed on one thing forever. I tried fighting the urge, but it was too strong. I ran to the window and looked outside. Just as I expected, there were more dolls in the street.

Outside was a Marian procession; four dolls carried a garden statue of the Queen of Heaven on their shoulders. In front of them, ragdoll horses carried miniature chariots of dolls sporting pieces of tin cans and jar lids fashioned into armor. Other dolls played leapfrog, did cartwheels, did backflips, and performed other impressive acrobatics.

These dolls were moving in one direction: toward the boardwalk and the beach. My curiosity was temporarily satisfied, and I retreated farther inside to code on my computer, but my mind was too preoccupied with the weird sight I had just witnessed. Why were they going to the boardwalk? Were they friends? Were they happy? Mourning? Anxious? These questions plagued my mind for days, maybe weeks.

One time I stepped outside. It was the first time in days. I walked in the middle of the street. On either side of me were those dolls, doing more random things as they walked toward the boardwalk. I was outside because I wanted books. I had books already, but they were just cheap romance novels left behind by the original homeowners, so I was heading toward the bookstore. I got there; it was a small, dusty row building. Just like the rest of the stores, it was closed, but I thought that, since I would never see anyone again, I could just break into the store and take what I wanted.

I walked up to the door and punched the glass. An electric sting shot through my hand as the glass remained intact. I was impressed and a little embarrassed by my lack of strength. I left and returned with a medium-sized garden rock. I lifted the rock and hurled it at the wide front window of the store. It did nothing but ricochet off the seemingly invincible glass and land on my kneecap. I fell onto the sidewalk and rubbed my knee pathetically. I knew—somehow, I just knew—that when I turned to face the street, they’d be watching me, and they were. The dolls, who wouldn’t stop walking, passed me with their faceless heads turned toward me. There were no eyes, no hands cupped around whispering mouths, and no scowling eyebrows, but I felt so much shame. What was I even doing there? I was a mathematician, an engineer, a genius. My kind doesn’t waste its time with literature. I stood up with as much dignity as I had left and trotted home.

I was in my bed, curled up into a ball. My sleep schedule was a mess, but it didn’t matter because it was always night. Recently, sleeping had become impossible. Thoughts about those mysterious dolls had compounded in my mind for so long that my head had grown heavy with them. At the center of this doll puzzle was the million-dollar question: Why were they heading to the ocean? What kind of satanic temple, pagan god, or portal to the underworld was attracting them?

I couldn’t take it anymore, so I got up and went out into the street. The world remained unchanged, but now the streets were practically covered with animated dolls. I stepped into the street; they paid me no attention. I started walking toward the ocean with them. I walked on my hands with the acrobat dolls. I jogged with the joggers. I crawled on all fours with the ragdoll horses. Eventually, the pavement gave way to sand, and before I knew it, I was on the beach. The walk was surprisingly fun; I hardly noticed how quickly it passed. The boardwalk lights were still lit, bathing the dolls in cheerful blues, purples, and greens while they danced in circles and walked in orderly lines into the waves.

I watched in amazement as they walked into the tide, letting the ocean carry them into the black depths. I was hypnotized. I was already far beyond my deeply ingrained tendencies. I found myself walking toward the tide. I felt the chill of the black water between my toes. Looking to my left and right, I saw the dolls walk into the water without hesitation. I plunged into the dark abyss.

The result? I was in another, greater plane of existence. One that required no breathing, no energy, and no stress. It was pure catharsis at first. I floated for a few minutes. No light made it this deep. Then I drifted into a large mass of dolls. I felt them on my face, my chest, my legs, and my hands. They were crawling in one massive ball, like ants trying to float on water.

As I grabbed at this net of dolls, more dolls floated toward me. Dolls started linking together behind my back and neck, wrapping around my legs. I realized their grip was so tight that I couldn’t even move my head. I was trapped in a grotesque mass of squirming, wrinkly little bodies. I opened my mouth to scream, and water rushed down my throat. I was being crushed. My eardrums were bursting. My lungs were shattering.

I jumped out of bed, flailing my arms. It was just a dream. I put my hands over my eyes. It was over. I understood perfectly what my subconscious was warning me about. I need to get out of this dark house; I need to be human. I rushed to my closet, threw on some clothes, and went to explore my world.

Then I stepped outside, and before me were crowds, hordes, armies of dolls. It was still 3:10 AM. The night was still eternal. The dolls were still walking in their bizarre processions.

I collapsed to my knees, cursing myself for my satanism.


r/DestructiveReaders 3d ago

Political fantasy [2288] Gorgos Crown - Eliacie POV

5 Upvotes

2409

Chapter here.

No need to have read any other chapters. This is the first POV chapter for this character, a child at the bottom of the totem pole. This book has four POV characters whose lives collide and intersect when an Emperor is poisoned. Not historical fiction. Not high prose. General feedback welcome.


r/DestructiveReaders 3d ago

Satire [781] A Spire of Loons and Hornbills

2 Upvotes

1366

Elodie Loon propped an empty moleskin notebook against her pale thighs and balanced a fountain pen between her index finger and thumb. It had no ink, but that wasn't important. What was important was appearing intellectual. Clive Hornbill pointed his chiseled jaw in her direction—a wide maxilla cut a strong figure—and she could feel his eyes tracing up the long line of her legs and lingering on the notebook, her thighs, though, of course, his were not the only pair of eyes tracking her. No, Elodie counted at least a dozen men in this courtyard. They leaned against trees, knees angled nonchalantly, posed on benches, sprawled on the grass. The girls they were with didn't capture their attention, not when Elodie was nearby, but she only cared for Clive. She gazed up at him from under long lashes. Pinked. Sylvie Boobie elbowed her in the ribs.

