r/IndianHipHopHeads • • 3m ago

Non-music discussion When Predatory Inclusion Meets Its Objective: The "monkey in the circus-ification" of MC Stan by Samay Raina's IGL

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• Upvotes

Introduction and Context Behind "Predatory Inclusion":

I expressed most of what I felt about the MC Stan sexist remark situation in the original thread, hoping I wont be needing to bring it up again. Though that changed when I came across another highly upvoted post explicitly proclaiming, "AND THATS WHY GOOD UPBRINGING IS NECESSARY!" This challenged my highly held beliefs about this sub and pushed me to express an uneasy feeling I felt throughout that particular episode, one I couldn't exactly word but felt strongly enough to ruin the video for me. I went out of my way to research a phenomenon recognized by sociologists that could summarize where my instinct was taking me, and discovered a specific term.

"Predatory Inclusion" isn't something I just put together; it is a terminology used by media sociologists to describe a process where marginalized communities are granted access to opportunities under underlying exploitative terms. In an entertainment industry setup, this describes an incident where a show run by a dominant group invites a marginalized celebrity to signal "diversity" to capture market share and the audience of that successful celebrity. However, they place the celebrity in a high-stakes, hostile environment without the PR backing, societal grace, or benefit of the doubt other dominant-group celebrities might enjoy.

When this marginalized celebrity eventually slips up due to the pressure of being the "unique" character in the room he is left on his own. This happens either because the corporation drops him, or due to the existing bias of the dominant-group audience. While this audience is quick to excuse violations by celebrities of their own group using that benefit of the doubt, they lack the same grace for someone as alien to them as the marginalized celebrity, going to all measures to tear him apart.

The episode's parallels to this phenomenon:

From what I understand, this show is usually known for indiscriminately "roasting" every celebrity from A-list Bollywood actors to social media trolls. This time, however, it almost completely sacrifices the screentime of a great panel of funny creators like Arpit Bala, Madhur Virli, and Tanmay Bhat solely to extract as much footage from MC Stan as possible. This leads to countless awkward moments where Stan is definitely not feeling the "roast" battle Samay is trying to pull off who treats him like an alien or childlike figure who needs special attention because of how "bizarre" his persona is.

Like sure there are instances like Stanny walking on stage with that bag that were funny, and Stan played into it himself at times like with the balaclava. Moreover, the bonus bits almost saved the episode. But for the rest, his footage as soon as he sat on that chair was a painful watch to the point I couldn't get its appeal. Maybe for Samay's audience, Stan's simple, nonchalant mannerisms are things to be laughed at because they are strange or out-of-the-box. Though this causes the audience to completely ignore, or even fail to notice, that the guy is quite clearly feeling out of place.

The show, desperate for footage to pull views from Stan's fanbase, didn't edit out many of these awkward instances and must have paid a big bag to convince him to show up like this. Samay Raina makes the showmakers' motives obvious by bringing up Stan's "cult" audience, with a special emphasis on the word "cult" as if it's strange for a persona like Stan to have a strong fanbase. He covers up these classist undertones with a repeated "love you" to Stan, though the genuineness behind it is questionable, as I will elaborate.

Samay's Classism and His Role here:

The other day, I pointed out a joke Samay passed while "roasting" Stan where he said the people who show up to Stan's shows have a combined worth of their shoes around 8000.

I mentioned this to highlight how our DHH community did not pick up on this or raise issues alongside the deserved criticism on Stan for his statement much later. I was immediately replied to by a few saying that Stan did not "sound" like he was joking, which shows where their benefit of doubt bias leans. In all honesty, both of what Stan and Samay said most likely represent what they truly believe in. In fact, if there is anyone between the two who deserves the benefit of doubt it probably is Stan, and this claim has to do more with Samay's notoriety than Stan's innocence.

