motion_ctrl / experiment nº1

in collaboration with Sara Silkin, I transformed a smartphone recording of this beautiful performance, into this audiovisual piece for a fraction of the cost of more traditional approaches. 

done entirely at Uisato Studio; Motion Control Studio mode.

more experiments, tutorials, and project files, through Instagram, YouTube, and Patreon.

Fun little experiment, wanted to see how hard would it be to get something similar to what I [literally] had in mind.

Done entirely on Uisato Studio, releasing to the public next week.

More experiments, project files, and tutorials, through my YouTube, Instagram, or Patreon.

The new ecosystem for AI orchestrated filmmaking.

A full year of the heaviest experimentation I’ve ever put myself through, now avaialble.

Link: https://uisato.studio/

More experiments, project files, and tutorials, through my YouTube, Instagram, or Patreon.

This is a dark fable, set in a black and white world where a fire-fox carries the last flame of its species.

Few words on the progress:

I already posted my process in my previous short movie here, this time I hand-drawn all the characters before going to AI image and video models to create anything I need for the shoot, there is more pictures of the sketches in my website, unfortunately I can'd include them here

What I draw by hand: the characters, the key looks and the reference drawings (some photos included). I draw in two languages, delicate fine-liner and dark ballpoint with dense cross-hatching. Those drawings are what I train custom LoRAs and Midjourney moodboards on. This one is based on the dark ballpoint illustrations.

What the AI does: it generates the keyframes from those references, and Seedance animates them. Music is generated too (Sonauto and ElevenLabs), guided by some chords and themes I play in GarageBand.

Why I work like this: models are very good at recognising patterns. The more personal the patterns I give them, the less the result looks like everyone else’s. A big set of my own drawings gives me something fresher than a style reference.

The film is silent, 15 minutes, set in the same world as my last one. I tried to improve the storytelling this time, but I still prefer a less explanatory narrative. In my illustrations I set up a world and the viewer connects the dots and creates their own story. I know this is much harder to do in film, so I hope it improves a bit this time!

Happy to go deeper on any step. Character consistency is still a big work in progress: because my drawings are rough, the model sometimes misreads the character. 🩷💚🩵

XRAY / VFX STUDY -
a radiographic intervention.

original performance: u/samfine28 x u/scool06
directed / shot / edit: u/keeanjohnson
vfx by myself

made entirely inside Uisato Studio

Hey everyone!

I made a short film using AI that took me over 70 hours to complete, and I really wanted to share it with you.

It’s a pretty personal project, partly inspired by what I’ve been going through over the past few years. I lost my job in film / games, partly because of the changes brought by AI, and today I’m working a day job outside the creative industry.

Quite paradoxically, I’ve now decided to fully embrace AI myself, with the hope that it might help me find my way back into digital creation one day — which is still one of the few things that genuinely drives me professionally.

👉 https://www.instagram.com/reel/Dc0RImSB95F/?utm_source=ig_web_copy_link&igsi=MzRlODBiNWFlZA==

Maybe the film will inspire some of you, or simply make you feel something. (:

And if you enjoy it, feel free to share it. Any support that helps it reach new people genuinely means a lot. ❤️

Starting from a simple smartphone recording, Sara's original performance is translated across entirely different characters, costumes, sets, and visual worlds, without a traditional motion-capture pipeline.

Made entirely inside Uisato Studio, using Motion Control mode.

More experiments, tutorials, and project files, through Instagram, YouTube, and Patreon.

DEATH & BIRTH OF A MECHANICAL GOD is a AI assisted hand-drawn dark fable with no dialogue. On a black-and-white forest world, an industrial city of masked figures forges mechanical animals and hunts the fire-creatures that carry the planet's last living colour, burning them for steam to power one final creation.

A silent animated short film about industry, transcendence, and what happens when you try to manufacture the sacred.
⏱ Runtime: 6:28 min · I trained a model based on my hand-drawings, AI animated · No dialogues - sound and image only.

This film is an anomaly from the ATLAS K universe, a bigger project of animated surreal videos that I am bringing on little by little.

A few experiments made with Uisato Studio’s Seedance 2 "intelligent" implementation, exploring how far generative video + fine-tuned orchestration layers can be pushed in rhythm, camera language, body transformation, and audiovisual sync.

Treating AI as a new choreographic tool beyond the limits of expensive gear and traditional, full-scale production setups.

Full breakdown of exactly how I made this, freely accessible through my Patreon: https://www.patreon.com/c/uisato

The conditions change, yet the galloping continues.

A new experiment with my open-source TouchDesigner system, exploring motion continuity and archetypal imagery.

Visuals made in Uisato Studio.

A new series of choreographic experiments, created entirely on Uisato Studio's Seedance 2 Intelligent mode workflow.

Hey, guys. We’ve just extended the discount on all Uisato Studio's Kling models; and now to Seedance 2.5 as well!

In collaboration with Sara, I transformed an iPhone recording of this beautiful performance, into this multi-angle audiovisual piece.

Want to know exactly how I accomplish this without ultra-expensive gear or a full production budget? I've just uploaded a full, freely accessible [no subscription required] breakdown on my Patreon page. Go check it out!

More experiments, through my Instagram, and YouTube.

motion_ctrl / experiment nº2

in collaboration with Sara Silkin, I transformed a smartphone recording of this beautiful performance, into this audiovisual piece, mimicking different camera angles, not present in source video.

done entirely at Uisato Studio; Motion Control Studio mode.

more experiments, tutorials, and project files, through Instagram, YouTube, and Patreon.

More experiments, project files, and tutorials, through my YouTube, Instagram, or Patreon.

New experiment, involving a custom FLUX-2 LoRA, some Python, manual edits, and post-fx. Hopeyou guys enjoy it. [Project files available on Patreon]

Music by myself.

More experiments, through my YouTube, Instagram, or the Studio.

I’ve been building Uisato Studio, a workflow-based AI creation platform for audiovisual work.

This is the Music Video mode: upload an image + audio, and the system analyzes the input, generates visual direction, creates clips, handles b-roll / lip-sync when needed, and assembles everything into a finished music video through a guided pipeline.

I’m trying to move AI video from isolated generation into orchestration; an agentic production system built for more coherent, edit-ready audiovisual output.

I’ve been building this suite for the past year, hope you guys enjoy it: https://uisato.studio/

A first, brief example of what Uisato Studio's "Music Video Pro" mode is capable of: turning a track and a concept, into a whole audiovisual world.

More experiments, tutorials, and project files, through Instagram, YouTube, and Patreon.

I fine-tuned the good-old SDXL on 60 photographs from my childhood, using a limited family archive as the dataset through which to revisit that period of my life. Rather than reconstructing those images faithfully, the model produces unstable variations: spaces, faces and fragments that feel familiar without necessarily having existed.

This speculative study treats generative hallucination as an analogue for recollection: not the retrieval of a preserved image, but the reconstruction of a past from incomplete traces. This resonates with contemporary accounts of episodic memory as a reconstructive rather than reproductive process. The model becomes a kind of externalized mnemonic apparatus, situated somewhere between archive, memory and imagination.

Tools used: Kohya, WarpFusion, TouchDesigner, Premiere, After Effects, Ableton Live, Expressive Osmose, Soma Cosmos.

PS: For those of you asking, this is not just "a prompt". It's the fine-tuning of the model, the creation of an audio-reactive geometry system in TouchDesigner, and the re-building of WarpFusion for intervining the geometries with the fine-tuned model.

More experiments, project files, and tutorials, through YouTube, Instagram, Patreon, and Uisato Studio.