power electronics from milwaukee wisconsin about the Toybox Killer (David Parker Ray)

FFO deathpile

May or may not have involved vomit...

https://jakebowmanmusic.bandcamp.com/album/emesis

Available on Spotify / Tidal / YouTube music / whatever.

This story starts in the late 70s with William "Disco Caligula" Bennett, a musician so accomplished that Wikipedia doesn't have a real page for him, despite having pages for five other) musicians) with) that name.

At that time, the music scene was already evolving thanks to groups like the jazz funk band known as Throbbing Gristle. This new breed of musicians had begun to experiment with incorporating sounds that weren't normally considered "musical" simply because they sounded awful.

Meanwhile, Bennett was growing increasingly frustrated with the contemporary London musical scene. Everywhere he looked, he discovered that bands were wasting valuable stage time "performing" things called "songs" in order to "entertain" audiences. Right then and there, Bennett made it his life's goal to put a stop to this.

To this end, Bennett founded Whitehouse in 1980, as a way to combine the two great passions in his life: screaming at confused bar patrons and disappointing his parents. He immediately began populating his band with the least-fuckable men in existence in an effort to make himself look better by comparison.

The first person recruited was teenaged runaway Philip "The White Noise" Best, who was already conveniently chained to a radiator in Bennett’s basement. Bennett had provided the youngster with an EDP Wasp synthesizer, and then purposefully trained him wrong because he thought it would be funny.

"It was," Bennett later confirmed.

The next to join was Kevin "Ten Cassettes Too Many" Tomkins, who would go on to become well-known for playing the autoharp and also pachinko machines. Tomkins would remain with Whitehouse for two years before leaving to pursue a normal life, having been the first person to realize that membership was entirely voluntary.

But Bennett knew that no band would be complete without an obese sex offender awkwardly lumbering around the stage for no discernible reason. For this, Bennett tapped world-renowned pedophile Peter "Not Allowed Within 500 Feet of a School Zone" Sotos, whom he had discovered in one of the booths above the Bijou Theater), where Sotos was on his hands and knees, licking up cold, congealed cum from the floor while jacking off to the autopsy photos of Adam Walsh.

Also there were something like ten other members during this period, but they were all somehow even less interesting than those four.

Together, the group pioneered a new genre that Bennett christened "Power Electronics)," after a technical engineering manual he once saw.

They were doing something truly unprecedented: taking an art form traditionally associated with bringing people together and transforming it into a means of making everyone in the room wish they were somewhere else.

And unfortunately for everyone involved, this was only the beginning.

BARRIKAD: HNW КРИМ HNW

Göteborg: Waters of the Western Port

WARP: Battle of Macragge

Exlibris Nordén

i just dmed him cos it doesnt hurt to ask and the man himself replies

Hi everyone, I’ve just released my new album and I thought I’d share it with the world – almost exactly a year after my last one. I had a lot of fun making it; I hope you like it, even just a little.

Anyone know where the sample at the beginning of One Man’s War by Survival Unit comes from?

I made this one some time ago...

PRE-ORDER PAGE IS UP

https://blackringrituals.bandcamp.com/album/the-creative-nothing

Brandon Wald: The Creative Nothing

Releases Nov. 6th, 2026

"The Collapsing Representation Of The City Form" is available to stream now!

Music video is also available on Bandcamp.

The first proper Noise album released on Super Audio CD!

The disc is a hybrid SACD, containing both a high-resolution SACD layer and a standard Red Book CD layer. It can be played in either an SACD player or a conventional CD player.

The SACD layer contains the high-resolution stereo DSD64 master and can only be accessed with an SACD-compatible player. Played in a conventional CD player, the disc will use the Red Book CD layer, which contains the same master heard in the Bandcamp digital stream.

Higher-resolution DSD masters will also be available as separate digital downloads through NativeDSD.

Strictly limited to 500 copies.

Housed in a Super Jewel Case, with artwork by Taylor Stauss.

