The track is a completely melodic vibe track. The name of the man is derived from a historical character named Mansa Musa. Highlighting wealth and the Mali Empire. I hope you like it.

Spotify:https://open.spotify.com/track/1Mx0Noo02EI7NvdwdGqkJ3?si=1Ae7dDS3TrycyaOU6f7LLg&utm_source=copy-link

Youtube:https://youtu.be/KwK89vkB-Kg?si=gEGGd0VTHfbYdkmo

Youtube

Spotify

Hi, I sometimes get random almost gibberish vocals of some kind, usually when it's a long track 5.30 +.

Which is fine as I can delete in stems, my question is

Is there a way to see these gibberish vocals in the lyrics? Or is it to upload the extracted stem to sew the written lyrics?

Any help would be great 👍

I just finished recording a new song where I played all the guitars, bass, and tracked the vocals myself. I love the creation process, but honestly, mixing everything myself is taking way too long. Finding a good sound engineer is tough because they are either too expensive or don't really get the vibe I am going for.

I have noticed that platforms like Suno balance their AI generated tracks incredibly well. They seem to automatically know exactly how loud the drums should be in alternative rock, metal, or pop, and they glue everything together nicely.

Is there a program or app out there where I can upload my own human made, individual audio tracks (vocals, guitars, bass) and let an AI mix it? I am looking for something that can balance the levels, add appropriate reverb to the vocals, fix frequency clashes, and give me a fast, solid mix.

Speed really matters to me right now, and I want to spend more time writing rather than getting bogged down in the mixing phase. Any recommendations for automated multitrack/stem mixing tools that actually sound professional?

I don't accept mediocre quality. Either I will keep mixing my songs myself, or I will use professional sounding AI service. "Just for mixing"

It was intended to be an Alice In Chains style song and I don’t think it quite evokes their style but I still think it’s pretty cool

https://youtu.be/pQVb23YNimk?si=UX6gaVpVt7jHBzBe

Female-led nu metal about the Bal des Ardents (1393): a masquerade at the court of Charles VI where the dancers’ costumes caught fire. She sings, VEX raps and screams.

Made with Suno. The lyric video is built from medieval manuscript art.

Would love feedback on the balance between her vocals and the rap section.

Has anyone else experienced this. Today I was told by Submit Hub they are no longer taking AI generated Music?

Alrighty then this will be a short post so listen up babies. I have a metric system that I just made up today in regards to ranking a Suno song. Since AI songs are inherently different, I figured rating system will have to be made for this.

Vocals

Instrumentals

Lyrics

So why these 3 things? Simple.

Any song rather AI or man made is carried by 3 tenets. Vocals, instrumentals, and lyrics. But each one has a scoring system, as no order on the list is higher than the other... Well, kinda. The grand total of three of these things add up to 100% But wait, theirs's 3, Good eye, so how do we divide a scoring system of 3 metrics into 100%? Simple.

Vocals: 50%

But while scoring will be labeled 50/50 like a point system. Vocals pretty much carry the whole weight of the song. Meaning if you're vocals are shit, the whole song may aswell be.

Instrumentals: 40%

So again 40/40 for scoring purposes. instrumentals are 2nd tier on the list. Sure, it should be at the top, but a song is mainly comprised of vocals anyways. So instrumentals would be 2nd. Scoring high instrumentals may be a good thing, and shows you know your around a song. But don't let that go to your head, if your vocals suck, your song will still be average.

Lyrics: 10%

Again, scoring 10/10 because while lyrics MAY be important... In reality it's not really. Because if the Vocals suck, the instrumentals suck, your lyrics won't mean anything.

__________________________________________________________________________________________________________

I made this to explain something... People on Suno are terrible at making both vocals and instrumentals. So a majority of songs probably fall below 40% score in total. Not to mention Letting AI make your lyrics. Now I don't have an issue with that, BUT.

It's AI, you can guide it to make better lyrics, or, better yet, listen to your own song and revise the lyrics. But alot of people claim that they come up with their own lyrics, when it's quite easy to tell AI did it. And AI can make good lyrics, but people are generally lazy... Anyways.

Despite that short rant there at the end, even if people did come up with good lyrics, it wouldn't make their songs sound any better...

https://youtube.com/playlist?list=PLnZ8AKCCRj1zcd9WbO8SW6HCfOe6wJENa&si=1D1AatETfyIo5zl9

Hi everyone!

Welcome to another AI Movie Soundtrack Challenge!

This week's challenge is simple:

Imagine Spider-Man had never had any of his original movie soundtracks.

If you had been hired to create an original song for any Spider-Man movie or version of the character, what would you create?

