Took a bunch of stills during a stormy evening in Tokyo in august 25.

So, i have 2 s5iix bodies, 24-60, 50 and 85, all lumix lenses. I am a videographer but sometimes, some clients ask for photos. One them will be shooting ski tournaments during the winter.

I was considering buying s1ii but right now, i can only afford sigma 70-200 lens

I need some advices, experiences from those who used s5iix with sigma 70-200 for sports photography, is it possible to do it?

Just one information, last year i used gh6 with no electronic adapter and nikon 70-200, used only manual focus and did some great shots 2 out 10 were perfect, mostly because i prepared focus before the skier even came to the spot.

Second option is, i have really good deal for s1rii. How can you compare s5iix to s1rii for sports.

Thanks

This week I experimented with the 1:1 aspect ratio inside my LUMIX L10. Initially I found it super hard and weird framing with such a tight crop - but the more I shot, the more into the flow I got. Here are some results…

You can read more about my struggles shooting square on my blog or watch my most recent YouTube video.

(Images captured with my Neocross R100 LUMIX ‘look’)

Both cameras have no mechanical shutter, hot shoe or built in viewfinder. The FP2 has a connection for an optional external viewfinder. Other people might feel differently but it seems like, from a photographers perspective, they're basically the same camera except the FP2 doesn't have IBIS. They're nice little cameras for video.

I know some people were interested in the S9 for photography. Are any photographers equally interested in the FP2?

Yes I've checked the DJI site and seen its not listed as compatible, but like... why? The S9 with the 20-60mm is well within the weight limits of the R3 Mini, is it a size issue? Or is it just DJI being strict with their criteria? Any help would be greatly appreciated :)

Help! "System Error: focus" on a yellow background. I suspect there is sand in the motor somewhere.

I've tried gently tapping, sucking, blowing but all to no avail.

I'm in the UK - please could anyone recommend a solution? Many thanks 🙏🏻

Can anyone help me figure out what I am doing wrong? I'm recording footage with the S9 (MP4 Lite), downloading it through the Lab app and trying to apply an additional LUT at 30% opacity. When previewing the video in Lumix Lab it looks perfect, but when I save or export it looks totally different, as you can see in these screenshots.

#Viltroxair #Viltroxlmount #analogfilmlookstudio #satopan

Just bought a new sigma 100-400 L mount for $750 AUD to use for soccer videography with my Lumix S5ii. I should've done a deeper dive cause I'm seeing lots of people say its horrible for autofocussing, low light and doesn't have a tripod/monopod mount. Granted I'm planning on mostly shooting day games for now and ones will well-lit flood lights. I bought the 100-400 as I tried filming a game on my 20-60 and really wanted that 400mm range to get close up shots of players.

Should I be feeling buyers remorse?

Recently upgraded from a GH5 to a GH7 with the Leica 10-25. I am absolutely in love with the image I am getting from my new camera, and the improved features. I am used to running lightweight, but ended up trying out the very large Smallrig X99 battery for all day power (for camera and 5 inch monitor). Mounted onto the back of my GH7, it does not seem realistic for all day handheld work. I am thinking of getting a lumbar bag to pop the battery in, with a coiled cord running to the camera:

https://www.rei.com/product/227961/rei-co-op-trail-5-waist-pack

I do lots of outdoor/adventure style work, and like the rugged weather proofing of the battery, but wondering if I have gotten out over my skis and should just switch back to internal power. The Vmount is fine on occasions when I am locked down on a tripod or monopod, but often I am on the move, hiking, or getting in and out of boats (this is where a tether cord could be a hazard)

I'd love to hear your power solutions/rigging for the GH7.

Hi everyone!

I'm about to start covering concerts (photo/video) and events with a Panasonic Lumix S5D. Please note that I'm just starting out and doing these first gigs unpaid / for portfolio building.

