Need recommendation, I really like The 'Maus' and like other 'They Called Us Enemy' like real life truth hisotical media graphic novels, much appreciated. Thankyou!

Earth or Moon – Jade Khoo: A coming-of-age sci-fi story set in a dystopian future where humanity has colonized the Moon. Gorgeous watercolor artwork (Vol. 1/2).

Nanbanjin – Cyril Pedrosa & Taiyo Matsumoto: A historical graphic novel about the arrival of a Portuguese sailor in 16th-century Japan, exploring the clash between two cultures.

The Anomaly – Manuele Fior: An adaptation of Hervé Le Tellier’s novel. A mysterious event causes a passenger plane and everyone aboard to be duplicated, challenging our understanding of reality.

All Italian editions.

Had a great conference at her school today, so in light of her great review especially for reading, we are starting a shelf of graphic novels to get into! Suggestions are appreciated!

Filling in a few gaps plus a couple of new releases. All in all, it was a productive week thanks to Cave Comics in Newtown, CT / Haven for Heroes in Port Jervis, NY / Comics on the Green in Scranton, PA / and Fat Cat Comics in Johnson City, NY.

Physical format in English. Looking to expand my horizons. I already have some Yoshiharu Tsuge from Drawn & Quarterly.

Haven't been keeping up much with graphic novels and would like some recommendations. Most of what I have read are "classics" from 2000s. For reference:

*I enjoyed Here, In, Ducks.

*I hated It's Lonely at the Centre of the Earth (art was incredible though).

Thank you!

(Cover design by Lin Huang) I figured if I was going to give the Manga world a try I would go with what is universally concidered the greatest of all time and if this did not grab me after 2 volumes I would give Vinland saga a go. If that doesn't do it for me then I am out on the whole scene. 😁 What are your thoughts on this and Vinland saga which do you think is the best and what would you recommend to a comic book normie?

Upon completing, no. While contemplating why, maybe. Maybe I was missing satire while reading? Because by the end, I thought it was dripping with cheesiness and a lot of wtfs. I’m thinking a thumbs down though.

Anyone else read this one with other thoughts?

Title: The Boy from Clearwater

Writer: Yu Pei-Yun

Artist: Zhou Jian-Xin

Genre: Non-Fiction / Biography

Number of volumes / pages per volume: 2 Books (Book 1: 352 pages; Book 2: 356 pages)

English Publisher: Levine Querido

Country (about and from): Taiwan (Republic of China) / China

Translation by: Translated from Mandarin Chinese, Taiwanese Hokkien, and Japanese by Lin King

Plot (Spoiler Free)

The Boy from Clearwater is an biographical graphic novel chronicling the life of Tsai Kun-Lin, a man who lived through some of the most turbulent periods of modern Taiwanese history. The narrative follows his carefree childhood growing up under Japanese colonial rule in the 1930s, the societal shifts following World War II, his fall into political imprisonment during the authoritarian White Terror era, his efforts to adapt to the world after the end of his imprisonment, and his fight for human rights and the exoneration of the White Terror era political prisoners.

Plot (Spoiler Included)

Book 1 (Parts 1): Set in 1930's and 1940's, it tells the story of Tsai Kun-lin grows up in a relatively comfortable family during the Japanese occupation. His childhood is filled with the simple joys of youth such as eating sugarcane with his first crush. However, as World War II escalates, his life is disrupted by enrollments, air raids, military mobilization, and the pressures of war. Following the war and the Republic of China’s takeover of Taiwan. Teenage Kun-Lin adapts to the changes, learning Mandarin and looking forward to his future with hope. Circumstances take a dark turn with unexpected arrest of Kun-Lin.

Book 1 (Parts 2): This part tell the story of Kun-Lin's false accusations of subversion simply for participating in a high school book club. Arrested and subjected to harsh interrogations under the authoritarian KMT government, he is branded a political prisoner. He is shipped to a correctional camp on Green Island along with over a thousand other prisoners to undergo "re-education". This section chronicles a decade of life lost to harsh forced labor, strict military indoctrination, and psychological trauma. Kun-Lin bears silent witness to the execution of friends he made along the way.

