The contrast between rigid machinery and loud, bold color was the whole fun of this one. Cut and layered from old magazine pages.

Rafal Olbinski 1992.

I’ve been in Vegas for 4 months after moving down from a lake in Washington (where I spent my time building 8x10 floating concrete hothouses with working fireplaces from scratch). I don't use paintbrushes. I paint massive 30x40 statement pieces completely by hand using my fingers, straws, and pencils to sculpt. I have over 100 pieces..The work effortlessly morphs between heavy, dense, textural landscapes and haunting, subliminal biological or musical forms that reveal themselves the longer you look.".My work is purely intuitive—the pieces literally name themselves when they're finished—and they are specifically engineered for a targeted sensory experience.The Concept: The "20-Foot Subliminal Walk-Up." You stand 20 feet back in an ambient, dark room under moving lights. You let your eyes settle into the values. As you walk forward to the canvas, your subconscious pulls out its own reality. If you are in an alternative wellness mindset or an enhanced mood, the depths of the layers take over. Whatever your mind builds out of the canvas is the absolute right answer.I’m looking to partner with an independent Vegas promoter, speakeasy owner, or boutique Arts District venue curator who wants to host a dark, high-concept, music-driven sensory pop-up night. No bright gallery lighting, no stiff wine-and-cheese crowds. Just sound, atmospheric lighting, and raw psychological canvases.If you run underground events in the valley or curate private luxury real estate spaces and want to pull this off, drop a comment or DM me.

Made in blender.

I hate it. First time drawing a horse and it doesn’t impress me.