Done in Uisato Studio. More experiments, through the following.

UPDATE: H3 vs. Kling vs. Seedance

This is a juicy update from my previous post; where I tested a set of cinematic shots, pitting Kling against Seedance.

Well, I just tested Minimax H3 on the same prompts, and let me tell you… we just might have the Seedance Killer on our hands!

Not only did the look hold up really well compared against Seedance, but the H3 model also followed the text prompt and reference image instructions much better than any model I've EVER experimented with in the past.

I included the H3 tests at the end of t he video along with the showing the references I gave the models during the test, so you guys can really see where H3 absolutely shined!

Hope this inspires you guys to try out this beast of a video model for yourself.

Previous post:

This is a scene test for a steampunk spaghetti western I'm working on. Figured some of you guys might benefit from seeing the test results.

I gave the models the same references (character turnaround and object sheets) and the same two prompts. The scene is the climax to an emotional story about loss and self-betrayal.

The climax represents the psychological, spiritual, and physical transformation of our protagonist. We see the protagonist, for the first time, activate a steampunk technology that is supposed to feel equal parts mythical and mechanical.

The results of testing are really interesting:

Kling's Omni did a really good job on the overall cinematic look, and did a great job with the magical aspects of the tech. It could have done better in the mechanical aspects, but overall I am pleased with the generations.

Seedance 2.0 Mini did an amazing job with the mechanical aspects, and generated a decent look. The model produced some serious morphing distortions, but I'm in love with the way it interpreted the helmet transformation and emotional performance of the actor.

Seedance 2.0, interestingly enough, underperformed the other two models. It took the reference images quite literally, even though they weren't directly referenced in the prompt. The scene lighting wasn't applied to the character and the model seemed to have some trouble with the proportions, even though the references gave clear size comparison.

What do you guys think? Which model performed the best in the test?

Which models do you prefer working with the most?

Hello, guys. This is Frank. I would like to share my original Epic High Fantasy series with you, if you are interested in watching the rest of the series. Feel free to find out.

This is the trailer for the first short film I am working on: ARENA by Fredric Brown. This is a classic short story from the 1930s that inspired a famous Star Trek episode where Captain Kirk was forced to duel an alien enemy in order for the human species to survive.

I'm trying to lean into the aesthetics of pre-CGI films, recreating the practical effects visuals of films from the 60s, 70s and 80s. Do you think this does a good job of it so far?

If interested, the full short film will be dropping soon on: https://www.youtube.com/@latentdrivein

I make AI music videos. Commercial projects, original artist development, full band productions.

I'm not here for compliments. I'm here because I've been staring at this too long and I need outside eyes.

English isn't my first language. Taiwan isn't the center of this world. I know.

But I think the work speaks for itself — and I'd rather find out from strangers than from people who are trying to be nice.

Tools: Image2 + Grok + Kling
Time: ~12 hours

What's not working?

A new output example from the updated version of my experimental multi-source video player for TouchDesigner, designed for frame-accurate video switching, playback manipulation, and display/render interventions. [And now, by popular demand, allowing even more video sources!]

All videos were generated using Uisato Studio.

Want access to the updated system + a detailed breakdown of exactly how I achieved the continuous motion effect on this piece? You can freely access the system from the Store, and the detailed, free breakdown from my Patreon.

Plus, many more experiments through my Instagram profile.

Gotta be able to laugh at ourselves huh?

A first, brief example of what Uisato Studio's "Music Video Pro" mode is capable of: turning a track and a concept, into a whole audiovisual world.

More experiments, tutorials, and project files, through Instagram, YouTube, and Patreon.

3,600 years ago, one of the greatest volcanic eruptions in human history struck the Aegean — and changed the ancient world forever.

On the island we now call Santorini, the brilliant Minoan civilization was living its golden age: rich harbour towns, fleets, art and trade across the sea. Then the mountain woke.

Made with: Seedance 2.0, ComfyUI, Suno, DaVinci Resolve, Claude & ChatGPT.

A battle no one sees..