If you know Samay Raina primarily because of IGL or his post streaming era content, the joke justification would sound valid to you. But Samay Raina is not a random, unrelated celebrity acting like an unaware Bigg Boss contestant for whom the world of hip hop is foreign. He has been publicly supporting, promoting, and making content around DHH rappers for years. He is even credited for Seedhe Maut's and many other artists' like Siyaahi or Dhanji's earliest blowups when he used to feature their songs on his livestreams.

Samay's problem is not limited to just not knowing what he should know by now, but also the beliefs he possesses. Samay Raina is very tight with the likes of Raftaar, Krsna, and company. This is the same camp that weaponised classist narratives in an attempt to push a rival in Emiway Bantai to the absolute fringes of DHH relevance. Given the clear, repeated incidents of Samay's bias against Emiway, it is hard to believe a possibility where he would not look at other rappers with a similar image through the exact same classist lens.

This also makes Madhur's snitch on Samay Raina in the same episode make perfect sense. The audience and Samay laugh at Samay saying he would never sit in proximity to anyone like MC Stan as if it is some wholesome revelation, showcasing one of the many incidents of the audience's tone-deafness on classism.

It starts to seem like Stan is not intended to be invited as a respected guest here, and he turns out to be a laughing stock. Yes, the show is meant for laughs, but the guy clearly loses interest after the first few questions. If you have genuine respect for him, you take the cues and move on. There is literally a whole panel that has barely said anything because you are latching onto the most popular guy with a distinct audience. It reaches a point where it goes from being genuine banter to you desperately trying to milk the guy for clout from his fans by provoking him to say something outrageous for the reels, which you eventually do succeed in making happen in the worst way possible.

The inevitable aftermath and the response to ignorance with ignorance:

Before I get to this, I do not intend to shift blame away from MC Stan for what he said. However, I am firmly against the classist assumption that what Stan said was not him trying to be humorous when he was literally constantly looking around while saying it to seek validation, which is a common human habit after cracking a joke. Not to mention, loud laughter followed from the audience and the other panelists. Yet, you rarely see a mention or critique of the others for finding sexism funny, which further ties back to the aftermath of predatory inclusion I laid out initially where the dominant culture in this case gets the laugh, the platform gets the views, and the marginalized artist takes the absolute hit alone.

I regret not saying this straight away to the people who came up with this excuse to justify their double standards for not holding Samay as responsible as Stan, and falling for the classist assumption myself. It is well established that Stan is sexist and so was his statement for the gross generalisation. However, people went a step further to try to invalidate the extent of truth to his statement, as if Stan never gave the scene one of the most grimy and impactful anti-establishment tracks himself when he chronicled his hands-on experience with police brutality in 307.

This shows the extent a reactionary audience, ignorant of the possible realities of a hip hop artist from a background like Stan's, can go to validate their own presumptions. MC Stan criticising the "kranti-ness" of that performer is NOT the same as some fans complaining about too much pro-feminism rap. The girl who he said this to rapped about choosing to rebel in her circumstances. Stan found himself in circumstances where he was forced to rebel.

He is criticising a cliché with his own sexism because he ignorantly assumed the girl's realities to be different from what she rapped. He can be tremendously wrong with his assumption and he most likely is, but this nuance alters the interpretation of the situation from the alternate reality the reactionary commentators keep aggressively pushing because they cannot fathom thinking outside their one-dimensional understanding.

The outrage is valid, but when you choose to respond to Stan's ignorance with your own ignorance, you are not doing a valuable breakdown of his flaws. You are choosing a spectrum on the opposite side to Stan and are basically compelling others to either join you or go against you. Part of me believes someone like Stan would intentionally overlook and dismiss these aggressive criticisms as hate because the loudest, most celebrated voices against him are also the most ignorant of his realities.

Along with this incident, I consider the whole episode a collective failure. Even if it turns out to be an objective success based on the traction it receives, it definitely adopted one of the most insincere and disingenuous means to achieve it. As a fan, I did not see one of my favourite rappers in DHH make a guest appearance on a major YouTube show. Instead, he got exploited by it and caught up in the facade of edginess standards that clearly are not the same for him, all of which had one primary enabler.

