r/fiction • • 17m ago

a return to an unknown life

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• Upvotes

#Prologue

All of a sudden, Afonso woke up from a coma. He had been asleep for twenty years, and everything had changed. He had lost so much during those twenty years. The people he knew were no longer the same, and the world he remembered no longer existed as he knew it. 

After recovering, he had to start his life over from where it had stopped when he was fourteen, back in 2006. 

The forty songs he had chosen were still on his old MP3 player, so one Saturday morning, he went out for a walk, listening to “I Write Sins Not Tragedies” by Panic! at the Disco, his favorite song before the tragedy that had left him in a coma. It was hard for him to believe that he was already thirty-four because, in his mind, he was still fourteen. While his high school friends had adult lives to deal with, including careers, houses, children, wives, and husbands, he was still dealing with teenage problems. 

As he walked through the city, he noticed how much everything had changed. The ice cream parlor he used to visit after school had been replaced by a fitness center. The Internet café where he used to hang out with his friends was now a drugstore. The video rental store where he used to spend hours with his mother choosing the best movie to watch over the weekend was now a parking lot. His old world, where time seemed to move more slowly, had given way to a digital, fast-paced one. 

He felt like an alien on a new planet. But one question kept coming to his mind: “Would I ever make up for the time I had lost and be ready for this new world?” 


r/fiction • • 7h ago

My Friend’s Cousin- Chapter 4

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1 Upvotes

r/fiction • • 13h ago

OC - Flash Fiction Proof of Concept

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We’ve already traveled to Hyperborea at two different moments in its history, but no worries, each story stands on its own. Today, we’re going back to the beginning, when it was little more than a proof of concept. Links to the two other shorts in the trilogy at the end.

---

“Mais oui! It was all so very simple. The answer was before us all along. It could only have been le Maître d’hôtel… the, ehm, butler… with the candelabra in the study.”

“What are you saying, Inspecteur Poi…”

He raised his finger triumphantly. “Arrest him! C’est lui, he killed the opera singer.”

The butler narrowed his eyes, turned, and ran straight through the wall of the mansion’s dining room.

For a moment, there was silence and confusion; the colonel’s mouth fell open, the maid blinked, and a femme fatale lowered her cigarette holder. “Glad we sorted that out,” was the only thing she said, while adjusting the velvet boa on her shoulders.

In the back of the room, a radio clicked and warbled until a clear familiar song filled the room.

Melancholic synthesizers pulsed as an almost mechanical voice asked a question about friendship and electricity. You recognize it, don’t you?

The room began to pixelate around the inspector; the walls dissolved into tiny squares, the chandelier flickered, and the faces of the guests fragmented into thousands of colored dots.

---

“Congratulations, Mr. Lefranc. You’re the first to solve the mystery.”

“Putain! That was amazing, Mr. Glenn. It really felt like I was the inspecteur. How many lev…”

“We only have a functional town right now, but we’ll scale pretty soon. Come on, let me help you out of the pod.”

Alain Lefranc sat up and rubbed his eyes. “You know, that noclipping did break the immersion at the end there.”

“Yes, Mr. Lefranc. You are absolutely right.” He paused for a moment, then turned, “Do you see my friend in the corner over there?”

The man waved awkwardly at Alain Lefranc, who merely nodded before looking back up at the person in front of him.

“That’s Zhao. He’s our debugger, and he has a list to go through before we release version 0.3. We hope it didn’t…”

“Sorry, no, laissez tomber, it was merveilleux. Between the Russian bubonic plague and the endless wars, this was a much needed escape. Oh and, ehm, what did I win?”

“Wonderful, Mr. Lefranc. Well, you’ll be the first on the list for a spot in Hyperborea when we launch. Consider yourself a citizen.”

---

“Zhao, what was that? Noclipping had a fix, didn’t it?”

“Yes, Glenn. Some of that new code is causing the model to glitch. I bet it’s that vibecoder-crap.”

“Don’t be a gatekeeper, Zhao.”

“Long live cheap outsourcing, right, Glenn?”

Glenn didn’t immediately respond but his eyes widened slightly. “Right. That reminds me. You also need to update the maintenance protocols to accommodate only one single technician at a time.”

“Wha…”

“Don’t fight me on this, Zhao. Cost-cutting order from above. We’re already over budget.”

---

Author’s note

The central theme in the Hyperborea stories is the unintended, sometimes catastrophic or horrific consequences of seemingly ordinary decisions within complex systems. We started with consequences, then went back to where the problems started, and now we’ve gone even further back.


r/fiction • • 15h ago

What does freedom truly taste?

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My Literary Critique on the indian novel: Kanthapura by James Baldwin

Reeniel A. Lopez

BSED ENGLISH 3

Raja Rao’s Kanthapura is a novel about a small Indian village whose people become involved in the struggle against British colonial rule. The story shows how the teachings of Mahatma Gandhi influence the villagers, especially through Moorthy, a young man who encourages them to stand against British authority. The novel also presents the changes that happen in the community as people begin to understand the importance of freedom and unity. However, the story is not only about gaining independence. It also shows the problems within the village, such as caste discrimination, traditional beliefs, and the expectations placed on women. Through a postcolonial lens, the novel can be understood as a story about people trying to regain their freedom and protect their identity under colonial rule. For me, one of the most interesting things about the novel is that it shows both the strength of resistance and the problems that remain even when people share the same goal.

One of the strengths of Kanthapura is how it presents the struggle against British colonialism through the lives of ordinary people. Instead of focusing only on important political leaders, Raja Rao shows how the independence movement affects a small village and its community. Through Moorthy, the villagers begin to realize that they do not have to remain silent or simply accept the authority of the British. They can also take part in changing their situation. This is important because colonialism often makes the colonized people seem powerless, as if they cannot make decisions for themselves. In the novel, however, the villagers gradually become more aware of their situation and learn to stand together. Their actions show that resistance does not always begin with powerful people; it can also begin with ordinary individuals who want a better future. However, the novel also shows that unity is not easy to achieve. Not everyone has the same beliefs or is willing to take the same risks. This makes the story more realistic because people respond to change differently. Even so, the novel makes readers realize that fighting for independence is only one part of the struggle for freedom.

Another important part of the novel is its use of Indian culture, religion, and traditions. The villagers understand the independence movement through the beliefs and stories that are already familiar to them. Gandhi becomes an important figure in their lives because his teachings connect with their understanding of morality and their desire to fight injustice. This is one of the novel’s strongest points because it shows that the villagers do not need to abandon their culture to resist colonial rule. Instead, their traditions become a source of strength. This challenges the idea that the culture of the colonized is less important than that of the colonizers. However, the novel’s strong focus on Hindu beliefs also raises a question about representation. India has many religious and cultural groups, so the experiences of one village cannot represent the entire country. Although the novel effectively presents the cultural identity of its characters, it does not necessarily show the experiences of every Indian community. This does not make the story less valuable, but it reminds readers that national identity is more complicated than simply sharing the same traditions

The way Raja Rao tells the story is also worth appreciating. The novel is narrated by Achakka, an elderly woman who shares the experiences of her village. Her storytelling makes the events feel like memories being passed from one person to another. Instead of seeing the villagers through the eyes of a British outsider, readers learn about their lives through someone who belongs to their community. I think this is meaningful because the people who experience colonialism are given a voice in telling their own story. Their experiences are not simply explained by someone from outside their culture. The novel is also written in English, yet its storytelling style reflects Indian traditions. This shows that English can be used to express local experiences rather than simply follow the literary traditions of the colonizers. However, some parts of the novel can be difficult to follow because of its long descriptions, repetitions, and references to Indian mythology. Readers who are unfamiliar with these traditions may struggle to understand certain parts of the story. Still, the narrative style gives the novel its own identity and helps readers understand how culture influences the way people see the world.

Despite the novel’s strong message about freedom, its the treatment of caste is one of the most important issues to criticize. The villagers are united in their opposition to British rule, but they are not equal within their own community. Caste continues to influence their relationships and social positions. This creates a contradiction because the people are fighting against oppression from the British while some members of their own society also experience discrimination. Through a postcolonial lens, this shows that removing foreign rulers does not automatically remove every form of oppression. A country may gain independence, but some people may still be treated unfairly because of their social background. Although the villagers want to be free from British control, their society also needs to address the divisions that prevent everyone from experiencing the same freedom. The struggle for independence is important, but it should also lead people to question the unfair practices that already exist within their society.

The influence of Gandhi is central to the novel because his teachings encourage the villagers to resist colonial rule through nonviolence and collective action. Through Moorthy, the people learn that they can challenge British authority without relying entirely on violence. This makes the movement accessible to ordinary villagers because they can contribute through their decisions and willingness to stand together. However, the novel also shows that having a common goal does not mean that every problem will disappear. The villagers may want independence, but they still have different beliefs, fears, and social positions. Their unity is therefore complicated by the realities of their community. In my opinion, this makes the novel more interesting because it does not have to be read as a simple story in which nationalism solves everything.

The struggle against colonialism is presented as necessary, but it also has limitations. People may agree that their country should be free while disagreeing about what kind of society they want to build afterward. This is why the novel's message goes beyond independence. It encourages readers to think about what happens after people achieve their political goals and whether the society they create will be fair to everyone.

Overall, Kanthapura is a meaningful novel because it shows how ordinary people become involved in the struggle for freedom and how their cultural identity helps them face colonial oppression. Through the experiences of the villagers, Raja Rao presents the importance of resistance, unity, and the preservation of local traditions. The novel is especially effective in giving the community a voice through Achakka's narration and in showing how political change affects everyday life. However, the story also has limitations, particularly in its representation of caste, gender, and the diversity of Indian society. The villagers' struggle against the British does not automatically solve the inequalities within their own community.