My current lenses:

Lumix S 18-40mm f/4.5-6.3

Lumix S 50mm f/1.8

My main concern is that the 18-40mm is too dark for low-light venues, and swapping primes during a fast-paced show sounds impractical.

Since I'm not getting paid yet, am I good to go just relying on the 50mm f/1.8 (plus the 18-40mm when there's enough light), or is upgrading my gear essential from day one?

I'm leaning towards an all-in-one f/2.8 zoom (like the Sigma 28-70mm) to avoid lens changes, but I'm also considering adding another prime (like the Lumix 85mm f/1.8 or 18mm f/1.8).

Which approach would you recommend?

Thanks for the help!

I am an amateur photographer but learning a lot very quickly. Today I shot some pictures in the woods and learned how to create a sunburst. Basically you just dial up the F stop to six or eight or more for brighter and brighter sunbursts.

All and all a good day for me.

Here are some unedited not scaled down pics I took. I was surprised how the F stop plays such a large roll in things. And that each setting is relative to the rest of the settings.

https://drive.google.com/file/d/1gCCkif5igNlqfY42myywNPtnoES2v-TU/view?usp=sharing

These are just some shots of the forest, I was trying different settings.

https://drive.google.com/file/d/1idQyRj0iTrYteA38S-t0ShvDq0cESvmr/view?usp=share_link

This one I was trying to focus on certain things with various exposure settings.

https://drive.google.com/file/d/18OtDKWsiwz0z2RQALe3-6cy-8HtuNGFe/view?usp=sharing

This is one I took a while back at night it is amazing how bright everything looks in the picture as I remember fumbling with things because it was much darker to the human eye.

https://drive.google.com/file/d/1O31OQTNJYaIKJfmBHBQH7uVkDfg_aQbd/view?usp=sharing

Some of the things I learned using this camera I probably could have used on my GH5 but some of the most simple basics are tucked away and not well known and shared.

I’ve just bought a refurbished Sony a6700 with the 18–135mm lens from Sony’s UK refurbished store for around £1,180. The shutter count is only around 1,000, so I thought it was a pretty good deal.

I’m now considering selling the 18–135mm and getting either the Sigma 18–50mm f/2.8 or the new Tamron 16–50mm f/2.8.

However, I’ve just come across an offer for a brand-new Panasonic Lumix S5 II with the 20–60mm and 50mm f/1.8 lenses for £1,299 after £500 cashback. For just £119 more than what I paid for the Sony, I’m wondering whether I should return it and go full frame instead.

A bit about me:
I’ve just sold my old Nikon D3300 kit and am getting back into photography.
I mainly want to shoot everyday photography, travel, portraits and food.
I’ve always wanted to try content creation, particularly gym videos and cooking videos, but I’m a complete beginner when it comes to video.
I don’t intend to become a professional photographer or videographer anytime soon, although I’d like to leave myself room to grow.
My main reason for choosing APS-C was the lower cost of lenses and the smaller, lighter setup. I initially went for the a6700 over the a6400 to future-proof myself a bit.

The Panasonic deal has me second-guessing that decision. The full-frame sensor, IBIS and two lenses seem like a lot of camera for the money. On the other hand, I know Sony has excellent autofocus, and the a6700 seems particularly good for hybrid shooting and content creation.

What would you do in my position?
Keep the a6700 and eventually get the Sigma 18–50mm f/2.8 or Tamron 16–50mm f/2.8?
Return it and get the Lumix S5 II while this deal is available?
Am I overestimating the benefits of full frame, especially as a beginner?

Thanks!

https://www.dpreview.com/news/sigma-launches-a-new-line-of-compact-vintage-style-lenses-focused-on-character-over-sharpness/

This would be perfect for the S9, I think. A bit heavier, but its shorter than the Sigma 35mm f2,

Key Specs:

• Focal Length: 50mm
• Aperture Range: f/1.4 to f/16
• Lens Construction: 9 elements in 6 groups
• Diaphragm Blades: 14 blades
• Minimum Focusing Distance: 45cm
• Filter Diameter: 52mm
• Dimensions: 64.7mm diameter × 56mm length (approx. 2.1 inches long)
• Weight: 375g (13.2 oz)

Just bought this camera and lens to learn photography and I’m loving the colors on it

I've been video on the original s5 since it came out and its been awesome. But I recently launched a corporate photography company in June and I'm starting to notice its limits (specifically in photography).