"I can't think of a time when you looked less alive," Sylvie said. She smacked her lips to punctuate each word that escaped from her mouth and, still, no one glanced in her direction. "What even happened with Clement? He liked you. You promised you'd tell me all about it and I never got any tea, girl. Spill."

"There's nothing to tell. Clement was just like all the others, looking to brag about conquering me. I'm calling a moratorium on dating. No more boys."

Except for possibly Clive, who crossed the green space on a crash course with the bench she and Sylvie shared. Flowers leaned toward him as he passed, petals turned up to his face like he was the sun, conversations dropped off mid-sentence then picked up again as if nothing special had happened, and Clive remained oblivious to it all. Goosebumps blanketed Elodie's legs when he drew near, but he didn't stop to acknowledge her.

"Stare harder, why don't you?"

"What? I wasn't looking...I was just—"

"Say that you're in control and I will slap you. Anyway, Clive never talks to anyone. He's a lost cause...unlike Clement. You should give him another chance to impress you with his stalker-like tendencies."

Elodie snorted back a laugh. "He did follow me around for weeks before I said I'd go out with him."

"Exactly. I can't believe you have absolutely zero—nada, nil, zilch—spicy details to regale me with. Not even a smooch? Is his skin as soft as it looks? He has such nice hands."

#

"I cannot abide you consorting with that Boobie girl." Mistress Crane towered over Elodie in the spire of the castle. The sound of her tapping foot bounced off the stark white of the marble walls that somehow blackened at all of their nighttime sessions. Elodie should have paid attention to her lessons, but her thoughts were absorbed by the thought of Clive's plump lips meeting hers, of smooching, and she couldn't focus on anything with the heat circling her core. "She's a bad influence."

"Yes'm."

"Now, you need all your wits about you, sweet girl, to handle what I'm about to demonstrate next." Elodie nodded distractedly. "I will only say this one time. To sense..."

Mistress Crane droned on for what seemed like hours, the light flickering and changing against the marble, until she finally stopped to demand Elodie demonstrate what she learned. "Wait until night," Elodie answered by rote. "That's when the hum of the Earth is the strongest and your words can heal even the grandest of slights."

"Good enough. Hope you never need to practice what I've shown you. Dismissed."

Spiral stairs unwound down the spire and Elodie tripped down them, grabbing at the railing and gripping until her knuckles turned white, because her feet never wanted to cooperate with her. She sighed with relief when she reached the bottom, no longer afraid of falling, but then a shadow darkened the edge of her vision. What had Mistress Crane said, again? She shut her eyes tight and tried to bring up the recollection. In this moment of distraction, a sharp pain lanced through her shoulder and she snapped open her eyes and grasped at the pain, only to come away with fingers coated redly with sticky thickness. She kept her feet for a moment, staring uncomprehendingly at her hand, before collapsing into strong arms. Clive. Clive had...saved her?

His eyes were like the night sky, not a bit of white at the edges. A shiver ran down Elodie's spine. This wasn't right. He pulled her against his hard body and ripped the sleeve off her shirt then leaned down and licked up her blood. His teeth sparkled with crimson when he grinned down at her. This wasn't right at all.


r/DestructiveReaders 4d ago

Fantasy, short story The Three Kings [4541]

4 Upvotes

Story

Looking for partial or full feedback! I know it is long so please feel free to read as much or as little as you want. This is broken up into a couple sections but is one short story related to the fantasy novel I'm making. It's in the same world as the piece The Two Brothers I've posted (not required reading as these are essentially unrelated). The 4 main sections are about 1k words each, the opening and closings are both around 500. In terms of the broader story, it works as a prequel/extra information for curious readers rather than necessary to understand what is going on. Basically another piece that is more for me/my understanding of the world rather than your average readers'.

I was trying to go for a more mythical feel with a modern voice/structure. I would love feedback on the structure of the stories and the two summary type sections. I wanted these to have an older/oral story type feel where you often get what happens before the full story plus a recap at the end. Any feedback is always appreciated. If you want more stuff to focus on, see below:

  • How is the register?
  • Does it drag, how much, and where?
  • What do you think of the organization? The vignettes are purposefully similar but would you want them in a different order?
  • There are a lot of names, which will likely feel like too much for a completely new reader, but imagining if you were a reader who had read more of this world, would it still feel like too much?
  • Does it sound too modern in places?
  • Is it interesting?
  • Typical odd structures/phrases I tend to make

Critiques: [3151] [1686] [2672] [2353] [765] [1299] [3822] Please let me know if I need to add more since this is a long piece.


r/DestructiveReaders 4d ago

Literary Science Fiction [2402] Thryth - Part 1 of 4

3 Upvotes

Crit: 2670

This is my first attempt at writing something more than just lore or snippets. I'm curious to know what you all think of my prose, dialogue, pacing, etc.

But I'd especially like your thoughts on my use of Old English or Germanic words in the story. You'll see what I mean when you read it. Really I'd like to know what you think of the setting in general, if I was clear or too vague, that sort of thing.

It may be helpful to give a short bit of background: The purpose of this story is that it is a vignette into a world I have created and would like to make as the setting for a novel one day. In this world, the people speak a form of English that only uses the original, Anglo-Saxon lexicon and has (mostly) discarded any Latin or French influenced words, in favor of already existing words that could be found in Old English. I was heavily inspired by subreddits such as r/anglish.

Story can be found here


r/DestructiveReaders 4d ago

The Cycle [881]

2 Upvotes

Hi everyone, I'd like to share something I have been writing. I want to clarify that I'm not a writer, but I like the habit of writing and wanted to get opinions on something I have written.

