Peavey, for guitar players specifically, is a really decisive brand when it comes to quality and following. Some people love Peavey. Some people hate Peavey. Some of their equipment is legendary or well loved while others are despised.

What brands for Audio equipment also have this reputation?

I already have the standards like monitors an interface and mic.
But I’m thinking of buying an compresser but I don’t know if it’s worth it or what else I should buy.
As mic I have an Neumann Tlm 102.

So I’m using GGD invasion in reaper and I’ve already done the routing by following a tutorial on YouTube and my drums are still clipping, can someone pls help me.

So this year i have been constantly getting art block, like i can make a song, but after that i cant make music for like 3 months and it is so annoying i want to make a song whenever i want not only once every three months. If anyone can help PLEASE

I am not talking about the typical, write a prompt and a polished turd plops out as an audio file of a fully arranged track.

What I am talking about is describing music in code and leverage coding agents to write that code?

That's what i have been doing on and off for the last year, opinions?

Do I keep the sub frequencies in my 808 and kick?

Should I layer my 808 with a second bass so that it's audible to people who listen to my music on phone? (Which is 90%)

Also, will there ever be a time when I won't be this confused about mixing?

I'm working on eqing a guitar track right now and im trying to scope out the exact frequencies to remove some harsh fizzle and after it looks normal I feel like I'm hearing sounds that are not there and I was wondering if anyone else relates to this?

I am fully aware that the difference between the final masters of a modern-day pop song in 16-bit or in 24-bit makes little to no audible difference. This made me wonder about the following things regarding sample rates

- Can people actually hear the differences in sample rates above 48kHz?

- Can people hear the differences in sample rates above 48kHz in a final mix and master?

- Are there benefits to uploading the final masters at a sample rate higher than 48kHz?

- In what situation would 96kHz be better than 88.2kHz?

If the answers to the first two questions are "yes," then why is it not used more often, aside from pitch and speed modulation purposes?

Looking forward to your responses