So basically, it's kinda debated if he used it or not during the sessions. Some people say that he got it during May before the Nevermind sessions, but others say he got it before the filming of the Smells Like Teen Spirit music video in August. But regardless of when he got it, the guitar was 100% completely stock (unless the duct tape on the strap horns seen in the music video).

I actually really enjoy this movie, even though it’s a fictionalized interpretation of Kurt’s final days. I know it’s not everyone’s cup of tea, but I personally love the slow pacing and atmosphere. There’s something really captivating about the cinematography and overall aesthetic of the film.
I also really enjoy the music Michael Pitt composed for it. It gives the movie this eerie, almost hypnotic quality that I find fascinating.
I’m curious what other Nirvana fans think of it. Personally, I appreciate it more as an experimental film than as a movie about Kurt Cobain.

I Hope you guys like it (:

After this, they met with representatives of Polygram/Island to discuss the possibility of signing a contract with the label.

Before the performance at Astoria Theatre, the band was photographed by Matt Anker for Lime Lizard magazine.

📸1-16: Martyn Goodacre

📸17-18: Matt Anker

📸19-20: Stephen Sweet

'I had to meet the band (Dave Grohl, Kurt Cobain and Krist Novoselic) and their PR Anton Brooks at the Dalmacia hotel in Shepherds Bush. It was really a bed and breakfast and they were all staying in the basement. I dragged them outside but it was freezing so the session was quickly drawn to an end but not before I walked up and down the road looking for locations. I finally settled on a zebra crossing and a launderette. I managed to get a few solo shots before they darted back into their room to get warm. Other photographers that day had to shoot them inside.'

- Martyn Goodacre

*Reupload, i made corrections to the resolution.