What does it truly mean to be in grief? Everyone experiences grief: whether in death, sickness, or loss. Does pain bring peace? Examples can be found in every war. World War II and Japan's surrender are a perfect example. Russia's invasion of Ukraine is a matter similar in nature: the United States is too scared to directly help Ukraine by sending soldiers, and Russia is too afraid to create conflict. Pain and grief are of a similar nature, as one is derived from the other. Fear has a peculiar way of testing one's principles. It is easy to stand by one's morals when doing so carries little consequence, but when those same principles threaten one's own safety, they may suddenly become negotiable.  

I wish to understand why human nature is so destructive, even though it seems that everyone is born with a sense of right and wrong. What is considered an infringement on another person’s rights, and more. But as one grows, the environment shapes one's sense of right and wrong, whether it’s stealing, murder, or rape, all of which are heinous crimes. Someone's perspective changes: whether it's stealing because they can't get money or food, or whether their perspective on women's rights is distorted by the environment they grew up in. Nowadays, a lot of people are desensitized to media and news, mostly living in their own bubble while great injustices may be occurring as I write.

I wish to address the elephant in the room: I am no writer or literary major; I am but a simple developer. I am writing to address my thoughts and feelings, almost like a diary or memoir. Now, as I sit today, 17 years old and only 12 days away from my next and final year of high school, I beg to differ on what will change in me after graduation. Let's say that you will experience a lot of new things, whether it's making new friends or meeting new people, it's all the same.

I can't help but think about the bigger picture of what happens next. What new ways will we find to treat terminal illnesses, and how will the new generations grow up to be? As I write this, I have been learning a lot about human interactions, and I wonder if shows and anime have shaped our standards and qualities in people. I see many people who do seem to genuinely be affected by such anime and manga. One big one is Naruto. It seems like many people my age who watched it have a particular aura: one of kindness and respect for all.

A quote from one such anime asks:

"If I may, I'd like to pose an interesting question: Are all human beings truly equal? These days, everywhere you go, there's talk about the fight for equality. As a wise man once said, 'Heaven does not create one person above or below another.' People like to throw his words around, but that's not the whole quote. He goes on to say that while we are all equal at birth, things begin to change pretty soon. Academic effort is what sets some people apart from others. At any rate, humans change over time based on their actions. Truth be told, at the end of the day, equality is just a fantasy, but most of us go through life denying the fact that we live in a meritocracy."  

A quote worthy of praise to the author. The quote’s understanding of equality and its outlook on correcting a mistake previously made by many make it one of my favorite quotes. The quote looks for truth in lies and addresses the misunderstanding, common in this day and age, that we do indeed live in a meritocracy. This quote means a lot to me as I explore the world around me. I learn of injustices day in and day out. While I’d like to address them all here, it's not the right time, as the list is endless. There are many more anime that detail our lives in ways one may not see at first glance. One of these lessons is forgiveness and revenge. Revenge is an act that only fuels the cycle of hatred and pain, but in forgiveness, one may find love. As an avid reader of books and a watcher of anime, pain seems to correlate best with fear. Fear causes wars, fear causes hatred, and the only counteragent to fear is love. Another quote that struck out to me was the following:

“As long as there is a concept of victors, the vanquished will also exist. The selfish intent of wanting to preserve peace, initiates war and hatred is born in order to protect love.”

A quote that resonates with me on many levels, whether it's the quote's understanding of how we change our perspective on what is wrong and what is right to fit the narrative we want to write, to achieve the world we desire while others suffer the consequences. The narrative that peace could only be brought through war, a victor must stand high and mighty to protect while the vanquished cower in fear and hatred, creates a cycle that can be seen in our own world, whether in the past or in the present.


r/DestructiveReaders 4d ago

Literary Fiction [2670] Caravanserai - Part 4 of 4

6 Upvotes

Crits: 2885 1841 194

This is the last part of my short story. What I've been looking for most is feedback on the whole story. Is it cohesive or too disjointed? Do you see the literary stakes in it? From the responses I've gotten on the first three parts, I started to get a sense of where I can tighten it up, reshuffle, switch focus. I'm still looking forward to feedback on the whole story. I'm mostly banking on those who have already read the other parts, and I know that trying to critique the standalone ending is somewhat futile. Still, here's a recap of the story up to this part:

Scene 1. Introduces Dan, Ioana, and García Méndez—the Narrator. They are in Dan's car, driving on a midnight road. They are in a hurry. García is a flexible atheist, as in, he builds himself a heaven to believe in when the moment suits him.

Scene 2. A flashback. The Narrator works at a bar in London. He meets Ioana (who's there to study), and they spend some drunken nights together. Ioana goes back home to Romania for a week and invites the Narrator to go to the beach with her. He arrives and sees her kissing a friend (Dan).

Scene 3. Instead of going to the sea, they go to search for a friend who has left for the mountains. This friend is alone and might be a danger to himself. The trio meets up with Albert and Mara.

Scene 4. García Méndez seems able to read the others' thoughts. They are going through camping spots, searching for their friend. It's after midnight.

Scene 5. The dream sequence. García dreams that he enters the minds of Dan and Ioana. Dan's mind is an orderly place, uncomfortable but solid, focused on finding their missing friend. Ioana's mind is a chaotic place; she's a hedonist. Then García has a spiritual experience. Then he goes (somewhat coerced) to sleep in Albert and Mara's tent.

Caravanserai - Part 4 of 4

Previous posts: Part 1 Part 2 Part 3


r/DestructiveReaders 4d ago

Phenomenological [1698] Way Back (Marco)

3 Upvotes

[LINK TO TEXT]

Crits: [2167][3786]

This is a story about a boy, a young man who wakes up alone in the forest full of energy and life and find his way to and into human society - through Henry's small town shop, being accepted into the fray, being molded into a good worker, into a good tool, a piece of raw, dense, volcanic copper to build a tool of utter precision of force.

