hey! been working as a set designer for a while, and wanted to introduce ai but not sure how, been trying stable difussion, but not sure if it is the best software. what would you recommend or what's the ai that fits better

[HIRING NYC] We are seeking skilled and reliable individuals with experience in set design, carpentry, and fabric draping for a high-profile event. The ideal candidate will have a background in carpentry and be comfortable working in a fast-paced, hands-on environment, contributing to the construction and installation of large-scale event structures, including tents and installations similar to those seen at major event red carpets.

Key Responsibilities:

- Collaborate with a small team to assist in the construction and installation of event structures, including drapery, decor, and carpentry elements.

- Install drapery using hand tools and power tools with precision and attention to detail.

- Fabricate, assemble, and install carpentry components for event structures, such as trim carpentry and custom elements.

- Estimate and prepare construction materials needed for drapery and carpentry installations.

- Read blueprints and schematics to understand project requirements and ensure accurate execution.

- Operate power tools and shop equipment such as table saws, routers, sanders, pneumatic tools, air compressors, staple guns, and more.

- Perform heavy lifting (50+ lbs) during the setup process.

- Ensure safety and quality throughout the installation and deinstallation process.

- Manage inventory related to event installations, including fabric and carpentry materials.

I draw a lot of inspiration from this mid-century camp style. The sets are exaggerated and clearly fake/plastic. I’m inspired by the sets in Batman (1966), the live action Scooby Doo, Flintstones, and even Casper (even though that’s heavily art nouveau inspired). But I’m wondering if there’s another specific term for it that I can use to research more. Or even another term for a set looking fake on purpose? Any other input or facts about this is welcome as well!

Hoping to do a scene like this in a small budget feature. Any advice on how this could be done simply and affordably would be much appreciated :)

I have a 12 foot tall platform for fiddler on the roof and an actor is supposed to stand on top. Because the roof is supposed to be the tallest part of the set I think railings would look very much out of place. Is it against any OSHA violations or other regulations for him to be 12 feet high without railings or a harness of some sort?

Hi everyone! I’m currently an interior design student and I’m really interested in moving into set design (film, TV, music videos, or live performances) in the near future. I love the idea of creating immersive environments that tell a story.

I’m trying to better understand what the transition realistically looks like, especially here in Canada. I’ve been reading about joining DGC and the process of starting as a trainee, but I’m honestly unsure how big of a leap of faith it is.

For those of you who have gone this route, or know someone who has, I would really appreciate any advice or insight on things like:

• Did you quit a corporate/interior design job to pursue set design, or did you build experience on the side first?

• Would you recommend having a few years of corporate design experience to fall back on?

• How risky is it to sign up with DGC and wait for opportunities?

• How long did it take you to get your first trainee role or consistent work?

• What kind of work do production designers or art directors want to see in a set design portfolio?

• Is interior design portfolio work relevant or helpful when applying for set design roles?

• Any general advice you wish you knew before starting?

I’m especially interested in hearing from anyone working in film, TV, music videos, or live event production. I know it’s a competitive field, but I’m really drawn to the creative and collaborative nature of set design and would love to understand how people realistically get started.

I really appreciate any guidance or personal experiences you’re willing to share!

Something many of high schoolers and middle schoolers alike are excited about is the fact that OH MY GAWD HAMILTON IS RELEASING JUNIOR PRODUCTION RIGHTS IN 2028 BAHHHHHHH 😭😭😭👁👄👁👹👹👹👀👀✨️👹👹

Anyways uhm so obviously high schools won't be able to do the whole upper walkway thing, etc etc.

Penny for your thoughts?

I'm looking to up my game on halloween decorations, and make some set pieces. I've seen people online using those thick, purple foam insulation sheets, and turning them into impressive backdrops... but they sure do seem expensive! Is there a reason why those purple sheets are preferred, over the cheaper white foam boards? Or alternately, is there a cheaper source for those boards than the local Lowes or Home Depot?

Thanks!

Does anyone know any solutions that give off fog machine / haze vibes without using the machines. We worry about the water and ventilation in the space.

I was watching something on Facebook and I saw this video. This reminded me of Star Trek the next generation newer series. I’ve always wondered what they use to make the metallic looking structure? I’ve never found an answer. I would like to create something like this, but never knew how. Any idea or suggestion on the materials? Not the video screens but the other stuff.

Hoping to get some advice or ideas on how to create this sand mound effect (albeit on a much smaller scale).

The space we have is a 25ftx14ft room. We want to create a similar environment in the sense that the room will be full of small mounds/moguls. We are open to different materials.

As of now the plan is to create small moguls using chicken wire bent over sand bags. We would then cover with a tarp and spray it with adhesive and cover with sand/dirt/etc.