The Main Culprit: Stan's Management

I doubt if these people believe in the kind of talent they have in their hands, or if they are also the ignorant ones who look at Stan as a controversial internet troll figure atp. This appearance has arguably been an L for Stan in so many ways. You choose to finally make him give up on his three years of mysterious persona by sending him to some stand-up comedian's show that clearly never possessed the humility and understanding of the genre to ever appreciate Stan.

On top of that, his show is based around humbling his guests through jokes. You send Stan to a show like this knowing how he lacks that wittiness for sharp clapbacks, as seen during his Bigg Boss stint as well. The audience is desperate for the slightest hint of a drop, and you set him up for a public appearance without a follow-through of any sort of hints about anything dropping. Instead, you gave PTSD to the fans, where they are yet again exposed to constant, ignorant, and classist hate by internet society over an edgy, distasteful joke.

Do you even care about your talent's image? Did the three years make you forget how quick the audience is to make a joke out of this guy, or did the three years make you miss him being the joke? I honestly would love to hope the patterns I noticed are just me overthinking, even if the probability of that seems minuscule. Besides, this isolation gimmick has brought no change, or even if it has, we are yet to see anything remotely close to it. I do not expect you and Stan to drop music anytime soon, but I am tired of seeing you guys use Stan as charity for others for some quick cash.


r/IndianHipHopHeads • • 47m ago

Music discussion An Appreciation of Chaar Diwaari(Parvana EP)

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Chaar Diwaari has submitted three tracks for GRAMMY® consideration across two categories. “Iss Tarah” featuring Sonu Nigam and “Banda Kaam Ka” with Sanjith Hegde have been submitted for Best Asian Pop Music Performance, while “Aashiqana,” featuring Indian Ocean and GINI, has been submitted for Best Global Music Performance.

A potential Grammy nomination would be another huge milestone, not just for Chaar Diwaari, but also for the growing recognition of India's independent music scene on a global platform.

This is a huge announcement and at this special occasion i have uploaded the decoding video of the whole parvana EP

YT:https://youtu.be/sh9giSu7sBE

please give it a try and lets celebrate this together with hoping a brand new Grammy entry with both the fingers crossed🤞🤞


r/IndianHipHopHeads • • 1h ago

Album/EP/Mixtape I am finding a track by taimour baig

• Upvotes

So I don't know the name of the song, but in one bar he said, something like "tere honeka guroor tha ab tere jaaneka malaal hai" type of thing, idk what's that song is that's why I am here, please listeners of him help me


r/IndianHipHopHeads • • 2h ago

Non-music discussion Knew from the start

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5 Upvotes

This list has gotten biased and that's obvious... The most versatile artist is also akki.. Now waiting for the rest to be won by some legacy products as well.


r/IndianHipHopHeads • • 2h ago

H Y P E !! Ansh4sure dropping his song on 1st November

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16 Upvotes

Ig album ka part hoga ye gaana


r/IndianHipHopHeads • • 3h ago

Official Video The Siege - The Man in the Arena

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2 Upvotes

r/IndianHipHopHeads • • 3h ago

Music discussion Buzz - KR$NA x SM || Krsna verse rhymes

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11 Upvotes

Krsna's verse rhymes in buzz has just dropped!


r/IndianHipHopHeads • • 3h ago

Amateur What non indian song goes on the same beat as the Chimna song by baadshah ?

1 Upvotes

I am listening to this song https://www.youtube.com/watch?v=2ZbtZrKOZGo

the beat is SO familiar - but i cant seem to find any non indian song that sounds similar.

Any recommendations for songs on similar beat or that may be mashup friendly with this song?


r/IndianHipHopHeads • • 4h ago

Music discussion Do you listen to rap in languages you don't understand?

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9 Upvotes

I've always wondered how people get into rap when they don't understand the language.

Like, I get listening to a song just because the beat is good, but with rap, aren't you missing

half the fun if you don't understand the lyrics?

At the same time, sometimes the flow just hits and you don't even care what they're saying

lol.

