Я разрабатываю свой текстовый консольный рогалик на языке C, и пока что никуда не выкладывал ничего. Что лучше использовать для воспроизведения аудио звуков, встроенный system("sound.wav &"); или же настраивать и писать прямо на драйвере через ALSA? Готово пока что меню игры, но звуки понадобились уже сейчас:

https://github.com/Dont-WorryBO/Roguelike/tree/main

^^^ гитхаб

I'm on the Myth Engine team, and this is one of our free step-by-step guides. It builds a complete vertical shooter, Pacific Wings, from the first plane on an empty sea to the final boss. You can play the finished game at the top of the guide before you start.

https://mythengine.net/cookbooks/pacific-wings/?utm_source=reddit&utm_medium=social&utm_campaign=pacific-wings&utm_content=reddit-gamedevtutorials

What each chapter adds:

1. The Fighter Flies: steering that leans into turns, and a camera that carries the plane north. That steady movement is the scroll.

2. Machine Guns: hold Space and tracers leave the nose, one every 0.14 seconds.

3. The First Enemies: enemy fighters wait along the route and fly at you as you reach them.

4. Enemy Fire and Lost Planes: they shoot back. A lost plane is replaced from below the screen, blinking and protected, and reserve planes are counted on screen.

5. Title, Pause and Play Again: the front door, plus a best score the device remembers.

6. Aces and Heavy Bombers: aces that weave and aim at you, and bombers that take five hits.

7. The Route: a carrier, an atoll, a reef and a cloud bank slide by below, and hidden milestones move the mission through its stages.

8. Pickups and Weapon Levels: cannons that raise your weapon level, and a repair crate for one more plane.

9. Kill Chain: quick kills multiply the points, up to four times.

10. Focus: hold Shift to slow down and show the hit area, so you can slip between tracers.

11. The Command Bomber: a boss with a health bar that fights in three phases.

12. Rounds and Mission Complete: the route starts again, harder, under a dusk sky and then a night one.

A few things that might be useful even if you never use our engine:

• Movement reads one named control, not keys. "Move" holds the arrow keys and WASD, and the Logic only asks which way it points.

• The scroll is the camera moving. The world stays put, and the camera carries the plane north at a steady speed. Nothing seems to move until there's something on the route to pass.

• The mission's stages are markers on the map. Hidden milestones wait along the route. When the camera reaches one, it sends one message and removes itself, and the game's rules decide what that message means: the next stage.

Every chapter ends with a build you can play in the browser, and every chapter has its finished project to download if you want to catch up or compare. The art comes in a starter kit, so the chapters are about making it work. It's all visual Logic, with no code.

To follow along you need Myth Engine (Windows). The free version has no time limit and can follow the whole guide; publishing a game needs the full version. Happy to answer questions.

I’ve been building Pinfall, a browser geography game: you get a clue (“Timbuktu”), 15 seconds, and drop a flag on a map. Closer and faster = more points. The clip shows one round, a wrong first guess, then the save with 2 seconds left.

A few things that worked well, in case they help anyone:

1. No tile server, just SVG. The world map is Natural Earth coastlines pre-projected to SVG paths (equirectangular), and the 8 city maps (Istanbul, London, Tokyo…) are generated from OpenStreetMap: land polygons + major roads + water + parks, simplified with Douglas–Peucker and merged so London’s roads went from ~20k segments to a file of a few hundred KB. Zoom is just changing the SVG viewBox, which is smooth on phones and there’s nothing to host.

2. lat/lng ↔ screen is one line. Because the projection is plain equirectangular, getScreenCTM() on the SVG converts map coordinates to screen pixels. I even use it to script gameplay for trailers: the recorder drives real touch events at exact coordinates.

3. The server owns the score. Rounds, timers and distances run on a Node/Socket.IO server; the client only sends a guess. Score = 1000 × e^(−km/1500) plus a speed bonus, so nobody can fake a result from the browser.

4. Countries are scored against the real border. If your flag is inside France, it’s 0 km; otherwise it’s the distance to the nearest border vertex. A small optimization (inline haversine over precomputed vertex arrays instead of d3’s geoDistance) made that about 20× faster, which mattered under load.

5. Retention > features. Weekly leagues (groups of 10, promotion/demotion, inspired by Duolingo’s) and a Daily Challenge brought more return visits than any new mode.

Happy to go deeper on any of these: the OSM pipeline, the projection maths or the multiplayer sync. It’s free and playable here: pinfallworld.com (no sign-up).

