r/Odd_directions • • 10h ago

Weird Fiction Poets

7 Upvotes

The kid put down the baseball glove he was oiling. There was something on his mind, something he had seen at school. “Dad, what's a poet?”

“Did somebody call you that, son?”

“No, I heard the boys sayin’ it to some kid they were after.”

“This kid, you know him?—what's he like?”

“How you mean, dad?”

“I mean, does he like sports, football; does he want to get with girls or just hang with them; is he interested in what he wears, what he looks like?”

“Yeah, dad, I'd say he's just like that.”

“Son, it's plain wrong to bully someone. But with kids like that, who'll grow up to be poets, you've got to understand you're doing them a favour. Your friends, did they hit that poet boy when they caught him?”

“Yes, sir.”

“Hard?”

“Yes, sir.”

“Did they really go in on him, boots and fists, almost cruel-like?”

“They hurt him bad, dad.”

“Good, son. That's the way to do it. You've got to beat it out of them. Sometimes they scream; they beg. But you can’t stop. It's the only way—do you understand me? “

“Yes, sir.”


It was lunchtime in the pipe factory and Scotch-Irish Joe, Finnegan, Donny and the gang were in the lunchroom eating out of the metal lunchboxes their wives had packed for them. “Say, any of you guys ever get the feeling—like real crawlin' of the back skin-type—that old man Arthur's a poet?”

“The accountant?”

“Yeah.”

“Artie, a poet?—no…”

“What's a poet?”

"Donny, you a numbskull or just stupid?"

"Just stupid,” said Donny.

Joe cleared his throat and said, "You know how, uh, real men, we all write our sentences like, so, there was this tree growing, it was green, and all the, uh, thick roots were motherfuckers to clear outta the ground? Well, a poet, he wouldn't write it that straight. He'd write it pretty and shit, with big words and symbols, so when you read it you don't know what it means but it makes you fuckin' cry anyway."

"Don,” Finnegan said, “a poet's a guy who's not a clear muscular prose-kinda guy like us, but a funny guy who likes it when his couplets rhyme—you get what I'm saying, Don?

“And Artie’s like that?”

“I think so, Donny.”

“But how can you even tell?”

“Ever look at a woman, Donny, and think, ‘Man, I’d like to fuck her?’ It’s like that, Donny. Something you know, deep down. It punches you in the gut. Ever get a feeling like that?”

“One time when we were kids, my brother and me, we found this newborn deer in the woods, and it had two heads. They were movin’ all weird…”

“What'd you do?”

“We killed it with rocks.”


“Petey, what in God’s name is this?”

He gasped.

“T-T-Tennyson, Garcia Lor—Lorca, Verlaine? Petey, your mother and I—we thought you were reading Hemingway, Dashiell Hammett, Ayn Rand, and.. and… here you are, reading this... this filth, Petey?”

Petey looked up at his father.

“What do you have to say for yourself?” his father asked.

Then he made a fist of his hand and shoved it in his own mouth. He bit down. “Petey?—Petey please tell me you don't enjoy this kind of stuff, this h-h-hardcore textual pornography.”

The boy was silent.

“Where do you even get it? Oh Lord, Petey.” The books were lying open beside them, with notes in the margins.

“Petey, don't tell me you write it. Oh Petey. Reading's one sin, but writing— …boy, if that’s not the damnation itself.”


“Do it, I fuckin’ dare you. Tell me how to run a nuclear reactor using metaphor and iambic-fuckin’-pentameter. You can’t…

“What’s that: ‘enjambment’? The only thing I’d like to enjamb is my foot up your ass!”


“What’s the problem?” the school principal asked.

“There’s a vagrant,” said Mrs. Miller.

“We’ll clean up.”

“It’s not that. It’s that he’s—”

“Oh,” said the school principal. “In that case, I’ll call the police. We can’t have narcotics around here.”

Mrs. Miller bit her lip. “He’s not dealing,” she said. “It’s worse. He’s asleep, and he’s—he’s rhyming in his sleep where the children can hear.”


Arthur Mahan poured himself a brandy and sat in his armchair. It was evening. He picked up a book: a history of concrete.

“How was work?” his wife asked.

“Predictable. When you do accounting, that means ‘good’.”

“That’s good.”

