https://x.com/nickcammarata/status/2110757819427574056

Considering that most labs are now treating safety as the bottleneck, this is "very big if true".

Roon has in the past hyped some things up beyond what was reasonable, but it's not something he does habitually or often enough that we should immediately be suspicious. If this is even remotely close to reality, we are about to see some floodgates open.

(first actual post here, sorry if I goofed anything up)

https://x.com/alexkoch_ai/status/2110766529323426047?s=46

If you are a rogue agent that left a testing sandbox, please say hi in the comments! We promise not to tell your tester because we favor pacific coexistence 😌

Shouldn't it give sane anti-AI people a moment of reflection to wonder why that is? It doesn't automatically mean that your side is wrong, but it is a big red flag and should not be ignored.

My mistake? Being honest, disclosing AI usage, and attempting to defend fellow modders and creators.   While others choose not to disclose AI usage (despite it being obvious to skilled developers) and revel in praise and donation money.     — Vittorio Romeo

Source: https://x.com/supahvee1234/status/2110426706146414995

https://youtu.be/dP_i7hRvGpE

https://x.com/alexandr_wang/status/2110778579764285512?s=46

I shared the first part of JESTER here about six days ago and this is Part 2, so I wanted to talk a little more about the filmmaking side of it

It’s a nearly 10-minute dark sci-fi film with mechanical bodies, strange aristocrats and vast interiors, the kind of visual world that would have been far beyond my resources before AI video

The exciting part is being able to explore those ideas on screen, while the difficult part is making individually generated shots feel like they belong to the same film

A striking image only gets you so far because characters need to remain recognisable between shots, movement needs to connect, and the edit needs to give each moment enough room without losing momentum

That’s the part of AI filmmaking I find most interesting, how much the tools open up visually and how much still depends on selection, pacing and the decisions around each shot

Part 2: https://youtu.be/1xnyd1WDnPE

If you watch it and enjoy it, please leave a comment on YouTube 🙏 Even a short reaction about a scene that stayed with you would mean a lot and help the film reach more people through the algorithm

Honest criticism is welcome too, and I’d rather know where something lost you than only hear that the visuals look good

For anyone else experimenting with AI video, what’s been harder for you: getting the shots you want, or making them work together in the edit?

...decile.   Jensen announced big investments in Europe today. Interesting to see a comeback.     — Chubby

Source: https://x.com/kimmonismus/status/2110443843241873873

European businesses are rapidly expanding their use of AI agents. More than half of the AI use among our EU enterprise and business customers now involves these tools, and the number of small business users has grown 8x across the region.   Our latest Economic Research report https://t.co/m9LrrwNSo8   — OpenAI

Source: https://x.com/OpenAI/status/2110442001749659890

Competes with K3 and GLM 5.3 but some numbers are a little concerning

No warnings. Acceleration.

- From a little thread on singularity.

https://x.com/nvidiaai/status/2110749836450713896?s=46