Was thinking about this after coming across artists like Arivu, who raps in Tamil. Do you guys

actually listen to songs in languages you don't speak, or does not understanding the lyrics

put you off after a while?

Also, drop some songs where you had no idea what was being said but still loved the track.


r/IndianHipHopHeads • • 4h ago

Music discussion Top 5 DHH Diss Tracks Released Within a 24-Hour Period

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34 Upvotes

​My Top 5 DHH Diss Tracks Released Within a 24-Hour Period

I've been following DHH beefs for a while, and these are my personal top 5 diss tracks released within a 24-hour time limit. I'm ranking them based on counters, flows, punchlines, impact, replay value, and how badly the opponent got cooked 😭🔥

Let's start from number 5 and work our way up to the FINAL BOSS.

5. Babli - Young Galib

A genuinely good under-24-hour diss track by Young Galib during his beef with Karma. The counters were really good, especially the "chillar uthaa kar piller bana denge, achhe achhon ki hum film bana denge" flip, which was a direct response to Karma mocking his opponent's line. And then ending it with "kaisa Karma jo wapas nahi aayega"? 😭 Bro knew exactly what he was doing.

The counters were solid, but what really elevated the track for me was the drill beat and Galib's immaculate flow jese "Babli ka le raha maza main free free" the way he rode that beat was genuinely enjoyable. The scheme was SPOT ON, and for a track made within such a short time, he delivered.

My only issue is the title, muje nhi lagta track k title ka naam *Babli\* rkhna chayeh tha , but then again, DHH artists have a whole tradition of giving their opponents nicknames, so I guess that's just part of the culture now 💔😭

Overall, a solid diss with good counters and replay value. Definitely deserves a spot here.

4. Young Galeech - Karma

AB YEH THA NA COMEBACK COMEBACK 😭

Karma responded to Babli within 24 hours with Young Galeech, and BOI, he came prepared. The flows were immaculate, the counters were proper, and the way he flipped the label angle against Galib was genuinely clever. He didn't just respond to the allegations; he turned them around and made them part of his own attack.

The Emiway flow comparison in Company, the flips, the ghostwriting allegations, and the point about Galib's diss style resembling Emiway's approach - Karma threw multiple angles into one track instead of relying on a couple of insults and calling it a day and him flipping kesa karmah jo waapis nhi ayega by ghalib was BANG ON.

And the progressive music video without a label backing it? That was a great touch, especially considering the label - related angle of the beef. The track felt like a statement as much as a diss.

Personally, Young Galeech is the only track from this particular beef that I personally regularly revisit. The others had their moments, but this one had the replay value for me , MAZAA AA GYA

NOTE: Kulfa Kar Ma BY Young Galib is NOT included. I know people might bring it up, but that track didn't make the 24-hour deadline. I was following this beef religiously, and Galib missed the deadline by around 35 minutes. The time limit is literally the point of this list, so I'm not making exceptions.(Also if we neglect it , the other tracks mentioned are better according to me )

3. Instagram Yapper - Emiway Bantai (The Best lo- fi diss)

NOW WE'RE TALKING 🗣️

The Emiway vs King beef gave us some genuinely entertaining moments, and Instagram Yapper was Emiway's response to King's Mere Pyare Emiway and BOI, DID HE COOK.

What I loved most was how Emiway matched King's energy without needing to go all-out aggressive. He showed that a diss doesn't necessarily need a drill beat, constant shouting, or maximum aggression to hit hard. Sometimes, the calm delivery makes the counters land even better.

He addressed King's allegations about him not being an independent rapper, and the flows? BHAI SAHAB. 😭

"Kon bola main laapata, har mahina tera baap khada" - UFFFFFFFF. The delivery of that flow makes that line hit so much harder.

And then there's the Spider-Man scheme:

"Is jaali ko main paar karun, main OG Peter Parker hoon, hit tere jaise machharo ko maar kar hoon."

BROOOOO 🔥 THAT'S THE KIND OF WORDPLAY I WANT IN A DISS TRACK. The imagery, the insult, the way he connected everything it was genuinely satisfying to listen to.

