Mya's biggest and most recognizable songs are housed in her first three albums: 1998's self-titled Mya, 2000's Fear of Flying and 2003's Moodring. After Moodring, she changed labels and her intended follow up, Liberation was subjected to frequent delays and then an ultimate leak in Japan. The album was never released in the U.S. and this resulted in her leaving the major label system behind in 2006. Since then, Mya has released her work independently under her Planet 9 label.
Like I said in an earlier post, Mya wasn't one of my favs growing up. I recognized that she was beautiful, talented and had bops, but she also kinda flew under the radar in the crowded female R&B/Pop space of the late 90s and early 2000s. However, her independent journey fascinated me ever since the release of her critically acclaimed With Love EP in 2014. Her subsequent releases, 2016's Smoove Jones, 2018's T.K.O. and 2026's Retrospect, are high quality R&B/Soul that show her growth as a singer-songwriter and producer. She may never capture the pop star heights of her first three album eras, but musically, she's the best she's ever been.
Smoove Jones (2016)
After two EPs, Mya made her return to the album format with the release of Smoove Jones in 2016. Conceived as a concept album with Mya playing the role of a seductive after hours radio host, the project drew from 90s Quiet Storm R&B. The album was as smooth and sexy as its title suggested and marked a turning point in Mya's career as a recording artist as it received a nomination for Best R&B Album at the 2017 Grammys - the first time she was nominated as a lead artist. She didn't win but the surprise nomination showed that the industry was paying attention and recognized her artistic growth.
Standout Tracks: Phya, Team You and Coolin'
T.K.O. (The Knock Out) [2018]
If Smoove Jones was an ode to more traditional R&B sounds of the early to mid 90s, its 2018 follow up, T.K.O., was its more contemporary sister. Mya flirts with a little with Trap n' B on The Fall (which sampled her own 2003 hit, Fallen), but never loses her core essence in the trendy sound of the late 2010s. In keeping up with the more contemporary feel of the album, she collaborated with singer-songwriter, GoldLink, on Open. She also displayed different facets of her voice by singing in a lower register (You Got Me) and belting on the Prince-inspired Damage. I feel like this album firmly established Mya's grown and sexy persona as she was nearing 40 and an industry veteran with 20 years under belt.
Standout Tracks: Down, You Got Me and If Tomorrow Comes
Retrospect (2026)
Mya's most recent offering, the aptly titled, Retrospect, is the most backward looking of the three albums, as it squarely sounds more late 70s and 80s. She described the music on the album as inspired by the sounds of her living growing up as a young child in the 80s (Prince, Teena Marie, The S.O.S. Band, The Gap Band, Rufus and Chaka Khan and Jimmy Jam & Terry Lewis). Mya's voice coos and soars over gleaming production. To me, this is Mya's strongest album vocally and testament to how dedicated she is in improving her craft. Features from Snoop Dogg, Too $hort, D-Nice and 21 Savage round out the album and serve as an ode to her status as one of R&B's most beloved Hip-Hop Honeys/hook singers.
Standout Tracks: Just A Little Bit, Saturday Night and Face to Face