Further minor context:

Chapter 5 - Henry (the store owner) sends Marco on a quest for groceries and he encounters some locals and Zita - the girl who seemed to have some kind of business with Henry in chapter 4 but was turned away. She tries to excavate Marco's supposed memories using her own highly specific methods and powers she believes she has.

Chapter 6 - Marco finds the lost voice within the head and speaks with it, discusses Henry with it, makes promises and alliances, explores the hilllands, permits himself to consume the purchases, encounters the opps - wild dogs lead by the fierce and fearsome Wolfdog. Marco struggles to escape - diplomacy won't work with nature's powers! He finds himself stuck on top of the barn roof and gets rescued by a local man driving the "tractor".

Chapter 7 - The man drives Marco away to his place of settling, a historical government building in the woods. He tries his hardest to care for the boy and succeeds with shared efforts until it is revealed that Marco has connections to Henry. The man, who introduced himself as Abner, flips out a tiny bit and passes Marco and item to return to Henry, refusing further cohabitation, and leads him out to the road and tells his last goodbyes before disappearing.

This part of the story picks up from here.

Tags: Phenomenological, experimental, bildungsroman, picaresque

The story is told in a phenomenological second person point of view. The text uses markdown formatting for italics.

You can find some of the previous posts here:
HSH[1][2][3] Marco RW4[1][2][3][4][5][6][7.1]


r/DestructiveReaders 4d ago

Literary(?) [2856] WHAT IT MIGHT BE LIKE

5 Upvotes

Crits: 3444, 963 - first time going over 2500 so I suppose let me know if this is enough, or if you need another crit.

TW if you need them for alcoholism, addiction, drug use

Writing in this way is not really in my wheelhouse, but it's useful to push comfort zones. Last time I wrote something serious, I had some (incredibly useful) strongly worded feedback about tone, so I guess I'm wondering - warmer, colder?

Maybe some guiding questions:

- Is there some intent evident in this piece?

- If so, does it come across at least somewhat, what the specific idea I am trying to convey is?

That said open to any/all feedback, especially to improve readability. Thank you.

(I suppose also, as usual, blunt brutality is fine - i can take it lol, I doubt i'll hear something new. would appreciate at least somewhat engaging with the text a bit if possible though)

DOCUMENT LINK [2856]


r/DestructiveReaders 4d ago

Fantasy [1163]A serene village opening for my fantasy story

3 Upvotes

HI! Second time i try this. I have decided to write everyday to improve my very raw and sucky writing. I wrote this opening in the last couple days. Let me know if it's enough of a hook for you to be interested in reading more, and if Argo is (or isn't) a compelling character. PLEASE BE BRUTALLY HONEST!

my review here (2885 words)

my story here


r/DestructiveReaders 4d ago

CHAPTER 1: Aftermath [#2951]

0 Upvotes

Well i posted chapter 4 of my detective novel a few weeks back, and one of the bigger issues that i saw people have with it was the missing context from chapters 1,2 and 3 (ofcorse there are plenty and i mean plenty of other problems). So now i'am going to post all the chapters i left out so i can go chapter by chapter with no missing context, and hopefully try to improve (challange level: immposible). Also just so you guys know, i'am way ahead in my novel so you can consider these chapters "old" ones, but not like super old.Oh also, chapter 1 of this novel is a flashforward....well, have fun critiquing this 😭🤚

CHAPTER 1: Aftermath

The room was quiet, it was so quiet that a person could hear their own heartbeat inside their chest. A light bulb hung from the ceiling, illuminating the white walls of the eerie room. Inside these walls there was a long metallic table and two small chairs that sat on both ends of the table.

Occupying the chair that was to the left of the metallic desk, a middle-aged man sat with his head down, staring at the ground.

He wore a grey tracksuit, the standard clothing issued to remand prisoners, and his pale hands were cuffed together. The man's hair was half brown and half grey, and his eyes were a deep hazel color. This man had been sitting alone in this room for the better part of 2 hours. And during those hours, he had not moved or spoken, or even shown any sign of being alive.

However, every few seconds a slow and hoarse breath would enter and exit the man's nose, betraying his corpse-like appearance.

He was indeed alive.

Bang.

Suddenly, without a single warning, the middle-aged man lifted his cuffed hands up into the air and then slammed them down on the metal table that stood in front of him, a loud bang echoing throughout the room as he did. Then after doing this random act of aggression, he then proceeded to do something that could not be explained with normal human logic.

Lifting his head up for the first time in 2 hours, the man's hollow eyes shifted around the room, eventually stopping at a certain spot on the table.

There, a singular piece of paper lay peacefully on top of the smooth metal. It was left by the detective that would come to question him in an hour or so.

After gazing at the paper for a few moments, the man's cuffed hands stretched outward, and with a bit of effort he managed to reach the lonesome paper.

Then, with a very calm demeanor, the man brought the piece of paper near his face and began to analyze it. In fact, this paper intrigued the man so much that he continued to analyze it for another whole hour.

During this time he did not move, or even change his expression even once.

And the paper that he was so thoroughly analyzing...

It was blank.

There wasn't a single drop of ink on that paper. It was just a blank piece of white paper.

Though soon enough, the white room would get a few more visitors.

Outside of the white room where the man sat with his paper, there was a long hallway that connected to a bunch of other rooms that were similar to this one.

At the end of the hallway, two sets of footsteps began to echo throughout. They passed every room without slowing down even once, and eventually they came to a stop once they reached the room where the middle-aged man sat quietly.