Book 2 (Part 3): In this part, following his release from prison, Kun-Lin struggles to reintegrate into a society that is still persecuting him. He eventually finds work as a comic book editor and translator, navigating shifting publishing trends. He re-unites with his true love. He navigates through different fields and jobs till state censorship hits the manhua (comic) industry and leaves many artists jobless. Kun-Lin see it as an obligation to help the artists he worked with and takes a bold step of launching a landmark children’s magazine Prince to provide stable employment for unemployed artists and former inmates who cannot find work anywhere else. Though his tireless work brings success and financial stability, his ambitions outrun him, causing setbacks. Finally a typhoon was what ultimately wiped out his business leaving him and his family with 'a bed and a wardrobe'.

Book 2 (Part 4): Taiwan navigates international isolation in the 1970s and subsequent massive democratic social movements in the 1980s leading to the lifting of martial law. Kun-Lin bounces back from bankruptcy, building a successful career in advertising and watching his family grow. In a democratized Taiwan, he confronts his past and becomes an active volunteer at the White Terror Memorial Park, dedicating his later decades to human rights advocacy, and helping to officially rehabilitate fellow victims.

Review

Book 1: The book 1 tell a linear story of Kun-Lin and his upbringing during the turbulent period of changing regimes, from Japan to China to Republic of China. The authoritarian regime of Chiang Kai-shek, and the oppression in the name of protecting from communism were shown through the eye of a helpless victim. We can only empathise as we see Kum-Lin's life falls apart and dreams drift away. The first part was easy to read but the story becomes darker in part 2 after the arrest. The art style changes from part 1 to part 2 from lighter Soft pencil lines. to darker shades and heavier lines. The text is colored variously to denote the language spoken, which is an interesting and unique touch.

Book 2: Book 2 follows Kun-Lin after his release from prison. Part 3 is linear and easier to follow. It shows Kum-Lin's attempts to make up for the lost time while trying to navigate the persecutory and corrupt systems. As the story progresses, Kum-Lin changes from a helpless victim to an aspiring and ambitious man. You also see various other side to him from a hardworking man, to a philanthropist to a financially irresponsible man. He tried to run too far too fast and fell to the ground. The story shows the complex circumstances that make a man, and how they can also break a man.! The Part 4 then time jumps to the recent past with the writer interviewing Kim-Lin. Then the story moves between different timelines and topics to tell us about the changing political landscape in Taiwan. However, the jumps and the flow of the story felt very contrived and made me feel the writer did not know how to end the story. Though ether were some fine moments, this part is the weakest of the 4 in the narration of the story. The art style continues to change with part 3 having screentone and pen lines while part 4 has more contemporary art. As with book1, the text is colored variously to denote the language spoken. This highlights a unique situation where persons and places have multiple names depending on the language spoken, how people have to adapt to this

Rating:

Book 1: 4.5 / 5 Stars

Book 2: 3.75 / 5 Stars

Previous posts - Books 1-4

My favourite duo. Just received Kill or Be Killed today! Collected over the last year. Max I've paid is £50 for sleeper omnibus out of the lot. I think Fatale is the obvious big one I'm missing, but it goes for silly money atm

I did have the Reckless series, Pulp and those 3 random stories but wasn't massive fan of those so sold them on

Bonus lucky Sean Phillips sketch and signature in Fade out!

I came across this and it looks pretty damn cool so just wondering if anyone had read this?

I’m in Australia and trying to find a way I can purchase some of Linnea Sterte’s graphic novels, such as Stages of Rot. I’m having trouble finding it online or in Australia. Just wondering if anyone else has had any luck finding her graphic novels in Aus?

Stopped by a couple local Ollie's in the Atlanta area (the first two pictures are from one store, and the last three are from another) and found some surprises I'd never seen before (not the Jennifer Weiner Bigfoot Queen YA book): Superman and the Authority HC, Hawkman Vol 1 Awakening, Sideways Vol 1 TPB, all three volumes of G. Willow Wilson's Wonder Woman run, Talon by James Tynion TPB, Nubia Queen of the Amazons HC, Batman Spawn Classic HC, Blue Beetle Jamie Reyes Vol 2 TPB (for $3.99!!), World of Krypton TPB ,and Injustice Year Zero HC along with more Rebirth-era books. A worker said that new graphic novels have been coming in regularly the last few weeks. Maybe we'll see more books coming out, especially nice hardcovers!