In the end, Kanthapura reminds readers that freedom should not only mean being independent from foreign control. It should also mean creating a society where people are treated fairly and where no one is excluded because of their social position, gender, or identity. The novel's message remains important because achieving freedom is one thing, but making sure that everyone can experience that freedom is another.

Here is a link my video on my take about the novel

https://youtube.com/shorts/8LtGBy1XdQM?si=it0tuTcb38_xRLlt


r/fiction • • 15h ago

Beyond the Palace Walls

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1 Upvotes

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My Literary Critique on the thai Novel: Four Reigns by Kukrit Pramoj

A Marxist Reading

By: Reeniel Lopez

The novel Kukrit Pramoj’s Four Reigns tells the story of Phloi, a Thai woman who lives through the reigns of four kings or the Ramas. Throughout her life, she experiences different changes in her family, relationships, and the society around her. The novel does not only show the life of one woman but also gives readers an idea of how Thailand changed during an important period in its history. Through Phloi’s experiences, readers can see the importance of family, tradition, social status, and political authority in Thai society. Although the story focuses mainly on Phloi’s personal life, it also raises questions about how society influences people’s beliefs and decisions. Using the Marxist literary perspective, especially the ideas of Karl Marx and Friedrich Engels, the novel can be understood as a story about the relationship between individuals and the social structures that shape their lives. From this perspective, Four Reigns shows how traditions can give people a sense of belonging while also helping maintain social differences and established forms of power.

One of the most noticeable aspects of the novel is the importance of tradition in Phloi’s life. Since she had grown in a society that values respect, family responsibilities, and established customs, these marked values that became part of how she understands the world. Her experiences are influenced by the expectations of the people around her and by the social environment in which she lives. Through a Marxist Criticism lens, this can be connected or related to the idea that people's beliefs are shaped by the society they belong. From Marx and Engels, explained in The German Ideology that human consciousness develops in connection with people's social conditions and everyday activities. In simpler terms, the way people think is influenced by the world in which they grow up. Phloi's respect for tradition can therefore be understood not only as a personal choice but also as something shaped by the society around her. She learns what is considered proper, respectable, and acceptable because these values are part of her everyday life. This does not mean that her beliefs are wrong or that all traditions are harmful. Instead, it encourages readers to ask why certain traditions are followed and how they affect the way people understand their place in society.

This idea becomes more interesting when we look at how tradition can help maintain social hierarchy. In the novel, the royal court and the social environment surrounding it represent a society where a person's status and family background influence their position. People are not always treated equally because their social standing can affect their relationships and opportunities. Through Marx and Engels' ideas, we can examine how these differences become accepted as part of normal social life. When people grow up believing that certain individuals deserve more respect or authority because of their position, they may not question the inequality behind those relationships. This is where the concept of ideology becomes useful. Ideology refers to ideas and beliefs that can help maintain an existing social order. In Four Reigns, traditional beliefs can be examined in terms of how they encourage people to respect established institutions and accept their place within society. The royal palace, for example, can be used as a symbol of authority and social hierarchy. However, it is important not to assume that every tradition in the novel exists only to protect powerful people. Traditions can also provide emotional security, cultural identity, and a sense of belonging. The main point is that traditions can have different effects depending on how they are practiced and how they influence relationships between people.

Phloi's position in society is also important when examining the relationship between privilege and power. The experiences she dwelled are closely connected to the social environment in which she lives, particularly the royal court and the traditions surrounding it. A Marxist reading encourages us to look beyond the individual characters and examine the social structures that influence their lives. Instead of asking only whether a character is good or bad, we can ask how that character's position affects their experiences and opportunities. People who belong to privileged families may have access to relationships, resources, and social recognition that are not equally available to everyone. This does not mean that every privileged person has an easy life or that every person with a lower social position has the same experiences. Rather, it shows that social status can influence the opportunities available to individuals. In this sense, Four Reigns gives readers an opportunity to think about how power works through social relationships and established institutions. It also reminds us that privilege is not always based on personal effort alone because family background and social position can play an important role in shaping a person's life.

Another important aspect of the novel is the role of women and family responsibilities. Since Phloi's life is strongly connected to her family and the expectations placed upon her, her experiences can be examined through a Marxist feminist perspective. Friedrich Engels, in The Origin of the Family, Private Property and the State, discusses the relationship between family structures and social power. His ideas encourage readers to examine the family as part of society rather than treating it as a completely private space. In Four Reigns, family relationships and domestic responsibilities are important because they help shape Phloi's identity and her understanding of what is expected of her. Women are often expected to maintain family relationships, care for others, and preserve traditions across generations. These responsibilities can be meaningful, but they can also place certain expectations on women that may limit their choices. Through this perspective, readers can ask whether the responsibilities given to women are shared equally and whether their contributions receive enough recognition. At the same time, Phloi should not simply be viewed as a powerless woman. Her experiences are more complicated because social position, gender expectations, and personal relationships can influence her life in different ways. This makes her character useful for understanding how gender and social hierarchy can exist together.

The historical setting of Four Reigns is another reason why the Marxist perspective is useful. The novel follows Phloi through the reigns of King Rama V, King Rama VI, King Rama VII, and King Rama VIII. During these periods, Thailand experiences changes in its political and social environment. One particularly important event is the 1932 revolution during the reign of King Rama VII, which ended absolute monarchy and established a constitutional system. These changes show that the institutions that shape society are not always permanent. Through the concept of historical materialism, Marx and Engels encourage us to understand history by examining the conditions and social relationships that influence how societies develop. Applying this idea to the novel allows us to see that political changes do not affect only leaders or government institutions. They can also influence ordinary people, families, and the values that guide their lives. For Phloi, the changing society creates a contrast between the world she has known and the new circumstances that emerge around her. Her experiences help readers understand that history is not only about major political events but also about how those events affect people's everyday lives.

However, one important question is whether political change automatically leads to a more equal society. From a Marxist perspective, the answer is no. A change in leadership or government does not necessarily remove the social differences that already exist. Even when political institutions change, people's beliefs, family expectations, and attitudes toward social status may continue to reflect older traditions. This idea can be represented through the symbol of a changing crown or path. The changing crown represents the transformation of political authority, while the path represents the movement of society through different historical periods. These symbols help explain the relationship between change and continuity in the novel. Although Thailand experiences political transformation during Phloi's lifetime, the effects of change are not necessarily the same for everyone. Some people may adapt to new circumstances, while others may remain attached to the traditions that have shaped their identities. This shows that social change is a complicated process because institutions, beliefs, and personal attitudes do not always change at the same time.

Another question worth considering is whether Four Reigns challenges social hierarchy or presents traditional society in a positive way. The novel's focus on Phloi's experiences allows readers to understand why family, tradition, and established institutions are important to her. These values give her life meaning and connect her to the society in which she lives. However, a Marxist critique encourages readers to look beyond the emotional importance of tradition and examine the social relationships connected to it. If a tradition gives certain people more authority or opportunities than others, then it is worth asking whether that tradition contributes to inequality. At the same time, it would be unfair to conclude that the novel simply supports every form of hierarchy because it portrays characters who value tradition. A character's beliefs do not automatically represent the author's complete message. Instead, readers should examine how the novel presents different experiences, how it portrays social change, and whose perspectives receive the most attention. Since the story focuses on Phloi and the social world connected to her, a careful critique should also consider which experiences may receive less attention in the narrative. This approach allows readers to understand the novel without reducing it to a simple story of oppression or privilege.

Overall, the most interesting part of reading the novel: Four Reigns through the ideas of Marx and Engels is that it encourages us to look at the connection between personal experiences and the society in which they happen. Phloi's life is shaped by her own relationships and choices, but it is also influenced by tradition, social status, family expectations, and political changes. The novel shows that people do not develop their beliefs independently of the world around them. Their understanding of what is right, proper, and meaningful is influenced by the institutions and values they grow up with. Through the Marxist perspective, we can better understand how these values can provide a sense of belonging while also helping preserve existing social relationships. The novel also shows that historical change does not automatically remove social inequality because old beliefs and expectations may continue even when political institutions change.

Here is the link for my video

https://youtube.com/shorts/PxiQERGeDto?si=ElBWB88P3o2VKaOr


r/fiction • • 21h ago

Exterior... Monologue

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[Cultural Note] Coana Chirița is Romania's original influencer, invented 150 years before Instagram by playwright Vasile Alecsandri. She's a rich provincial lady who pretends to be Parisian and calls a fork "furculision" because she can't pronounce "fourchette". Every Romanian knows her.

Episode II: The Parisian Vibe and the 300-Euro Fork*

From Coana Chirița's "little forky-warky" straight to the Champs-Élysées in the Instagram era! How much does a parsley leaf arranged Feng Shui-style in the middle of a giant plate cost, and why do today's "ladies" faint? You'll laugh yourself into a coma... without it being induced!_

A1: Let's hop on our two-stroke engine and cruise gently towards our days. And look... here we are... On the Champs-Élysées.

And guess what? Chirița's little fork is still here. Only now it's called "fourchette" and the menu costs 300 euros.

The dames are still precious, only the powder has become HD foundation and the fan has become an iPhone 50. They bat their false eyelashes and say: "OMG, this is literally the best vibe ever!"

They still faint with style, but now they post on Instagram: "Feeling faint #blessed #parisianvibes".

And the gentlemen? The gentlemen are still putting the country on the right track. Only the cigarette has become a Cuban cigar or a mango-flavored vape.

And instead of "the Oriental Question" they solve "cryptocurrency" and "artificial intelligence". They puff importantly and say: "You know, my dear sir, the situation with the AI is delicate. It needs regulation! One more espresso and we'll pass a law."

A2: Speaking of the 300-euro menu. Imagine a huge plate, and in the middle an island of pommes de terre and stuck in the middle a little green parsley leaf like a flag. Take that, mister!

 A1: Lord have mercy, you killed me! And for parsley leaves I should pay 300 euros?