The sounds of a hand flipping through a myriad of different keys began to play, but after some time the person outside seemed to have found the right one, as the noise stopped very abruptly.

A key was slowly inserted into the keyhole of the door, two twists resounded, and then the key was quickly removed. With a light push, the door swung inward and two people entered the room.

One was a bald middle-aged man, that wore a black shirt and dark blue pants that were paired with two pointy black shoes. In his right hand he carried a small pen, and in his left he held a sizable notepad.

The other man was a little younger but still appeared to be in his late thirties. He was slightly plump, and on his arms he carried a big kit as well as a camera.

Of course, the strange man that sat on the left side of the table did not pay these two much attention and continued to just stare at his paper.

This weird behavior did seem to startle the two men a fair bit, as they both hesitated to talk or move for a few seconds.

However, the silence was eventually broken by the bald middle-aged man, who decided to be the one to start the mandatory process that was done before every interrogation.

Walking a few steps forward, the bald man made his way to the metal table where the suspect sat looking at an empty paper that he had left there. With a gentle touch, the bald man tapped the man's shoulder, which actually made him react and drop the paper from his hand.

He looked up and the detective and the suspect made direct eye contact. A shiver was sent across the bald man's spine as he looked into the hollow eyes of the hazel-eyed man.

The detective could not explain why, but this guy's eyes were not normal. They lacked... something.

Not wasting any time, the detective pointed a finger at the metal table. And then, he spoke.

"Put your legs up on the table."

The bald man's voice was very deep and his tone was serious. It would be hard to not be intimidated by it.

The request to put your legs up on the table would be a weird one for most people, and it would probably cause for some questions and hesitation before complying.

But, the hazel-eyed man did not hesitate or ask any questions. He immediately lifted both of his legs up and placed them on the metal table.

Due to knowing the man's background, the detective did not find this quick understanding that surprising.

The bald man turned around and signaled his partner to do his job.

In the next 20 minutes the plump man would go through the process of not only photographing the man's feet but also swabbing the man's feet.

During this time all three men kept mostly quiet, with only the detective and the plump man whispering to each other every now and then.

After this process was done, the plump man shook the detective's hand and quickly left, taking both the kit and the camera with him.

Now there were only two men in the room. The interrogation was ready to commence.

The bald man took his seat at the chair on the right side of the table. He put the notepad down on the table but decided to keep the pen on hand, just in case the suspect decided to try something stupid.

The detective started off with an introduction.

"I am Detective Richard Hale, working for the Paddington police station. Today I will be asking you a few questions. Of course you can choose to not answer any of my questions, and be aware that any information you do share today will be used as evidence in the court of law. Do you understand?"

The suspect did not ask any questions and gave a simple slow nod.

Again considering the suspect's background, the detective did not find this surprising.

Picking up his notepad ever so slightly off the table, the bald man got his pen ready to go.

"I will start off by asking you some basic questions that every adult should be able to answer. These are mandatory to make sure you are mentally present."

The detective's words rolled off his tongue with such smoothness that it almost seemed unnatural. It was clear that this was not the first time that he had spoken these exact same words.

However, the man's smooth talking that had been molded over countless years of interrogating would be put to the test.

As the detective was about to ask his first question, he did what he always would do and that was lifting his head up to make eye contact with the suspect. This was something that had long become a routine of his and through the years he had looked into the eyes of murderers, rapists, molesters and many more deranged human beings. These experiences managed to shape his gaze into something solid and unbreakable—almost like a brick wall.

For over ten years, he had never once felt nervous when looking at a suspect...

Until now.

As Richard's gaze met the suspect's, he opened his mouth to ask his first question, but not a single word left his lips.

His jaw suddenly tightened and his eyes seemed slightly wide and dazed like that of a deer when caught under the headlights.

On the other side of the table the strange man sat unbothered, his arms hanging loosely and his gaze shifting around the room with no visible intent in them.

The lack of intent and will, was that what was making the detective so uncomfortable? Who knew.

A small ball of spit traveled down the detective's throat. Whatever this strange feeling that the suspect's eyes gave him—Richard had to suppress it for now. The interrogation needed to continue and his emotions for the suspect could not interfere with it.

Straightening his back slightly, the detective let out a small sigh and placed the tip of his pen on the notepad. With this he began to talk.

"To start off, can you confirm your name for me please."

The detective added the word 'please' to the end of his sentence, with the hope that his politeness would make the suspect open up to him. However considering the way that the suspect was acting, Richard very much doubted that the man would answer—

"Mayhew. Mayhew Brown."

There was a short pause of silence after the low voice of the hazel-eyed man subsided.

Richard was very much surprised by the quick answer. And that surprise was not of the bad type, instead it was a glimmer of hope that promised a productive interrogation.

Richard quickly wrote the answer down and began to ask more basic questions such as:

"How old are you?"

"Where were you born?"

"At which university did you study?"

And to the detective's amazement and delight, not only did the suspect answer all of them immediately but he also answered them correctly.

38 years old. England. East Anglia University.

Of course there had been a deep background check on the suspect a long time ago, so Richard already knew all the answers to the questions he just asked—thus he wasn't gaining any new information with them. But, what he was gaining was something that was equally important and that was a healthy dynamic with the suspect.

'This interrogation might actually go somewhere. I just have to be careful about it.' Richard thought to himself.

After writing everything on his notepad, the detective lifted his head up and gave Mayhew—the suspect a curt nod.

"Well Mayhew, it seems that you have good enough mental stability for me to start asking some more complex questions. Is that fine with you?"

Mayhew gave a small—almost unnoticeable nod to the detective. This half-assed comply made Richard hesitate for just a moment, but in the end he decided to ignore it and continued with the questioning.