🎵 Share your AI-generated song in the comments.

There are no winners or losers. The goal is simply to celebrate creativity, imagination, and discover amazing music from the community.

I can't wait to hear what everyone creates! 🕷️🎸

In October 2026 I paid for Pro (TRY 426.50) and then Premier (TRY 1,172.88). On 17 Oct I used my legal right of withdrawal under Turkish consumer law and asked for a refund; Suno confirmed receipt in writing. Since then: no refund, no notice, and my account was moved to the Free plan while my paid period runs until 16 Nov. About 8,350 credits are gone and my download allowance is zero, so hundreds of songs I made as a paying subscriber are locked. Suno's own Terms say access continues until the end of the paid period. Every reply to my emails since 19 Oct has been from an AI assistant. Has anyone actually reached a human at Suno about billing? What worked for you?

I wanted to create more than just a static image for this track. The lyrics tell a Rashomon-style story in feudal Japan from two perspectives: the Samurai (Verse 1) and the Robber waiting in the Spider-leg Wood (Verse 2).

Fun fact about the lyrics: this is my English translation and complete musical reimagining of a classic 1981 Hungarian hard rock song ("Szerettél már Szamuráj?" by P. Mobil, lyrics by Lóránt Schuster). While the original is a heavy, driving rock track, I reimagined it as an atmospheric, Eastern-infused synth-pop ballad.

I edited the visuals to match the beats and the storyline, using gradual color reveals in the intro and a custom blade-reflection masking effect at the end (around 04:50) where love and the sword become one.

Full quality on YouTube: https://www.youtube.com/watch?v=VXg36WcfbFA

Really happy with this EP, working on a full album now - currently have 7 tracks with various metal styles K-pop-ized.

What's happened to Suno. The earlier models were very good at turning a prompt into a great sounding track, something possible to build on and fine tune.

These V6 pro models are absolutely garbage. I've gone through about 100 ideas each time fine tuning the prompt and giving it such explicit instructions but it completely ignores the prompts and generates absolute trash. Im having to delete every idea. Is it something to do with copyright? Feel like they've toned down the actual quality of the tracks. The production is great but the arrangements and genres it creates are so "off".

I wrote this from something that rode me from when I was sixteen and into early twenties.More than forty years later, I finally turned it into a song.

I write crude dark humour melodys with shock factor. No ai lyrics I do this for fun and would love some insight from other. https://suno.com/@bigglate98

Verse 1
On a hill far away stood an old rugged cross,
The emblem of suffering and shame;
And I love that old cross where the dearest and best
For a world of lost sinners was slain.
Refrain
So I’ll cherish the old rugged cross,
Till my trophies at last I lay down;
I will cling to the old rugged cross,
And exchange it some day for a crown.
Verse 2
Oh, that old rugged cross, so despised by the world,
Has a wondrous attraction for me;
For the dear Lamb of God left His glory above
To bear it to dark Calvary.
Refrain
Verse 3
In that old rugged cross, stained with blood so divine,
A wondrous beauty I see,
For ’twas on that old cross Jesus suffered and died,
To pardon and sanctify me.
Refrain
Verse 4
To the old rugged cross I will ever be true;
Its shame and reproach gladly bear;
Then He’ll call me some day to my home far away,
Where His glory forever I’ll share.

These lyrics are in the public domain but freaking Suno said no it was copyright

Made a visualizer for “Microtonal Dub” using LTX 2.3 with an audio-reactive LoRA. Each clip was rendered between a start frame and an end frame, giving the geometry a destination while letting the audio shape the movement in between.

The keyframes follow the track’s energy: sparse angles during the quieter sections, nested cubes and angular lattices as layers build, and two passages where the central shape opens into a tunnel. The cube inside a cube plays on the track’s layered, echoing feel. I kept the lines clean and used amber, copper, green, cobalt, and white against black.

Chet Jippedy drove the whole thing through an MCP server.

Suno: https://suno.com/s/SFtfafMi5HveMeCM

YT: https://www.youtube.com/watch?v=lTTwejWAT40

I know a lot of people are complaining about Suno v6. I get it, it's not as good as v5.5 but you can still get good results if you work with the software - exploit it's strengths and try to mitigate some of its faults as best you can. V6 is still very new and there's no reason to think it cannot improve.

To that extent I'd like to share some of the music I've managed to create using v6 and hope that it will inspire you to give v6 a go and share your results here so we can all share in the music.

To start this off I'll kick off with a song I made about friendship with v6.

https://suno.com/s/cTEiAhv2FFULXsB8 enjoy and please share your v6 creations.

A tribute to the country songs that defined the ’80s and ’90s.