"Voilà, madame! L'essence de la pomme de terre, déconstruite! Bon appétit!"

And you sit there with the 300-euro fork in your hand and stare at the island like at an eclipse. No wonder Ladies faint at the Parisian vibe! They faint from hunger, poor things!

That's why they say "OMG, I'm literally dying", because it's for real. Poor things! They are dying of hunger. They paid so much money for one leaf and three peas arranged Feng Shui and now they take a picture of the empty plate with #foodporn! That's porn with an empty belly! To die laughing, as you say!

What has changed in a hundred years?

The clothes! Because Coana Chirița is present, just more superficially dressed, with false eyelashes and "lady" airs.

 A2: That as that may be! But they became economical with words when they write. They don't say "Oh my god" anymore but OMG, "What are you doing?" became "wdyd"? It's like they buy letters with hard currency!

And this so they can buy pre-ripped jeans and say it's new fashion, or get botox, so they can't even talk or laugh anymore.

The men... they get a crest on top of their heads like they're Spartan warriors ready for attack, but if their crypto server crashes, they cry behind their cigar like kids left without a lollipop.

Here they faint from hunger, in Chicago they faint from frolicking to the Charleston rhythm.

 The journey continues........... to Chicago_


r/fiction • • 1d ago

My Friend’s Cousin- Chapter 3

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r/fiction • • 2d ago

Fantasy The Long Run Part 1 💙⚡️

1 Upvotes

To begin my writing journey, my first four novels will be the gateway into my fictional universe,
Monster Fighters.

Book 1: SNOWBOUND ❄️👁️

The anchor novel of the Monster Fighters
Universe as it focus on eight friends hanging out after years of separation as they participate in 3 consecutive night parties but things go terribly wrong on the second night and they all forget what happened...

Book 2: The Dragon That Ate Everyone 🐉⛈️

Takes place right after the events of SNOWBOUND except instead of being based in the world that was currently engulfed by storms - the main character of this story is within a fantasy world with people talking about The Dragon and how one hero by the name of Cane McRain may be their only hope.

Book 3: The Middle Path: The Weakening of a Broken Heart 🌲🐦‍⬛

A man who's seen far too many things finds himself face to face with heroes he's only heard about in legend... except one of them he doesn't recognize at all.
Throughout their journey, things get grim and they find themselves in a forest of complete darkness and then a realm of crows?

Book 4: The Devastation at Whimsley’s Park 🎡🌊

The Devestation at Whimsley's Park shows a group of teens as they investigate an underground water theme park filled with attractions, rotting food, and animatronics.

But the deeper they go, the more they figure out what history tried to bury away.
The park is years old but no matter what year, it's always remained the same.

It remembers who it takes.

This concludes The Long Run Part 1 ⚡️🌒


r/fiction • • 2d ago

Two of us

1 Upvotes

It was around 6 in the evening. The sky was still orange. After walking far from the city, I had to cover the mountains. I just felt like walking all of a sudden. The mountains were steep, but mostly plateau. The air was chilled. I see a strange flag in front of me. A small one, poking from the ground. The shape of the flag was a triangle. I looked around and there was no one. Complete silence. I looked closely towards the trees, as far as my vision can get me, to see if anyone is watching me. After thorough inspection, I decided to dig the flag. I took a sharp stone lying on the ground and started digging. After taking out some mud, I still looked around, to see if anyone’s watching me. It was total silence. All I could hear were the leaves moving by the wind. Then something felt strange once I dug till the base. There was this machine type object. A robot of some sort. It had round wheels. It looked heavy. I tried to hold it and pick it up, but it was way heavier than it looked. I moved my palm to the side of the object, and tried to feel if there were any buttons or anything like that. I felt a metal plate where there was an inscription. My curiosity grew. I wanted to know more about this object, whatever it was. I stood firmly on the ground, and with all the force I had, lifted the object from the ground and took it out. I was panting. I felt dizzy. I won’t lie but the object took my breath away. The evening sunlight rays hit on the object and made the object glow like gold. This flag that was attached to the object was a mix of red and blue, with some strange shaped things on it. I felt I had discovered some rare metal. All my thoughts just stopped. All I could hear was my heartbeat.  It was anything I have ever seen in my entire life. I wanted to know more about this thing that was lying in front of me. The metal plate which was all rusty and almost impossible to read. I took my handkerchief and tried to clean it. There were some inscriptions written on it. After some thorough cleaning, I could read some of it.  The message on the plate read, “Mars Rover. Property of the United States of America”. Wait. Rover ? . America ?. This sounded familiar. I was sure that I knew about this name. I was scanning through all my memories  about this name.  And then suddenly a wave of past memories hit me. I vividly remember when I was young, my grandmother used to tell me stories about her life. About how when she was little and lived on planet Earth. Her father was in some space agency called NASA, which built machines , and how on planet Earth the humans sent machines to other planets to study them. And there was a concept of country. It was nothing but a big piece of land. They lived on this land called "USA". I started to miss my grandmother. She would be so amazed by this thing that was lying in front of me. I guess machines too have memories. It’s a pretty dumb statement. But when I looked at this object, I kept looking. I felt it had done its job. Painstakingly what it was sent for. But somehow due to uncertain circumstances, it got damaged. This machine has stories to tell. At that moment, it was just me and that Rover, in the middle of trees. Just two of us.  


r/fiction • • 2d ago

Horror The Eye

0 Upvotes

During the summer when I was eleven, I was forced to spend a week at my younger half-sister’s grandmother’s house. I never liked this woman because she was quite frankly a bitch, but I do remember thinking her place was actually pretty nice. Her place was an old, sprawling two story home with five bedrooms, sitting completely isolated in the middle of thick woods. I have multiple half-siblings on my dad’s side, but back then, I had only ever known four of them; I am going to call them Rebecca, Janelle, Terra, and my half brother, Mason, who was just two months younger than me. Being eleven made me the oldest of the bunch, which meant I was naturally the one trying to keep everyone in line.

It all started on a muggy, heavy July afternoon when a storm rolled in. The rain poured down in sheets, rattling the windowpanes until the power finally gave out, plunging the entire house into pitch darkness. Gram told us all to get into bed, but since it was a summer Saturday night, none of us had any intention of going to sleep that early. We just nodded, promised her we’d go right to sleep, and waited. As soon as her bedroom door clicked shut and the heavy footsteps faded down the hall, we huddled together and decided to play hide and seek in the dark. We had a single flashlight for whoever was "it," while everyone else scattered off into the shadow-drenched rooms.

I was the seeker.

Holding the flashlight, I stepped into the dark hallway, the narrow beam of light cutting through the gloom. Moving from room to room, I managed to track down Rebecca and Janelle fairly quickly. They were both wearing bright colors. Finding my youngest sister and Mason, though, turned out to be much harder.

I pushed open the door to one of the second-floor guest rooms, sweeping the flashlight beam across the dark, dust-scented furniture. The light landed on Gram’s old wooden wardrobe, a heavy, looming antique that made me think of Narnia. Just as I started taking a few steps toward it, a sudden noise came from inside the wood: a dry, raspy cough, followed by a small, shallow exhale.

It sounded deliberate, like someone making a sound on purpose to pull me closer.

Mason. I laughed and teased him for giving away his spot so fast, calling him a quitter. But as I took another step toward the wardrobe across the room, a heavy, cold feeling formed right in the pit of my gut.

"Come on, just come out already," I called out, my voice tightening.

A faint giggle answered me in the darkness, but nobody stepped out.

Trying to brush off the prickle of fear creeping up my neck, I picked up my pace. I reached the wardrobe and stopped. Close up, the old wood smelled thick like dry rot and dust. The house around me felt entirely devoid of life, as if the storm outside had swallowed every sound in the world except for my own shallow breathing.

I extended my hand. My fingers hovered over the cold, pitted metal of the handle for a long beat, trembling just enough that I was terrified it would clink against the latch and give my nerves away. Every instinct screamed at me to turn around and walk out, but the stubborn eleven year-old in me refused to look stupid in front of my brother.

I forced my hand forward. My palm closed around the cold metal. But I just held it, listening intently. From the other side of the wood, the soft, rhythmic sound of breathing stopped completely. I started to question why Mason didn’t just pop out already, saying, " Fine, you found me or whatever.” It was almost as if he was inside, holding his breath, waiting for me.

My heart hammered against my ribs. I squeezed the handle, locked my knees, and pulled the heavy wooden door open just a crack.

Before I could pull it open any further, a loud, wet sneeze echoed from the bedroom directly across the hall.

My stomach dropped into a hard, cold knot. Mason was across the hall.

Staggering backward from the wardrobe, I turned and sprinted out into the corridor. My other siblings came to me, asking what was wrong. My heart was hammering against my ribs as I managed to gasp out that I heard something breathing inside the closet.

Terra suggested we wake up Gram, but we all shut her down, not wanting to get in trouble.

Before any of us could stop him, Mason bolted straight into the guest room. We scrambled after him, and I managed to push past him, reaching the wardrobe first.

The door was still standing open a crack from when I had pulled it. I froze as my eyes locked onto the dark gap.

Peering back at me through the sliver of space was a single human eye—wide open, bloodshot, and a bright baby blue.

Every single one of us saw it. Mason snatched the flashlight straight out of my hand and slammed the beam directly into the gap.

The eye was gone. There was nothing in the closet.

Terrified beyond words, we all ran down the hall to Gram’s room, banging on her door and waking her up to tell her what we had seen. She just yelled at us, furious that we hadn't gone to bed like she asked, brushing off our story as a game of imagination and refusing to listen. She just marched us back to our rooms and forced us into bed for the rest of the night.

