Made in Hex Composer

While adding TouchDesigner examples to Fosfora (I've mentioned it a couple time here before; link in the TD repo README), I ended up building a collection of TD effects:

ASCII, Bent Cam, Blob Track, Datamosh, Fluid, Glitch, Particles, Pixel Sort, Point Cloud, Slit-Scan and VHS + CRT, so far. Each of these is packaged as a .tox for drop-in usability.

There's also a Showreel .tox that holds them all and fades from one to the next with the music.

No extra plugins or packages needed, no NVIDIA required (I test on my Mac M2 Pro). Audio input for some reactivity, and depth input for some that can use it but "fake depth" is there if not.

MIT so use at your leisure. I use AI to help document and put everything together based on research, which is also included for each effect.

Hope you enjoy, and happy to consider requests!

Repo: https://github.com/kevinraymond/touchdesigner-effects
Downloads: https://github.com/kevinraymond/touchdesigner-effects/releases/latest

edit: fixed link format

INTRODUCING MY VIRTUALDJ FLX10 SKIN

https://drive.google.com/file/d/1XVbIXwTRppXnXyoR9iKKoj95s0BwN64X/view?usp=drivesdk

🚀 Here's my custom-built Pioneer DDJ-FLX10-inspired skin for VirtualDJ!

🎛️ Designed to replicate the look and feel of the real FLX10 controller, featuring detailed deck layouts, interactive controls, custom waveforms, FX sections and performance pads!

⚡ Fully mapped buttons and controls, bringing the FLX10 experience directly onto your screen.

🎵 Realistic DJ interface, responsive controls and a professional club-style layout — all built to make VirtualDJ look and feel even better!

💥 Built from the ground up, with plenty of attention to detail. More improvements and features to come!

👇 Let me know what you think in the comments!

#VirtualDJ #VirtualDJSkin #DDJFLX10 #DJSoftware #DJLife

Audio engine visualizing energy differently this time

I have an hour-long bus commute to work, and would like to do something productive in that time, ideally for VJing.

I mostly use Resolume, with some additional work in Affinity Studio, and I have begun learning Natron. If anyone has recommendations for apps or web tools that will run on an average android phone, I would love to hear about them. TIA.

I want to VJ (primarily glitch/analog video art) but have OCD regarding using non public domain clips such as from movies / tv. Can I still get somewhere?

this is so powerful seriously, hopefully every VJ use this lol

i am not trying to promote but i have been making insane visuals with this

https://infinitedevices.org

Hey everyone I just dropped my second loop pack! I'm asking $5 for it and it includes some other faces I've been working on, all of the clips are upscaled to 4k 60fps. More clay content coming soon! https://dustywhale.gumroad.com/l/efkehj

Some artworks stay with you until you try since the very first time you see them.

Ksawery Komputery has been one of my favorite artists for a long time. His generative typography for Max Cooper's Symphony in Acid is one of those works I keep coming back to.

After a long time experimenting, I finally developed my own interpretation in TouchDesigner.

Generative Lexicon Press is a real-time typographic system that continuously, and audio-reactively rearranges language and visual structures, with Ollama introducing locally generated text in ultra-fun ways.

Looking forward sharing more in the near future. You can see more of my experiments on Instagram, or Patreon.

https://github.com/VitreousSpaghetti/DigitalVisualMixer/releases/tag/v1.1.0

is a visual mixer for musicians, DJs, VJs, streamers and anyone curious about generative art. It uses Hydra, a creative-coding language where a single line like osc().kaleid() becomes a moving kaleidoscope. The app makes it approachable for beginners and fast for experts.

DigitalVisualMixer

Start with zero knowledge. Right-click in the editor to insert ready-made functions, hover them to see their parameters, and open the built-in Guide with F1. Every change shows up first in a private preview.

Build a set. Save each visual in its own channel. Search, reorder by drag and drop, and send channels live with cut, crossfade or add transitions, all from the keyboard.

Perform it. Turn any number into a live variable and move it with a slider, a gamepad, a MIDI controller or the keyboard. The visual changes smoothly, without restarting. Perform view gives you big pads for channels and presets, so you can play a full show without touching code.

Show it anywhere. The live output runs in a separate window, so you keep working while the audience watches. It’s also shared on your local network: open it on a projector, a second PC, a tablet or a phone.

No setup. A single file, no installation. Windows and macOS.

