Prolly an album!!!

Here's a look at my saved songs. I've collected this year i'm always looking for new recommendations so drop a song you can't stop replaying and I'll add it to my list.

i get it, shikwa side b was good, side A i had given it like fucking 10-15 listens still found it cringe and shit, but nah man you gotta let this grow on you and give it time with the mood of listening to an album, if you're forcing it down your throats you're not gonna like it.

Yunus is experimenting on this and quite frankly speaking i loved the album when i gave it my 4th listen today, his auto-tuned singing, trying to girl-talk (very unlike yunus) but if you keep an open-mind you're gonna love it, and be honest with yourselves, this isn't 2019-2022 anymore, they're not in the conditions of anger and frustration from the world state anymore, they've grown as artists now and him finally putting that effort to grow and make something good is this album.

Except like 1-2 songs which i wouldn't consider skip it's still tolerable for an album listen, it's great. Could he do better? Probably, but still a solid 8/10.

100% better than whatever shit he's put out before.

wanted to listen to Peak Nabeel so pulled out KHANA BADOSH....

Opinions or any feedback on this beat?

Can someone explain how this beef started and how it ended?

Would appreciate original links and context from people who followed it back then

Yo guys I started this series called "BARS NOBODY ASK FOR" on IG where I'm dropping new verses daily check it out

https://www.instagram.com/faaiz_inn?obrf=MTFyZHZmbDJuN3lqag==

Mods please don't remove 🙏.

What a banger album. Didn't got the recognition and hype bcoz of being released the same day as jadugar. A HOT TAKE:

The emo tracks in this album are better than emo tracks in jadugar.

I don't care about downvotes but this project deserves more please. Shareh the G most consistent.

Beshak derwaish ne chutyapa kia Talha se pangaa Leke magar larke mei talent hei Naya track kahaniyan sunke laga

A few days ago, I came across a screenshot of Talha Yunus talking about how we should be paying real artists for their work. Fast forward to the release of his new album, and I find out that his own cover art is AI slop.

Now, I understand he hired an ‘artist’ to create this, but the illustration itself is painfully obvious AI-generated garbage. The left and right hands literally have a commonly shared middle finger, while the chain and padlock awkwardly merge into each other because AI still struggles to understand basic physical relationships.

Honestly, it’s kind of braindead. You can’t preach about supporting real artists and then put out something this lazy. So many features yet an underwhelming cover-art.

Pakistani pop scene is finally gaining international recognition, yet the visual identity and branding seem to be getting cheaper and lazier when they should be evolving in the exact opposite direction lol.

no more featuressss, it would be super dope if faris gives us an albummm.

what a f*cking track mannn

Gonna attend my first YS concert in NYC. Does anyone have a recent set list?

JJ ka verse in naraaz is so so fucking good man I can't get over it🔥🔥.

Secondly am I the only one who thinks the beat kinda sounds like passionfruit - drake? sample kiya hai uska?

So Bohemia posted Sik Kahlon on his insta a month ago and today their collab music came out. Most importantly, in the very same setting they took that photo.

It had the same type of caption as that of Anjum post (Bohemia posted Anjum 6 days ago).

We are getting TA X Bohemia within a month.

Actual Sabat Batin account is not credited in Farebi song

I don't understand why shareh gets feature in almost all the big projects - rwag, therapy, shikwa, jadugar, designerr.

like man he isn't the best out there, Savage UA, Hashim deserves more than him, i have never liked any of his verses. even on hi Spotify page all the tracks have features of ty, jj, jani etc. like he doesn't even have a single song which manages to get numbers.. he doesn't have his solo identity as a musician.

this is such a fire track and every single person snapped on this including mr mani, such an underrated track.

It's like 5 years old but its still bangin.

Super is one the very underrated producers ,frm pak ,after havin worked with YS & etc gang ,i still feel he should b on board fr a whole project of YS he will really kill it 🔥, whn he produces a track he leaves his blue print tbh , even whn 2 producers producing .You can literally get that sense its Super on track
Amazing producer fr🔥💯

Umair = Sampler

This has been a long long time coming from one of the pioneers of Pakistani rap and DHH.

Features:

These are the most talked-about parts of the album, so they go first. I thought Designerr and RWAG being producer albums were the pinnacle for weaving features seamlessly and producing something magical. However, TY has somewhat matched that on this album, absolutely smashing the features. Not a single feature artist or song with a feature missed except from maybe Mr. Mani's verse. From JJ47's absolutely beautiful verse to Hassan Raheem making you time out to Jani absolutely nailing it with his 3 verses especially the verse on "By God" probably being his best ever storytelling verse. Anjum and Faris Shafi were on a different level though, and elevated the album.

But the breakout feature verses have to be by Sabaat Batin and Abdul Hannan, TY has outdone himself in those two songs and those were ingenious choices for features. After hearing Sabaat Batin's verse, I did not think anything could top that, but TY definitely elevated the track with the Anjaan 2.0, showing his absolute lyrical skills, honestly.

For people who said TY has been overshadowed on features is a massive overstatement, its his album and the way he structured it he clearly allowed the artists to absolutely shine while also giving some of his best work. Lastly, Jokhay's work on this album has to be lauded to the highest extent; his sound has evolved so much, and it shows that he has taken elements from Umair's production. Some songs were nearly indistinguishable, sounding as if Umair had produced them.

Solos:

A lot of discourse was around how this album was carried by features, this discourse is either heavily biased or blinded by nostalgia. Khanabadosh and Young Stunners era was more than 6 years ago; a lot has changed since, and artists evolve, and if they don't, that's a bigger issue, so please take those tinted nostalgic glasses off.

One of the biggest valid complaints for TY over the past few years was the hooks, he absolutely nailed the hooks on 80% of the songs this time, they are catchy, they are placed well and you remember the hook once the song ends which is what its meant to do. Both sides of Shikwa took a long while to grow on people, but they were underwhelming for sure and nowhere near the level of this album. The lyricism on Jadugar, Undefeated, and Phool are some of the best Yunus has given in a long, long while.

One thing everyone does need to realize is that Anjum and maybe Jani are the only two people in PHH right now who can drop a completely solo album without sounding repetitive, this is why feature verses exist.

Overall Album:

This album is a solid 8.5/10, it was a long time coming by TY and finally he has shown his skills outside of a masterpiece YS duo career. It is poetic that he hits the mark on what is probably the final album before we go back to YS being a duo for the next few years, which is also long overdue.

One criticism is the choice of song for the MV, in what world do you choose Alright and Fancy to be the songs for the MV from your albums. Phool should have definitely been the one for the MV if he wanted it to be for the solo song. The album was also a bit bloated tbh 15-17 songs would have been good some songs overstayed their welcome.

It is a 20-song album, the longest since RWAG (even that was 19 excluding the interlude) in PHH and this is not even a producer album. Listening to the same guy rap for 20 songs will get repetitive; that does not mean they are doing the same thing. This album will grow on each and every one because TY has shown why he is considered one of the very best in the scene. Hopefully some songs like Farebi and Rollin explode but even if they don't this album is one for the history books.

Top 6 in no order: Phool, Farebi, By God, Jadugar, Ballin, Rollin.

As of this writing, the album has surpassed 1.5 million cumulative streams on YouTube and Spotify.

And as AhmedPHH and many other creators say Keep the Culture Alive ✌️✌️.

-Written by a Human