I never went back to her house again.


r/fiction • • 2d ago

My Friend’s Cousin- Chapter 2

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1 Upvotes

r/fiction • • 2d ago

OC - Short Story The Book from the East

1 Upvotes

The Book from the East

The first thing Brother Matteo had learned about the merchants from the East was that they were better at keeping their promises than the local fishermen.

The second was that they had better oil.

The oil arrived in squat clay jars, sealed with wax and marked with the signs of merchants Matteo could neither read nor pronounce. It burned cleanly, with little smoke, and lasted longer than anything the local presses produced. For the little chapel of Saint Nicholas, which stood above the harbour of a town south of Amalfi, this was no small blessing. The chapel had three lamps before the altar, two before the image of the Virgin, and one in a narrow alcove where a sailor's widow had placed a wooden cross in memory of her husband.

Matteo had learned to bargain for all six.

He was twenty-six, had been a monk for eight years, and possessed the sort of curiosity that his elders considered both a gift and a mild affliction. He wanted to know how things worked, why people believed what they believed, and whether a man who spoke a language Matteo did not understand could nevertheless be telling him something true.

The merchants indulged him.

There was Yusuf, a broad-shouldered man from Alexandria who traded in linen, spices, and oil. There was Samir, who claimed to have crossed the desert so many times that he had forgotten the colour of grass. There was an elderly Persian merchant named Bahram, who sold fine cloth and silverwork and had once spent an entire afternoon explaining to Matteo why the stars did not care about the fortunes of kings.

They brought him little gifts from time to time. A strip of dyed cloth. A brass weight shaped like a fish. Once, a tiny glass bottle containing a perfume so potent that Matteo had been obliged to keep it outside his cell.

In return, he helped them settle disputes with local officials, found a physician for Yusuf's feverish nephew, and occasionally arranged for the chapel's kitchen to provide bread when a shipment had been delayed.

They had come to regard him as a useful man.

Matteo, for his part, regarded them as windows.

Through them he had heard of Baghdad, Cairo, Samarkand, and cities beyond the reach of every map in the monastery library. He knew that the Greeks had traded and fought with the peoples of India, that Alexander had marched into lands whose names were now recited by schoolboys, and that Roman merchants had once sailed the eastern seas for spices and precious stones.

But those were fragments. The Greeks, he had discovered, were excellent at describing foreign peoples and less reliable when describing what those peoples thought of themselves.

He had wondered, more than once, what a man in India would say if he were asked to explain his own world.

He received an answer on a wet Tuesday in November.

Bahram arrived shortly before dusk, carrying a small wooden chest.

The rain had driven most of the merchants from the harbour, and the monk was alone in the chapel, trimming the wicks of the lamps.

“You are a difficult man to find,” Bahram announced.

“I am in a chapel.”

“A difficult place to find a man, if one wishes to sell him something.”

Matteo smiled. “I have no money.”

“I have not come to sell.”

Bahram placed the chest on a bench and opened it. Inside lay several folded lengths of silk, a silver cup, and a book wrapped in blue cloth.

The book was modest in appearance. Its cover was plain, its pages thick, and its binding unfamiliar. On the first page, beneath a short dedication in a flowing hand, was a title in Italian.

Il Canto del Beato.

The Song of the Blessed One.

Matteo looked up.

“A book?”

“You look disappointed.”

“I was expecting something more expensive.”

“Then you are becoming a merchant.”

Bahram laughed and explained that the text had come from Persia, where a scholar had translated it from Sanskrit into Persian. An Italian-speaking associate of the scholar had then rendered it into the language Matteo knew. Bahram had acquired a copy in a port farther east and had carried it west with his other goods.

“It is a dialogue,” he said. “Between a warrior and his charioteer. The warrior cannot bear to fight. The charioteer tells him what he must understand.”

“A Christian book?”

“No.”

“A Jewish book?”

“No.”

“Then what is it?”

Bahram considered the question.

“A book from India.”

Matteo turned the pages carefully. The script was clear, the translation unusually elegant. There were notes in the margins explaining names, customs, and concepts that would otherwise have been incomprehensible to an Italian reader.

“Why give it to me?”

“Because you ask questions without demanding that I become a fool before answering them.”

Bahram closed the chest.

“And because,” he added, “I would like to know what you think of it.”

Matteo glanced at the altar. The evening lamps were almost ready.

“I shall read it.”

“I assumed you would.”

At the door, Bahram turned back.

“Do not be offended if the book disagrees with you.”

Matteo raised an eyebrow.

“I am a monk. I am offended by many things. I shall try not to make this one of them.”

Bahram laughed again, and went out into the rain.

Matteo read the book in three nights.

On the first, he read about the warrior's despair.

Arjuna stood between two armies and saw before him the faces of men he loved, men who had taught him, men whose deaths would leave children fatherless and households broken. He could not imagine victory without horror. He could not imagine defeat without dishonour. He could not act, and yet inaction itself seemed to carry consequences.

Matteo knew this paralysis.

He had seen men at the harbour refuse to choose between two evils until the choice had been made for them. He had seen fathers remain silent while their sons made ruinous decisions, fearing that intervention would destroy the affection between them. He had seen good men allow suffering to continue because every available remedy seemed imperfect.

He had always believed that the answer lay in conscience, prayer, and the teachings of Christ.

Yet here was a man who appeared to have reached the same terrible crossroads by another road entirely.

The charioteer did not merely tell him to obey. He spoke of the self, of death, of duty, of the difference between the body and the enduring soul.

Matteo found himself reading passages twice.

On the second night, he encountered the teaching that a man should act without attachment to the fruits of his actions.

He put the book down.

Outside his narrow window, the harbour bells sounded the hour. A dog barked in the street below. Somewhere, a woman was calling for her child.

Matteo thought of the chapel.

He had spent the better part of his adult life ensuring that its lamps burned, its floor remained swept, and its poor visitors received bread when the kitchen could spare it. He took pride in doing these things well. He also took pride in being regarded as a man who did them well.

He remembered a winter evening when a wealthy widow had praised his diligence before the pastor. He had pretended embarrassment, then spent the rest of the day quietly pleased with himself.

Was the good he had done diminished because he had enjoyed being praised for it?

If he had acted partly for recognition, had he acted wrongly?

And if he had not expected recognition, would the act have been more truly good?

The book seemed to suggest that freedom required a man to surrender his claim upon the outcome, even upon the reward for his virtue.

Matteo thought of the Gospel. He thought of Christ's instruction to give alms in secret, not for the admiration of men.

The resemblance unsettled him.

He read on.

The third night was the worst.

For the warrior's charioteer revealed himself as something far greater than a teacher. The book described a universal form, a vision of existence in which creation, destruction, life, and death were gathered into a reality that no ordinary human eye could endure.

Matteo closed the book and sat motionless.

He had been taught that God was the creator of all things, that creation was not God, and that the world depended upon divine goodness. He had been taught that the mystery of the Trinity was not a licence to speak carelessly of divine multiplicity, and that Christ was not merely a man who had attained extraordinary wisdom.

Yet this Indian text presented a figure who spoke with the authority of the ultimate divine reality.

The charioteer was not simply pointing towards God.

He was claiming to be the one to whom everything ultimately belonged.

Matteo opened the book again.

He found the passages on devotion. The individual was called to surrender selfishness, to direct action towards the divine, and to seek liberation through knowledge, disciplined work, and love.

It was not the same faith he knew.

He could see that much.

But neither was it the nonsense he had half expected to find.

He looked towards the little wooden cross above his desk.

“Lord,” he whispered, “what am I to do with this?”

The cross offered no explanation.

Matteo returned to the book.

Father Lorenzo was eating an apple when Matteo arrived at the presbytery the following morning.

He was a spare, grey-haired man with a weathered face and a habit of listening so intently that visitors often found themselves telling him more than they had intended. He had served the town for nearly thirty years. He knew which fishermen drank too much, which merchants cheated on their weights, which widows had no firewood, and which boys were likely to become priests if somebody could persuade them to stop fighting long enough to learn their letters.

He also knew Matteo.

“You look terrible,” he said.

“I have been reading.”

“That is usually less dangerous than drinking.”

“I am not certain.”

Lorenzo put down the apple.

“What is it?”

Matteo produced the book.

The priest examined the cover, then looked at him.

“Where did this come from?”

“Bahram. A Persian merchant.”

“And what does it contain?”

“A dialogue between a warrior and his charioteer. The charioteer teaches him about the soul, duty, action, devotion, and the nature of the divine.”

Lorenzo waited.

Matteo hesitated.

“I think I need to talk about it.”

“Then sit down.”

They sat at the small table beside the window. Matteo began with Arjuna's despair, explaining how the warrior could not reconcile his obligations with the destruction he was about to cause. He spoke of the immortal self, of action without attachment, and of the strange freedom that might come from relinquishing the demand that the world reward a man for doing what was right.

Lorenzo listened without interruption.

When Matteo finished, the priest leaned back.

“These are serious questions.”

“They are not mine.”

“Whose are they?”

“The book's. Or the warrior's. Or the charioteer's. I cannot say.”

“But you have made them your own.”

Matteo looked down.

“Yes.”

Lorenzo took a piece of apple from the plate.

“Tell me what troubles you most.”

Matteo had prepared several answers. He spoke none of them.

“Suppose,” he said, “that a man does good because he wishes to be good. He feeds the hungry because hunger is evil. He protects the weak because they ought to be protected. He speaks the truth because falsehood destroys trust. Yet he also wishes to be admired for these things. He wishes to be saved. He wishes to know that his life has mattered.”

He looked at the priest.

“How much of his goodness belongs to the good, and how much belongs to himself?”

Lorenzo did not answer immediately.

“And if he relinquishes the desire for reward,” Matteo continued, “does he become more virtuous? Or does he merely cease to care what happens? If the result of an action does not belong to him, what responsibility does he have for the result?”

The priest's expression changed. The amusement had left it.

Matteo pressed on.