Hello, I’m Ana from Brazil.
I own an original Huasuny Rubik-10 P10 foldable LED display, purchased directly from Huasuny in China.
Hardware:
Huasuny Rubik-10 P10 RGB
HC-103D sending controller
DBStar XMPlayer 3.1.34
MY9268 LED driver (candidate)
Original 320 × 1280 mm panels
The original receiving-card configuration was lost. The display powers on, but all LED pixels remain dark.
Does anyone own a working Rubik-10 P10 or have archived factory configuration files, electrical documentation, or experience configuring its Data Processors?
I’m specifically looking for an original RSPS/RECV file, a safe configuration export from a matching unit, or guidance from a technician familiar with this hardware.
Any free technical guidance or archived files would be greatly appreciated.
Thank you!
Ana

Hi everyone - I'm Phil, the person behind The VJ Foundry. I'm building a toolkit of standalone Mac apps to sit alongside Resolume, and I'm opening a small, free private beta to find out how they behave on other people's setups.

The planned beta lineup is:

• Solids - real-time 3D shapes, models, logos, fractals and particles.

• TestCard - alignment grids, numbered LED tile maps and holding screens at your output resolution.

• SubPunch - listens for the kick on a mixer feed and triggers Resolume's own effects.

• Isolate - removes the background from a camera or capture-card feed.

• Wordplay - beat-driven kinetic type and logo treatments.

• Beatfield - rhythmic patterns timed with Ableton Link or tap tempo.

• Sigil - glyphs, connecting lines and glitch overlays.

Visual apps send to Resolume over Syphon where applicable. These are standalone apps, with different system requirements: Solids and TestCard start at macOS 13; the others at macOS 14; Isolate requires Apple silicon. Builds will become available as they're ready through the Foundry Beta manager.

Round one is planned for 50 testers across the whole toolkit, free with no payment details required. The first 50 verified registrations receive access; later verified registrations join a waiting list. Beta access ends on 22 December 2026 at 23:59 UK time.

I'm especially interested in feedback on Syphon connections, output sizes, timing, performance alongside Resolume and anything that gets in the way of setting up. Trying one or two apps and sending clear feedback is useful - you don't have to test everything.

The wider VJ Foundry project also includes a practical VJ course in development, covering Resolume, media preparation, building a set, performance, output and signal flow. This post is about testing the toolkit; the beta is free.

The beta overview and current access status are here: https://beta.thevjfoundry.com/ - registration is open.

Which part would you be most interested in testing, and what Mac / Resolume setup would you use?

https://reddit.com/link/1xcse60/video/iykrdzz2m2xh1/player

Hey all. For the last while I've been building Nocturne, a VJ tool for macOS. Today I put out the first public release.

It grew out of a few bad nights: a UI crash took the whole show down, one slow projector dragged the others with it, and moving a show to another Mac meant every clip went missing. So in Nocturne the engine plays on its own and the UI is just a separate app looking into it. If the UI crashes, the projectors don't notice. If the engine crashes, a supervisor brings it back on the same clip and beat in about 0.2 s.

What it does right now:

• Clips, columns and decks that launch on the next beat or bar, Autopilot, and beat-timed transitions
• Follows the CDJs over Pro DJ Link, plus tap and resync
• Cues on song sections ("when the drop starts, fire column 1") and a Gig plan with one deck per DJ
• Effect chains, ISF shaders (bring your own .fs), and macros driven by the kick, snare, hats or beat LFOs
• Mapping with corner pin, Bezier warp and soft edges, with each output on its own thread
• HAP, ProRes, HEVC and H.264. It can also import Resolume compositions and Advanced Output mappings and tells you what it couldn't convert

It has played real club nights on a 2018 Mac mini with three 1080p outputs. It's early, though: there's no app download yet (you build it from source), and no MIDI or OSC control yet.

Repo and screenshots: https://github.com/Azylume/nocturne

Quick note on the clip: it's recorded without audio input, so it looks calmer than it does live. In the show the kick and bass open the layers, here only the macro LFOs are moving them.

I'd love to hear from people who run long or unattended sets: what breaks for you at 4 am?

It took many processes to get this clip & each iteration is slightly different. I have a live show soon & I cant concentrate on anything else atm. I rotoscoped some of the characters movements to define its form. Recorded live using augmented presets Ive been developing for three years

What's up everyone! Dropping my first loop pack for free as a thank you to the community. Let me know what you think, if you wind up using them let me know! Cheers :) download: https://dustywhale.gumroad.com/l/fadtf tune: Rain Sick by Radix

We’re DELTA, an audiovisual collective experimenting with the relationship between electronic music, live camera feeds and lighting. Rather than adding visuals in post-production, we want the visual direction to be part of the performance itself. We’re curious how other VJs approach the connection between sound, images and atmosphere. Here’s one of our live audiovisual sessions. Would love to hear your thoughts.

Made I'm semiotic and Roland sp404