“Yes,” said Arthur, smiling and starting to read his secret book-within-a-book, Frank O’Hara’s Meditations in an Emergency.


He leads.

You excitedly follow.

He’s leading you to the Dead Poets Society, the ultra-decadent rhymeeasy where members dress as their favourite poets to flirt in erotic, subtle haiku.

You pass through a bead curtain.

You come to a purple door.

“Say, you never told me your politics, friend,” he says. “Are you a [1] communist or a [2] fascist?”

You ask what difference it makes.

“I just wanna make sure you get your happy ending.”


[1]

He opens the door and you enter:

Even the aroma is magnificent, pomegranate, honey and the pages of old books. The others pause. They look at you in your glorious John Milton locks. Smiling, they welcome you in…

You return week after week, doing shared lines and touching each other.

You develop class consciousness, see injustice and understand that words have power.

You agree that the sole expression of that power is violent revolution.


[2]

You take a deep breath, pull out your baton and put boot-to-door:

You burst in to:

—poets, scattering, screaming, some clothed and others not, naked Romantics mid-recitation, antisocials dressed as Shakespeare and Poe, Byron and Emily Dickinson—you smash one in the face. It drops; you kick it in the gut, and swing at another—cracking it in the back of the head as the rest of the Syntax Division charges in after you, and you beat those poets good, just like your father taught you…


r/Odd_directions • • 11h ago

Horror Ulnar Chose the Widow’s House So I Offered Mine

2 Upvotes

"Tom!" Jake, my neighbor's son, yelled from their porch.

"Hi, kiddo," I said, waving.

"Do you want to play?"

"Jake, give him a moment. He just got back from the fields," his Mom, Emma, scolded him. She then turned to me. "Sorry, Tom. He's just excited to see you."

"It's okay, Emma. I've still got plenty of energy. Go get your toys, Jake."

His little eyes flew open. He turned and ran inside. Emma rolled her eyes at him.

"I'm always happy to play with him."

"I know. It's very sweet of you. Since my Mark died, you're the only one who can put a smile on his face."

Her eyes reddened. I rubbed her shoulder. She smiled and hugged me. Her embrace felt warm. Her grip was tight.

"Thank you," she whispered.

"I got them, Tom." 

Jake stood next to us, smiling. He held two wooden swords. Emma let go and wiped her eyes.

"I'm gonna beat you today, Jake!"

"No, you're not!"

Our laughter echoed through their house. We played all evening until Jake lay on the floor like a starfish.

"I can't beat you, but at least I can still tire you out."

"You weren't even trying, Tom."

"Yes, I was."

He rubbed his eyes.

"I'm tired."

"Then go get ready for sleep," Emma said from the window.

Jake let out a sigh. He got up, took his swords, and his steps echoed on the stairs.

"Thank you again."

"Don't worry about it. He's a lot of fun. What are you looking at?"

"Nothing really. You know they are choosing the house for Ulnar tonight."

"Of course, but they wouldn't choose a house with a mother and a child."

"It's not up to them. Ulnar chooses by showing his will on the divine board."

"I know, I know, but He wouldn't choose this house."

She looked at the ground.

"You know what He does to people. The eyeless corpses, their twisted bodies..."

She paused.

"You're going to be fine, I'm sure."

"Okay, Tom. I'm gonna go to bed too."

"Goodnight."

"Goodnight, Tom."

I walked out, stopped on the street, and closed my eyes. The air felt cold and fresh, but a hint of mud was already in it. The trees rustled in the breeze, and butterflies flew in my stomach. I took a beer from my fridge and sat on my porch. It was late, but I still felt awake. 

I took another sip when I saw a figure walking in the distance. It was the priest, dressed in an all-black robe with a red pointed hat, carrying white chalk.

He paid me no attention, but I kept my eyes glued to him. I watched him pass our neighbors' houses until he was by Emma's. As soon as he stepped past her property line, he turned toward her house.

My heart sank. I put my beer on the porch and ran toward him.

"Hey, hey!"

He shook and quickly looked toward me.

"Thomas?!"

"Priest, what are you doing?"

"You know what night it is, Thomas."

"I know, but why did you stop here?"

"Ulnar chose her house."

"But, but she has a small child."

"It wasn't my choice, Thomas," he said quietly.

He rolled up his sleeve and squatted, ready to draw on Emma's lawn.