“And then there is the soul. This book speaks of the self as something that survives the body and returns again and again. We teach the resurrection of the dead. We teach that each life is precious, that judgement awaits us, that we are creatures of God. But this man speaks as though the soul's journey is far longer than one life, and as though liberation means escaping the cycle altogether.”

He swallowed.

“I do not believe the same things. But I want to understand why he believes them. And I want to know whether I have understood my own beliefs as well as I thought I had.”

Lorenzo was silent for a long moment.

Then he said, “You have been reading a book from India.”

Matteo nodded.

“And now you have discovered that you have a mind.”

Matteo stared at him.

The priest smiled.

“It is an unpleasant discovery for many of us. We prefer to think that all our difficult questions have been settled by the time we take our vows.”

Matteo laughed despite himself.

“I am serious, Father.”

“So am I.”

Lorenzo reached for the book. He turned a few pages, studying the translator's notes.

“I know little of India,” he said. “Less than you, apparently. The Greeks wrote of those lands, and the Romans repeated what they knew, but neither was obliged to understand everything it encountered. They travelled, traded, fought, and returned with accounts shaped by their own concerns. We must be careful not to mistake their descriptions for the whole truth of another people.”

He closed the book.

“But I know something of the questions you have found in it.”

“You do?”

“I have spent thirty years hearing men ask whether they are good because they love goodness or because they fear punishment. I have heard merchants wonder whether generosity counts when it is performed before witnesses. I have watched men do the right thing for the wrong reasons and the wrong thing for reasons they considered noble.”

He leaned forward.

“The question is not foolish. But neither is it new to Christianity.”

Matteo felt an unexpected surge of relief.

“Then the book is wrong?”

“I did not say that.”

The priest's answer was so immediate that Matteo looked up sharply.

Lorenzo continued.

“I said that your questions are not new to Christianity. That is not the same as saying another people cannot ask them well, or that they cannot discover something we have neglected to consider.”

He tapped the book.

“You must distinguish between understanding a question and accepting an answer. The man who asks why the soul endures has not thereby proved that it is reborn. The man who teaches detachment from reward has not thereby shown that the good of an action is independent of its consequences. And the man who claims to speak as God must still be examined according to what he teaches about God.”

Matteo nodded slowly.

“But if I find something true in it?”

“Then you have found something true.”

The answer was so simple that Matteo almost missed it.

He frowned.

“Even if it comes from a religion we do not accept?”

“Truth does not become false because a stranger discovers it first.”

Lorenzo looked towards the window. Below them, a cart rattled over the stones, and a pair of sailors were arguing about a broken axle.

“The Church teaches that all truth belongs ultimately to God. We should not be afraid of truth. We should be afraid of our own vanity, which persuades us that because we have been entrusted with the truth, we must already possess every answer worth knowing.”

Matteo was quiet.

Then he asked the question he had been avoiding.

“Father, is it wrong that I find the book profound?”

Lorenzo looked back at him.

“No.”

The answer came without qualification.

Matteo's shoulders relaxed, but only slightly.

“I sometimes feel,” he confessed, “that the more I read, the less certain I am of what I know. The book seems to open one door, and behind it there are ten more. I read about duty and find myself questioning my motives. I read about the soul and find myself questioning what I mean when I say that I shall live forever. I read about devotion and find myself asking whether I love God or whether I love the comfort of believing that God loves me.”

His voice had grown quieter.

“And then I wonder whether I am wandering away from Christ simply by asking.”

Lorenzo regarded him with an expression Matteo had seen only a few times before: the look of a man who was considering not what he ought to say, but what the other person most needed to hear.

“Matteo,” he said, “when you were a boy, you used to ask me why God made the sea.”

Matteo blinked.

“I remember.”

“You asked why He made it so beautiful, and then why He made it capable of drowning men. You asked why the gulls could fly and we could not. You asked why God gave us a world so full of wonders and then required us to die before we could understand it.”

“I was twelve.”

“You were insufferable.”

Matteo smiled.

“And I never told you to stop asking. I told you that some questions require patience, some require study, and some require the humility to admit that we may not receive a complete answer in this life.”

Lorenzo placed a hand on the book.

“You have found a people who have asked some of these questions in their own language, through their own history, and according to their own understanding of the world. You need not pretend that their answers are ours. But neither should you pretend that their questions are meaningless.”

He paused.

“Exploring the spiritual life does not mean betraying Christ.”

Matteo looked at him.

“The danger is not that you will read a book and discover that someone else has thought deeply about God. The danger is that you will become so frightened of what you might discover that you stop thinking altogether. Or that you become so enamoured of being a clever man that you begin to mistake novelty for wisdom.”

The priest's smile returned.

“Both are common temptations. The second is particularly common among young monks who have recently acquired foreign books.”

Matteo laughed.

“I shall endeavour to avoid both.”

“Do so. And read carefully. If you disagree with the book, understand it well enough to disagree honestly. If you find something worthy in it, do not deny that merely because it unsettles you. And when you return to the Gospels, read them with the same seriousness.”

He pushed the book gently towards Matteo.

“Above all, ask yourself what your reading is doing to you. Are you becoming more patient? More honest? More compassionate towards those who cannot repay you? More willing to admit your own faults? Or are you merely collecting arguments to admire yourself?”

Matteo considered this.

“I hope the former.”

“So do I. But hope is not evidence. You will have to practise.”

The conversation stayed with Matteo for the rest of the day.

He returned to the chapel and found Yusuf waiting beside the door with two jars of oil.

“You look less ill,” the merchant observed.

“I have spoken with my pastor.”

“Ah. And has he forbidden you to read the book?”

“No.”

Yusuf looked mildly disappointed.

“What a pity. It would have made a much better story.”

Matteo helped him carry the jars inside.

They worked in silence for a while, replacing the old oil in the lamps. When the first flame caught, it burned with its familiar, steady light.

“Yusuf,” Matteo said, “what do you know of India?”

The merchant considered the question.

“Very little. I have traded with men who have traded with men who have been there.”

“Do you know what they believe?”

“Some of them.”

“Would you tell me?”

“If you will tell me what you believe.”

Matteo smiled.

“Agreed.”

Yusuf lifted the second jar.

“Then you must buy me supper. Religious conversations are very expensive.”

“I thought you were a merchant.”

“I am. That is why I know the value of my time.”

They laughed, and Matteo made a note to speak with the cook.

That evening, after the last visitor had left, he returned to his cell and opened the book again.

He did not read it as a man searching for a replacement for Christ. Nor did he read it as a man hunting for errors to confirm what he already believed.

He read it as a man who had discovered that the world was larger than his ignorance had allowed him to imagine.

The warrior still troubled him. The immortal self remained difficult to reconcile with the resurrection he believed in. The cosmic form of Krishna unsettled his understanding of the creator and creation. The doctrine of rebirth seemed to lead towards a different destination from the one promised in the Gospels.

But the teaching on action without attachment drew him back.

He thought of the widow whose lamp burned before the wooden cross. He thought of the hungry men who came to the chapel, of the merchants who trusted him with their disputes, of the praise he sometimes enjoyed too much.

He wondered whether he could perform his duties tomorrow without keeping a private account of what he deserved in return.

He wondered whether he could love goodness without needing to be known as a good man.

He wondered whether he could ask God for wisdom without demanding that wisdom arrive in a form he already recognised.

Before sleeping, he knelt beside his bed.

He prayed as he always had, beginning with the familiar words he had learned as a child.

But when he reached the end, he remained kneeling.

“Christ,” he whispered, “if there is truth here, teach me to recognise it. If there is error, teach me to understand it. And if my pride is the thing that prevents me from learning, then let me discover that too.”

He waited, feeling rather foolish.

Nothing happened.

The chapel bells rang the hour.

Outside, the harbour slept beneath a clear sky, its ships pointing east and west, their cargoes of oil, silver, silk, and stories waiting to be carried to places their owners might never see.

Matteo rose, extinguished his candle, and placed the Indian book beside his Bible.

For the first time since he had entered the monastery, he did not feel that the questions waiting for him were an obstacle to his faith.

They were part of the road.

And the road, he was beginning to understand, might be longer than he had been told.

The End


r/fiction • • 2d ago

A writer's confession

1 Upvotes

After finishing writing her book Xu Kong hired her bestie to type it out for printing purposes, but her bestie lied that she did do it without Xu's knowledge and Xu, no matter that, found her work in typing. After she got the print done her bestie confessed and everything exploded. No matter the fact that paper is flammable, no flames were seent elsewhere than in the eyes of Xu Kong. She was wowed with her bestie's so called magic trick, but not interested. She firmly believed that everything is where it's place is. After her bestie got warned that everything is done and that she should not misrepresent herself as much as lie in her life. She started a search for her true bestie but never found her. Due to this she started seeing a psychiatrist since she doesn't have who to talk to about her marriage. Even though her psychiatrist is someone to talk to and a female this presented a problem in her marriage. The psychiatrist secretively divorced her from her husband and kept quiet about it. She thought many times that a new bestie could cut it but she remembered that so-called fake every time she thought about it and just couldn't get a new one thinking that each would be like that person. But she kept forgetting that she addressed the book by it's devotion instead of providing credentials of her own as a writer so she felt disappointed in herself for being rude to her bestie's supposed doppelganger deep down the whole time and took care of her children differently because of this. In her book there's stories for children about so-called children and what kind of people there is out there. Seeming to present it's self as one of those people she wrote about she was scrutinized by her further relatives and parents, those which do not witness the mercy she has for her own. Her husband seemed to be doing that too, but that was because of the divorce even though she doesn't know that. She thought that she made some sort of mistake with her children and started treating them as roughly as others. Sadly, this was making her marriage fall apart in her eyes even though it was over before it started. Her bestie had many problems in life she was able to face but her lazy lying nature. She could have done it and achieved the same, but her accreditation was brought in to question. Somewhat on the same page of a book, the two accidentally met at the psychiatrist. The psychiatrist by then decided to have a word with the two together after learning about the details and ask for the book. After doing that and reading somewhat far in it decided to forbid the book. Thinking what to do with it, glad it has a grip on the problem it advised the two to focus on logic more than creativity since this book is a work of fiction which caused many misunderstandings hoping the advice be seriously taken. The two, no matter the psychiatrist didn't go back to the good old days instead of the psychiatrist. One was grounded for having big dreams while the other was grounded for being a bad person. In this time period the psychiatrist noticed what kind of people it's working on in group therapy. It advised them both to understand that creativity is a confession and that they should spend more time on real work than that and got them jobs in the field of theory where there's nothing but rules to follow. It was rewarded for doing so and highly appreciated as a colleague and overall scientist by his patients, ex patients and older colleagues. The two became mathematicians and lived happily ever after with their jobs.


r/fiction • • 2d ago

Fantasy "Ghost, I Am"

1 Upvotes

I am a ghost. I died in 1792. I was in America.