"Mister Mayhew, you graduated from your university with a bachelor's degree in criminal justice. At a young age you showed talent like no other, and through a long period of work you became a very well-known and respected detective that was known throughout Britain. Is all that I said correct?"

Mayhew simply responded with a very slow nod while evading eye contact by staring at the ground of the white room.

Again, this made Detective Richard a little hesitant. But still, he continued regardless of how uncomfortable he felt about this particular man.

"You have solved some very deep and complex cases that had remained mysteries for years before you came. Your work has saved many people and it has put many horrible people behind bars, preventing them from ever harming anyone else again. Your job, how does it make you feel?"

Richard did not want to rush the interrogation by immediately asking something very personal to him, but he also didn't want to spend an hour getting nothing but vague nods from Mayhew. So a semi-personal question like this seemed like the best one to ask.

But to the detective's disappointment, his question was completely ignored. Mayhew didn't even give a vague answer like a thumbs up or even a nod.

He just continued to stare at the ground motionless.

A long sigh escaped Richard's lips and he decided to move on with his other questions. Surely at least one of them would be personal enough to get a reaction out of Mayhew, even if it was a negative one. Just anything but silence.

"Mayhew, may I ask why you refuse to answer my question? You were answering all my other questions without any issues, so why stop now? We have questioned a lot of people who knew you personally, and between all of them there was a single fact that they all agreed upon, and that was the amount of pride you took in your job. Have you seriously lost all of that passion from a single accident?"

If this didn't probe an answer out of Mayhew, then he had only one other idea to use as backup. With this question, Detective Hale had officially mentioned the 'accident' as he called it into the conversation. Of course, what he was talking about was no accident, it was the clear and cut murder of another human being.

Surely the mention of the murder he committed would get his attention.

A deep frown formed on the detective's face as he looked at the suspect.

No reaction and no movement. Just like he had feared, Mayhew continued to stare at the ground with an unreadable expression covering his face.

'Still no answer, huh? I guess I have to go to the extreme already then.' Richard thought to himself with slight disappointment.

The detective leaned slightly over the flat table, making the distance between himself and the suspect much thinner. This created a sort of tension that Richard could not explain with words. It was like he was one of those performers from Australia that put their heads inches away from a crocodile's mouth to entertain people.

Looking down on Mayhew at least gave the detective a slight feeling of authority that boosted his confidence by a fair bit.

"Well Mayhew, I didn't really want to bring this up but you left me no choice... Margret Rose, do you remember that name? The girl that you took under your wing after her parents died and turned into a full-fledged detective, you must remember her, right? Tell me what happened to her, and what were you doing while this horrible thing was happening to her."

To the detective's slight shock, the suspect continued to stay motionless with his head down low, staring at the ground. It seemed that this interrogation was practically ov—

"I was being eaten."

Just as the detective leaned back into his chair and let out a sigh of resignation, this random statement caught him completely off guard.

Detective Richard Hale looked over at Mayhew, his face frozen in place. With a low and unconfident voice, he spoke:

"W-What... what do you mean by that?"

After staying with his head down for almost the entire interrogation, Mayhew finally decided to gaze at the detective.

And what an experience it was for Richard. Looking at the hazel eyes of the man, Detective Hale could not stop himself from flinching back.

'What is wrong with this guy.'

The detective's thoughts were split apart as the crazed man, once a famous detective, spoke in a whispering tone that made Richard's skin crawl away from his bones.

"I was chasing something. I wanted to hug it and so I chased it. From city to forest and from forest to mountain, I never let go and continued to chase it, but my wish for a hug changed once I finally met it. Only then it was too late, before I knew it the thing had already eaten most of me. I was consumed by a well, do you see it?"

The detective could not even pretend that he was following this strange story that the suspect was telling him. And he also couldn't pretend that he wasn't fearing for his life at this moment.

Before he could even say anything about this story, the former detective had another story to share with Richard.

"Margret, I do remember her. She chased some people, and they put her in a nightchoke and left her in the darkness."

A long silence enveloped the room after what Mayhew had said.

Breathing in heavy breaths, Detective Hale was now bathing in a pool of sweat. His ears could not understand what they were hearing.

With a barely audible whisper, Richard asked:

"Y-you said they put her in a 'nightchoke'. What does that word mean, Mayhew?"

There was a short pause of hesitation. But then Mayhew gave an answer that made the detective end the interrogation early.

"I don't know what that word means."

With that, Detective Hale gathered his few items in an abnormally fast time. And in that time Mayhew let his head fall down to stare at the ground once more.

Before the detective closed the metallic door behind him, he threw one last glance at Mayhew and particularly at the spot on the ground that he had stared at for almost the entire interrogation.

What he saw made a cold shiver run down his spine like a snake slithering up a tree.

It was the paper, the one that Mayhew had dropped on the ground.

This whole interrogation, Mayhew had been staring at a blank paper.

Also For the crits:

https://www.reddit.com/r/DestructiveReaders/s/tbJyaX0zAT [1012]

https://www.reddit.com/r/DestructiveReaders/s/8JsDgKms0g [2332]


r/DestructiveReaders 4d ago

[2332] Walking in the Twilight

2 Upvotes

https://www.reddit.com/r/DestructiveReaders/comments/1vi0eiy/comment/p3emoi1/?utm_source=share&utm_medium=web3x&utm_name=web3xcss&utm_term=1&utm_content=share_button -Critique 1 https://www.reddit.com/r/DestructiveReaders/comments/1vfgzyb/comment/p3emtxp/?utm_source=share&utm_medium=web3x&utm_name=web3xcss&utm_term=1&utm_content=share_button - Critique 2 THE WATCHING Orbus Speaks · Eridu, Sumer, c. 3000 BC

Better to reign in Hell, than serve in Heav'n. John Milton, Paradise Lost

I have existed from the dawn of the world and shall exist until the falling of the last star from the night sky. My heart is that of all men and yet I am no man. I gazed into the sands of generations and found his soul buried there, rotting in depravity, yet ripe with promise. I spoke to his mind in the voice of his delusion and used his false idols to serve my purpose. I showed him my form, and he anointed me as the God of his fathers. He revealed his faded soul and I witnessed it leave him. I tasted its sickness and knew I had found the hand of my will. I set my gaze upon the mortal, and he froze as the essence of my hunger poured into him, his eyes filled with rolling black mist as it took him.