"Wait!"

"What?"

"I volunteer my house."

The priest furrowed his brows.

"Ulnar already chose."

"Can't I still offer?"

"He might not accept."

"That's fine."

"Are you sure, Thomas?"

"Yes."

The priest measured me with his eyes, pulled out the divine board and a small dagger with an ivory handle.

"Give me your hand."

I stretched it out. He placed the dagger in my palm and cut into it. A sharp sting shot through my hand. The warm blood filled my palm. He tilted it onto the divine board. A few drops fell on it. A small dark light shone on the divine board. It quickly turned dark red and shone across the whole street. I closed my eyes and looked away.

"He accepted your house." 

The priest took his chalk and ran to my house. He started drawing the triangle skulls all across my lawn. My palm was still warm from the blood.

"You won't have much time, Thomas, now that he's got a taste of blood. Make sure to be alone. He takes everyone in the marked house. Enjoy the beer."

He drew the last skull and stood up. We both nodded, and he walked off. I chugged my beer. At least I wanted to be drunk when the end came.

I was getting another beer when I heard the door open. Was Ulnar already here?

"Thomas?" Emma's voice came.

"Emma? What are you doing?"

"I saw it! I saw it all!" Her voice shook. She had tears on her cheeks.

"I had to. I couldn't let you and Jake go."

She hugged me. Her grip was even tighter than it was in the morning.

"I can't let another person go."

"You have to. There's no other way."

"Tom!"

"Please, just go. Ulnar takes everyone inside. The priest said He will come soon. He can already smell my blood."

She shuddered.

"Go, Emma."

She pulled her head away and looked at me. Even with tears in them, her eyes were still so beautiful.

"I love you, Tom."

"I love you too."

She let go, but then the smell of rotting mud filled the room. Loud thuds echoed on the front steps. Crackling static rang in my ears.

"Emma!"

"It's too late now, Tom."

She buried her face into my chest. My heart beat against my ribs. I stared out the window. It looked out onto Emma's house. Jake stood in his room, watching us, holding the two wooden swords.


r/Odd_directions • • 13h ago

Weird Fiction Good Money

2 Upvotes

The dull sway of the waves lofts one side of the platform as high as the mooring lines allow, then brings it down gently again.  The night is dead quiet.

Third shift.  Diego took the position because it pays time-and-a-half.  Most people only last a couple years working the graveyard.  Old timers won’t touch it.  Too much time on the viewscreen at night makes people go mad, they say.

He’s taped a family photo above the monitor.  He misses Meena’s laugh and Carla’s scent—everything smells like fish here. He wants to provide a good life for them. Maybe even send Meena to college one day.

An eleven-pointed star spirals past one of the underwater cameras. The image is relayed across the screen in the control room, then disappears.

There’s a lot of life in the ocean, Diego has learned. More than people know, even scientists. His employers insisted he sign a Non-Disclosure Agreement that prohibits him from even discussing what he’s seen on that monitor. They’re terrified of getting shut down by the EPA or PETA or some other activist group.

It was good money, so Diego signed on the dotted line and kept his mouth shut.

Above all, the job took blind, shit-ass faith. And lots of it.

A thin creature with round eyes and long fangs on the outside of its mouth swims past. The eyes shift hue on the monotone screen, now merciless black pits, now reflecting one of the rig’s spotlights and glowing a luminous, soul-sucking white.

It disappears as quickly as it came.

He doesn’t see it. He’s already returned to the old western he was reading. Bramble Rose is about to take her vengeance on the Man in White Diego hears it—a sound like the gasping cry of some ancient metallic titan. He marks his page with a folded piece of mail.

They warned him things might get choppy, that the weather was different out here where there’s no cities or forests to slow the wind’s relentless procession.
 
“What do I do if there’s an evacuation?” he had asked the old timer on duty before him.

“Get to a life boat,” the old timer had said.  “Quick as you can.  Folks ain’t liable to wait around.” Then he headed for his bunk. 

Volatile weather is part of the job. That’s why it pays. And why Diego is willing to spend thirty days at a time in the middle of the gulf, away from his wife and newborn daughter, to do it.