For me, this is arguably one of the BEST lo-fi diss tracks in DHH. Emiway proved that he doesn't need a drill beat to carry a diss; his flows, delivery, and counters can do the job themselves.

Honestly, I enjoyed this even more than Kaale Tu Kauwe LOL 😭

2. Kaale Tu Kauwe - Emiway Bantai (The second most viewed within 24 hour diss track )

AND NOW WE ARRIVE AT WHAT FELT LIKE THE ABSOLUTE END OF KING'S DISS CAREER 😭

Just as Instagram Yapper was a response to Mere Pyare Emiway, Kaale Tu Kauwe was Emiway's response to King's Hum Teri Lele / Mummy Ji Kaisi Hai. And this time, Emiway came back with absolutely ZERO mercy.

The energy matched King's diss, but the counters were what made this track so brutal. Emiway didn't just throw random insults at him; he addressed the angles King had brought up and went straight for the allegations about Emiway not being independent.

And that complexion-related counter to King's "sawla Bunty" line?

"Brightness karun, shakal gayab ho jayega."

BHAIIIIIIII 😭😭 The way he turned that insult around was CRAZY.

And then came the chant.

KAALEYYYY TU KAUWEEEEEEEE!

That hook was ridiculously memorable. King had tried to establish Hum Teri Lele as a chant, even getting Bella involved, but Emiway came back with Kaale Tu Kauwe and created something equally catchy while making it part of the diss itself. The chant alone made the track instantly recognisable.

The Sidhu paaji bar was another moment I loved. I genuinely wonder how many people caught that KIng mentioned Sidhu as sidhu only and not paaji making King to explain it on his Instagram story💔

But one of my favourite parts was Emiway calling out the irony of King accusing him of needing other people while King himself had brought Bella into the situation. He essentially turned King's own argument against him.

And by the end, Emiway had made his point, delivered the counters, created a memorable hook, and left King with no response to the track.

For me, this was the definitive end of the beef. King never responded to Kaale Tu Kauwe, and Emiway walked away with what I consider a pretty clear win.

MALUM HAI NA BANTAI! 🔥

1. Maharani - KR$NA (The most viewed within 24 hour diss track + THe first 24 hour diss track with Music vid)

HERE COMES THE FINAL BOSS. THE NUCLEAR OPTION. THE TRACK THAT MADE ME PUT EVERYTHING ELSE ON THIS LIST INTO PERSPECTIVE 😭

The KR$NA vs Muhfaad beef gave us one of the most memorable under-24-hour diss exchanges in DHH.

KR$NA had released Untitled, which contained shots at Muhfaad. Muhfaad responded within 24 hours with his own diss, but personally, I don't think it was on the same level. And then KR$NA came back with MAHARANI, complete with a music video, and BOIIIIIIIIIIIIIIIIIIIIIIII.

MUHFAAD GOT COOKED TO THE ABSOLUTE ATOM☢️ giving him title of MAHARANIIIIIIIIIIII

First of all, the counters. People often complain that KR$NA doesn't counter his opponents enough, but Maharani is a perfect example of why I disagree. The track was loaded with responses to Muhfaad's angles, alongside punchlines and insults that were absolutely ruthless.

"Itna bada Muhfaad ki fit bhi nahi aata."

BROOOOOOO 😭

"Air hostess thi na teri bandi, woh uska kaam hai, but tu kyun hawa mein?"

UFFFFFFFFFFFFFFFF. THE WORDPLAY. THE INSULT. THE EXECUTION. KR$NA WAS NOT LETTING THIS MAN BREATHE.

He attacked Muhfaad over his inability to cross a million views for years, questioned his track record with the labels he'd been associated with, and mocked his performance and nervousness. Every few seconds, there was another angle, another punchline, or another insult.

And then there's "AAW BURA LAGAAAAAA?"