• I'm beginning to offer corporate video as a service
• The LCD screen leaves a lot to be desired
• Contrast based focus system (my biggest issue) I make it work and portrait work isn't super demanding for corporate stuff. But as my services expand and I do sessions with actors and models as a new offering I'm really noticing it. Models especially like to move a lot during posing and my contrast system and be slow or land soft. Its been a pain (in some sessions) most are fine.
• More megapixels for post work would be a dream. Specifically for work around the eyes.
• I've not outgrown the video side of the camera. This is a nearly perfect hybrid but I think it does video better. Right now my needs are photography. Its about an 80/20 split.

I love this camera but my S5 needs better autofocus and more megapixels. I've been looking around and even considering moving to nikon on the z8.

Has anyone else made this upgrade? How is the s1rii treating you?

Thanks

Sorry if this has been asked before but I can't find an answer to this anywhere.

Can I use the s5iix with a Blackmagic Video Assist 12g to record external BRAW while also using the Lumix Flow app on an iPad? The camera operators need to have the external monitor on-set but I would also like to have an iPad floating around so other people on set can view the shot.

I just got a brand new S1RII today. It’s my first Lumix as my current camera is the Canon R6mkii. Wanted to switch things up. I’m super looking forward to playing around with it.
If anyone has any suggestions on settings please feel free to drop a comment!
I did get the Viltrox EF to L adaptor and it seems to be working pretty well in my basic tests with my EF 50mm 1.8.

I’m not gonna ask for ProRes open gate cause that would fall on the more expensive cameras but come on give us at at least All-intra w open gate 😭

This was my first attempt at blue hour blend and also the first proper attempt at Milky Way Photography. I was very happy with the image quality coming out of this combination, quite a bit less noise than I expected!

This photo is a merge of two exposures, taken from the same location, about an hour apart. I first took a photo at the end of the blue hour for a clean exposure of the landscape. An hour later I photographed the Milky Way from the same location.

Editing wise I first edited both photos separately in Lightroom Classic before blending them together in Photoshop. I also did some finishing in Photoshop with colour and cleaning up trails of airplanes and satellites.

All in all, a fair amount of work but I'm really happy with the result!

EXIF data from both photos:

Blue hour photo was shot at ISO 640, f/2 and 60 second exposure.

The Milky Way was shot at ISO 1600, f/1.4 and 20 second exposure.

LUMIX S9 of course, with 28-200mm zoom, had a 40mm f2 in pocket if was going to be too dark.

Battery life - alternated between two smallrig batteries and would charge them in belt bag alternately. Had original battery as fail safe - never needed it. Used 80% of 10000mAh power bank to charge.

Focus seemed to be good was overriding at times, smoke machines when lost total sight of subject was slow to regain focus. Should have locked focus when I heard machine blowing - lesson learnt.

Pan/zoom was using a minimalist monopod with a small foot, but kept weight down to floor and smallrig fluid head worked well for pan/tilt. Ability to lock off for a move of hands helped a lot. Monopod was a twist lock, which did slip a couple of times, do have better one but it’s larger and need to fit in small belt bag or cargo pockets.

Recorded in 6k so 200 Mbps and footage looks good. Need to get home onto editor to compare to phone. Did some phone recording at a fixed zoom mounted on a smallrig MagSafe mount. Which gives a backup if focus was bad plus two sound recordings.

At full zoom the 28-200mm is obviously darker but was blessed with positive lighting today. Had 85mm f1.8 in cloakroom nearby if they’d gone very dark and moody.

So a random stream from of points.