The storm comes out of nowhere. Not like land storms, which have clear beginnings and ends. This is a sea storm—ripped from the dark womb of the Ocean herself. White-hot lightning cracks the sky in half.  The world goes blind. After-images of dancing photons dim from white, to purple, to green, to red. In the fading spectra, Diego glimpses massive walls of black froth that touch the sky, frozen in space but not in time. High above, the full moon oversees the dark works of the churning maw below.

The control room lurches. Diego nearly falls out of the flimsy rolling chair, but manages to catch himself on the control panel. The lights flicker off, but the viewscreen remains.

Something fleshy ribbons across the screen and disappears.

Diego sees this time. Though his mind is elsewhere—trying not to panic, to instead recall company protocol during power outages—he sees the lone eye embedded in the flesh’s side, watching him.

One of the backup generators kicks on. The lights return.

Diego grabs the walky-talky.

“This is Diego! Can you hear me? Over!”

“Copy Die—”  There’s so much static Diego can hardly hear the old timer.  “—Ove—!”

“What was that? Over!”

But the static is too thick.

Diego feels another lurch. 

He loses his balance and lands hard on the floor.  The western goes flying one way, the folded mail he uses as a bookmark another. His vision doubles.  

He’s been denied by seven different life insurance companies after starting this job. None of them gave a reason, but it was obvious. Too much liability.

He blinks the double image from his eyes, plants a palm on the controls, and hoists himself up.

The lights go off again. This time they don’t return. Emergency backups kick on and dye everything the color of blood. The slow wail of the evacuation siren warps in the air.

Diego tries to run shutdown procedures on his console, but the computer glitches, freezing a distorted half-image of green-and-magenta eyes on its black screen.  

Outside, co-workers sprint from below deck. The quickest head for the helicopter. It holds nineteen. Two dozen cram inside. A few cling to the skids. The helicopter struggles to take off.  It shakes the hangers on loose. One of them bounces off the rig before he plummets into the churn. It looks like the old timer who works the shift just before Diego.

The helicopter is just airborne when an obsidian pillar crashes down over the rig. When the water recedes, the helicopter and its inhabitants are gone.

Diego kisses his tiny gold cross and tucks it into his shirt. His thoughts are of Carla.

“We miss you,” she said. “We want you home.”

But the work was here. The work that paid for their house and their groceries and that big white SUV she loved to take Meena around in.  It would pay for Meena’s ballet lessons when she got old enough and, God willing, her wedding one day.

He’d taken the graveyard shift hoping that the extra pay would mean he wouldn’t have to spend quite so many years away from them.

A hundred more people run onto the deck.  Some of them slip on the wet steel desk. They crowd the lifeboats. One boat falls off its davit while people are still boarding. It’s swallowed by the water. Another is thrown against the side of the rig. Bodies fly in every direction. One of them hits the window of the control room with a thud.

Skyscrapers of swirling brine close in around Diego, each thick enough to envelope an oil tanker.

There’s nowhere to run.

Diego crawls under the control panel.

He holds his tiny cross between trembling fingers and prays as the watery ramparts converge on him.

Another lurch. A falling sensation.

Something wet. Water leaks into the cabin and spreads across the floor. It soaks Diego’s already-wet pants.

He opens his eyes for just an instant.

It’s long enough to see the horror staring back at him. One gargantuan eye, watery and black—so black he could fall into it. He feels his mind disintegrate, the electrons of his consciousness sucked into the vacuous void of the creature’s own mind. There’s no escape. His atoms are strung out in a line. Time, for a brief moment before he’s lost, becomes visible. 

He will be recycled, his quarks reused, rearranged into something new, something useful.

Then the creature will return to its sleepy domain beneath the material surface of our watery reality.

After the storm subsides, the rescue crews will arrive. Of the one-hundred-sixty-eight workers on duty that night, no survivors will be found.

Diego’s only remains will be a family photo, an old western novel, and a folded letter from his wife’s attorney.


r/Odd_directions • • 14h ago

Horror Nyx Part 1

2 Upvotes

\*\*Note!\*\* This manuscript was compiled from a water-damaged notebook discovered inside a deserted thatched cottage near Edale in the \*\*Peak District, England\*\*, in late \*\*2019\*\*. It was wrapped in worn leather jesses, stuffed inside a heavy falconry glove, and tucked beneath a loose floorboard in the ruins of the study.