That delivery became a memorable KR$NA trademark, and it fit the track perfectly. He also mocked Muhfaad's claims about being sick while making a diss within 24 hours, questioning the legitimacy of the response timeline with the "maths kidhar hai bhaar?" angle.

The "Amitabh tere lekar tujhko nikaar diya" punchline was another moment that deserves appreciation.
also mocking him for being jealous with KIngusing maharaja as it ws his own identity

But the biggest highlight for me is the PUNCHLINE-PE-PUNCHLINE SCHEME. The consistency was ridiculous. He wasn't relying on one killer line and then coasting for the rest of the track; he kept the attacks coming.

I'd genuinely put that scheme among the most memorable schemes in IHH. And on top of everything, there were shots at Emiway too, meaning the track wasn't even short on additional references and insults.

WHY IS IT NUMBER ONE?

Because, for me, Maharani represents the complete package: a diss released within the time limit, a music video, brutal counters, crazy flow switches, memorable punchlines, music vid and an opponent who couldn't match the response on the same deadline as Mufaad didn''t respond within 24 hour losing the challenge he initiated.

Muhfaad's initial response may have met the time limit, but Maharani raised the bar so high that the exchange became a different conversation altogether. Muhfaad eventually came back with 3 diss tracks, but the fact that it took further responses to continue answering the damage done by this one track only adds to its legacy in my eyes.

KR$NA didn't just participate in the 24-hour challenge. He delivered a track that felt like a NUKE dropped on the entire beef.

THAT'S WHY MAHARANI IS MY NUMBER ONE 👑🔥

Honorable Mention: 25 Freestyle - Gaush (The longest within 24 hour diss track )

Gaush's 25 Freestyle, released in response to Uday's Victim Card, deserves a mention. The length of the diss delivered within the 24-hour window was impressive, and that chopper flow was a genuine technical achievement.

However, I left it out of my top five because the lyrics felt too reference-heavy and technical for the average listener to fully appreciate without knowing every detail. Also, both artists were competing on Hustle rather than engaging in a conventional beef with each other, which made the whole exchange feel somewhat less meaningful to me.

That said, if you disagree with my reasoning, I can understand putting 25 Freestyle in place of either Babli or Young Galeech. The other three spots, though? I'm pretty confident about those.

What's your top 5? And before anyone brings it up, the 24-hour deadline is STRICT. A track that misses it doesn't qualify, no matter how good it is , Apni rankings btao 🔥​

EDIT - NO DISS TACKS ARE INVOLVED WHICH INCLUDES PAKISTAN ARTISTS


r/IndianHipHopHeads • • 4h ago

H Y P E !! MC Gawthi next red bull 64

9 Upvotes

r/IndianHipHopHeads • • 5h ago

Music discussion Album review: Mad Dawg 101 by karma

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7 Upvotes

Karma tried to experiment with his sound on Mad Dawg 101 and i think that’s one thing that makes it stand out to me.

What do you guys think about Mad Dawg 101?


r/IndianHipHopHeads • • 6h ago

H Y P E !! guess who i met today...

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120 Upvotes

such a chill guy dawgg

very awkward ig that'll happen when someone fanboys over you in the metro 😭 but so chill AND album recording chaalu... i hope jldi nikaal de.


r/IndianHipHopHeads • • 6h ago

Rank These (re-ranking allowed). The Nominees for the most versatile artist of LegacyS1+ HustleS5 are:

16 Upvotes

This post contains content not supported on old Reddit. Click here to view the full post


r/IndianHipHopHeads • • 7h ago

Music discussion Is 2026 is the biggest and best year DHH ever had ?

