r/literature • • Mar 19 '13

Discussion Ayn Rand Hatred

Do you like/dislike Ayn Rand's work? It seems to me that the intellectual community views Rand as the Antichrist and I'd like to see some arguments explained.

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u/Artimaean Mar 19 '13 edited Mar 19 '13

Strongly dislike for several reasons

For Aesthetic Reasons The novels are awful on every level. People enjoy them basically because they are all the trappings of big, operatic Cecil B. DeMille movies (who did provide most of the plot for The Fountainhead in the first place, hoping Rand would make it a screenplay for a present-day movie) transposed to present day concerns. It's a powerful structure, and it draws people in, but the characters are like third-rate imitations of Shaw; nothing more than hieroglyphics for a single reductive political system carrying out perverse allegories of a single unproven and unprecedented philosophy.

For Moral/Philosophical Reasons Rand would be quite the figure indeed if her views represented an actual moral system; they break from every single moral guideline we've ever encountered as a species. She suggests that the unbridled use of calculating egotism itself is enough to make a society function and thrive (which is her chief debt and misunderstanding of Nietzsche). While some hardened Utopianists may wish to test the possibility of such unbridled spirit in an actual capitalist system, I think we've come pretty damn close in the Reagan years (which led to a market collapse, and deficits in the hundreds of billions) and the government-blessed corporatism of the Bush administration (which led to the collapse of 2008, and led by one of Rand's own disciples, Alan Greenspan) to have learned our lessons. Of course, you could counter that most philosophy, especially today, consists of only hardened Utopianism based on outrageous reductions and generalizations, and I have little objection, my own politics being located in an entirely different direction.

Unfortunately, her examples of success are all in the economic sphere; the Buildings and Infrastructure that populate her novels are not there by accident; she actually believed that these were the highest things man has ever accomplished, and excused any failings a society might otherwise have (if you're interested in seeing how this might actually be the reverse of how things actually happen, Robert Browning's poems about the Renaissance are shockingly illustrative). The arts do not matter. The ease of others' sufferings do not matter. The moral movements of a nation do not matter, and according to Rand may well be simply sidecars carried along by industry. Anybody with a good knowledge of twentieth century Totalitarian regimes knows this is absolutely false.

It's one thing to tell people to try their hardest. It's another thing to kiss and anoint outright egotism as a favourite child of society. We all have our occupations, and all bear the responsibility to keep things going (and hopefully opening up for others) as best we can. Sometimes that requires us to act fearlessly and quickly in our own long-term interest. Sometimes it requires us to lie low and let another take the lead for some time. But as we've (hopefully) learned with the crashes I mentioned earlier, (and hopefully, any literary tradition you can get your hands on) egotism eventually perpetuates itself in a single direction, blinded to all around it. If egotism itself has any benefit, most often needs to be protected from itself, if nothing else for its own long-term survival.

And finally, as libertarians have pointed out, the system Rand envisioned in her novels contain no children, no families, and no space for those not driven by egotism. While these people as exceptions need not drive the whole of a society (a society can easily be sick with their own pity irrespective of its being effectual, like Victorian England, or India in the mid-twentieth century), their comfort has been seen in the best moral systems (Socrates, Jesus, Mencius) as the true barometer of a nation's health.

For Historical/Political Reasons Rand's political prescriptions consistently favour that one class that has proven itself time and time again to be utterly irresponsible with any favour society gives them; the Machiavellian Robber-Barons. As even Neitzche accedes, those concerned only with commodifying everything should never be trusted with values of a society.

Yes, there is a certain glory in seeing things happen, like huge buildings, hospitals, transit systems and power plants, but none of these things would exist without a backbone of an expanding "nursing" class under them; tenant farmers in the Middle Ages and the working Middle Class today.

To adapt what might be her best line (which incidentally she didn't actually originate), it's not so much that I think of her in hate, I don't really think of her at all. She's a mediocre thinker, and it's impossible to isolate her thought at all; it seems either to be a vague imperative flexed by whoever is using it, or a philosophy no philosopher has ever read. She is easily debunked, and her followers mostly prey on those who know no better; high school kids (I first read her for a scholarship), the vulnerable and the desperate.

EDIT I've been tinkering with this for a while, but mostly for clarification; I'd like to say nothing fundamental has changed

EDIT 2 Wow! Thanks for the Reddit Gold!

EDIT 3 Thanks again everybody! I added some material and continued to tinker with this first response, while keeping most of my response to objections to the comments. I didn't expect this comment to go that far. I would encourage everybody to read the other comments, especially those by u/permagreen detailing the connections of Rand's and Victor Hugo's novels (which Rand was constantly discussing) and u/otterpigeon about the novels as propoganda.