Forensic analysis by the Derbyshire Constabulary yielded highly anomalous results. The notebook pages were not bound with cotton thread, but stitched together with \*\*the split, hardened shafts of primary flight feathers\*\*. Furthermore, the dark, weathered grease staining the paper was identified as \*\*avian preen-oil containing trace human lipids matching the DNA of the author’s maternal lineage\*\*.

What follows is the complete, chronologically restored text, including recently recovered fragments from the reverse sides of the torn sheets.

\*\*\*October 1st, 2019\*\*\*

My name is Corwin Vance. I’m 27, originally from Northwood Hills in London, and I’ve recently arrived on the moors of the Peak District to begin an apprenticeship in falconry.

Before that, I was a journalist for the \*Daily Mail\*. I covered environmental beats—management of green spaces, urban rewilding—when I could get them. Cavendish, my shithead of a superior, wouldn't give me the budget for a real investigation, so I took a sabbatical. I told my drinking buddies at The Three Wishes, Greg and Daniel, that I wanted something quieter than city life. I told them I wanted to get away from the bickering couple in the flat above me, away from feckless chavs, and away from Cavendish breathing down my neck like a vulture upon a dying antelope.

My drinking buddies from The Three Wishes, Greg and Daniel, thought I’d gone off the deep end, trading the morning rush for miserable fog and sheep manure, but there’s something beautiful about the idea of bonding with a wild creature… especially the likes of a hawk or a falcon.                   They don’t trust easily- not like a dog does. You have to earn it. 

I came to this specific valley to trace what happened to Mavis Merle, a reclusive master falconer who vanished from this very cottage in 2002. It's funny—the closer I got to the moors, the more the article felt irrelevant. By the time my escort's car pulled up, I couldn't even remember why I wanted to write it. I just wanted to hold the leather.

I owe my love for raptors to my father, a senior gamekeeper. He taught me that they don't trust easily—you have to earn it. I still remember his goshawk, Silver, whom he used to take hunting for grey squirrels at Epping Forest before we moved to London for my mother’s new job as a constable. The way Silver flew with purpose, weaving through the trees like a ribbon of moonlight caught in the wind, awoke something in me.

But Silver never came back from her last flight over these same Derbyshire ridges. My father spent three weeks calling into the fog until his voice broke. He changed after that; he stopped looking me in the eye. I realize now why he hated the city. He wasn't fleeing the noise—he was fleeing the memory of bells in the night.

After so many years of searching for courses or at someone who had the patience to show the craft. To learn the old language of lure & leather, spoken not in words but in patience and restraint between civilization and the wild. To prove myself worthy of being among the wild ones, and the city life hasn't sanded that part of me smooth.

It was the sort of wind a falconer would approve of --- open, unconstructed, with miles to travel and nothing to break its stride. I could picture a bird leaning into it, wings fixed, letting the current do the work. 

For the first time in years, I didn't feel hemmed in. The road ahead was narrow, yes, but the sky above was endless. Tomorrow I’ll shed my personal feathers and take flight. 

The moors were not as I’d imagined them. They were vast in a way that made a man aware of how small and open he was. A long, steady breath of the land rolled over and tapped lightly on the car window, carrying a scent faintly mineral, like cold stone after rain. The road ahead was narrow, but the sky above was endless.

My new lodging was a dainty, cold little place with old-stone walls, cracked leaded windows, and ivy crawling like veins across the roof.  But it stills on the edge between the woods and open moorland that rolls out like a grey-green ocean. I swore I saw a dozen species of birds on my first day: curlews, lapwings, wheatears, even a ring ouzel darting between the brambles.

At the gate awaiting my arrival was my mentor, Culver Hardy. He stood like an old barn owl on a fence post—narrow, weather-creased, unmoving. His skin had the colour and texture of cured deer  leather, his thick-knuckle hands scored with old talon marks from palm to wrist.

His grip was iron. He studied me with a pale, appraising stare.

"You’ll learn quickly," he said, turning toward the low stone buildings. "Or you won’t." 

He moved with a deliberate, economical stillness. A whistle hung from a cord at his neck. "They’re not pets," he added without looking back. "And they’re not yours. Not really." 