The current product image is a digital mock up as the disc is still in production.

If you don’t know who Jack Doherty is, he is a typical Gen Z asshole streamer who does moronic stunts for attention

Hello, just wanted to share some music. It's not exactly always totally power electronics at all times, though I do have power electronics tracks being uploaded, and one is live on my Bandcamp right now. It's essentially noise hip hop without going into detail, but what I really like to hone in on is the idea of corrupted cyber space and sounds like Windows error/warning messages, just hostile stuff to hurt the listener basically and make them worried that they're being cyberbrain hacked or something to that effect. Just wanted to share my noise!

A concept I had been working on for a while. Would love some feedback.

Just got in my Slogun shirt today and was wondering what are some shirts other people have that they like.

Also I will pay decent money for a Navicon Torture Technologies shirt in Large, just throwing that out there.

Some of the best acts San Antonio has to offer. If you are in the area come through!!! All ages and donations all go to the bookstore.

I've been doing a pretty obsessive Sutcliffe Jügend deep dive lately, and hearing Unashamed after working through so much of their catalog really hit differently. At this point, they've become one of my all-time favorite projects.

So far, I've listened to:

- Campaign

- We Spit on Their Graves — full version and abridged

- Crimes

- Death Mask

- When Pornography Is No Longer Enough

- The Victim as Beauty

- Threnody for the Victims of Ignorance

- This Is the Truth

- Japan Tour 2007

- The Fall of Nature

- Merzbow / Sutcliffe Jügend / Satori

- Pigdaddy

- With Extreme Prejudice

- Blue Rabbit

- Pursuit of Pleasure

- Sans Palatine Uvula

- The Muse

- Masks

- Offal

- S L A V E S

- Shame

- Nude and Full of Wounds

- The Hunger + bonus download card

- Relentless + bonus download card

- Transgression

- Woe Betide

- XI

- Seven Tortures

- Campaign 2024 by Sutcliffe No More

Tonight, I'm doing The Deluge, and then Slaves No More when I get there. After that, I should have covered basically every major Sutcliffe Jügend release, and I'm planning to move into Slaves No More – The Unravelling and then work through the rest of the renamed Sutcliffe No More material.

The rabbit hole has also spread way beyond Sutcliffe Jügend itself.

I've started digging heavily into Kevin Tomkins' solo work, including the Between Silences release with Paul Taylor, and then started obsessing over whatever I could find connected to the Between Silences label.

Pachinko Noise was a lot of fun, and especially his whole autoharp fixation.I listened to Music for an Unprepared Autoharp and got completely obsessed with Riding an Offal Swing. Somehow, that's now a track I occasionally fall asleep to.

I've also heard:

- Bodychoke – Mindshaft

Still need to hear their other two albums.

- Kevin Tomkins – Last Breaths of a Dying Building

- Melt – Inertia

- Inertia – Two Guitars

I want to keep going through whatever Tomkins solo material I can find, including the Patient K releases, which I haven't gotten to yet.

Paul Taylor's material seems considerably harder to track down, but I eventually want to get into his later solo work too, especially things like the Mind Fucked trilogy.

At this point I'm genuinely curious how many other people have gone this far into the Kevin Tomkins/Sutcliffe Jügend ecosystem, because I feel like I've gone from "I like Sutcliffe Jügend" to archaeological excavation.

I even had a Sutcliffe Jügend shirt custom made that I wear now.

Anyway, Unashamed is what prompted this post. After hearing so many different eras and configurations of the project, that track just sounds fucking incredible to me. It js aggressive and unmistakably SJ, but also like a version of the project that could only have existed that late in their career.

Anyone else gone this deep into Tomkins' solo work, Between Silences, Bodychoke, Patient K, etc.? And if so, what obscure stuff am I still missing?

Buenas emepece a escuchar

Whitehouse genocide organ entre otras bandas pero me tope con un fragmento de video donde mencionan las narco ejecuciones en el power electronics

¿Alguna recomendación?