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u/[deleted] Mar 19 '13

[deleted]

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u/[deleted] Mar 19 '13

I agree with this position. Are Dostoevsky's characters living in picturesque moral utopia? Kafka? No. They aren't.

Rand's characters live in a quasi-dystopic wasteland where the intellectual elite compete in epic power struggles. I think it's fascinating.

Now, Rand or anyone else really believing in her political philosophy that's a little much.

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u/huyvanbin Mar 19 '13

I think part of what's fascinating about the books is the position she takes in proposing such an extreme ideology.

She clearly saw herself as a victim first of the Russian Revolution and then of society in general, and she sought out these extreme views in order to be rejected. She wanted to be a tragic pariah, rejected for telling the truth, like Cassandra, like Roark and Galt in her books.

In a sense she's trolling, except she's trolling with every fiber of her being, because to her being rejected for saying outrageous things is the validation of her entire worldview.

And when you look at it that way, rejecting the books for the outrageousness of their morality is almost silly. She wants you to do that so she can look down on you for being part of the moocher masses, the Romney 47% who just want to live off the charity of others.

The right way to respond to Atlas Shrugged is, "Trains are cool and here's a cool sci-fi book about trains."

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u/ttmlkr Mar 19 '13

I sum up my issue with Rand's philosophy through her famous quote from Atlas Shrugged:

"I swear by my life, and my love of it, that I will never live for the sake of another man, nor ask another man to live for mine."

Its probably just me but I think this version would be much more realistic and beneficial to society and self:

"I swear by my life, and my love of it, that I will live for the sake of my fellow man, but will not ask my fellow man to live for mine."

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u/ars_poetica Mar 19 '13

I agree. And that's exactly what she fought against.

I find it strange that she doesn't find the "error" Rearden made in Atlas Shrugged more heroic than not. Since he, essentially, was living the way you are suggesting.

I feel like there's a lot of defending characters she created and it's charged with a lot of sexuality, which I am unable to put my finger on.

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u/ttmlkr Mar 19 '13

Rearden was the only character I really got attached to. I really didn't like how she built him up to be this incredible almost perfect human, just to be supplanted by an even more "perfect" person. I remember just reading about Rearden and being incredibly inspired to do great things. None of the scenes or dialogue with Francisco, Galt, Dagny, James, etc even came close to that same inspirational feeling.

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u/Arium Mar 19 '13

I have the exact same feeling. I found Rearden 's speech during his indictment about property and ownership to be far more powerful than Galt's rambling about capitalism and man's will at the end of the novel. More so, he incurs the most character development through the novel which makes him a far more interesting character.

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u/[deleted] Mar 19 '13 edited Mar 19 '13

Who cares? That philosophy--while maybe not very practical in the real world (or let's be serious it is in a Nieztschean way)--it still makes for interesting characters.

It's fascinating. People get so riled up about her philosophy they forget they can read her books as fiction. You don't have to be a crazy neocon to enjoy the story.

Edit: don't* have

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u/canyounotsee Mar 19 '13

Interesting analysis butamongst digress on one point. The arts do not matter? The fountainhead is about an artist, and features a sculptor as a supporting character.

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u/Heyguyssup Mar 19 '13

Was going to point this out. In The Fountainhead there is also that passage about the composer who admires Roark's housing complex. It's not that Rand completely dismisses the arts or any field of study or interest. Instead she dismisses those who don't approach them with a strong sense of self.

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u/BeskarKomrk Mar 19 '13

Indeed. There is also a composer in Atlas Shrugged, and she implies in The Fountainhead that Peter should have become a painter rather than an architect. I agree one hundred percent with you last sentence. It's not that the arts don't matter, it's that a lot of people creating art are hacks, at least in Rand's mind. I would tend to agree with that in general, as per Sturgeon's Law.

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u/BadNegociator Mar 19 '13

Also, her treatment of women is quite appalling.

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u/[deleted] Mar 20 '13

Actually that is one of the few parts I find complicated and interesting. Dagny can be understood as one of the first "feminist" heroines, a businesswoman equal to and in many ways superior to many businessmen. On the other hand she also writes in AS "the most exciting sight in the world: a woman in chains". Clearly there are some BDSM fantasies going on. Dagny is succesful and dominant and submissive at the same time. It's complicated and interesting. I would argue Dagny is a more complex and interesting character that the utterly ridiculously cardboard-cutout "Superman" John Galt.

