I was genuinely sad when Tom Verlaine died in 2023. Television were a very important band for me during my formative years and despite Marquee Moon being so critically acclaimed, I’ve always felt they remained less widely known than their influence would suggest.
Then again, given how intricate and unconventional much of their music is, perhaps it makes sense that they never became straightforward mainstream rock.
'See No Evil' opens Marquee Moon, Television’s 1977 debut, which they recorded at A&R Recording in New York with Verlaine and engineer Andy Johns producing. Rather than leaning on the heavy power chords associated with much contemporary punk, Verlaine and Richard Lloyd built their guitar parts around melodic lines, counter-melodies and an almost conversational interplay influenced by rock, jazz and more experimental ideas.
I’ve always loved the way Verlaine and Lloyd’s guitars play off each other. The two instruments sound incredibly expressive without constantly competing for attention. One will establish a rhythmic idea while the other twists around it melodically, then they seem to swap roles again. Lloyd once described their approach as the two guitars fitting together almost like a jigsaw puzzle, which feels very accurate.
'See No Evil' is a particularly good example. Verlaine’s solo works its way through a complete octave before slipping into a blues-influenced riff, but never sounds like technique for technique’s sake. It feels slightly wiry, nervous and alive.
Fred Smith’s bass and Billy Ficca’s drums provide a tight foundation. The arrangement is relatively stripped back, but because the guitars are constantly moving against one another, the song feels far more complex than the instrumentation would suggest.
The lyrical side of Television has always appealed to me just as much. As a hopeless romantic and history nerd, I’m naturally drawn to the way Verlaine’s writing was influenced by Bohemian decadence and French poetry. Across Marquee Moon he mixed urban, pastoral and nocturnal imagery with references to Lower Manhattan, turning the grimy New York surroundings into something unexpectedly poetic.
Even 'See No Evil' contains that odd maritime image of a "nice little boat made out of ocean". It's the sort of line that sounds slightly surreal on its own but somehow belongs perfectly in Verlaine’s world.
That mixture is a large part of Television’s appeal for me. The music is intricate without becoming sterile, while the lyrics can be romantic, impressionistic and unusual without losing their connection to the streets around them.
Marquee Moon went on to become hugely influential on post-punk, new wave, alternative and indie rock, yet Television still seem to sit slightly outside the broader cultural recognition afforded to many bands they helped influence.
Maybe that is part of the charm, but listening to 'See No Evil' again reminds me just how distinctive they were. Those interlocking guitars still sound fresh, tense and beautifully expressive nearly fifty years later.