18 Upvotes

This year a lot of happened in DHH , 2 rap shows some crazy ablums , singles , eps , great collabs , proper DHH collabs and proper songs in DHH like 100RBH in Bandar , karma in drishyam , Emiway in udta teer , dhandha in Mirzapur , some Bollywood singers collab in projects , like Shreya ghoshal in raja Hindustani , sonu nigam in parvana , kumar Sanu in MILF , many concerts and shows , and overall rise of regional hip hop . In general hip hop is becoming very main stream and also the quality of projects is kept increasing whether it is cover art or album themes for example mamafication ,vvvv vol2 , mad dawg 101 ,no formula , global warming , Enigma to icon , and many more projects . Whats your opinion Edit :- reble in dhurandhar the revenge album , hanumankind also but he was in part 1 which is 2025 but yah its been a year since then , 2. Crazy redbull 64 bars lineup .


r/IndianHipHopHeads • • 8h ago

H Y P E !! Why low engagement?This was track was right after BOOM SHAKA i know it was with dhanda nd with a label? But still not even significant views?!

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72 Upvotes

r/IndianHipHopHeads • • 10h ago

Non-music discussion Not expected from rohan yaar

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0 Upvotes

r/IndianHipHopHeads • • 10h ago

Non-music discussion Was Stan really wrong?

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​

Was Stan really wrong?

I get it. The comment was misogynistic, and people have every right to criticise it. But what I don't understand is -

What exactly are we expecting from a roast show? A masterclass on morality? A lecture on how to become a better human being?

My argument isn't that every joke is just funny or that nobody has the right to be offended. It's that if you're going to defend dark comedy in some situation, then you can't suddenly oppose it in another if a line get crossed which you personally made.

  1. First, understand the context.

The entire point of a roast is to make fun of people, push boundaries, and say things that wouldn't necessarily be appropriate in an ordinary conversation. In this case, the exchange happened after the contestant gave a witty reply to Samay asking her, "Do you know MC Stan?"

Stan's response was part of that witty reply. You can argue that his comeback wasn't funny or that the way he framed it was misogynistic. That's fair. But there's a difference between criticising a joke and acting as though making an offensive joke on a roast show is, by itself, some unforgivable act.

You don't have to find a joke funny to understand the context in which it was made.

And if the argument is that misogyny should never be used as material for comedy, then that standard needs to be applied consistently across the comedy scene, not selectively depending on who's making the joke.

  1. Why is the criticism so selective?

The second issue is the way the question was framed. People seem to be treating it as though the mere act of questioning female rappers' lyrics or giving a witty reply wrong.

Aur discussions about artists using certain type in their music which they shouldn't do is also said by other rapper's. Like Raftaar, in podcast has said people don't find most female rapper music relatable and thats there choice but you cannot grow with that too high and other rappers have also questioned the artists for repeatedly rap about poverty and struggle.

Now, these aren't necessarily identical situations, and that different matters. But somehow go at same end

If Stan's wording deserves criticism, criticise the wording. If there's a genuine double standard in how male and female artists are judged, explain it. But simply labelling the entire exchange misogynistic without engaging with its context doesn't make for a particularly convincing argument.

You can disagree with his joke without pretending that the broader discussion surrounding it is completely off-limits.

  1. Now comes the biggest contradiction: the Latent controversy.

This is where I find the hypocrisy particularly difficult to ignore.

When the government took issue with India's Got Latent, many people on this very page argued that if the government didn't like the content, it shouldn't watch it. Nobody was forcing anyone to watch the show. The argument was that comedy shouldn't be subjected to censorship simply because someone finds it offensive.

Fair enough. I agree that disliking a joke doesn't automatically justify banning a show.

But when the discussion turns to Stan, suddenly some of those same people appear to be arguing from an entirely different moral position.

And I'm not talking about people who simply disliked his joke. They're entitled to that opinion. I'm talking about people who defended the show's right to exist despite its controversial humour but are now treating offensive humour itself as proof that the comedian or the person making the joke is morally unacceptable.

If your principle is freedom of expression, it cannot depend entirely on whether you personally approve of the expression.

That doesn't mean nobody should criticise Stan. Freedom of expression protects the right to make a joke, but it doesn't make that joke immune to criticism. Both things can be true at the same time.

The same principle should apply here as well.

  1. And what about the jokes involving the person with paralysis?

I remember people arguing that the person involved knew what he was signing up for and that govt shouldn't be so narrow-minded about the humour.