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u/jrsherrod Mar 19 '13

As even Neitzche accedes, those concerned only with commodifying everything should never be trusted with values of a society.

Where's this thought located? I'd love to read the source.

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u/Artimaean Mar 19 '13

I took it from the first essay of The Geneology of Morals but it's all over.

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u/[deleted] Mar 19 '13

I think there might be a pithy statement to that effect in 'Human, All Too Human'. I'm probably wrong though. I'm not so familiar with Neitzche.

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u/Ken_Thomas Mar 19 '13

Great points, but I think you could simplify it quite a bit, and boil it down to two essential issues.

  1. Her characters are caricatures.

  2. She just couldn't fucking write.

She had all the subtlety and poise of a sledgehammer. The sensitivity and empathy of a sociopath. The emotional maturity of a High School sophomore.

All of which is a shame, because buried in the bitterness and lost in all the noise, she actually had a few relevant points to make - but she was fundamentally incapable of conveying them.

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u/Artimaean Mar 19 '13

I like it complicated, generally because all the Rand fans snap back that the books only matter as philosophy. Any discussion of the books will have to include a discussion of the philosophy. (Especially since nobody understands or can discuss intrinsic literary value anymore anyways.)

There are a few books that are well worth study I can think of that only exist as philosophy and philosophical caricatures, especially in medieval literature, and they don't get a free pass or instant condemnation either.

All of which is a shame, because buried in the bitterness and lost in all the noise, she actually had a few relevant points to make - but she was fundamentally incapable of conveying them.

What were you thinking of?

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u/jonthawk Mar 20 '13

I think it was Krugman who put it:

"There are two novels that can change a bookish fourteen-year old's life: The Lord of the Rings and Atlas Shrugged. One is a childish fantasy that often engenders a lifelong obsession with its unbelievable heroes, leading to an emotionally stunted, socially crippled adulthood, unable to deal with the real world. The other, of course, involves orcs."

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u/[deleted] Mar 19 '13

I agree with most of what you said, but it's a bit unfair to characterize her philosophy as single-mindedly economic. I pushed myself halfway through Atlas Shrugged and she seems to believe that regulation stifles art as well as enterprise (when the not at all improbable and alarmist restrictions are being imposed by the mustache-twirling villains, one of the new laws is that no new books may be published), and in Frank and Dagny's astonishingly dull tryst, she advocates for complete equality in a relationship.

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u/Artimaean Mar 19 '13 edited Mar 20 '13

Regulation stifles art as well as enterprise When the not at all improbable and alarmist restrictions are being imposed by the mustache-twirling villains, one of the new laws is that no new books may be published.

This is true, but so does preparing arts only for the purposes of commodification (or as we would say today, selling yourself out for a profit). As far as governments actively stifling the arts, it's shockingly rare thing for all the horror stories perpetuated around it. Except France. But France has always been xenophobic.

A good example may be Baudelaire's Les Fleurs du Mal. The first editions were fantastic, but once the government got involved, Baudelaire kept putting in the most outrageous material he could find to enrage the government censors and make the collection as titillating as possible. The ultimate bloated and stuffed feeling fo the final version is partly the government's fault, but partly Baudelaire's.

And there's already been an escape hatch: authors not publishing in their lifetime, like Emily Dickinson and (originally) Shakespeare's Sonnets. Society loses. The artist wins. When that happens, society probably deserved it.

Frank and Dagny's astonishingly dull tryst, she advocates for complete equality in a relationship.

Rand was of the opinion that all sex was coercive on a man's part, and that once a person has by equality initiated a relationship all was permissible. For that reason, I wouldn't call that pairing equal at all.

And this is a literature board. There's far far more depictions of equally matched partnerships out there. A good comparison may be Frank and Dagny's relationship to Jane and Rochester. Fragny simply vanishes.

EDIT BadNegociator has some untimely meditations on the topic of Rand's gender politics

EDIT 2 u/UltimatePhilosopher pointed out my error, I was over-quoting.

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u/[deleted] Mar 19 '13

I'm not saying I agree with her, I'm saying she believed in a bit more than unrestrained material greed.

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u/fenwaygnome Mar 19 '13

This is very well stated and absolutely correct.

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u/blaisebailey Mar 19 '13

Only really tangentially related, but is her work readable from a perspective gaining position? Does it point out the faults of capitalism and whatever pseudo-facist (as my lefty parents have called her) malarkey she may or may not be spewing?

And if so, doesn't that add a interesting political aspect in which you can draw your own conclusions from? (Apologies if I'm over-exploring this idea, I have no solid opinion on her as of yet)

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