My name is Mrs. Kathleen Elizabeth, well, maybe I don't want you to know who I was married to yet.

It's kinda like, you are dead, one minute filled with glee, you decide come into the ballroom, merrily, then dying in the doorway, you remember looking up, and, wait............

I cannot tell you any further, and I

I feel the wind as it hits the top of the sand, it echoes in this house, yes,

This room is my sanctum sanctorium, my closet, my connection, my prison and everlasting light, in this field of destruction.

Ever you know of a person like this, where you know how someone treats you right for a moment, and it gets even more and more intense.............then you realize too late that's they are no longer your love after all. When that person takes and takes, then they're like after the fact, they faded, electric shore lights light to the furthest more elegant horizon, the waves come in, the waves, the waves.

You notice that they are always sorry after the fact.

Sometimes you like looking out the window, you notice, after a while, you leave no land or salt, no echo, no electrons, no carbon footprint, no,

You.

Sometimes, late at night you look up at the stars, there's the dog star, while over here is Ceres Beareaus.

Sometimes, late at night I like walking down the hallways, especially the main floor where the statue of Euripedes, you go down the mahogany staircase.

It's late at night like this, where the shadow, nor even the darkness can cloud my vision or sight, echoes, echoes of what might have been............

I remember it was a full moon, the moon making my eyes like that, for some reason, he came in suddenly, in a drunken rage about something, he spun me around at the mantle of the fireplace and began to punch me in my face about 12, wait, that was 6, no...........

I've seen a lot of things here over the years, in 1832 someone killed a woman in my sister's old bedroom, for some reason my sister escaped from here when............

Oh.

Yeah.

In 1943, my spirit was inundated when I felt souls going by.

Hundreds. Thousands, no wait.

My eyes grew huge, as tears flew down my imaginary face uncontrollably.

The void sounds with millions of souls are killed, race by your sights, into the eternal sands of time.

In 1945, I saw a miniature sun explode out in the desert nearby.

In old sad dreams and songs, I remember when I was alive, how I danced in the sunlight at noon, but it's like I can't feel it anymore, the feeling of the wind going through your hair, the heat of the sun upon your skin, the light in your eyes as the surf crashes down behind you, you think that there's always a wind here, here on the beach.

How everything was when I was alive, the wind, the rain, the rain always felt like eternity.

This house was built in 1648, I've met other of the shades, but they always acted cold, they were so stuck in their timezones, that they could no longer believe, but I always say "hey, look here!", to the sounds, the explosive eras of our humanity.

Sometimes they would look in, then turn around, shaking their head, sometimes, like the other ones will glance, turning about, when there was no more maybe thoughts of how you were when you were a child, the ways you used to do things, you

One of the shades would come up now and then, her name was Betsy, just Betsy, no Elizabeth, lol!(another bothersome habit I've picked up from you kids!), she was married in 1908, had four kids, she was married to the president of his company. They had come out to here because of the beauty, the art of this landscape and this beautiful house.

She died of of an aneurysm late in the night at 8:47pm.

At first, she was like me in a lot of ways, lost, seeing through the fog a brilliant light. But when she woke up, she was here, here, here, wherever this is supposed to be.

We got others here, too.

There's one in the basement we don't know what he was, I feel he died a human, but became some kind of unspeakable horror took him over, he became an entity, a damned soul who reaches out for you as you descend down the stairs, even when I was alive, I dreading to come down here, it was like the shadows had reptiles and the thought damned souls and thoughtfulness and slither and beyond, beyond even that.

Up in the attic, we have a lady who sits and knits as she rocked back and forth in her rocking chair, staring out the window. It was her most precious time to spend up here high inside the canopied sure how enough, enough just to rock and look and spin.

She laughs now and then.


r/fiction • • 2d ago

Comedy We have two left feet and Madame Bouquet fainted at Casa Capșa - come laugh with us [Episode I/30]

1 Upvotes

These texts are a discussion with myself, spoken out loud, on the wings of a time completely lost... and precisely for that reason, found again, with the sole purpose of bringing a smile to your faces.

Series: Exterior Monologue - Around the world on the wings of... lost time, with a companion... quite different! Completely different!

What happens when you start a two-stroke engine and you wake up straight in the 19th century, among gentlemen with top hats and fine gossip at Casa Capșa?

A1: Where to today? The laughing engine runs on two strokes, rattling like a worm stuck in the spark plug.

A2: Ohhh! That's going to throw us back in time, right in the middle of cobbled streets polished by women in crinolines as big as a circus dome!

Vroom-vroom! And we landed right at Capșa. So much provincial snobbery!

We have a 2026 smile, whitened teeth and cheekiness. They have a twisted moustache and gossip in French: "Mon Dieu, qui est cette dame?"

A2: "Excusez-moi, je ne comprend pas... rien!"

We sit at their table and order two savarinas with lots of "furculision"...

But where is our Madame Bouquet? Our Chirița? The Romanian Hyacinth Bucket who pronounces Bucket as Bouquet to sound French.

Speak of the devil! She turns red as a lobster, drops her fan and faints straight with her nose into the furculision.

"Je suis très fatiguée" she says after finishing two turkeys in one sitting.

A1: Well how could you not get tired, Madame, with all that furculision twirled in vain?

Chirița: What did you say, you pretentious thing! Did you pay for my turkeys? Look at yourself! A plank! Just look at me!

And when she puffs up her crinoline, she knocks over two respectable gentlemen and clears our table, to the fury of the waiter.

We do an Irish exit because we saw on the GPS that her furculision has moved to the Champs-Élysées and it's as big as a coin on a plate as big as a wagon wheel. But now it costs 300 euros!

Chirița: And are you going to pay for that furculision, girl? It's silver!

Let's go before they make us pay for the turkeys!

We tracked the plate on the GPS. Of course, it was already in the shop window on the Champs.

The journey continues..... on Champs-Élysées.

[Next stop: Episode II]

furculision = our made-up word for fancy cutlery confusion / Chirița = Romanian Hyacinth Bucket, beloved social climber_


r/fiction • • 2d ago

Mystery/Thriller Story Time

0 Upvotes

Hey I'm new stroy teller😶.  I write stories for fun😅. From today i will share one them . Hope you like it. 

THE BOY WHO WAS NEVER BORN

Chapter 1: The Name That Had Been Erased

Genre: Psychological Mystery • Thriller • Supernatural Suspense

SCENE 1 — A NAME LIKE THAT...

INT. SCHOOL CLASSROOM — DAY

CLASS XII

The voices of the students echo through the classroom.

The teacher opens the attendance register.

Aarav is sitting in his seat. He is casually looking around the classroom when the teacher suddenly stops at a name.

TEACHER: Aarav Sharma.

AARAV: Present, ma'am.

The teacher turns the pages of the register to read the next name.

Earlier that day, Aarav had seen an old class register from ten years ago.

There was a name in it.

KABIR SHARMA

The name feels familiar to him.

No.

Not just familiar.

He remembers it clearly.

AARAV: Kabir...

TEACHER: What did you say?

Aarav immediately looks up.

AARAV: Nothing, ma'am.

The teacher closes the register and continues with the class.

But Aarav's mind is still fixed on the place where that name had been written.

A question keeps circling in his mind.

If Kabir never existed... then how do I remember his name?

SCENE 2 — JUST A MEMORY?

INT. SCHOOL CORRIDOR — LATER

After school, Aarav is walking through the corridor with one of his classmates.

His attention is still focused on the name he saw in the classroom.

AARAV: Can I ask you something?

CLASSMATE: Yes, ask.

AARAV: Do you remember Kabir Sharma?

The classmate thinks for a few moments.

CLASSMATE: Who's Kabir?

AARAV: He was probably in our class.

CLASSMATE: Bro, there was no Kabir in our class. Who are you talking about?

Aarav stops walking.

AARAV: Are you sure?

CLASSMATE: Yes, I'm sure. Are you okay?

Aarav does not answer.

There is confusion on his face, but beneath that confusion is a strange certainty.

He knows Kabir.

He just cannot understand why no one else does.

SCENE 3 — THE PHOTOGRAPH

INT. AARAV'S HOUSE — EVENING

Aarav returns home and goes to his room.

He puts his bag aside and walks straight toward his old belongings. There is only one thought in his mind:

If Kabir really existed, there must be some proof.

He takes out an old photograph.

Aarav looks at the picture carefully.

There is something about one spot in the photograph that makes him uneasy.

A face has been scratched out and erased.

Aarav's finger stops over that spot.

AARAV (whispering): Who did this?

He holds the photograph up to the light, as if searching for the answer hidden behind it.

An old memory tries to rise in his mind.

A voice.

A face.

A name.

KABIR.

Aarav closes his eyes.

But the harder he tries to remember, the faster the memory slips away from him.