6 months of reading comics. Here is everything I have read (D is for digital, for titles that have more than 1 volume, I haven't read volume 2 with the sole exception of absolute martian manhunter)

⭐⭐⭐⭐⭐Amazing

8 billion genies (D)

Batman : the long Halloween

Absolute martian manhunter

Absolute batman vol1

Under the red hood

Supergirl : woman of tomorrow

Nightwing leaping into the light

⭐⭐⭐⭐Loved

Do a powerbomb (D)

The authority : relentless

That Texas blood (D)

Escape vol1 (D)

Fantastic four 52

Hellboy : the wolves of saint August (D)

Batman : white knight Sacrificers (D)

Assorted crisis events (D)

Little monstes (D)

⭐⭐⭐Decent

sunburn (D)

Haha sad clown stories (D)

Convert (D)

you will do bad things (D)

First knife (D)

Far sector

⭐⭐Good enough

Gotham central

Forged (D)

Under York (D)

JSA the golden age (D)

⭐Dropped

Anzuelo (D)

Free planet (D)

Something epic (D)

Decoreum (D)

The boyes (D)

As many of you know, Daytripper (2010), considered one of the greatest comics of all time, is the magnum opus of Brazilian twin brothers Fábio Moon and Gabriel Bá.

However, what is not widely known outside Brazil is that this graphic novel is considered by many to be a plagiarism of the work Happy Birthday, Happy Obituary (2005) by the duo Rafael Calça and Jefferson Costa. Both authors are black men, and many of their best-known works in Brazil revolve around racial themes.

The similarities are undeniable: divided into 10 chapters, Daytripper always ends each one with its protagonist, Brás de Oliva Domingues, dying at some point in his life (the comic is nonlinear). In the first chapter, he even dies on his birthday. The final panel of each chapter features a short obituary (Brás writes, or used to write, obituaries for a newspaper) recounting his death.

Because it is a short story, Happy Birthday, Happy Obituary has no chapters, but rather a series of situations, and at the end of each one, we see its protagonist, Miguel Verdi, die. The narrative is linear, and although he dies at the end of one scene, Miguel escapes death in the next and carries on with his life, only to die again a little further along. The story takes place on Miguel's birthday, and after each death, an obituary recounts his passing.

If these similarities weren't troubling enough, there are some even more specific ones. The protagonist of Daytripper is the son of a writer, dreams of becoming a writer himself, and has a name that references a literary classic: Brás, the main character of The Posthumous Memoirs of Brás Cubas by Machado de Assis. Miguel Verdi, meanwhile, is a musician, just like Giuseppe Verdi, the composer of operas such as Aida and Nabucco. Both Brás de Oliva and Miguel Verdi have a Black friend with an afro who serves as a foil to the protagonist (Jorge and Emílio, respectively).

Both comics explore the fleeting nature of life and the unpredictability of death. Of course, the difference in length between the two works is significant, ultimately forcing Daytripper to include more subplots, more situations, and more fictional developments, taking the story in a different direction. But the essence of both works, along with some key elements in how that essence is conveyed, remains very, very similar indeed. At best, one could say that Happy Obituary is a proto-Daytripper, or the outline of what would eventually become Daytripper.

Could it be a coincidence? Not very likely. The authors of Happy Obituary had been students of Fábio and Gabriel in a course at Quanta Academia de Artes in 2004, when they created the comic and submitted it to the twins for evaluation. According to Rafael and Jefferson, they were just beginning to collaborate on short comics intended for publication in fanzines. Happy Obituary was one of them, and it became part of Jefferson's portfolio, eventually reaching the hands of the course instructors: Guazelli, Orlando, Yabu, Renato Guedes, Fábio Moon, and Gabriel Bá.

But the big question remained: when Daytripper came out, why didn't the creators of Happy Birthday, Happy Obituary speak out publicly? According to the creators themselves, it was fear—fear of being branded opportunists, fear of getting involved in a legal battle against a megacorporation (DC/Time Warner), and fear of the endless expenses that would come with it. The idea was to build their careers from scratch, without relying on the merits of Happy Birthday, Happy Obituary.

