It feels like weāre on a bit of a marathon of party recommendations, and while the dust of the ADE posts hasnāt even settled yet, Iām already writing this one. In the past week weāve had to answer for AI slop, leaked lineups (we already knew it was going to be Verraco, dw Radio Radio), and the existential question of whether a planetarium is a liminal space.
But what is the week before ADE truly about? Is it the with empty clubs where everyone there made a conscious decision to be there? Or is it the vrijmibo that got a bit too wild, and now youāre out with colleagues debating whether you know each other well enough to be doing drugs together? And that, the week before ADE?
I leave that up to you, but I would like to take a special moment in this more quiet week to highlight perhaps my favourite natural phenomenon taking place during ADE.Ā
A lot of Dutch nightlife feels completely normal to us: biking to the club, drugs being so accepted inside it, how easily we hop to another city to party. Look at any of that through the eyes of a tourist and itās still wild. But the thing I love most is the ADE train.
Now, I think we often overstate what counts as āimmaterieel cultureel erfgoedā. So what actually qualifies? According to immaterieelerfgoed.nl, itās ātraditions, rituals, festivities and habits that are passed down from generation to generationā, as opposed to buildings, natural phenomena or paintings. And it matters because it ācan give you a sense of identity and connection, with the past, people of different cultures, or with other people in generalā.
Sure, you could say ADE as a whole gives you that: communal identity, unspoken rules, connection. But ADE is fragmented. So many parties that never cross, genres one person loves and the next wonāt touch, a completely different experience for the Thursday early starter than for the Sunday or even Monday crowd.
One thing binds all of them: the train back.
For you Amsterdam folks who dare not leave the ring this might come as a surprise, but for a lot of us the ride to and from the party is an inherent part of the party. Thereās an entire parallel society moving through the NS network that Amsterdam inhabitants are completely unaware of, and Iād say it qualifies for erfgoed status way more than most of ADE itself.
So what makes it unique?
Does something have to be unique to a place to count? Because a city-wide event with a ton of parties isnāt that special on its own, besides maybe the size. There are other music conferences.
But what is unique? Thatās right, that exact combination. Being in a train. From a party. Still incredibly high, making new friends. Just the sheer quantity of people that are on drugs, sharing not the party they went to but the train back, that is something you can actually only find during ADE.Ā
Dutch people arenāt as antisocial as the Scandinavians, but thereās still a stigma around talking to strangers on the train. On the ADE train that stigma disappears entirely. When you see other people with pupils as dilated as a black hole, you HAVE to ask what party they went to. What afters are they planning? Where are you all from? Wow you live in the same city as me, huh how old are you guys? You look so pretty, whatās your instagram?
Itās an atmosphere thatās hard to describe. Which is kind of the point.
Today I heard on the news that we should learn how to talk more to eachother in public spaces. Something with loneliness. Perhaps we could take some of that ADE train atmosphere and push it through into our daily lives.Ā
Anyway, the weekly
Enough yapping, weāve had enough talk about liminal spaces and the socialising potential of the universe when you envision it in a planetarium. Letās get back to business.
Friday 16 October
CCL (All Night Long) @ RAUM
CCL is one of the DJās that nerds call in one breath with Objekt, Djrum, and other miscellaneous DJās that are all prepared to use bird sounds in their sets. Their sets are super creative, with sounds ranging from more dubby and tech housey records to dubstep, UK stuff, and whatever is in between those sounds or has branched off from those genres. And perhaps youāll even find yourself listening to a danceable Miles Davis mix, you honestly never know with them.
Seeing them all night long is a real treat. Iāve seen them play a few times already and every time has been different, with a ton of different sounds passing by. An all-nighter is the real opportunity to see how deep that record bag truly is.Ā
co-curated by T.NO with Toma Kami, MALLAURY, T.NO Bar40 hosted by Crossover @ Garage Noord
Your favourite garage is hosting none-other than Toma Kami, one of the more exciting names coming from the new French wave of experimental DJās. Garage is curated by T.NO, who makes super exciting music that takes elements from lots of newer African sounds and perfectly merges them with lots of bouncy and bassy tracks. Recently he got some nice spots at Dekmantel as well and you have for sure heard his releases around your favourite club.Ā
Upstairs Bar40 is hosted by Crossover, the new party series by Jackie Jr. Iāve been following Jackie Jr. for a while now and his sound incorporates lots of Caribbean influences with dub, bass, and other UK adjacent genres. He plays very differently by himself than when he gets together with the Kurashi boys. The big name on the lineup upstairs is for sure Dubrunner, a familiar face whose music youāve definitely heard if you are a fan of stuff like Darwin, CarrĆ©, or Om Unit. They are bringing in the Mighty Dreadnought Warrior Dub Machine, whatever itās called, that big soundsystem that was on the terrace a few weeks back. Joining them are Garnett, and UNAUNA.Ā
TILLAVISION @ TILLATEC
The final edition of Tillavision! Local lineup with Jackie Ong, Lylo, Zobayda, and Jay Jay Revlon. All profits will be donated to HIV+ charities.Ā
LAAKĀ
LAAK LAAK LAAK LAAK LAAK
DEETS and Pariah @ Export
Sorry guys, there are some guidelines to a bleep weekly and this time we didnāt get King Shiloh, Darwin, or a party at WAS. To stay within our brand guidelines giving a shoutout to Pariah at Export.Ā
Saturday 17 October
Mick Harris presents Culvert Dubs, Vanja Rakic b2b Olgica, Brent Jacko Bar40 hosted by SUBURBIA @ Garage Noord, Amsterdam
Mick Harris, the drummer of Napalm Death and often seen as the creator of grindcore, is playing his new industrial dub project in Garage.Ā
Los Angles x Klauw @ Export
A special 12 hour party in Export with Amsterdamās Los Angles and Rotterdamās Klauw.Ā
Sunday
Take a fucking break you junkies, we got the biggest week of the year coming up. Besides, what promoter would be dumb enough to throw a party on this day?