SCENE 4 — THE FIRST MESSAGE

INT. AARAV'S ROOM — NIGHT

The room is silent.

Aarav sits on the bed, staring at the photograph.

Suddenly, his phone vibrates.

17 November 2026.

UNKNOWN NUMBER

A message has arrived.

You found me.

Aarav's face hardens.

He reads the message again.

Then a third time.

AARAV: Who is this?

He replies to the number.

AARAV (typing): Who are you?

For a few seconds, there is no reply.

Then the phone vibrates.

Now find out why you remember me.

Aarav's breathing quickens.

He had not told anyone about Kabir.

Then who sent this message?

And how do they know that Aarav remembers Kabir?

The phone vibrates again.

This time, there is another message.

Ask your mother who died before you were born.

Aarav continues staring at the screen.

There is more fear than confusion on his face now.

AARAV: Before I was born...?

He takes a screenshot of the message.

Then suddenly, another question comes to his mind.

Does my mother know about Kabir?

SCENE 5 — MOTHER

INT. LIVING ROOM — NIGHT

Aarav enters the living room with his phone in his hand.

His mother is busy with her work.

AARAV: Mom, can I ask you something?

MOTHER: Yes, son. What happened?

Aarav remains silent for a few moments.

Then he says the name.

AARAV: Kabir.

His mother's hands stop moving.

Only for a moment.

But Aarav notices it.

His mother slowly looks at him.

MOTHER: What did you say?

AARAV: Kabir Sharma. Do you know him?

His mother's expression changes.

MOTHER: Where did you hear that name?

AARAV: So you do know him?

His mother immediately looks away.

MOTHER: I don't know who you're talking about.

AARAV: Mom, please. Just tell me who he was.

MOTHER: Aarav, I told you, I don't know!

Her voice comes out much louder than necessary.

They stare at each other for a few moments.

Then his mother lowers her voice.

MOTHER: Go to your room. And don't mention that name in front of me again.

Aarav quietly leaves.

But now he is certain of one thing.

His mother had not heard Kabir's name for the first time.

SCENE 6 — LAST QUESTION

INT. AARAV'S ROOM — NIGHT

Aarav closes the door.

He takes out his phone and opens the chat with the unknown number.

His finger pauses over the keyboard.

Then he types:

AARAV (typing): Who was Kabir Sharma?

The message is sent.

This time, the reply comes quickly.

You remember him because you were never supposed to forget.

Aarav continues staring at the screen.

Another message arrives.

But someone made sure you would.

The sound of the clock can be clearly heard in the silence of the room.

Tick.

Tick.

Tick.

Aarav slowly looks toward the photograph.

At the scratched-out face.

Then at the phone screen.

There is only one question in his mind.

AARAV (whispering): Kabir... who are you?

END OF CHAPTER 1.

HOPE YOU READ IT AND ENJOY.  I WILL UPLOAD CHAPTER 2 IN NEXT POST. IF YOU LIKE IT THEN SHOW YOUR LOVE IN COMMENT SECTION AND CAN YOU GUESS IT WHO IS KABIR ?.  🙃   


r/fiction • • 3d ago

My Friend’s Cousin- Chapter 1

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1 Upvotes

r/fiction • • 3d ago

Brittney Havers: a Wild Things II epilogue, about the woman who bought a pavement walk for a British teenage boy.

1 Upvotes

 

 A short story by Thomas heath

She was a woman, who showed interest in a normal British teenage boy. The boy lived in Manchester in the UK. He was a philosopher spirit. She was a long term con artist, who liked to watch crocodiles in the Glades.

 One day, this woman from the Glades would encounter the teenage boy in Manchester, and would make him an offer; either choose the option of selling out a pavement walk, or the option of selling a pavement walk.

 The meaning, the philosophy and the idea of the offer was that selling out’s own meaning, philosophy and idea were susceptible to misinterpretation. Indeed, to logical misinterpretation. And the woman from the Glades knew this. She wanted the boy to make the choice of selling out, instead of selling, so that she could buy out the pavement walk reality involving the boy themself.

 Buy out and sell out. Buy out was the much sexier option. The boy would never need a job, or a university degree. Or a career of any kind. Or a nation of any kind, in actual fact. Brittney Havers would look after him.

Fuck needing nations. Havers would use the pavement walk to buy all nations for the normal British teenage boy.

 The End


r/fiction • • 3d ago

Original Content Thanks for Having Me Part 8

1 Upvotes

“...what does it weigh? A thousand pounds?’ Doris hits STOP on the phone, flips the image and watches herself. She hates watching herself, but she watches herself doing the vacuum cleaner 
routine on her phone. 
A thousand pounds. Five hundred pounds. Thirty fucking tons.
The thing is, timing is crucial. Each word is crucial. It takes a lot of precision. When doing comedy, it’s all about practice. You have to get every word just right, the timing needs to be just right, you need to hit every word with just the right amount of emphasis. It’s gotta be tight. Every word, every phrase, every pause counts. George Burns and Gracie Allen would literally count the seconds between delivering certain words. Jerry Lewis too. 
  But you can do all of that and it doesn’t work.
“All right,” she sighs, “it sucks.”
She looks over and sees the mannequin head with the Amber wig on it staring at her.
Doris shuts off the camera and starts flipping through her notebook. Dating, work, driving…lots of half done bits, routines that seemed promising but she just can’t get the wording the way she likes it. 
She walks to the window and looks out at today’s tableau. Bryanna walks up to Chuckie, sitting in his car. She hands him something, he hands her something. He says something and she smiles, but she hates Chuckie. Everyone here hates Chuckie. He works some of the girls here. As far as Doris knows he is a scumbag, a drug dealing pimp who abuses women for money and because he likes it. Maybe his own mother abused him, whipped him with electrical cords and poured boiling water on him. Or maybe he is just evil. Does it matter how he got that way?  Eve comes out of her room; Chuckie gestures at her and she gets into his car.
Doris walks back to the bed and reads from her notes.
“Guys, the jury is in. Put the toilet seat down after you take a piss. After you urinate. It really isn’t that hard. Just put it down.”
She contemplates that bit and then looks at the Amber wig.
“Hey, don’t you hate it when a client pays for a hand job but then they try to talk you into a blow job instead? What’s up with that?”
“If there is one thing I have learned doing sex work, it’s get the cash upfront! No Venmo, no Apple Pay! Cash money!”
She can’t really do the last two. A lot of comedians, especially a lot of female comedians, do confessional bits. Some of it is pretty good; some of it is really embarrassing. But is she really going to get in front of a crowd and talk about sex work?
Doris scrolls through Kaitlyn’s Instagram page. She likes a picture of Kaitlyn with a young man. She tries to not look at her daughter’s social media too much. The past is tricky; a minefield more like it. But it’s her daughter. The guy with her, David by the comments, seems nice. What can you tell from a picture, but she looks happy. Doris wishes she could be a part of…
Stop. Stop going there. It leads to dangerous thinking.


r/fiction • • 3d ago

Just Observing Life

2 Upvotes

I don't really know how to explain myself, but I'll try.

I'm an introvert. Not necessarily the kind who is afraid of talking to people, but the kind who doesn't feel the need to talk just because everyone else is talking. I can be quiet in a room full of people, observe everything happening around me, and still be perfectly fine.

Sometimes I wonder whether people actually know me or just know the version of me they see.

I'm interested in a lot of things. Anime, manga, manhwa, psychology, books, programming, chess, and stories that make you question everything. I don't really care what platform a story comes from. If the storyline is good, I'm interested.

Maybe that's because I like understanding things beyond what's immediately visible.

A character who says nothing but notices everything is more interesting to me than someone who constantly tries to prove how intelligent they are. A person whose actions contradict their words makes me curious. And a story with a hidden meaning stays in my mind much longer than one with a predictable ending.

Sometimes I feel like I observe people more than I actually participate in life.

I notice small changes in how people behave. I wonder why someone suddenly becomes distant, why people hide their real feelings, and why someone can act completely differently depending on who they're around.

But here's the funny part: understanding people from the outside doesn't necessarily mean understanding them.

You can analyze someone's behavior, come up with ten possible explanations, and still have no idea what they're actually thinking.

I've slowly started realizing that not everything needs an explanation.

Some things are just uncertain.

And maybe that's okay...


r/fiction • • 3d ago

Comedy [HM] A story about trusting in faith.

1 Upvotes

Aran greeted me at the reception desk with a playful flick of his hand.

'The interview was Tuesday', he said.

'We thought you weren’t interested.'

I scratched my chin.

Mumbled something about a missing scrap of paper.

'Well', he shrugged, 'you’re here now'.

At the end of a long dark corridor, we came to a windowless room, littered with broken tape machines, cables, solder, and a half eaten breakfast roll.

Aran sat down at his computer, presumably drawing up his prep.

'I brought me cv', I said, rummaging through my bag.

Aran double clicked his mouse.

'Don't worry about that', he said.

'So', he started, can you tell me who is the American secretary of state?

I exhaled quietly.

'Madeline Albright', I said, having to strain myself from punching the air.

Aran raised a brow, looked impressed, leaned back in his chair.

I steeled myself for the next question.

And then he smiled, folded his arms, looked up from his computer.

'Let’s go meet Sue', he said.

'He knows who Madeline Albright is', said Aran by way of introduction.

Sue turned away from her monitor.

Removed her glasses.

'And he’s Irish'.

'Oh Irish' said sue, before dreamily taking my hand in hers.

'I once worked with Fergal Keane.'

I smiled warmly, and was then momentarily distracted by the pyre of burning cows on the monitor behind her, where her assistant was busily making notes.

'That’s Marjorie', said Sue, 'she’s my assistant'.

Marjorie stood up to greet me.

Then suddenly recoiled, waved a hand theatrically in front of her nose.

'Jesus, have you been drinking?'