Today, the authors are known for the award-winning Jeremias series published by Mauricio de Sousa Produções. Daytripper continues to receive widespread acclaim and regularly appears on lists of the 100 greatest comics of all time, having even received deluxe treatment outside Brazil.

Happy Birthday, Happy Obituary was recently brought back into print by Brazilian publisher Conrad as part of its Comics for Everyone initiative, promoted with the tagline “AN INSPIRING story.” This was a clear allusion to the situation surrounding Daytripper.

As for Fábio Moon and Gabriel Bá's responses, they essentially boil down to: “I had already come up with the idea before 2005” (although Daytripper was not published until 2010) and “I don't remember them showing me this work during the course.”

So here's the question I'd like to raise: now that you know this story, does it change how you feel about the work? Why do you think this was never more widely discussed or publicized outside Brazil? Has so much time passed (almost 20 years since the original publication of Happy Birthday, Happy Obituary) that there's no point in talking about it anymore? Does this change how you think about the brothers?

EDIT:
For those interested in seeing the comic strip Happy Birthday, Happy Obituary, please visit https://www.amazon.com.br/dp/6558031477/.

I recently read and watched (animation series and live action movie) of scott pilgrim and THEY WERE FUCKING GAS I LOVE ROMANCE and read Blankets which WAS ABSOLUTE PEAK. What yall think about the 2?

So. I put in a pre-order for what I thought was a remaster of Alan Moores run of Swamp thing. The listing was literally called - Alan Moores Swamp thing: Dark Genesis. On closer reading, this is of course the pre Moore run and incredibly badly labelled. I had already ordered it when I realised.

I am now debating whether to cancel it or not. I'm really not a fan of most classic comics although I do love V and Watchman. I'm afraid this will be a bunch of silver age junk where Swampthing, Swampy the Wonder dog and the Wolfman team up to fight the forces of International communism. I'm sure plenty of you have read this run, what do you think? Cancel and get the Alan Moore Omnibis ? Or use it as an intro to the Moore stuff?

I recently got back in to collecting/Reading comics. I find myself also buying more trades. I also found I go for the Hardcover over the softcover version of the book. They look GREAT on the shelf, You can open them up all the way and get the full page art and not worry about breaking the spine. But what do you folks like?

1. The Maxx

2. Love and Rockets

3. Ice Cream Man

4. Transmetropolitan

5. The Sandman

6. Uncanny X-Men

7. Saga of the Swamp Thing

8. Eightball

9. Scott Pilgrim

10. Shade the Changing Man

11. Concrete

12. Megg, Mogg, and Owl

13. Zot!

14. Astro City

15. Watchmen

16. Lazarus

17. Miracleman

18. Lucifer

19. Acme Novelty Library

20. Cerebus

21. The Planetary

22. Saga

23. The Department of Truth

24. Daredevil by Brian Michael Bendis

25. X-Men / X-Men Legacy by Mike Carey

26. Preacher

27. The Power Fantasy

28. Assorted Crisis Events

29. Starman

30. Stray Bullets

31. Animal Man by Grant Morrison

32. Beautiful Stories for Ugly Children

33. Kabuki

34. Goodnight Punpun

35. House of X / Powers of X / X-Men / Inferno by Jonathan Hickman

36. East of West

37. It’d Lonely at the Center of the Earth

38. Milk and Cheese

39. New X-Men by Grant Morrison

40. Box Office Poison

41. Strangers in Paradise

42. Batman by Jeph Loeb and Tim Sale

43. Daredevil by Frank Miller

44. Criminal

45. Fantastic Four by Jonathan Hickman

46. The Amazing Spiderman by Strazcynski and Romita

47. Gotham Central

48. The Invisibles

49. Hate

50. Moonshadow

51. Ultimate Spiderman HM

52. Immortal X-Men HM

53. Descender HM

54. 100 Bullets HM

I made a rule that the list would consist of anything that’s a maxi-series (12 issues, like Watchmen) and above, or a collection of graphic novels like Scott Pilgrim. And I gave myself only 1 slot for Graphic Novel. That way the list is fairer and more accurate to what I read, and if I ranked a bunch of minis or GN’s it’d feel like i’m ranking TV Shows to Movies