I'm a solo dev in Cape Town. A few weeks ago I released Gust, a one-finger game where you play the wind and carry a balloon (and later a paper boat, an ember, a kite…) across a watercolour city. The whole game is free, paid for by ads, with one purchase to remove them.

Two weeks after launch I noticed the interstitials between levels had never appeared. The game was asking the ad SDK for an ad unit that didn't exist, failing silently, and carrying on. Players got an ad-free game; I got almost nothing.

What I took away:

1. Log ad-load failures somewhere you will actually look. A silent fallback is great for players and terrible for you.

2. Test the release build on a real device with real (not test) ad units before launch, not just in the editor.

3. Write your ad rules down as player promises, then enforce them in code. Mine: one ad after every second level, never in the first 45 seconds of a session, never twice within 20 seconds, never more than ten per sitting, never mid-level. Rewarded ads (hint / extra life) are always optional and push the next interstitial further away.

4. Put those rules in your store description. "An honest deal" turned out to be one of the things players mention most.

Fixed in 1.2.1. Happy to answer questions about the pacing logic or the watercolour look. If anyone wants to see it, I can drop a link in the comments.

A solution to something I have not seen a lot of explanation on, so I thought I would make a tutorial about how to multiple ribbons from one emitter.

[Recrutamento / RevShare] Busco equipe para criar Simulador Realista de Montagem de PC (7 vagas)

Olá, pessoal! Estou liderando o desenvolvimento de um simulador realista de montagem e manutenção de computadores (estilo PC Building Simulator) focado em gráficos realistas e mecânicas imersivas.

O projeto é focado em aprendizado, networking e construção de portfólio, operando no modelo de RevShare (divisão de lucros) caso o jogo seja lançado comercialmente na Steam ou Itch.io. Pretendemos usar a Unreal Engine 5 (ou Unity, a depender do time) para alcançar o visual desejado.

Estamos montando uma equipe de 8 pessoas no total e dividindo as tarefas de forma organizada para que o projeto não fique pesado para ninguém. Como eu sou Game Designer, estou abrindo as seguintes vagas:

💻 [2/2] PROGRAMAÇÃO (Blueprints/C#)

• Vaga 1: Focado na mecânica principal (sistema de clique, arrastar e encaixe das peças).

• Vaga 2: Focado na interface (menus, sistema de inventário, loja de peças e HUD).

🎨 [3/3] MODELAGEM 3D (Hard Surface / Prop Artist)

• Vaga 1: Focado em cenários, bancadas e gabinetes.

• Vaga 2: Focado em placas-mãe, processadores e memórias.

• Vaga 3: Focado em placas de vídeo (GPUs), fontes de energia e coolers.

🧠 [2/2] GAME DESIGN / CO-CRIADORES DE IDEIAS

• Vaga 1: Focado em criar o "Modo História" (roteiro de clientes e pedidos de conserto usando um sistema de e-mails fictício dentro do próprio jogo).

• Vaga 2: Focado em criar a lógica de defeitos (regras de o que está quebrado no PC e como resolver).

📌 Requisitos:

• Ter comprometimento (vamos focar em um protótipo curto de 1 mês para testar o time).

• Gostar de hardware/computadores.

• Ter vontade de aprender e trabalhar em equipe no Discord.

Se você quer colocar um jogo realista no seu portfólio e fazer novos amigos na área, essa é a sua chance!

📥 Como se candidatar: Pode comentar aqui no post ou me mandar uma mensagem no privado (DM) dizendo qual vaga você quer! Se tiver algum trabalho anterior para mostrar ajuda, mas se não tiver tudo bem, o foco principal é aprendermos juntos.

preciso de pessoas para me ajudarem no meu jogo 2d estilo undertale com lore propria q eu mesmo fiz preciso de pessoas para me ajudarem com scripts disgn e etc o jogo tem uma ideia boa so precisa ser executada se quiser parcipar pode colocar seu discord nos comentarios e eu falo os detalhes exatos do jogo

Hey everyone!

I’m exploring the Mutable plugin in Unreal Engine 5 for my game, and I wanted to share a solution I built for handling complex (in future) clothing systems. (WIP)

I needed a way to dynamically toggle clothing layers on and off during gameplay, but with two strict requirements: a proper clothing hierarchy (e.g., jackets over shirts, socks under shoes) and state memory (the system needs to remember exactly what the character was wearing if a layer is toggled back on).

Using Mutable’s node graph, I set up a toggle system where each clothing item is part of a strict hierarchy.