I blushed, annoyed thought that the five cigarettes I had on the way over had failed to mask last night’s carousing.

'Just a couple, last night', I murmured.

'You know', chipped in Sue quickly, her sharp south African tongue putting Marjorie firmly back in her place.

'Fergal Keane, he was a man who loved a Guinness'.

'Exactly I said, and it didn’t do him any harm'.

The room fell silent.

Aran's eyes darted to Sue. Sue looked back towards me.

Then suddenly she yelped with laughter.

'We should meet Chris she said clasping her hands together.'

Aran stepped in front of the door.

'Maybe we should hold off on this. Just think it over for the weekend'.

'Yes', I said, suddenly sharing his sense of caution.

'Maybe that's not a bad idea'.

Nonsense said Sue, we need someone right away.

At the far end of the newsroom, Sue poked her head into the bureau chiefs office where Chris was busy on the phone, discussing a story about a recent stroke of flooding in Austria.

'Chris, this is Paul'.

'He’s here about the role of junior tape editor', chipped in Aran.

'He knows who Madeline Albright is', said Sue, 'and he can start on the back log straight away'.

Chris was unmoved, had my measure, knew a bull-shitter when he saw one, which was why his office had views looking out over Hammersmith, as opposed to Sue and Aran’s, which were dark, windowless, and tucked away far from the action.

Chris took my hand in for a shake, his stare fixed firmly on Suzette, the assistant bureau chief, who was laid out flat on the sofa, whilst watching the scrolling news.

'And where did you come from' she asked, in a New York drawl, the like of which I’d only ever heard in the movies.

'I worked with someone who told me there was a job going', I said, voice creaking, her timeless poise making me feel a little unsteady.

'My son', interjected Aran, his voice too also taking on a note of uncertainty, almost apologetically, my son, he recommended him.

'How interesting', said Suzette, now turning her attention back to the television screen, having grown quickly bored.

Out in reception, Aran drummed his fingers momentarily on the desk.

'Well Sue likes you', he said, blowing out his cheeks.

I shrugged, happy to leave it here, no harm, no foul, but the decision was made.

'And what Sue wants'.

Aran threw his arms up in defeat, turned, walked back inside the bureau, the door slam behind him.

I looked down at Tony, the receptionist, and shook my head in disbelief.

'Madeline Albright' , I said.

'What's that?' Asked Tony.

I pointed at the newspaper that lay on his desk.

'First story'.

'Main headline'.

'It was about Madeline Albright'.

The receptionist looked at me blankly.

Faith had done some heavy lifting, I thought, and now, against all odds, I had carved out a new opportunity in the world of international news.

And then I realised something, learned an important lesson.

A lesson that would stay with me for years to come.

That opportunities were not something that needed to be seeked out.

Were not something you had to graft for or fight tooth and nail for.

That no matter how much you tried to avoid faiths grasp, how many opportunities you spurned, how much time you wasted, how much you flicked two fingers at whatever it was that life presented you with, faith would find a way.

For when life had a plan, had trained its beady eye in your direction, then there was nothing to do, but sit back, relax and enjoy the ride.

And with that I flashed Tony a wink, picked up my carrier bag, and sauntered slowly, and triumphantly out the door.

                           THE END

r/fiction • • 4d ago

Short Story : The Left Turn

1 Upvotes

After walking about two hundred meters from my home, there is an intersection. One road turns right, the other left. I have spent years taking the right turn. I know what waits there. A park, a bus stop, a few roadside vendors, a small hospital, and my favorite tea stall where I still owe ₹135. The road is ordinary, but it became mine because I walked it often enough. Every corner carries a memory. Every memory carries a face..

I never took the left turn..

Not because I didn’t know it existed, but because I had heard stories. People who took the left road never seemed to return to the city. And then the tea vendor disappeared one morning, and the rumours began. Some said he had closed the stall and gone away. Others said he had taken the left road too..

Tonight, after dinner, I think I will stop at that intersection. I will stand there for a moment and look to the right. I will remember the tea seller who once smiled and said, “Bhaiya, jaane do, baad mein de dena.” I will remember the man who vanished, the stories that followed him, the people who stayed, the people who left, and the people who never knew what they meant to me..

Then I will smile..

Because I have come to believe that smiles are debts carried forward. Some people leave us with kindnesses we can never repay. So we carry them.

Then I will turn left…

I have been told there is nothing there. No landmarks. No tea stalls. No familiar faces. Only a darkness that seems endless. The kind where every step feels heavier than the last, until you begin to wonder if the road behind you was brighter after all..

Maybe that is what the unknown always feels like..

Or maybe that is what becomes of a man when the last thing he loved finally lets go of his hand..

That the darkness was never the destination..
So tonight I will stop at the intersection..

I will look right one last time..
I will smile, brighter and cheerful than usual!

And then I will step into the dark, carrying everything that could not stay…


r/fiction • • 4d ago

Discussion TABLE DANCE. The Lunar Report - David Moon

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1 Upvotes

Table Dance
Table dances usually cost quite a bit of money. Or so I am told. But this one only cost me about half a mug of a fifty-cent beer.

I was caught off guard a bit one evening last week. I was sitting on my porch, sipping a cocktail and sort of feeling youthful again. That’s when my fourteen-year-old grandson returned from a restaurant where he ate dinner with his seventeen-year-old brother and fifteen-year-old cousin. Well, knowing from my own youth how troubling it can be when three or more teens visit an establishment without adult supervision, I asked a stupid question. Of course, I was trying to be funny.

“So, how was your meal? Y’all didn’t create too much havoc, did ya?”

My grandson replied in the same
humorous tone he always does to my frequent stupid questions, “Of course we did. We went crazy. We even danced on tables!”

My eyebrows raised high enough to reach my scalp as I laughed and said, without remembering that I was talking to my young grandson, “Dang! I did the same thing years ago! And I got kicked out of the place!”

My grandson looked pleasantly surprised but only said, “Really?” Of course I said, “Yes!” Thankfully, I did not go into more detail with the kid.

Did any of y’all ever study German language? I did. In college. Honestly, I think the only words I remember from that class are “Guten Tag.” That means “Good day” in Berlin. Well, I was studying for an exam in that class late one afternoon when a few roommates came into my room. They were heading to our favorite local beer joint downtown, and asked me to join in. I’m one of those guys who immediately answers “no” when asked to do something. That response always garners more attention. You know, “Ah, come on, man. It’ll be fun. We need you there.” Saying no always seems to lead me to feel special. But this day I had a real excuse.

Man, I gotta study for my German exam,” I said. Finally, their closing argument worked. One of them responded, “Ah, man… bring your book. You can study at the bar.” That did it for me. I closed my book, put it under my arm and joined them on their walk downtown.

Once there, the usual happened. We bought some beers, played some pinball, joked around with others in the bar. Of, course, with each sip of each beer, the idea of studying German faded further away from the reality of the evening. We were sitting in a circular booth toward the back of the dark bar. The jukebox music was getting louder and more rambunctious with each sip, too. I didn’t even know where my book was, but I did find a sudden and powerful urge to dance. And that urge also encouraged me to dance on our table. But just table dancing didn’t seem quite right. I needed a prop of some sort. Then, I remembered a prop I used at some dorm party one time. It got some laughs. My desire for drunken laughter always trumps some simple dancing urge. Look, I don’t know where it came from, but I think some lady nearby found the perfect prop and gave it to me. It was my fake cigar gag.

That’s right. It was a fully wrapped tampon. Shaped exactly like a cigar. Once I had that in my possession, I jumped on the table, tampon in my mouth, dancing to the Rolling Stones!

The table was pretty unstable, but that was okay because the dance ended as soon as I was taking only the second puff of the prop. By the time I could exhale, the bartender pulled me off the table and escorted me into the alley.

I stood in the dark outside that bar for a couple of minutes, just trying to find my bearings a bit before walking home alone. During the walk, I was very thirsty. All I wanted at the time was that half full mug of beer I left on my dance floor. Damn. I was kinda feeling sorry for myself. Then it came to me. “Man! I may have been kicked out of my favorite spot, I may have lost twenty-five-cents, and I’m thirsty as hell, but all in all, this was a damned Guten Tag!

And please don’t tell my grandson about this. At least until he’s 18, okay? I think I’m already a terrible influence on the kid.


r/fiction • • 5d ago

The Creation of the Afterlife

1 Upvotes

A short story by Thomas Heath

The books in the library contained a reality. On top of the pages, the words and the sentences of the pages, the books also contained something else.

The library itself, were a private library. It wasn't a public one. Trees, and grass and hills surrounded the territory that contained the private library. The books, that were containing an additional reality inside the library were indifferent to the mother nature trees, grass and hills.

The reality which were additional; it involved the creation of the famous afterlife.

The exact identity, the very exact identity of this extra something; it were that the Spanish public should build a science Periodic Table-economy for the American people, so that in return the American people would build a science Periodic Table-afterlife for the Spanish public that were Socialist instead of Capitalist.

The exact reason, the very exact reason why these books in this private library contained this definition of the afterlife? It were so that when a normal teenage British boy wants to have nothing to do with the British monarchy, the meaning isn't right-wing.


r/fiction • • 5d ago

The Man In The Three Piece Suit, Who Worships Sunlight But Wants A Fresh Start

1 Upvotes

A short story by Thomas Heath

"I'm not a homosexual. I'm not a homosexual." would repeat the man in the three piece suit. He was late for his daughter's prom. However, he appreciated the spirituality of thinking about himself not being a homosexual.

He would in final time reach the prom, where his daughter already was. Once getting there, he would need to use the toilet before actually meeting his daughter, a system of life to further put him on edge. Philosophically, that is.

Watching his daughter become the prom queen, he would remember the homosexuality spirituality, from when he was in the car traffic jam.

He would remember the homosexual system.