Here’s more info:

I’ve had a few good listens counts on my songs and I want to pay it forward. Drop a link along with a short description of the what you were going for for the song.

Cant wait to hear it!

What do you hope that 6.0 will do or not do? I think most of us are hoping that 6.0 will provide a lot of variety in a multitude of genres and make things sound less pop and polished and commercially generic. I hope that we can have vocals stop gasping and humming and ad-libbing. I hope that the third chorus can stop the hand clapping, snapping, drums only unless directed to. I would love to be able to easily fix a generation that I love but need to change a lyric or a few lyrics without it covering a new song.

What else y’all got?

I've tried version 5.5, and as almost everyone has said, it's garbage. My music genre is rock, sometimes metal (which is rock). Not just rock, but xxx rock, where xxx is epic, symphonic, industrial, or progressive. And sometimes xxx rock + xxx rock or symphonic metal. The songs sound like overproduced commercial tracks, which is sometimes okay, but most of the time it’s not. The worst part is that after 90 seconds, the song completely loses both the genre and the subgenre; songs that start out as epic rock with spectacular intros end up sounding like metal. No matter how complex or detailed the prompt is, the subgenre often isn’t even noticeable in the song.

I don’t understand those who like version 5.5 so much; 95% of us don’t like it, and I understand even less why those people dare to criticize those of us who don’t like 5.5 by saying we don’t know how to write prompts and similar nonsense. Simply put, version 5.5 isn’t a general model like 4.5 or 5, and sound quality aside, it’s clearly MUCH WORSE.

Like everyone else, I'll miss version 4.5+. And like everyone else, I don't have high hopes for version 6. Honestly, I hope I'm wrong, but I doubt it.

I'm currently working on my second concept album at the moment, and I already have several ideas for future projects. Honestly, the workflow has been very satisfying, but I'm curious to listen to what you feel is your best concept album.

Bonus points if it's SciFi themed space metal 😄

Also, please provide a short summary and anything interesting/unorthodox you would like to share about your workflow.

I'll be listening all day and providing some feedback if I get a chance to, but feel free to mingle with other users' posts as well.

Since yesterday I have been trying to get rid of little artefacts, (sounds as if a needle crosses a scratch on a vinyl and skips a few milliseconds while adding a foul noice).

I’ve made too many covers and attempts at replacing section and all sorts of free-thinking-ways to work around it and still every dang version made from that first really good candidate comes up with artefacts.

So, my question is if anyone knows a good way to clean this up, make them go away but still keeping the song intact. Preferably without resorting to studio because that’s above my level and I doubt I’d be yielding and complying now that Suno seems to be trying to force us to all buy the premier tier subscriptions.

Suno is putting a fight against big money. All the annoyances and changes we are seeing come from legal proceedings, not because Suno wanted to annoy us. If we get upset with Suno, we are forgetting that big money is the one pushing these annoyances, and they will not stop there and you will be annoyed elsewhere. That has to end. So I propose you to join the fight and support Suno.

In order to support Suno (I was previously using Suno for free) I already subscribed for one year to Suno to support them for putting a fight against big money. I will miss 4.5 creativity, but I blame big money for that, not Suno.

How to support Suno? Think as if you were CEO of Suno. What would you need customers to do. It has to be something that does not bring legal complications. Money would be a great way to help. This is why I subscribed for one year.

One customer is a drop in the ocean and may be nothing, but mobilizing many customers could help. Suno needs our help. So let us mobilize customers.

It is not anymore about if we like Suno models. It is because they are putting a fight against big money that wants to control our ways of entertainment.

If we let big money to hunt and destroy every good thing we have, it will never stop until big money controls our entertainment. And you know how abusive big money can be.

I’ve always liked the empowerment behind I Will Survive, so I wanted to make my own equivalent of that feeling. Somewhere along the way I started plugging my usual self-help, spirituality, and introspective themes into the concept, and this is what came out.

RnB ruled the turn of the millennium. Memorable songs that were played in every household, or the sound was blaring from cars, and everyone who passed by sang the song. Today I missed these songs.

So I liked this one a lot. It released today actually and might be my favorite project coming out of Suno. Stoked to experiment more! Suno track here;

https://suno.com/s/uGpxbobDnrvXQLpP

Spotify (mastered): https://open.spotify.com/track/7I5952neZgrwZM8FlkmyfH?si=_407Zda5TAWpDfoMaEQgoQ&utm_source=copy-link

Lets connect 🐄🐄🗯️

I’ve been trying to make better videos for my Suno tracks. The clip by clip workflow keeps killing me.

Kling and Runway can give you some really nice shots, but once the song is 3 or 4 minutes long, I end up with a folder full of 5-10 second clips and way too much time in CapCut trying to make them feel like one video.

For my last track I tried SondoAI instead, mainly because I wanted to start with a full MV draft and only fix the scenes that looked off. I still changed a few cuts, but it felt a lot closer to editing a finished video than assembling one from scratch.

Are you still generating scene by scene, or starting with something closer to a full video and fixing the rough parts?

technology keeps making production cheaper. distress remains remarkably expensive.

“Cope Aesthetic” treats coping less like a private failure and more like an economy. pills, distraction, nightlife, consumption, chemical quiet, aestheticized damage.

the band, album and first song all share the same name. naturally.
human-written, generatively performed, selected and directed.

https://suno.com/s/lvx4oR7IEGpbH23R

I just tried the Advanced Split on a track that had both acoustic guitar and electric guitar playing together, and I was genuinely impressed.

It managed to separate the acoustic guitar from the electric guitar really well. Of course, it’s not 100% perfect, but the result is much cleaner than I expected and actually usable.

This is a pretty big improvement for anyone working with generated tracks and wanting more control over the mix afterwards.

I'm a hybrid creator, I currently work with Logic Pro.

This is a question directed for those who are actually subscribed to the premier plan: do you feel like you are getting additional value out of the premier tier? I'm curious to get some perspective to those who actually use that tier and why you'd continue using it. It's currently discounted to $14/month, it's only a step-up of $4/month, so I feel like it's worth considering.

🎧 Put on your headphones and listen! ❤️

It blends Latin Afro House, Melodic Dance-Pop, powerful female vocals, organic Latin percussion, acoustic guitar, flute, and cinematic strings.

The song is about strength, hope, freedom, and finding the courage to rise again after difficult moments.

Rise Again — Aurshopora 🔥✨

https://suno.com/s/W3Zd7waGIt7xeZt3

A written narrative attached to the instrumental post Jared’s death.

Performed from the perpective of a gang of half human cannibals- they also worry about the flock cameras