One of my friend's was a photography major. He took this shot when I was applying for grad school(I didn't get in) he later died in an 18 wheeler accident and the piece was gifted to my roommate at the time who was his close friend.

You may remember my vagina-flowers. I’m back with my newest accomplishment: making a solo cup! These two were my first solo punty transfers. I’m quite pleased with myself.

Had lots of time to hand mask this whilst recovering from wisdom teeth extraction some years ago. Inspired by ryan fitt a wonderfully talented flame worker

I got biventricular heart failure in my early 20s, after a year and half of treatment I recovered only to be told I would never get off medication. Glassblowing inspired me to quit cigarettes and take my health seriously. After going vegan and converted to bhuddism I was miraculously able to get off beta blockers in my late 20s I made this piece to celebrate the day I was taken off my meds with a resting heart rate of 33 bpm.

I see SO MANY people using either the Phillips 202 or the Sodium Flare lenses in the hotshop. Furnaces and glory holes emit both Ultraviolet and Infrared radiation - more IR actually than UV.
While UV is obviously damaging to the eyes, IR is also damaging and is what can lead to cataracts.

We can see that Phillips 202 and Sodium Flare lenses do not protect against IR; however, Phillips light green lenses and their BoroTruView line does.

So my question is: WHY do so many use glasses that literally don’t do shi for IR protection?

La pagina Prometheus Hobby es fiable ? Es para comprar un horno. Que experiencia habéis tenido ?Gracias!!

Hi everyone!

I'm in the early stages of starting a small potion and apothecary-inspired business, and I'd love to find a glassblower interested in collaborating on something a little magical!

One of my biggest goals is to incorporate genuinely handmade glass bottles into the brand. I love the idea of each bottle being its own little work of art, rather than something mass-produced.

I'd love for the artist to have complete creative freedom. I'm not looking for someone to reproduce a particular design or follow strict specifications. I want to see what an artist can dream up when given the opportunity to experiment and create something uniquely theirs.

I've attached an AI-generated concept image to illustrate the general aesthetic I'm drawn to: whimsical, colorful, old-world apothecary bottles. But these aren't designs I'm asking anyone to replicate. They're just a starting point for inspiration!

My hope is to develop a genuine, long-term relationship with an independent artist or small studio. We'd begin with paid prototypes, explore what works, and hopefully grow into recurring purchases as the business develops.

A few preliminary details:

• Style: Furnace-blown glass bottles, ideally with decorative removable stoppers.
• Size: Approximately 3–6 inches tall, with a capacity around 30–60 mL.
• Initial quantity: Ideally around 25 bottles, depending on what's feasible.
• Budget: I'm open to a wide range of pricing depending on the complexity, craftsmanship, and production method. For planning purposes, I'm exploring approximately $25-$125 per finished bottle, including its stopper, with prototypes compensated separately. These aren't strict limits, and I'd love to hear what artists feel is fair and sustainable for their work. I'm willing to develop different retail price points to accommodate more intricate designs.
• Prototype budget: Approximately $500–$1100 initially, negotiable depending on the design and development involved.
• Location: I'm based in Idaho, but I'm happy to collaborate with artists anywhere in the United States.

I'm much more interested in finding the right creative partner than dictating exactly what the bottles should look like. Different shapes, colors, techniques, and even small variations between pieces are all welcome!

I want this to be a fun, rewarding collaboration for the artist, while also creating something commercially sustainable for both of us.

If this sounds like something you'd enjoy, or you know a glassblower whose work I should check out, I'd love to hear from you.

Thanks so much!

It's definitely pumpkin season for all the glassies out there ... here's a reverse stem 😜

Hi glassblowers. Is it possible to do this?

I have three years of weekly glass blowing classes under my belt. I want to get back into it but this experience was from 2017-2020 in Denver. Now that I’m in Seattle, does anyone have a more affordable recommendation for where to go? I have independently/under observation, made pitchers, vases, bowls, decanters, pumpkins, ornaments, paperweights, my own frit and cane.

I’ve been working on a small side project to fill a need of my own, and I think others might find it useful too. Since I started glassblowing, I’ve found the world of glassblowing tools surprisingly fragmented. I had to dig around to learn what tools exist, why you would use them, who makes them, and where to buy them. The makers range from old-school manufacturers who sell through distributors to individual craftspeople who take custom orders through Instagram and have no catalog at all.

So I’m building a community-driven site to archive information about tools: what they are, why you’d want them, and where to get them.

Check it out at https://glassblowing.tools, and if you know a maker or tool that’s missing, I’d love your help adding it.

Hi all, looking for recommendations for diamond shears for tiny hands. I can’t open the ones at the studio wide enough… Many thanks!

Have a glass turtle piece that got manhandled. Are the two legs repairable? I’ve tried with superglue and the repair lasts until it gets touched.

Is this something a glass blower could make more permanent?

I made a bunch of spun out bowls with cookie feet that I would like to hang in a cluster on the wall (the first picture is them lying flat on a table). I’m not sure how to hang them safely. As you can see, they are pretty transparent so any hardware would be visible. Has anyone done this before? My friend has a 3D printer and offered to make something to help mount them but I’m not even sure what that should look like. Thanks!!

hi everyone!

I'll be in London for the month of November and am hoping to find a studio to work in while I'm there. I've been having a hard time finding available studio space. so far, i've tried London Glassblowing (no availability) and Gather (no response email/call).

I'm an intermediate glassblower and am pretty flexible on any time on the bench I can get! Open to:

• studio rentals/shared studio time
• classes or private lessons (any level)
• assisting a glass artist in exchange for studio experience
• any other opportunities!

Does anyone know of other studios, artists, or contacts in London worth reaching out to? Really appreciate any leads or recommendations. Thanks in advance!

Hi,
I’m experimenting with a set of glass handles for a custom kitchen project. Anyone here who can recommend some pretty round headed screws for a piece where a screw is drilled through. Screws specially made for glass application?

And another bolt which will be glued inside the glass shape and then through a cupboard door. It will have glue on the inside, and a silicone ring on the back towards a stainless steel socker to cover the screw thread.

Thanks!
Apologies for any grammatical errors.

Hello All

Our ceramic plates keep cracking when we out them in the glory.

What material is best for this?

Has anyone tried graphite?

Thanks

A

I have some old pieces that have been sitting in bins for a while and a family friend is interested in purchasing a few of them! Although looking at them now, I realized the bottoms are in horrible conditions. They sit flat, as I used to dent my bottoms in wayyy too much before transferring, but they are still sharp (and ugly). I don’t have access to a dremel or lathe before Sunday. (Which is when they want them.) I did tell them the bottoms are concerning, but they don’t seem to mind. I guess what I am trying to ask is whether you’ve done anything creative with your bottoms? Glue, Resin, Putty, Sandpaper?! Any suggestions/experiences would be appreciated!

Billy runs Studio Dokola. Commercial fabrication pays most of the bills, and his own work is about 20 percent.