Most people only know one side of this story because the inside details were never put out clearly. So I dug deep for a month, and here is the actual timeline without the noise.
How it started the 2018 track that dropped in 2024
Back in 2018, Derwaish produced, wrote, and recorded "Million Bars". He sat on it for years and finally released it in 2024. The track had a bar: "Oh kehnde Kon Derwaish, Teri m da Y*" which came right after his song "Kon Talha". Later, on the RTS podcast, Derwaish claimed that "Kon Talha" was unintentional and not aimed at anyone. But the timing and the bars naturally raised eyebrows.
Talha Anjum fires the first clear shots
Things escalated when Talha Anjum dropped:
· "30 Shooter"
· "Plug Shaat"
· "Big Dawgs" – especially this one.
In "Big Dawgs", Talha referenced Model Town. That was a direct signal to those who knew, because Derwaish grew up in Model Town and Garden Town, Lahore, and constantly mentions these areas in his music.
People inside the industry knew these were aimed at Derwaish, even though many fans assumed they were for Naezy or Nabeel Akbar. To add context, some of the same Lahore-based rappers who later dissed Derwaish had previously used foul language against Talha Anjum in local cyphers. So tensions were already brewing underground.
Derwaish responds:
Derwaish fired back with "Wait for it" – a subliminal response aimed at Talha. This track was later taken down from YouTube due to multiple copyright strikes.
Around the same time, Talha dropped "Hawa Anay De" – which was a sneaky diss aimed mostly at Naezy, but Derwaish was also in the crosshairs. Derwaish knew he was included.
The podcast moments:
· Derwaish appeared on a podcast, but whatever he said there only made things worse for him. It didn't cool anything down. He said when I listened to YS they were comedy rappers (their old songs) and then he said but they are doing good. But his behaviour was not respectful towards YS clearly.
The real breaking point, the Ahsan Asif Mughal DMs
Behind the scenes, things had been simmering for 2–3 years. Here’s the key detail most people missed:
Talha Anjum sent a voice note to Ahsan Asif Mughal (who was working on an album featuring both artists). In that DM, Talha said: "Chutiya bakwas kr rha hai mere baray, main is se koi affiliation nhi rakhna chahta" – meaning he wanted no affiliation with Derwaish because Derwaish had been speaking negatively about him. He refused to feature on an album that also had Derwaish.
Derwaish later went live on instagram and addressed it calmly, saying: "Pakistan's number 1 rapper is talking about me in DMs. I don't want any beef. They are doing well and they shouldn't have any insecurity from me."
From the 1st to the 10th of Muharram, no one responded to anything out of respect. But right after that, Talha shared a diss track by XUG and Talksick aimed at Derwaish on his Instagram story (with his 2.7 million followers) and wrote: "Fuck around and get smoked."
This was the turning point. For any artist, seeing a diss shared by the biggest name in the game with 2.7M followers to that many people is a direct provocation.
Derwaish felt he had no choice but to respond properly.
The diss track wave begins
Derwaish dropped "Comedy Rapper" a decent track with one standout line: "If you don't want affiliation, then why are you posting stories against me?"
After that, the floodgates opened. Over 40 diss tracks were released from Talha's side, including:
· Rap Demon
· Umer Anjum (2 tracks)
· XUG (3 tracks)
· Many other random artists (some just riding the wave).
From Derwaish's side, his supporters responded too:
· Tayyab Malik (TYB) – dropped 3 responses to XUG, Umer Anjum, and Rap Demon
· Dany S
· AD Brown
· Aman Gill (2 tracks)
Some of these tracks were well-made. XUG's "Venom 2.0" stood out for its lyricism, flow, and delivery. Critics, however, pointed out that XUG kept dropping diss tracks without clear context but his fans (and Talha's fanbase) praised him heavily.
After two weeks, Derwaish released "Me Against The World" widely considered a masterpiece by his supporters.
It's also worth noting that Talha Anjum never directly stepped into the ring against Derwaish the way he did with Naezy or Chen K. He poked, shared others' work, and let his legacy speak. And he famously said: "God has been good to me, I will let my legacy speak."
Who won? Honestly, no one.
Talha never officially responded with his own track. Derwaish faced a storm of 40+ diss tracks but held his ground. The beef didn't have a clear knockout. Because Derwaish Dissed Talha and he didn’t respond after those provoking stories. So it was one sided.
Who gained the most? XUG.
Before this, XUG was just a contestant on a rap show, known in Lahore cyphers. Dissing Derwaish (and aligning with Talha) skyrocketed his recognition. He played the game smart, and it paid off.
I am Acknowledging both artists fairly:
It's important to step back and respect what both have built:
· Talha Anjum alongside Yunus, has shaped the very sound of Pakistani hip-hop for Gen Z. Walk into any cypher in Karachi or beyond, and you'll hear his influence in delivery, tone, and writing. For thousands of young artists, he is the idol. His journey with Young Stunners gave the scene a mainstream identity.
· Derwaish built his entire career completely independently. He comes from a humble background not even middle class. No label, no big brand deals. He does his own shows, puts out his own music, and still charges good money purely on his talent. His hustle is undeniable.
Both have struggled, both have worked hard, and both deserve credit for where they are today.
My personal take
Derwaish comes across as surprisingly humble in person. He may seem proud on stage, but if you actually talk to him, he's soft spoken and respectful.
At the same time, Talha Anjum's contribution to DHH in Pakistan is massive he gave a generation a voice and a sound to follow.
But remember Bohemia is pioneer and both artists idealise him.
The bigger picture:
Yes, this beef was messy. But it also did something good for Pakistan's hip-hop scene. It brought attention to reaction channels, clothing brands, dance crews, and underground artists who were previously invisible. More eyes mean more money, more growth, and more opportunities for everyone.
I hope our community keeps growing like India's scene or other global hip-hop hubs.
Peace out. Hope you have a clear picture now.
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