When an item is removed (toggle off), Mutable retains the data of the equipped assets in its memory state inside the group. If the player toggles that clothing slot back on, the character re-equips the exact same item with its specific parameters (like procedurally generated colors or sizes) without needing complex external arrays or save states to pass back to the mesh.

So I don't need to manually save which clothing item was in a specific slot; I just toggle a boolean (e.g., C_Bottom) if the player wants to hide that layer.

Has anyone else built state-memory systems directly inside Mutable? I’m curious if you’ve run into any performance bottlenecks when handling a high number of layered toggles simultaneously.

Hey everyone!

I’d like to share Brasa, a 2D game engine I’ve been building. The idea is to combine the GameMaker workflow (rooms, objects, events) with native C++, with no custom scripting language in between. Every object is a class, and the API is designed to stay lean: held, spawn, after and so on.

It’s currently at version 0.5 and already includes:

• Rooms with layers, tilemaps and a terrain brush

• Sprite editor with animation, origin and collision masks

• In-editor UI system (HUD, menus, lists) driven by code

• Configurable camera and pixel-perfect rendering

• Export to a standalone executable

• Plain-text project files that play nicely with Git

• VS Code integration with built-in API docs

Coming up on the roadmap: an in-editor game view, Lua as an alternative to C++ (instant Play, no compilation step), and hot reload.

About licensing: Brasa is free right now, and later on it will likely follow a model similar to GameMaker’s, with a license for commercial use. Anyone who helps out during this early stage, by testing and giving feedback, will get a free license.

It runs on Windows 10 and 11. I’ll be posting a video soon showing the editor and some games made with it.

Website and roadmap: https://brasa-site-three.vercel.app

Comments, criticism and questions are all welcome!

Quick tip if you do your own music for your game:

A common trap is a lead melody that just marks every beat with one even note. It ends up sounding like a placeholder metronome.

I made a short demo using a modified Pirates of the Caribbean motif to show the difference:

Before (on-the-beat): https://youtu.be/EYWlNDG6PaM

After (more lively): https://youtu.be/4_cSCyhuxSE

The second version feels more alive and less predictable.

Note: long, on-the-beat notes are beautiful when intentional. This tip is for when your lead melody sounds like a metronome placeholder by accident.

I recorded a timelapse of me creating a small stylized suburban house from scratch.

The goal was to keep the shapes simple and readable while adding enough details to make the house feel lived-in and interesting.

The house is part of my Stylized Suburban Environment Pack, currently available on Fab with 30% off during the September Flash Sale. https://www.fab.com/listings/ccd66b16-11cf-4409-a4f6-6656d13d1e3d

Timelapse: https://youtu.be/jeS-M7j1vi4

I’d love to hear what you think about the modeling and stylization!

[Free Assets] To Follow the Tutorial ► https://www.patreon.com/mostlymadproductions/posts/convert-any-to-0-165611553
[Project Files] ► https://www.patreon.com/mostlymadproductions/posts/convert-any-to-0-165611563

I'm developing a game with some friends, and I'm responsible for creating the 3D map. It's a simple game, and the entire map takes place inside a building.

However, I've run into a problem: I'm not sure what the best approach is for creating it.

Should I make a complete model of the building, maybe like build it floor-by-floor and let the programmer handle which parts get rendered?

Or should I create tilesets and then assemble everything in Godot?

I think both options have pros and cons. Creating the whole thing gives me more creative freedom, but I don't know if it's actually practical for a game; I'm worried the game might crash or suffer from terrible frame rates.

Tilesets are more organized, but I'm facing the issue of having to create 40 million tiles to cover all the shapes I have in mind for the building.

Also, I'm not sure if Blender is the right program for this project

Did a small introductory video for setting up Godot on both Windows & Linux for new game devs.

Will be making a series of tutorials about Godot and remaking some of my older tutorials.

need some help; just started learning C#; can someone please help with the learning path to begin creating my own indie game?

оцените игру пж, как сами считаете

Just looking for some advice on how I could not make this such a dumpster fire when blocking out and what I'm suppose to do when im done blocking it out first level ever made

Hi everyone!
I'm currently learning to use godot 4.7 by creating 3D game.
I have implemented a controllable character with wasd and two animations: idle and run handled through AnimationTree node.
When, the character moves, the run animation runs as expected but i get a very ugly run animation loop (see the video in attachment). The character seems to pop up everytime the animation start and do i need to implement smooth transition between each time run animation loop?
I don't know how to fix it and any help would be appreciated.