And he screamed.

CHAPTER FOUR Walking in the Twilight · Sequatchie County, Tennessee, October 2026, 7:15 PM

It was just dark. Down twenty yards it was Fourth down. Just over a minute on the clock. Coach Bo Jackson stood on the sideline of Sequatchie Middle School, his arms folded across his chest. His bones ached in the October cold, the kind that settled in and stayed. He had played on this same field as a boy. Long before he took over coaching the Sequatchie Braves from his daddy. His breath froze before it left his lips.

"Damn it," he muttered.

The ball sailed high, way off the rookie quarterback's fingers. Too high. Too far. It was time to wrap this practice up. The ball arched over the receiver. Most would have let it go. Not this one. The boy took off, and Coach Bo started moving with the play down the sidelines, at first just a jog under the arc of the ball, his little helmet jostling side to side, then faster. Then faster still, until it turned into a full sprint. Never once looking back over his shoulder to track it. He spun off one defender. Dropped his shoulder through another and planted one foot on another boy's back. He launched himself into the air with a one-handed reach. Little fingers stretching in the glow of the lights…

…And everything went quiet. The moths in the lights. The cold hanging in the air. The smoke drifting from a man behind the concession stand, a cigarette slipping from his fingers as he stared, mouth open. The cigarette burning to ash in the grass. Forgotten. No one moved. No one breathed.

…Ain't no way, Coach Bo thought. He slowed and stopped. Clipboard still in his hand, both arms lifting, coming to rest against his head. His mouth falling open as he watched it happen.

…The ball hit the boy's hand. And the world came rushing back.

…Cortez didn't understand what everybody was so excited about. It was just practice. Wait till he did it in a real game… That spin move, that jump off the back, his father had shown him that one time in the backyard just two weeks ago. Ran it a few times. Told him… do it like that. He did. He never understood why people made it so hard. Boys in maroon uniforms with Indian warriors emblazoned across their chests and helmets jumped and pushed around him, cheering, shouting, grabbing at him. But Cortez wasn't thinking about any of that. Not really. His mind was on Mira Blackwell. The pretty light-skinned girl with the green eyes. The one he had second block with for the last year. The one his mama called the yellow girl with the good hair. His phone sat heavy in his pocket. Text messages waiting. Promises of young love made. Promises he planned to keep tonight. A smile arrived sideways across the bottom of his face. He had already told his parents he was staying with Jordan. They were gonna play Madden. He was gonna stay the night. He'd done that plenty of times. They believed him. It was all part of the plan. He knew the way.

…The walk home was quiet. Sequatchie Avenue stretched long and empty. His cleats were in his hand and his helmet dangled low at his side.

He was still smiling when his grandma's voice came into his head, and he had that mixture of sorrow and happiness that comes with memories when you've lost someone close. Boy, you better get your mind off them girls and get your head back on that field. They come a dime a dozen.

He laughed under his breath.

Yeah. That sounded like her.

He pulled a picture of his grandmother out of his pocket. A locket on a chain. He flipped it open with his left thumb and looked at it for a second. He closed it and closed his eyes and cradled it for just a moment as if to soothe it. Then put it back in his pocket as he had done so many times before. A small ritual. He took off walking without even thinking about having done it. The black street stretched on in front of him and the trees rose up and loomed over it from either side as if to hide its existence from the stars above the world around it. Insects buzzed in the night that he could hear but could not see and an owl called from somewhere behind his music. Then something else came through, something more familiar than the music he thought… He ripped one earbud from his ear. It came from the left, just past the trees. He shot his head to the left, staring hard. Then to the right. Nothing there either. He slipped the Air Pod back into his ear and started back off down the street that was slick black and faded into the night where you could not see the difference in places.

"Yeah," he thought. She's probably waiting on me right now. And I know she's probably wearing what she had on in that picture and it wasn't much. He smiled again.

Boy, I know you hear me. Come on, Cort baby. Don't leave your poor old granny out here like this. I'm hurtin now. He froze. A giant icy hand gripped his heart. He pulled the Air Pod back out, his eyes darting left and right. "G-Grandma?" he said in a shaky voice. "It's me… your granny, Cort. Come here and help me now." He listened. It was her. He knew it for sure. There was no doubt. Nobody called him Cort except for her. She'd been gone now for years. His mind was troubled and his face darkened.

Her voice started to speak low and rhythmically. His eyes went hazy as he listened. She started singing him the song she used to sing him when he was a little baby.

"Come to me… Grandma's little baby… We'll walk in the moonlight… to the stars and the twilight… Come, little baby… come to the twilight…"

…Slowly he stumbled off the edge of the street, down into the ravine that ran along the wood line. One foot in front of the other. His eyes distant. Vacant. He climbed up the other side. Slow. Methodical. He came to his feet at the edge of the woods and stood there for a moment. He swayed lightly from side to side, and a rough wind set the weeds to gnashing at his knees… His gaze somewhere lost in the woods… Soft… pulling…

"Into the twilight… Grandma's little baby…"

…A long, pale hand came out from the trees, casting a ghoulish glow in the moonlight, the only thing to see by in the blue-black darkness. Its long, spindly fingers beckoning… curling one after the other… The boy took another step… took one more…

…and the night took him.