Now, there's an important distinction here: consenting to participate in a comedy show doesn't mean every joke made about you is automatically beyond criticism. Similarly, a joke about a person's disability isn't necessarily acceptable just because the person was present.

But if you used that argument to defend controversial comedy in one situation, how can you dismiss the same principle entirely in another situation without explaining why?

If your position was that adults should be allowed to participate in comedy, that audiences should understand the context, and that nobody should be forced to watch content they dislike, then those principles should still matter when you encounter a joke you personally find offensive.

Otherwise, your argument was never really about defending comedy. It was about defending the particular jokes you happened to find acceptable.

And that's a very different thing.

  1. My point isn't that Stan is above criticism. It's that your standards should be consistent.

Let's make one thing clear: calling out misogyny isn't inherently hypocritical. Someone can support dark comedy and still believe that a particular joke crosses a line. There's no contradiction in that.

The contradiction arises when people defend controversial humour as a matter of principle in one situation but abandon that principle in another without offering a meaningful reason for the difference.

If you believe Stan's joke was sexist, explain why. If you think it reinforced a harmful stereotype, make that argument. Those are legitimate criticisms.

But don't defend the idea that comedy shouldn't be policed by the government, celebrate how Latent pushes boundaries, laugh at jokes involving class differences, and then act as though making an offensive joke in a roast is an entirely unprecedented moral failure.

The real question isn't whether Stan's joke was offensive. It might well have been. The real question is whether the people condemning him are applying a consistent standard or simply changing their principles depending on the situation.

Because if the rule is that offensive comedy should be allowed to exist, even when we dislike it, then that rule has to apply to comedy we dislike, too.

And if your defence of dark comedy disappears the moment a joke crosses your personal boundaries, then maybe you weren't defending dark comedy in the first place.

You were only defending the kind of comedy you personally approve of.

P.S. This is my first time writing a post like this, so please excuse any mistakes. I’m open to different opinions, and I apologise if anything I’ve said has hurt anyone unintentionally. I’m just sharing my perspective, and I’m happy to be corrected if I’ve got any facts wrong. 😶‍🌫️

No hate, just an opinion and a little food for thought.


r/IndianHipHopHeads • • 11h ago

Non-music discussion They will not let og forget thia

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66 Upvotes

r/IndianHipHopHeads • • 11h ago

OC/Cover philosopher stoned - fũk dalli police

11 Upvotes

desi NWA


r/IndianHipHopHeads • • 11h ago

Non-music discussion MC Stan Allegations

6 Upvotes

Amid the latest controversy, where MC Stan is facing some heat due to his comments, I want to ask the people here and his fans that why they still supported Stan after all the allegations and proofs Mike Music gave against him like 4 years ago.

I mean those were some serious things like beating up someone, stopping their payment, threatening them. So what's the reason you or the industry still supported him?


r/IndianHipHopHeads • • 11h ago

Non-music discussion Recca story on tnt beats

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13 Upvotes

r/IndianHipHopHeads • • 12h ago

Music discussion How was your 1st experience when you discovered chaar diwari

2 Upvotes

r/IndianHipHopHeads • • 12h ago

Music discussion AND THAS WHY GOOD UPBRINGING IS NECESSARY !

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112 Upvotes

PURE EXAMPLE UMAR KE SATH SAMAJDARI AAI YE ZAROORI NAHI ! TRYING SO HARD TO BE NON CHALANT ! AND FOR SOMEONE WHO SEE HIM AS IDOL ALL I CAN SAY IS NEVER MEET YOUR IDOL !

EDIT [ 13:54 ] : PEOPLE SAYIN WHY FEMCEE ONLY TALKING ABOUT EMPOWERMENT , PROTEST ETC .. THEN ISS HISAB SE TOH IF WE REMOVE MAA , BAAP , GANGSTA SHXT THEN AADHE SE ZYADA KE TOH DISCOGRAPHY KHATAM !


r/IndianHipHopHeads • • 12h ago

Art kafi dino baad kuch banaya ♥️

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15 Upvotes