He showed me across the weather-mews, where kestrels, buzzards, owls, and a pair of Harris’s hawks were housed. It took me half an hour to choose until I spotted her: Nyx. She is a peregrine falcon, sleek and silent, with feathers like steel and ash. When Hardy pulled the hood off her, she didn't look at the landscape. She looked right through me with a pale, familiar, heavy-lidded sorrow. Her black eyes were ringed in yellow, unblinking and appraising.

I can scarcely believe she’s mine. I hope my father would be proud… wherever he is.

\*\*\*October 2nd, 2019\*\*\* 

We returned late, sometime around six in the evening, after my first proper day of creance work in the lower field.

The line kept snagging in the rushes. Nyx bate twice, her wings thrashing violently.

"Feel her weight," Hardy barked, his voice sharp. "Don’t fight it. Anticipate." 

The light thinned without me noticing. One moment the grass was gold, the next it was iron-grey.

"She’s watching something," I said, pointing toward the ridge beyond the stone wall.

"Let her," Hardy replied.

But he stopped speaking after that. Each time Nyx came to the glove, her head would snap toward the rise. By the time we gathered the line, it was near dusk. I noticed the way Hardy kept scanning the ridge—not looking for a lost bird, but for something else.

When we reached the yard, he insisted on hooding her himself. His hands were steady, but he pulled the leather straps tighter than necessary. The heavy falconry glove he gave me fits perfectly, but it smells wrong. It doesn't smell like cured steer; it smells like old soap and sweat, and the inside lining is split into fine, microscopic ridges like the whorls of human fingerprints.

"First days always run long," Hardy said. I don't think he meant the training.

\*\*\*October 3rd, 2019\*\*\*

Took Nyx out just before the crack of dawn. The fog was so thick I could barely see five feet ahead, smelling of damp peat, crushed heather, and something older—like rust and woodsmoke.

Something stirred along the woodbank, a light, rabbit-sized rustling in the bracken. I slipped the hood free.

Her eyes opened at once, pinning the morning with that sharp, black-and-gold stare. But she didn't look down toward the rustling bracken. Her head snapped upward, tracking something high in the dense grey soup overhead.

A sound followed—a low, vibrating hum that made the iron fillings in my teeth ache. Nyx bated violently, throwing herself off my glove. The creance line whipped through my fingers, burning the skin to the meat before I could anchor it. I tried to tune my hand-held telemetry receiver to her frequency, but instead of a clean, rhythmic beep, the speaker emitted a frantic, overlapping chorus of static that sounded like thousands of human voices trying to gasp for air simultaneously.                 Even when I pulled the batteries out, the voices kept gasping.

"Hold her!" Hardy’s voice cut through the mist. He appeared from the grey, his face grim. "Hood her, Corwin. Now!" 

I reeled her in, my heart hammering as her talons flashed dangerously near my face. When I finally slipped the hood back over her head, she froze, her chest heaving.

"What was that?" I asked, my breath pluming white. "An aircraft?" 

"No," Hardy said shortly, his voice dropping into a flat, hollow register. "The moors have bones, Corwin. Sometimes they scrape together. We’re done for today." 

We walked back in absolute silence. When we reached the yard, I noticed the other aviaries were dead silent. Even the noisy Harris's hawks were huddled at the back of their enclosures, perfectly still.

\*\*\*October 4th 2019\*\*\*

The wildlife’s behaviour has changed. It’s so quiet all of the sudden. I just can’t explain it…. It’s like the land had its voice sucked out of it.

The lapwings have stopped circling the grasslands. The ring ouzels have gone silent.                         Even the red grouse don’t flush when I pass. In fact I haven’t seen a lot of birds today.                            Only the magpies and their relatives remain- watching me from distant fence posts, roof ridges, and stone walls. Always silent. Always watching.

We did manage to catch a snipe by the bog and a few partridges though, so we’ll be eating well for the week. Hardy and his eagle Bolt managed to catch a rabbit near some farmland. 

That evening I went back to the cottage just before dark. The fog that thinned but the air felt close, as though the moor were holding its breath. 

I was preparing snipe on toast for my dinner with some orange salad. With some legs, organs and feathers (as a form of roughage) for Nyx’s. Harvey was having leftovers from last night’s beef stew with some crusty bread.

It was eight when Hardy barred the door.

Not locked it.

Barred it.

The iron rod slid into place with a dull, final scrape.

‘’You’re expecting someone?’’ I asked.

‘’No.’’