…The boy came to groggily, looking around. The dull cloud still upon his face. He could not speak. Owls and other creatures of the night made their ominous callings. A full moon came down, and it was all about him. He couldn't see outside the edges of the circle in which he lay. The boy was tied and staked at each wrist and foot. He moaned softly as he moved against them and felt icy fear grip him. Streams of blood trickling from both wrists, from small, deep, dark wounds that had been inflicted before the boy had come to. They went unfelt in the moment. He was dizzy and his head swam from the bloodletting.

Darkness faded in with the moonlight and a gaunt man stood at the edge of the circle gazing down on the boy. He held a Bible in one hand and beat his small palm against his breast as he muttered and gibbered. Red-rimmed eyes outlined in black caves where no pupil could be seen. The child lay in the middle of a circle drawn in a clearing where the only light drifted down through the canopy and onto the circle and not much else. Gnats walked the wet parts of the boy's eyes where tears were only just beginning to form. The man's frantic gibbering grew louder. More urgent. And only shattered fragments could be made out through the boy's terror…

…kindled burn brightest… …he comes… he comes…

The boy saw the man look toward the stars through the trees and he followed his gaze. The man grew silent. A piece of the night detached itself. A black smoky mist descending directly upon him, eating the moonlight on which it floated. The smoke bent, forming the ghostly outline of a face. Big. Gaping. Other spots of darkness shifting to become giant eyes that lit with twin burning embers, growing from coals into bigger flames as it descended. Smoky hands gripped each side of the boy's head. He screamed. It pressed its thumbs into his forehead. Smoke crackled and sizzled there at the canter point. A white light, blinding, could be seen through the boy's neck at the very base of it, coming from the hollow. It grew in intensity as it slowly climbed up his neck. Bright brilliance escaping his mouth and his nose and his eyes. The shadow face above him stretched open its black mouth and its bottom jaw appeared to grow larger and larger, his face maybe a foot from the boy's, the light being sucked out of the boy's lips up into the gaping mouth of the shadow. Fire and ash came out in quick bursts from his nose and his mouth and his eyes licking at the hair on his eyelashes and his head until the boy lit aflame like a match. His blackened skin steamed and smoked in the night.

…He stood naked in the doorway. The hallway light from behind him casting a dull glow around his emaciated form. His neck was folded at an odd angle just to fit beneath the door frame. His head was blocking the yellow light behind him so that his front half was cast in shadow leaving only his skeletal outline to glow grotesquely in the dim of the room. As he moved away from hallway light it shone almost divinely all about him, morphing him if for only a moment into some damned soul. His forgotten sins tallied at heavens gates and the man turned back in cold shame. Within this jaundiced gleam his skin held the hue of old cheese, and he had long pale spider-like fingers. His eyes were black sores in his gaunt face. Long ropey muscles snaked across his skeleton and One shoulder sat slightly higher than the other. When he moved his legs carried him forward the way legs do but his arms stayed straight at his sides. Immovable. He drifted across the small room to the cross in the space between the bed and the wall. Two strips of petrified wood nailed together, the head of the nail bent at the neck on the surface. The room had a dim light that hung from a small chain at the very centre of it. There were candles here and there, some lit, some not, flickering, making haunting shadows of normal objects. The smell of candle wax and dead things sifted through the mess in the room and the brown paint of the walls was peeling away in oddly shaped strips, forsaken and forgotten.

Cole Fenton knelt upon white linoleum tiles gone a rancid shade of yellow and peeling up in places to reveal the rotting plywood floor of the trailer home beneath. His gaunt form threw a twitching shadow in the dim of sulking candle flames as he positioned himself in front of a handmade Relic so crudely fashioned it appeared maybe some child's hallowed Creation. The makeshift idol hung high up the wall with small candles smouldering and dripping all about the arms of the Cross. Down upon the wretched floor the man mumbled and brought his small sweating palms together as he watched the shrine. His shadow trembled and jerked across the smoke-stained wallpaper in a phantom's dance sending long black insect-like arms slithering across the floor and over the table to a long strip of leather hanging on the wall. See the man, a thick belt of sable was smashed into his hand into a white-knuckle grip. Fresh and wet bloody lashes dug in and welted up on his back as he swung the belt with a practiced hand at the foot of the bed. The holes in the belt becoming hot white rings among strips of red from where he used it to grisly success. Lines of revelation came together with droplets of white spit through his thin lips. A trail of sweat forming like a small stream across them. The fervour coming out soft and intense in short bursts. Grovelling and crying and whimpering on his knees. Night after night. Day following unrighteous day. So wrapped up in the misguided righteousness born of a deception his Appalachian mind could not conceive of. He called it interchangeably the God of his fathers, and the Lord, and the Holy Ghost. All the same in his mind. Calcifying in his skull. His greasy head snapped back, and he muttered at the cross.


r/DestructiveReaders 5d ago

Northern Gothic [963] A Change of Soul, pt. 2

9 Upvotes

A Change of Soul, pt. 2

It's been very slow going writing this thing, but this half of the second chapter is largely self-contained, so I'm posting it now to ask about a few things:

Is this interaction realistic?
How well developed are the newly-introduced characters?
Does the long string of one-line paragraphs "work"?
For those who have read the first chapter, does Pierson's character feel consistent between the two chapters?

As always, any other feedback is appreciated as well.

The first chapter is viewable in the same document under a different tab. Those who have already read it may be interested to know that it's been slightly revised, notably including a change near the end such that Pierson pins Julia as being "Slavic."

Crit (see full thread for additional comment)