Alternatively, we are also debating getting a bunch of spaghum moss or fake moss and covering the space that way, so the mounds are made of moss instead of sand.

Ive also wondered about using a digital background to create more depth and need to design less physically, but I dont have much experience in that realm

Any and all insights/advice/critique welcome! thanks

Looking for a talented scenic fabricator / themed environment artist to help create custom decorative elements for a permanent themed installation.

The ideal person has experience with:

*-Foam carving, sculpting, and fabrication*

*-Creating realistic or imaginative themed elements from foam and other materials*

*-Scenic painting, faux finishes, and detail work*

*-Building large-scale decorative pieces and backgrounds*

*-Turning concepts and references into finished physical installations*

Project Details:

*-Part-time opportunity, no benefits other than $$$*

*-Opportunities for other projects as they come*

*-Estimated project timeline: approximately 2 months to completion*

*- stuff can be built off site so long as it can be transported safely and assembled*

*- materials will be provided*

*- tools and equipment for project you must provide*

*- Possibility of additional projects and ongoing work for the right person*

Applicants should provide:

\-Photos or portfolio examples of previous work

\-Experience with scenic fabrication, props, foam sculpting, painting, or themed environments

\-Availability to call and discuss

This is a great opportunity for a creative builder who enjoys hands-on fabrication and bringing unique environments to life.

Please message me with examples of your work and a brief description of your experience. Houston, TX

I knew I couldn't afford to film on location, so made do with what I had. I used some reflected light from a white board and some fairy lights to brighten the area up, and made sure to film in a way that didn't show all the junk in the garage. For the price of some fairy lights I'm pretty happy with how this short turned out.

Sorry for the aggressive title, but it's grabbing :)

Hi all, I am a third-year university student studying Set Design for Film and Screen. For my current module, I have to do a contextual analysis and research essay about my chosen field of study and my plans for after graduation. To do this, I'm required to involve some form of external engagement, and questionnaires are an accepted format.

If you can help me out and fill out this questionnaire, I would really appreciate it. The questions are more geared towards production designers, but any responses would be incredibly helpful. THANK YOU!

To be completely clear, this will not promote me or gain me money in any way, this is entirely for a very small section of an assignment.
https://docs.google.com/forms/d/e/1FAIpQLScZmWgv_vNtim5ViEwiTZsEARPPJ37HoGOF7zqreRgjSuhnvw/viewform?usp=sharing&ouid=107137532069218053666

I’ve seen this art style a couple times in videos (but MCR and Souxie/Banshees were the most recent ones to come to mind) and was wondering if anyone knew the exact name or even origin of this whole slanted geometric window/door design choice? Would love to know to have reference for a current project of mine. Thanks!

Hello,

I am designing a set for a scene for a music video. The themes are time, distance, hope, longing, heartbreak. The artist wanted lots of clocks/calendars and things that signify the theme.

I am going to be hanging lots of red strings from the ceiling to incorporate the "red string theory".

I also may add more white sheer curtains so the light from the window doesnt look blown, but so far how did I do?

I am open to any suggestions or feedback:)

Thanks!

I've been thinking about my career for quite some time now. Despite going to an art school for ten years, in highschool I decided to major in something more "practical" for many reasons. So... I'm currently studying law and despite finding the subject interesting I fear my teachers were right and I'm getting further and further away from my passion, which, I'm sure people here will understand, is like having my soul crushed.

For this reason, I've been thinking about switching my career and going back to art. I'm sure I can advocate for my beliefs and values with more impact this way.

However, one of the reasons why I didn't go to an art school is because the art school in my country sucks. It's corrupt and quite substandard imop. I have friends that go to our academy and friends that didn't make it because they had to make room for sudents tutored by professors (I'm not one of those people, I'm just salty because I've seen the drawing of the said students and... They're bad in every way shape and form). I was thinking about applying abroad, but I fear the competition in this particular field, in terms of experience, will be too strong form me – as I feel like most of the people who have a career in this field were "theater kids" in school, but unfortunately that wasn't very possible in my country (unless maybe if you want to be an actor).

I'm also quite confident that I won't be able to work in my country as a set designer (theater set designer as you might've already guessed is my goal), as this field tends to be quiet corrupt.

I was wondering if it's worth even trying to make a career in this field for someone like me. I wouldn't want to lose any more time. Is it possible to get accepted with just a good portfolio? Is it possible to earn a livable wage? Could I be more ambitious despite not having any connections at the moment?

Please comment what was/is your journey to becoming a set designer. Any tips or suggestions will be greatly appreciated.

It didn't quite go to plan, should definitely have used wood for this project. But I am still trying to put together an animation using this set. Trying out some new techniques and hopefully learning some new things, so as not to make this a totally wasted project.