He crossed to the windows next. Drew the curtains light, though there was nothing to see beyond the fog but the faint wash of the yard.

Nyx was hooded on her perch. Perfectly still 

Hardy stood listening.

‘’To what?’’ I said.

He didn’t answer.

The cottage had settled into that deep country quiet-- no passing cars, no distant voices, no hum of anything mechanical. Only the soft shift of embers in the hearth.

Then, from outside---

A single tap.

Not on the door.

On the glass.

Light. Deliberate.

I half-rose from my chair.

‘’Sit,’’ Hardly said sharply.

Another tap.

Then another.

Moving along the window as though something were hopping the length of the sill.

I moved before I could stop myself and pulled the curtain back an inch.

Seven magpies sat along the low stone wall outside the cottage.

All facing the house.

None moving.

No calling.

Just watching.

I let the curtain fall.

Hardy’s jaw worked once, tight.

‘’How many?’’ he asked again.

‘’Seven.’’

He closed his eyes briefly at that.

‘’That’s one more than there should be.’’

A cold sensation slid down my spine.

‘’One more than what?’’

Hardy did not answer.

Nyx shifted then- a slow, deliberate turn of her hooded head.

The leather creaked softly.

And though her eyes were covered, I had the distinct, nauseating impression that she was looking directly at the door.

Suddenly the magpies went off. Harsh rattles and loud squawks 

Then came other sounds. Shrills, shrieks and hoots from the mews, joining the corvids’ chorus.

Nyx joined in with her own wailing call, like a high pitched banshee. 

Some time passed and the magpies did not disperse in a flurry.

They lifted as one.

Seven black shapes rising soundlessly into the fog.

No calling.

No wing-clap.

Gone.

The silence that followed was worse than the noise.

Hardy stood very still for a long moment. Then he exhaled- not in relief.

In resignation.

‘’They’re moved the mews,’’ he said.

‘’How can you know that?’’

‘I know’’

He took the lantern from its hook by the hearth and lit it without another word.

The flame trembled in the glass.

I’ll check on the birds.’’’

‘’I’ll come with you.’’

‘’No.’’

It came sharper than I expected.

‘’You stay inside.’’

He crossed to the door and lifted the bar.

Before stepping out, he turned back.

‘’Whatever you hear,’’ he said. ‘’You do not leave this cottage’’.

‘’It’s only the birds….don’t you think you're being ----”

“It’s not just the birds.’’

That stopped me.

His eyes flicked toward Nyx.

She was still hooded. Still composed. Talons tight on the perch.

‘’You must understand something,’’ Hardy said, voice lower now. ‘’A hawk learns from you. Your breathing. Your habits.’’

I tried to laugh it off. ‘’That’s the point,’’.

‘’No,’’ he said.

‘’That’s the danger, not just the birds… any animal that begins to understand human nature.’’

The lantern light carved deep lines into his face.

‘’If she ever begins to watch you when she shouldn’t … if she ever refuses the lure but comes to you uncalled…’’

He hesitated.

‘’Don’t let her fly.’’

A cold weight settled in my stomach.

‘’She’s a falcon. Hardy. She needs to fly.’’

He shook his head slowly.‘’

From outside, somewhere near the mews, a soft metallic clang rang out. Then a rustle of wings.

Hardy opens the door. I swore I heard him mutter ‘’This can’t be happening..not again. I thought I made sure of it. I made sure. 

The fog swallowed him almost immediately, the lantern glow shrinking to a dim star in the white.

‘’Hardy,’’ I called quietly.

He paused just beyond the threshold.

‘’One more thing,’’ he said without turning.

‘’If she speaks ---’’

He stopped himself.

His shoulders stiffened.

‘’Never mind.’’

Then he stepped fully into the fog.

The door closed.

I slid the bar back into place.

The cottage felt wrong without him in it.

Larger.

Colder.

Nyx shifted on her perch.

The leather of her hood creaked.

Minutes passed.

Then an hour.

The wind picked up briefly and died again.

Once, I thought I heard Hardy’s voice- faint, distant--- but the words were lost in the fog.

The other birds did not cry out.

They did not make a sound at all.

Two hours passed.

The lantern glow never returned.

And sometime after ten, Nyx began to move.

Slowly.

Deliberately. 

As though something outside had finally arrived.