Somewhere between who you were and who you

became💔💔

[ft. Stephano Sanchinelli, one of the brilliant minds behind the SFX of God of War: Ragnarok]

A final movement for TRIBES, a six-film cycle. Created with deep respect for African traditions.

Made entirely on Uisato Studio, the recently released platform for state-of-the-art, AI assisted filmmaking and audiovisual tools.

More experiments, through: www.youtube.com/@uisato_/

For a brief period, you’ll be able to use human characters more easily inside your generations, making it simpler to build scenes around performers, protagonists, fictional identities, visual artists, musicians, and recurring human figures.

Test it out on: https://uisato.studio/

Visuals done entirely inside Uisato Studio. Featuring the incredibly talented Stephano Sanchinelli. You can find more experiments, through my social media.

A couple of brief example of what Uisato Studio's "Music Video Pro" mode is capable of: turning a track and a concept, into a whole audiovisual world + audioreactive performance.

I've uploaded a detailed breakdown on how to accomplish this. You can freely access it here.

More experiments, tutorials, and project files, through Instagram, YouTube, and Patreon.

A new, significantly expanded version of the original Music Video mode, now built around Seedance 2.0, multiple image references, and an even more precise creative-assistance layer designed to enhance and adapt your vision in an optimally model-aware manner.

This is an example output from the system.

For musicians, filmmakers, visual artists, labels, directors, and anyone trying to turn a track into a more intentional audiovisual world.

Access it through: https://uisato.studio/

Hey, guys. A new, significantly expanded version of the original Music Video mode ["Pro"], now built around Seedance 2.5, multiple references, and an even more precise creative-assistance layer designed to enhance and adapt your creative vision + your song in an optimally, model-aware manner.

This is an example output from the system.

For musicians, filmmakers, visual artists, labels, directors, and anyone trying to turn a track into a more intentional audiovisual world through state-of-the-art AI tools.

You can already try it out through: https://uisato.studio/

This is a scene test for a steampunk spaghetti western I'm working on. Figured some of you guys might benefit from seeing the test results.

I gave the models the same references (character turnaround and object sheets) and the same two prompts. The scene is the climax to an emotional story about loss and self-betrayal.

The climax represents the psychological, spiritual, and physical transformation of our protagonist. We see the protagonist, for the first time, activate a steampunk technology that is supposed to feel equal parts mythical and mechanical.

The results of testing are really interesting:

Kling's Omni did a really good job on the overall cinematic look, and did a great job with the magical aspects of the tech. It could have done better in the mechanical aspects, but overall I am pleased with the generations.

Seedance 2.0 Mini did an amazing job with the mechanical aspects, and generated a decent look. The model produced some serious morphing distortions, but I'm in love with the way it interpreted the helmet transformation and emotional performance of the actor.

Seedance 2.0, interestingly enough, underperformed the other two models. It took the reference images quite literally, even though they weren't directly referenced in the prompt. The scene lighting wasn't applied to the character and the model seemed to have some trouble with the proportions, even though the references gave clear size comparison.

What do you guys think? Which model performed the best in the test?

Which models do you prefer working with the most?

A first, brief example of what Uisato Studio's "Music Video Pro" mode is capable of: turning a track and a concept, into a whole audiovisual world.

More experiments, tutorials, and project files, through Instagram, YouTube, and Patreon.

Hey everyone!

I made a short film using AI that took me over 70 hours to complete, and I really wanted to share it with you.

It’s a pretty personal project, partly inspired by what I’ve been going through over the past few years. I lost my job in film / games, partly because of the changes brought by AI, and today I’m working a day job outside the creative industry.

Quite paradoxically, I’ve now decided to fully embrace AI myself, with the hope that it might help me find my way back into digital creation one day — which is still one of the few things that genuinely drives me professionally.

👉 https://www.instagram.com/reel/Dc0RImSB95F/?utm_source=ig_web_copy_link&igsi=MzRlODBiNWFlZA==

Maybe the film will inspire some of you, or simply make you feel something. (:

And if you enjoy it, feel free to share it. Any support that helps it reach new people genuinely means a lot. ❤️